Carpe Diem, by Autumn Cornwell

Vassar is a master of planning (from a family of planners) and she's got it all figured out: HS Valedictorian, attend Vassar College (hence, the name!), get PhD, win Pulitzer, and so on. But when her Grandma Gerd (the family flake) invites her to come to Southeast Asia for the summer for less than two weeks' notice, Vassar gets the surprise of her life when her parents insist that she go! Never mind what plans it will ruin. Something is definitely up, but to find out what it is, Vassar will have to go and learn a lot more about Grandma, Asia, and herself than she could have ever possibly imagined.

Long-ish, but entertaining, with a nice mixture of self-discovery, romance, adventure, and some minor suspense. You know how it is all going to end (especially with the amazingly exaggerated beginning), but you have to credit the book for being a decent read. It doesn't drag and you do get caught up in it. Now, why anyone thinks that going to Vassar is their life-long ambition is beyond me (been there, have the AB cum laude to show for it!), but I guess it is better than calling her Barnard!

Song of the Sparrow, by Lisa Ann Sandell

In this verse retelling of the story of the Lady of Shalott, we cover some of the basic foundations of the Arthurian Myth -- Arthur's rise to be king, the drawing of the sword, the marriage of Gwynivere, and more. But the retelling is from the perspective of the women and this creates a different point of view, as they play a much more integral part in the story than usually befalls their characters.

Telling the story in verse is a bit lazy (it saves the trouble of transitions or deep character development) and the research a bit spotty (who ever heard of mending chain mail [!] with a needle and thread?), but the story is decent and the pacing good. As an adventure, this works fairly well and is a quick read. But it is a bit thin though and I would have preferred a meatier story (perhaps like that recent retelling of Orphelia's role in Hamlet?).

For Now, by Gayle Friesen

In this sequel to Losing Forever, Jes is still blurting out whatever pops into her head at the most inopportune moments, but her life is evolving. Her Mom has become pregnant and blending Cal and his yoga-meditation fanatic daughter Angela into the family is proving trying. Jes's friend Dell is swept away by a creepy boyfriend and Jes herself needs to figure out if she wants to date boy-next-door Sam or not.

Mildly humorous and generally well-written, the biggest problem with this story is that it really isn't about anything. In a fairly realistic way, events happen and people change, but it is mostly about getting from where the book started to where it ends. In a serial, that would make for a decent book, but taken by itself, this story does not have much of a purpose.

The Secret Life of Sparrow Delaney, by Suzanne Harper

When Sparrow gets a chance to transfer to a new bigger high school, she jumps at the chance. Anything she can do to get to a place where no one knows her or her wacky family, the better! You see, her family are spiritualists (mediums to the spirit word) who make a living out of contacting the dead. And Sparrow, the seventh daughter of a seventh daughter, doesn't want anything to do with it. She's been hiding her own talents since she was 5 in an attempt to simply be normal. But a boy at school and an annoying ghost are doing everything they can to change all of that.

Clever and funny, with lively characters and a fast-moving storyline, this is a good read. It falls into the category of a guilty pleasure for me, because it does not have a great deal of substance, but it's still fun. While there are a number of underdeveloped elements in the story, nothing will grate on you if you want some light entertainment.

Girl At Sea, by Maureen Johnson

Clio is forced to leave her great incipient job at the galaxy art store, working with boyfriend-to-be Ollie, and spend the summer in Italy on a boat. But before you roll your eyes and tsk tsk about Clio being some sort of spoiled brat, keep in mind that Clio's absent Dad previously got her nearly killed and later on got her a big tatoo on his arm, so he's not the wisest of Dads in the package. And this summer jaunt is some sort of ultra secret mission involving sunken treasure, men with guns, and a love triangle. So, it's not exactly fun in the sun!

Johnson writes well and combines an engaging heroine and a lot of drama into her stories. It's taken me a while to in fact become familiar with her style, which combines typical teen angst (parental conflict, fighting with friends, and insecurities about the opposite sex) with action sequences that start normal and then quickly veer into melodrama. It really shouldn't work and if you tried to explain this book to a friend, they would look at you like you were nuts (too touchy feely for boy readers and too much action for the angsty Judy Blume graduates), but it really does work. A truly enjoyable and fun read with satisfying emotional depth.

The White Darkness, by Geraldine McCaughrean

Sym has always been a bit obsessed by Antarctica, and under the tutelage of her doting Uncle Victor, she has learned a great deal about it. Victor has little tolerance for formal schooling and a lot of influence with Mum (ever since her Dad died), so when he proposes a trip to Paris in the middle of exams, but that trip to Paris quickly becomes a trip much further south. And, in the land of her dreams, Sym discovers that her uncle is a bit different than she imagined. But inside herself, she her a friend - the ghost of Capt Oates of the ill-fated Scott expedition to the Pole. Will it be enough to save her in the bitter wilderness of Antarctica?

Yes, it's this year's Printz winner, so it deserves a lot of respect, but it's hard for me to take seriously anyone who idolizes Scott (one of the greatest fools who ever explored - a point carefully ignored by the Brits who can't stand the idea that a Norwegian did it better by not being an arrogant twat, but I digress....).

British children must either be incredibly gullible and trusting of adults, or the people who write these books want to believe they are. It seems something of a trademark to have a child who lets horrible things happen to them simply because they believe that the grownups will take care of them. American teens (or the adults who write about them) are more cynical. In a post-Nixon America, no one buys the idea that the grownups will take care of you. Rather, we know that you can't trust anyone over the age of 18. This is no small matter. Much of the story centers around Sym's blind faith in her uncle and the horrible (and utterly telegraphed) fact that he is letting her down. That she finally realizes this around page 307 is utterly unbelievable, but if you can't believe it, the book is a hard slog.

Holding aside that tragic flaw, the book has decent writing and once you get used to Sym's precious dialog with the ghost of Oates (I tended to gloss through it because of the sheer tedium), you do get into a good roll. I'll even admit that I had trouble putting the book down once I hit page 150 or so, but that's because it is a decent adventure story and I'm a sucker for Antarctica.

Decent enough read? Yes. Clever story telling? Perhaps. Best YA book of 2007? Not even close.

Derby Girl, by Shauna Cross

They say that a writer should write about what they know, so if you are a kick-ass roller derby star in L.A. who comes out of the Lone Star state, then your first novel is going to be about a young woman in Texas trying to break out of her parochial small town to become a kick-ass roller derby star. Bliss is said small-town roller wannabee, condemned to years of trying to please her mother on the pageant circuit. And while neither her town or her family understands her, Bliss knows what she wants and with the help of some friends, she is going to get it.

Clever and witty, and written in a very colloquial style, this book is an easy read. It's also fast-paced and manages to avoid tiring you out. The slang and constant cool nature of the characters does run the risk of getting old, but as it does, even Cross makes fun of her heroine's heavy reliance on a few choice words. I will take the author to task for never really showing her character struggle (no problem weighs Bliss down for long), but escape lit is supposed to be fun and this one delivers like a whip.

Bad Girls Club, by Judy Gregerson

In their family, Destiny is the one who keeps things together and protects her little sister from their mother. There's no help from Dad as he cannot accept what Destiny tells him (how Mom tried to kill them) and cannot deal with his problems. Destiny's friends try to help as well, but in the end Destiny knows in her heart that she must fix everything. No one loves a bad girl.

I'm not a big fan of the niche of YA lit that puts the characters through endless suffering and less of what I have to think of as a teen fantasy (what if...my parents really were certifiably crazy?) about abusive/neglectful parents. But what usually bothers me in those stories is the gratuitous depiction of suffering with no attempt to escape -- the literature of victimization. This book is very different.

From nearly the first page, we see that Destiny is a strong and able young woman (maybe sometimes even too strong?) who fights for what she believes in. But we also see how she gets sucked down by trying to care for a mentally-ill parent. We also get a good sense of what she is fighting for and why she endures such a terrible situation. We come to believe in what we are seeing and thus to care for the people involved. The result is extremely moving (and disturbing) reading. I can't say that I enjoyed reading this book but it left me with a better understanding of abuse and mental illness.

Love, Stargirl, by Jerry Spenelli

Stargirl has moved away from Arizona to Pennsylvania. It is a lonely place. She's back to being homeschooled and misses the folks back in the desert. In her loneliness, she starts a letter to Leo that fills the entire book. In this letter she describes her new friends (talkative six-year-old Dootsie, agoraphobic Betty Lou, feisty Alvina, distant delinquent Perry, and others) and her attempts to keep her wagon full of pebbles.

The writing maintains its sweet melancholy, but as the narrator's perspective shifts from Leo to Stargirl, the appeal of the story fades. In Stargirl, there was a worshipful distance between us and Stargirl, a sense of mystery, and a sadness of the narrator realizing that he never really appreciated her. Stargirl may have been put on a pedestal, but it was a beautiful view. Switching the story to Stargirl's perspective in this second book cuts away at that mystery. Instead, Spinelli relies upon quirky outside characters to enliven the story. Stargirl loses much of her quirks as she loses her mystery. In the end, she becomes more than Opal in Because of Winn-Dixie (an excellent book to be compared with, I might note), but she isn't really Stargirl anymore. And even she knows it.

How To Ruin A Summer Vacation, by Simone Elkeles

Amy has hardly ever seen her Dad (the "sperm donor"). He shows up about once a year but otherwise ignores her. So, it's quite a surprise when he insists that she come with him to Israel for a summer. Amy does not quite know what to expect. She's heard enough about Israel but does not know much about it. And her reception there, meeting her father's family, is pretty rough. But over the summer, she grows out of her selfish American roots as she discovers new friends, new love, and an ancient heritage.

The book is well written but I found it hard to relate (or sympathize) with Amy, who is fairly self-centered and rude. And her transformation comes so easily that it seems either fake or simply wishful-thinking from the author. That made it hard to like the book.

Book of a Thousand Days, by Shannon Hale

When Dashti, a mucker from the steppes with the gift of singing the healing songs, comes to serve the Lady Saren, she does not realize the cruel fate that awaits her. Saren has been sentenced to live seven years in the tower for refusing to marry the evil Lord Khaser, and for holding out for Khan Tegus. But their days in the tower are simply the beginning of an epic that will take every skill and talent the girls have to survive.

A satisfying but predictable fantasy. Based on a Grimms brothers tale, but transplanted to a pseudo-Mongolian setting, the book has a pleasing combination of familiar and exotic elements. The biggest thing in an adventure book, of course, is whether it holds your interest. I found this one hard to put down, grudgingly setting it aside and eagerly returning to see what happened next. Even if the ending was pretty easy to figure out far in advance, sometimes that's a comfort and getting there is the fun.

Clementine, by Sara Pennypacker

Clementine is a third grader who doesn't understand why adults are always accusing her of not Paying Attention. She's paying attention, butjust maybe not to the things the adults want her to pay attention. And while she has a series of accidents (like cutting her friend Margaret's hair or coloring her own hair with indelible ink), she also has some pretty good ideas about pigeons.

A delightful wonderful little book, admittedly for a younger age group than I normally read. But when you need a break from the doom and gloom of YA, it's time to crack open this book. And while parents, babysitters, and teachers may cringe a bit through some of Clementine's adventures, this is a funny read. Highly recommended.

21 Proms, ed by David Levithan and Daniel Ehrenhaft

I figured that a collection of 21 stories about going to your Prom would get pretty repetitive really quickly. Boy was I wrong. From the sweetness of the poetic "Off Like A Prom Dress" to the weirdness of a teenage bacchanalia plotted by the Latin Club in "In Vodka Veritas," there's an amazing variety in these visions. Best of all, they are all short stories so (good or bad) they are over quickly and this gives the authors an opportunity to really shine. There are unusual points of views ("Shutter") and odd characters ("Mom called, she says you have to go to prom"). There are surprisingly touching stories ("How I Wrote to Toby") and pieces of social protest ("Primate the Prom"). In all there are 21 stories here and every one of them is different and strangely unique.

Short story collections can be a rough bunch and there are definitely weaker/stronger stories in this collection, but as a whole this is a wonderful collection of stories that loosely centers around a single topic. A strong recommendation. If nothing else, it provides a great view of the variety among contemporary YA writers.

Leap, by Jane Breskin Zalben

Krista has liked Bobby since third grade (when he gave her a box of chocolates), but she's always been closer friends with Daniel. Now that they are all older, Krista finds her friendship with Daniel inconvenient as she tries to attract Bobby's attention. When an accident handicaps Daniel, Krista finds that he needs her help and that changes everything. Many subplots ensue, including Daniel's mother abandoning her family, a science project, and a trip to the city to get a tattoo. Told from the perspective of Krista and Daniel in alternating chapters.

I really wanted to like this book (it came with strong recommendations) but there are so many problems with it. For an award-winning author, it was surprising how poorly written the work was. The dialogue is clunky, important background is excluded, and the plot veers dangerously all round. Zalben seems to understand what people do, but she has little-no interest in describing how they feel. At first, I thought she was simply more interested in her adult characters than the kids, but I grew to realize that she simply had no interest in any of them. There's a lot going on in this story, but I felt distanced and shut out by the lack of depth in the characters. A disappointment.

Unfinished Portrait of Jessica, by Richard Peck

In this YA classic, Jessica (granddaughter of the namesake of the title) hates her mother for driving her father away, and when she gets the opportunity to go to Acapulco to see him for Christmas, she jumps at the chance. But the fantasy she has weaved about her father falls flat as his true colors are revealed. Jessica comes to realize that while he may not love her, there are others that do.

Fairly predictable and sanctimonious story about a spoiled child who grows up. Written without much of an authentic voice, I can't help but wonder why this was once a popular novel, but it is an instructive read: a good example of what YA once was like, before authors really took teen voices seriously. An interesting piece of literary history and a quick read, but flat and uninspiring.

This Is What I Did, by Ann Dee Ellis

Perhaps better titled as "this is what I didn't do," this is a story about a boy named Logan who is incapable of doing anything. A modern day Oblomov, Logan spends a lot of time telling us what he would like to do but very little time doing any of it. He once witnessed a horrible crime that involved his best friend and that event has haunted him and prevented him from defending himself in the future. As a result, he is bullied by other boys and their friends. Only a similarly outcast girl who loves palindromes will take to him.

The book is clever enough, I suppose, and you may enjoy it, but I found Logan completely maddening and useless. Watching him get beat up for 150-odd pages is not my idea of a good time (or a good read). Without real character growth, I just found myself terribly frustrated and tired by this book.

Country Girl, City Girl, by Lisa Jahn-Clough

Phoebe has managed on her farm in Maine just fine, taking pictures and telling fairy tales to the animals. It's true that she's had to manage without a mother and that she does not have a lot of friends, but things have generally been fine. But when sophisticated Melita arrives from the Big Apple, that world gets turned upside down. It isn't just that Melita is pretty and wears fancy clothes, but Melita pushes Phoebe to break out of her shell. And as Phoebe does break out, she realizes that her feelings for Melita are becoming more than just friendship.

The surprise find of 2007 for me was Jahn-Clough's unconventional novel Me, Penelope so I was definitely looking forward to reading this earlier work. Country Girl, City Girl is a more predictable story, but does not disappoint. The characters are nuanced and real, the plot is hardly formula (but still satisfying), and there is a nice dramatic arc to the story. Phoebe's jealousy is hard to relate to (but jealousy is always a challenging emotion to make sympathetic to an outsider). I give Jahn-Clough very high marks for breaking free of traditional YA tropes. You will enjoy these characters and they will seem familiar, but they will not necessary fit the stereotypes.

Miss Smithers, by Susan Juby

OK, back to the reviews....

It's been a year or so since Alice, I Think left off, but in this sequel, Alice McLeod is still muddling through life in Smithers BC. Her younger brother may be the one who is all together, but Alice is sorting out how to lose her virginity to her boyfriend Goose, finding a pair of leather pants, learning how not to hold her liquor, and proving that even a freak can compete in the Miss Smithers Pageant. As before, Alice is a crazy mix of fantastic insight and crazed misconceptions, and you have to love her energy and commitment.

Clever and fun writing, you either love Alice or you hate her. Several of my friends can't buy her character and hate these books, but I admire her stamina and drive, and just enjoy her twisted view on life. Juby is a genius writer in my book and these quirky books are uniquely pleasing.

A Small Request

Not a book review, but more of a request to folks reading my BLOG: while I don't mind having comments on my posts (and in fact, I would welcome more discussion about the books I am reviewing), I do get tired of people posting that my comments are irrelevant because of my gender or my age.

I fully understand that my tastes may differ from people a generation removed and I acknowledge the differences between male and female preferences, but to suggest that I can't appreciate a book that is targetted towards a teenage female audience is not true. 95% of what I review here is targetted towards teen girls, and I have enjoyed the bulk of what I have reviewed (I've only panned 36 out of 420 books to date).

I will like some books that you may hate and you may like books that I pan here. That's fine and I openly welcome comments that contradict my reviews. But let's keep the discussion on the merits of the book and avoid personal attacks on the reviewer. Thanks!

Falcon's Prey, by Kristina Coia

I haven't had a chance to read much lately, but I did mange to get this slim novel in...

Ana is the princess of Prantarr, but when a natural disaster triggers a war between Prantarr and Delmaa, she and her brother must flee for their lives. Befriending a Delmish boy, they fight against merfolk, dragons, and other beasts in the course of the trek. The journey opens Ana's eyes to the truth of her kingdom and the challenges of the world.

I found this book through a strong recommendation and I wanted very much to be stunned by it on its own merits, but I'll offer this split review instead. If you consider that the author was only in 8th or 9th grade when she wrote the story, it is an amazing achievement -- a very creative story with a good attempt at character development and a deep message about transcending our differences. However, as a work of literature, Coia is still a developing author. The text is heavy with cliche and clunky. The story needed more fleshing out and revision. A writer's group and a good editor would be valuable allies. All of which is intended as praise, becuase any high school freshman who is ready for an adult writer's group is a serious asset. Expect great things to come!

Pieces of Georgia, by Jen Bryant

Georgia is dealing with a distant father (and a dead mother), chronic heartburn, and a friend who is experimenting with drugs. On a more positive note, she has a talent for art, which is promoted by a anonymous gift of an annual membership at the local art museum, where Georgia falls in love with the paintings of the Wyeths. Through her journal (in prose poetry), she relates all of these events in her life.

Functional and readable, this novel falls on familiar ground with few surprises. That does not mean that it is bad, but there is not much new here. The verse is not terribly poetic (more like disjointed thoughts crammed together), but it works well for being like a journal.

Angelmonster, by Veronica Bennett

A fictionalized account of the early life of Mary Shelley, the novel traces Mary's life from her acquaintance with Percy Shelley to his death (and her publication of Frankenstein). Rich in period detail, the facts of the harshness of early 19th century life will interest fans of the era.

In my professional life, I have always had a strong interest in William Godwin and Mary Wollstonecraft (Mary's parents), so a novel which traces their equally-famous offspring is a treat. I found this particular account to be functional and revealing, but not strongly engaging. And I wonder how much interest it will hold for a reader without a previous inclination to learn more about Mary Shelley.

The Boyfriend Rules of Good Behavior, by Catherine Bateson

Millie and her mother relocate and find love, although her mother's boyfriend ends up being a better choice (mentoring Millie in photography and helping her with a school project). But mostly, this is just a collection of random anecdotes about being a teen.

The sheer plot-less and random nature of the story left me wondering what the point was. Ideas are introduced (problems fitting in at a new school, a bully, etc.) but left undeveloped. It basically seemed as if Bateson did not know what she wanted to write. Leaving us with no story at all.

Guinever's Gift, by Nicole St. John

At the turn of the century, Lydian Wentworth, after the death of her overbearing father, receives an invitation to visit the reclusive Arthuria-obsessed artist Charles Ransome. Charles is a family friend with whom her father mysteriously parted ways years before. In a whirlwind, they become engaged and maried. But things turn dark as Charles falls into an obsession with finding the grave of Arthur. The household as a whole goes to madness, murder, and dark secrets revealed. Melodrama ensues.

Not quite sure how this classic romance/mystery ended up on my YA reading list, but it was probably a mistake (perhaps a confusion with a similarly-title YA novel coming out in 2008). I found this older novel terribly overblown and pretentious (and more than a little bit silly). Probably better thought of in retrospect than in the actual reading. Avoid.

Quaking, by Kathryn Erskine

Matt (short for Matilda) has been passed from one relative to another, never quite working out wherever she's been. The experience has made her bitter and angry, but when she comes to live with the Fox family and learns their Quaker ways, she encounters a force that she had not counted on. And as a prejudiced teacher and a bully taunt her, she uncovers the inner strength to stand up for herself and stop being a victim.

For the most part, this is straight by-the-numbers finding-your-inner-self stuff. No major surprises and the bad guys are painted depressingly two-dimensionally. However, it is rewarding and mildly educational.

I was drawn to it by the Quaker stuff (since I am one). The setting in a Quaker family provided a lot of in-joke opportunities and I got a good laugh out of Matt's description of Meeting for Worship. Mostly, I forget that most people don't know this stuff (since I started attending at the age of 9, it was all second nature to me by my teen years). I was a bit concerned that the author would misrepresent Quakerism, but it was actually a fair and decent portrayal.

Guyaholic, by Carolyn Mackler

In this sequel to Vegan Virgin Valentine, we've come a long way. V has been (barely) surviving living with her grandparents, trying to avoid attachments, and dealing with her distant mother. So, when she completely blows it with her latest best thing (Sam) she grasps for something she can do to get away. And, strangely enough, roadtripping to see her Mom in San Antonio makes some sense. Roadtrip ensues.

A rather odd short novel. It has much of the charm of her other novels, but didn't quite grab me as much. V didn't do much for me in the first novel and she has not grown on me much this time around (although if you do like her, I'm sure you'll enjoy the book). There is some decent humor and V remains a realistic character, but I couldn't get into her. Not one of Mackler's best writings (but still a decent read).

Me, Penelope, by Lisa Jahn-Clough

In some ways Lopi (short for Penelope) has it all together. She's managed to shave a year off of high school and will graduate early this year. She has a good friend Toad and a couple other important folks in her life. But her relationship with her mother is rocky (made worse by the death of her baby brother when she was only 6) and she longs for love - or at least for sex. The latter is a particular struggle for her as she attempts to sort out the meaning of "love" and what she is really looking for.

Touching and insightful, this is a stunning novel and a model of moderation. There is angst (but not too much), there is sex (but neither squeamish nor prurient). We have the expected conflict with Mom and a rapproachment at the end (but handled delicately). We even have some potential melodrama (dead brother), but it is handled gracefully. In sum, Jahn-Clough is an excellent writer, creating a heroine who sounds real and sympathetic. This is not a flashy novel, but it is a beautiful piece and one of the best I have read this year. Strongly recommended.

Between Mom and Jo, by Julie Anne Peters

Nick's family faces a series of challenges: illness, separation, isolation, and alcoholism (to name a few). What makes the family different (and yet also very much the same as any other family that has struggled) is that Nick has two mothers.

It would be tempting to see that particular twist as a gimmick (either to portray a non-traditional family as being just like a "normal" one, or to get on a soapbox), but Peters does not do gimmicks. Instead, we get a very insightful and moving story about love and family that is unique ofr its setting. She shows us that while people are certainly people, that there are dynamics to same-sex parenting that differ. In the past, I've found Peters's novels to be near misses (Luna and Define
"Normal" were strong contenders though). Here, she really scores and produces a simply outstanding work. Recommended highly.

River Secrets, by Shannon Hale

In this third installment of the Books of Bayern, the war is over but emotions still run hot - especially in Tira. An embassy from Bayern must figure out a way to promote peace amidst warmongering fanatics and a mysterious case of burned bodies that keep showing up near fire-burner Enna (now allegedly sworn to peace). But front and center to this story lies loyal small Razo, who gets to play a prominent role at last after being only a side character in the first two novels.

While this book does not stand out in any specific way, it is a good read. Hale continues her tradition of providing above-average fantasy. The stories have some action, a lot of romance, but a strong underlying humanism, making them a pleasure to read. Entertaining and enjoyable (but read Goose Girl and Enna Burning before you get to this novel).

Before, After, and Somebody In Between, by Jeannine Garsee

Martha has a lot of troubles to deal with. She's one of the few whites at her inner city school and been singled out for bullying. But no torture from her classmates can compare to the living hell that her alcoholic and abusive mother puts her through. And when her Mom isn't after her, it's an abusive boyfriend (hers or her mother's) or a jealous girlfriend. Life is simply one nearly uninterrupted hell. Her only respite is her incredible musical talent with the cello.

An incredibly dreary and down read, recommended for masochists only. This is a book which reinforces the notion that YA literature should hurt (see Rules of Survival for another recent example of the genre). The writing is decent but there's not much to recommend a novel which consists of a heroine who has nothing but anger and bad luck and never ever manages to grow. Depressing and unnecessary.

Memoirs of a Teenage Amnesiac, by Gabrielle Zevin

After a fall down the stairs at school, Naomi loses her memory - not all of it, just the last four years. And in that refreshed state (where her last memory was of the age of 12), Naomi reexamines her life (boyfriend, hobbies, and family). The process surprises her and those around her and leads to changes that startle everyone - even the reader.

Zevin's Elsewhere was a refereshingly new type of novel. This one starts with a less-original premise (Regarding Henry, anyone?) but handles it in an amazingly fresh way. There's a bit of melodrama and the story may run a bit long, but Zevin is becoming one of the really great novelists of YA. Recommended.

Tasting the Sky, by Ibtisam Barakat

In flashback, Ibtisam tells the story of her growing up as a Palestinian refugee after the Six-Day War of 1967. On one side, it is an extraordinary story of survival, but it is also a tale of an ordinary childhood. She plays, she has successes and failure. She struggles with fear and loneliness (an early love for the alphabet, a lost pet, and a few more sinister encounters).

While mostly random anecdotes and with a narrative that speeds up and slows down annoyingly at will, this is still a charming and beautiful book. Barakat is an excellent writer (her early love with words shows through). Her story is engaging and revealing. It won't solve the problems of the region, but it will give you an interesting window through which to view them.

The Lottery, by Beth Goobie

Every year, the school's unofficial Shadow Council would select a student in the Lottery to become the "dud" of the year, condemned to carry out the Council's dirty work, and shunned by the entire school. This year, Sal becomes their victim. But Sal's story is complicated and the choice of her turns out to be less random (and more fateful) than anyone could expect.

An odd mishmash of idea, this novel has a great premise but allows itself to get bogged down in subplots that don't really add to the story (a borderline autistic student, a dead father, an uncommunicative mother). In such circumstances, I am prone to believe that the author needed a better editor. Goobie is apparently well-honored by her native Canada so she can write, but she doesn't apparently know enough to write a trim and taut story (which a thriller like this really wants). As a result, some really interesting conclusions get lost in the haze.

Izzy, Willy-Nilly, by Cynthia Voight

When Izzy loses half a leg in a car accident, she goes through all of the usual stages of grief (anger, tears, etc.), but it takes her a while to come to grips with how it will affect her, her family, and her friends. But life does go on and Izzy must find the strength to restart her life, return to school, and rebuild her friendships. With the help of a persistent new friend Rosamunde, she does that and more.

A charming, if somewhat long, novel about rehabilitation. For the most part, it is predictable, but the characters are realistic and believable, and there is a good pay-off at the end. Good entertainment with redeeming qualities. (Apparently the book is frequently assigned in school, which is a shame, but you could be forced to read worse!)

The Melting Season, by Celeste Conway

Snegoruchkka, the classic Russian ballet, serves as a metaphor for Giselle (another ballet metaphor in itself), a ballerina at an elite dance institute/high school in NYC who struggles to break free of her routine. It is a comfort for her to live in a world where her mother is evil, her late father was a saint, and her toys sit undisturbed on the shelf. But a new boyfriend and a desire to expand herself pushes Giselle into a new world with the unearthing of deeply buried secrets.

With a storyline that juts out in all directions and clunky dialogue, Conway is a mixed bag. The idea of the story is excellent but underrealized. For a story about ballet, for example, one really wanted to read more about the dancing itself. But there is promise here that a future novel might shake out the leaden parts and reveal a real talent.

Enna Burning, by Shannon Hale

In this sequel to Goose Girl, the attention now turns to forest girl Enna whose brother discovers a strange vellum scroll that teaches him the ability to speak fire. When that skill causes his untimely demise, Enna takes on the mantle of fire witch and helps her beloved Bayern defend itself from foreign invaders. But the power of fire is formidable and Enna and her friends must find a way to control this power or Enna will be destroyed.

Like Goose Girl and Princess Academy, this is a rich tale full of lots of adventure and strong characters. But Hale also includes some nice subtle lessons about friendship and the anxieties of growing up. All very wonderful stuff. Her stories do tend to wander on and a story that simply went from beginning to end might have been better, but even Tolkein had trouble finishing his novels.

Looking for JJ, by Anne Cassidy

Six years ago, Jennifer made a horrible decision and brutally killed her best friend. Both she an her victim were only ten years old. Now she's been released and everyone is obsessed with finding "JJ" and only a few people know where she is. One of those people is Alice - who know because she is JJ's new identity. In the story that unfolds, Alice both tries to carve out a new life and avoid a past that some want her to forget and for which many more want her to atone.

An interesting premise and an engaging read. British authors like Cassidy seem to feel an overriding need to connect all of the dots, but by the book's mid-point, this novel picks up some steam. I was disappointed that the book never reaches any sort of catharsis, but that didn't make it any less interesting.

The Rules for Hearts, by Sara Ryan

Battle is spending the summer before college at a coop in Portland. What she knows (and her parents do not) is that her long-estranged older brother is there too. It's been years since they've seen each other, but any reunion of the sublings is upstaged by a production of Midsummer's Night Dream in which everyone in the house is participating, and by Battle's relationship with the older Meryl.

A mildly incoherent novel full of lots of talk (but not much action), this book drifts from one story to another, but doesn't really go anywhere. I found it a difficult story in which to become engaged, but there will be some folks who like it. I found it overly random and a bit too obtuse. I prefer a more straightforward narrative.

Girl of the Moment, by Lizabeth Zindel

When an internship at MOMA falls through, Lila gets a last minute opportunity to spend the summer working as an intern for superstar Sabrina Snow. As the summer progresses, Lila struggles with the demands of the job, with the fame of being in Sabrina's shadow, and with staying true to her own values under pressure from Sabrina.

Utterly predictable, this story follows in the fun escapist vein of a Meg Cabot novel, with the exception that Lila is far from perfect. Her mistakes make Lila more approachable, but they are the types of mistakes you can see from miles away, so it's hard to see them as credible. Some humor ensues and this is fine entertainment, but I'd still rather pick up the latest Cabot novel when I'm in the mood for this stuff.

One Whole and Perfect Day, by Judith Clarke

Lily hopes that she can make Daniel notice her. Her brother stays estranged from the family until a chance encounter with his grandfather makes him decide on impulse to bring his Chinese girlfriend home. Grandmother talks endlessly to her imaginary friend Sef. And grandfather surprises everyone by befriending an old Chinese woman. And then a magical and perfect day brings everyone together in perfect harmony.

Had I remembered how much I detested Kalpana's Dream, I almost certainly would never have picked out this book. Like that novel, this meanders incoherantly from one POV to another, making observations that intended to be profound but which basically make little or no sense. I imagine that there are (non-librarian) people out there who will enjoy this book. But I found it dull and unengaging.

Do-Over, by Christine Hurley Deriso

Elsa could really use her mother around, especially now that she has transferred to a new school in the middle of seventh grade, but her mother is dead. Then, in an act of supernatural magic, her mother visits her one evening and gives her a special locket that allows her to rewind time 10 seconds and redo the moment. Elsa learns to take advantage of this to deal with a popular bully and change her social status. And she also tries to correct the wrongs she sees around her. But in the end she learns that this magic is not what she really needs.

Mildly predictable, but a satisfying and quick read. A bit of a YA-version of Groundhog Day with all of that feel-good factor thrown in. The characters are engaging, if a bit too perfect, but there is plenty to relate to. Recommended for middle school readers.

Just Ask, by Melody Carlson

In the first book of a new series, we are introduced to Kim, adopted Korean daughter. And while she flirts briefly with the idea of practicing Buddhism, she finds the Lord after watching The Passion of Christ at a friend's church. But the story is also framed around a teen advice column that Kim writes for her dad's newspaper, handing out rather mature advice (much of it advocating prayer) for addressing teen issues.

Somehow (and you may find this hard to believe) I did not quite clue in on the Fundamentalist agenda of the writer until I was halfway through the book. Mostly, I was annoyed at the meandering plot and the sanctimonious advice column (let's just say that Kim's perspective on things is a bit unrealistic). By the end, I had pretty much had enough of the character and the writer. I'm sure the series is popular with the converted, but otherwise give this a pass. If you want to read a more honest examination of faith (and other important topics), go back to classics like Judy Blume.

My Lost and Found Life, by Melodie Bowsher

Ashley is a rich, beautiful, and shallow high school senior when her mother disappears, accused of embezzling millions from her employers. Suddenly, Ashley's life is turned upside down and she loses everything and everyone around her. And for the first time in her life, she has to learn how to survive on her own, starting off with finding a job and a place to live.

A promising dramatic beginning gets bogged down mid-way as Bowsher runs out of story to tell. Various subplots and twists get muddled with rambling conversations that seem unrelated to the story. And by the end, Bowsher resorts to melodrama to create a climax. As a result, I found myself tempted to flip forward to the end for some payoff. It comes, but it's awfully rushed. The author shows promise, but she ran out of steam after the first 100 odd pages.

Skin, by Adrienne Maria Vrettos

As his parents separate and the family disintegrates, Donnie's sister slips into anorexia. Donnie focuses his energy on trying to keep the peace and keep his sister alive as she grows thinner. But the pressure of it all is eating away at him and his ability to keep things together.

This is a heartrending story, as you can imagine, since it opens with the sister dying and then backs up to trace the events that lead up to his death. The writing is sharp but the plot is strangely undeveloped. As much as this is intended to be a story about Donnie, we never quite get that story, and the pressure he is experiencing is something we can only surmise (rather than see). That's surprising as there is certainly enough pain in here. Overall, this is not a pleasant read, but a decent illustration of what it is like to have an anorexic sibling.

My Almost Epic Summer, by Adele Griffin

The summer starts off badly for Irene as her own Mom fires her from a job at the beauty salon, crushing Irene's plans to create a hair stylist business that specializes in reproducing the fashions of famous literary heroines. But Irene's new job (babysitting) gives her the opportunity to meet the obsessive and gorgeous lifeguard Starla and Starla's jealousy-guarded ex-boyfriend.

A fairly light and entertaining read. You could fault it for skipping blithely from one scene to another, but Griffin creates strong fun characters and the overall theme of the book is sufficiently fun. No great depth, but a pleasant read.

Evolution, Me & Other Freaks of Nature, by Robin Brande

Mena has gotten in a lot of trouble. Because of her whistle-blowing, her church and its members have been sued and she fears that her parents will lose their business. None of her old friends are speaking to her. But a new lab partner in her biology and her ex-friends' campaign against the teaching of Evolution in that class, trigger a series of changes and a crisis as she struggles with questions of faith and values.

The story makes very clear who the good guys and the bad guys are and never really lets up. The mean kids are just mean and the good ones good. The parents are not just annoying, they are as abusive and mean as the Evil Stepmother of a Grimms Tale. In sum, the story may be a breezy read, but you don't really buy any of it. I found that in itself annoying enough to not recommend this. There was plenty of conflict to make good drama here without painting the bad guys as cruel as Brande felt the need to do.

Polly, by Amy Bryant

Polly tells her romantic and sexual biography from early teen years through early college, detailing her eight most significant relationships (some good, some not) and her parallel interest in music and art. Her relationship with her mother and step-father play a minor role, but the focus is definitely on Polly's development as a person as she struggles through the minefields of teen romance.

Strikingly realistic, one suspects that this is autobiography. It certainly rings true for the era (which I can say with some authority as I am nearly the same age as Polly the character and I grew up in the same area). And the details of the relationships and what she goes through will also ring true.

I understand that writers should write about what they know, but I have to take Bryant to task for not attempting to pull her story out of its era. Even with the strong interest in 80s hardcore punk, a more enterprising writer could have pulled the story into a more contemporary context. To really measure if Bryant is a good writer, I'd like to see her tackle less familiar territory (and with her bio saying that she now is writing short stories about life in NYC -- where she happens to live now -- I don't get the sense that she can grow). As a result, I'll give this novel a mixed review (realistic, interesting, but ultimately a lazy autobiographic exercise).

How It's Done, by Christine Kole MacLean

Grace grew up in a state of awe and fear of her father, but at 18 she is not so willing to follow his commands anymore. When she falls in love with a young college professor, her father disapproves. But rather than obey his order to break off the relationship, she decides to marry the man instead. As much as she hopes this is a good decision to spite her father, she slowly begins to realize that getting married is just transferring one prison for another. If she is going to find out what makes her special, she needs to start thinking - and desiring - for herself.

In this fairly catchy story, Grace's search for self has a realistic tone. Still, while it may be a comfort to the reader to always be a few steps ahead of the heroine, it's hard not to notice how terribly naive she is. This is hardly a feel-good novel, but it is affirming and portrays both decency and flaws.

I haven't yet mentioned the religious thread at all (Grace's family is Fundamentalist Christian). It's far from subtle (there's a great deal of Scripture-quoting in the book), but it also makes sense and fits in the story quite seamlessly. The family's faith is drawn with very little sensationalism - its just another factor of who they are. Given how easy it would have been to demonize the family's religious beliefs, MacLean has definitely taken the high road.

A Swift Pure Cry, by Siobhan Dowd

In a quiet Irish village, Shell tries to keep her family together -- younger brother and sister and alcoholic father. It's been hard since her mother died, but they have managed. But then things go horribly wrong and rumor, ambition, and pride make them worse. To make things right again, Shell must confess truths to her family and the people she has grown up with -- a terrifying prospect that she cannot face.

Written more as an adult novel with its elliptical style, thi is a hard slog for an allegedly YA story. The characters grow on you as you read, but it is still a maddening read (I'm not a big fan of dramatic tension that is based upon human stupidity). I'd suggest giving this one a miss.

Ruby Parker Hits the Small Time, by Rowan Coleman

Ruby has been on the popular soap Kensington Heights since she was six. But now that she's 13 and "frumpy" and "awkward," she fears that they may jettison her from the show. But far worse, her parents have announced that they are getting divorced. But when it seems that things are really headed downward, suddenly they take a turn up.

This rather strange and unpredictable novel promises us from the start that things will go bad, making us expect a tragedy. Instead, it never does so you end up wondering what all of the fuss was about. What we do get is a lot of uptight people breaking through their insecurities and talking to each other (the nasty girl turns out to simply be misunderstood and once that is established everyone becomes close friends!). But in the end, there is no dramatic payoff to match the hype. Manipulative and ultimately dull.

Parrotfish, by Ellen Wittlinger

Angela has always been struck by the obsession that the world has about dividing everyone into boys and girls. And even more trouble understanding why it bothers her and why she has always wanted to join the boys. When she figures out that she is really a boy and changes names to Grady, a brave voyage begins. While Grady realizes that he will face resistance and misunderstanding, his new friends and enemies show up in surprising places. But in the end, it is really all about discovering yourself.

It is no coincidence that the jacket bears an endorsement from Julie Anne Peters, whose Luna covered the TG world (much better!) from the other direction. This book is a bit preachy, relying on author intervention rather than a strong narrative to tell its story. That makes it a bit more ungainly than Wittlinger's other books. I also found the ending overly convenient and corny, but I'll admit that a book with such a heavy topic probably needs some lightening up. I'll give this a qualified recommendation -- good topic, good characters, but it needed a tighter story.

Twelve, by Lauren Myracle

In this sequel to Eleven, Winnie has turned twelve and twelve turns out to be an eventful year, ranging from getting her first bra and period to overnight camp and bee stings. A good boy and some fall-out with her best friend add more adventure.

I wrote that Eleven was good but boring because not too much of interest happens at that age. Holding aside the predictable menarche-inspired anecdotes (which, as important and dramatic as they are can be something of a predictable plot development in a book like this), the book simply is not very engaging. Part of the problem is that it is written as thirteen disconnected vignettes, as if Winnie was writing in a diary and only managed to do one entry a month. The anecdotes are well-written, but I never felt that interested in the character.

And as for the gratuitous name-dropping of Judy Blume in the November chapter, let's say that it was about as blatant as most of Blume's writing. Subtle it isn't. So, in case there is a young reader out there not familiar with Judy Blume, I'm sure that this will inpire them to pick up her ouevre. Or maybe not....sigh, I need to go back to teen books...