Taken, by Edward Bloor

It's twenty years in the future and the world is socially and geographically segregated much more clearly into rich and poor.  The poor struggle to survive, have poor access to healthcare or education, and generally live in shantytowns.  If they are lucky, they have landed jobs as service workers for the rich or have joined the military.  The rich live in gated communities, surrounding themselves with armed guards, and lie in constant fear of kidnappers.  Kidnapping has become big business and every child from the wealthy families is a target.

Charity certainly knows about the kidnappings.  From a few friends who have been nabbed to the training she received in school (she even wrote a paper about it in school!), she understands what to do if you are taken away if you want to stay alive.  So, when she wakes to find herself strapped down to a stretcher on an ambulance far away from safety, she calmly accepts that she has been taken.  Now, it is a simple matter of waiting for things to take their usual course (a ransom will be paid and she will be let go).  However, when things don't go according to plan, Charity realizes that it could all end up badly.

This one's a bit darker than Bloor's other novels (which compared to Story Time is really saying something!).  While mildly satirical, Bloor aims here for overt social critique.  With a pretty heavy hand, he speaks to inequality, racism, and the arrogance of the haves towards the have nots.  The result is fairly preachy and a bit hard to digest (mixing reality and outlandish fantasy in a way that probably disengages readers more than agitating them).  The aim is probably to reach an adolescent audience, but the message is not just loud, it's also muddled.  Given the polemic, characterizations suffer too, so this isn't such a successful outing.

37 Things I Love, by Kekla Magoon

Two years ago, Ellis's father was injured on the job and fell into a coma.  He's never woken up.  Every day, when Ellis isn't visiting him to vent her life's frustrations, she's fighting with her mother about whether they should turn off his life support.  Mom believes it is time to let go, but Ellis can't accept that and she fights bitterly to keep the machines going.  In thirty-seven brief chapters, Ellis tells us about the things she loves and simultaneously about the last week of her sophomore year, when everything changes and she has to confront the decisions she has made and to reevaluate her friendships and loyalties.

A brief, but ultimately satisfying story about relationships and letting go.  Magoon focuses her attentions on her heroine and gives us a well-developed emotional landscape, but one where everything (and everyone) else is incidental.  Ellis herself is engaging and interesting enough to get the reader hooked. However, given the brevity of the story, it is inevitable that the other characters get shortchanged.  From the friends and family to a host of throwaway supporting characters (the neighbor, the counselor, etc.), there is really only space for Ellis here. This works well in this case and the novel is successful in its modest ambitions.

Princess Academy: Palace of Stone, by Shannon Hale

In this long-overdue sequel to Princess Academy, Miri and the girls of Mount Eskel have come to the capital Asland to help their Britta prepare for her wedding to Prince Stephan.  It's exciting for Miri to finally see the city that they have only heard about before.  Everything is so much grader than they have ever seen before!  But their arrival comes at an inopportune moment.  Unrest is afoot and a revolution is beginning to stir.  On their first day, an assassination attempt on the king is barely averted before their eyes.

The unrest is directed at the rulers, but Mount Eskel itself is in a precarious position.  As Mount Eskel's delegate Katar explains to Miri, it is critical that they (as the newest members of the kingdom) position themselves well, regardless of the outcome.  To that end, she entrusts Miri with the task of finding the rebellion and ingratiating herself with its leaders (dangerous and tricky when one of your own is about to marry the King's son!).  Through what seems like luck, Miri succeeds in the task when she befriends a young idealistic student named Timon.  But Miri gets more than she wished for.  At first, Miri is personally very taken by the goals of justice and equality for which the revolutionaries are fighting.  She finds herself drawn to Timon and even begins to question her attachment to her simple boyfriend Peder from home.  But as the situation grows dark and dangerous, Miri discovers that she is trapped in her new subversive role.  And being a revolutionary means not only plotting against the King, but also betraying her friends and homeland.  As the masses start to rise up, Miri finds that she must tread carefully through a series of difficult decisions to stay alive and protect her home.

It's all a bit darker than the original story.  Hale has drawn a great deal from the history of the French Revolution to show how dangerous uprisings are and how easy it is to get caught in the crossfire.  The novel itself is an engrossing tale of politics, intrigue, and loyalty.  In her usual style, the grownups are generally helpless and stubborn, so it falls on the adolescents to rise to the occasion and save the land.  That is convenient for the story, but it also provides a pleasing dramatic arc as Miri fully comes into her own.

This is truly a magical work which expands the potential of YA fantasy literature!

Story Time, by Edward Bloor

When Kate and her uncle George (who is two years younger than her) find out that they have been accepted into the Whittaker Magnet School, they have opposite reactions.  George is excited.  It is just the sort of environment where he can finally spread his wings and excel.  He's managed to score the highest score on the school's entrance exam ever.  And the school's focus on standardized testing plays to his strengths.  Kate, on the other hand, is no genius and the change of schools will prevent her from auditioning for Peter Pan this year.  Kate's mother languishes in depression, while her grandparents (George's parents) are lost in their floor-shattering clogging practices.

Regardless of initial impressions, the school itself proves to be a nightmare.  It teaches quite literally to the test, subjecting its students to continual bubble-filling, brain-enhancing drinks, and rote memorization (and phonics!) for the younger kids.  The school is a conglomeration of everything that is wrong in modern schooling.  And all of this before accounting for the demon that is possessing people on the school grounds or the disastrous visit from the First Lady of the United States!

A bit long and not nearly as funny as Tangerine, Bloor still has a good time making bitter fun of the American education system.  Younger readers may find the chaos to be great fun in itself, but even middle readers will recognize the satire.  Taken seriously, the book (with numerous serious injuries and sundry dead bodies) is grotesque, but it works wonderfully if you don't get too literal with any of it.  Unfortunately, that is where the problem of length sets in.   Being a satire, we don't have any attachment to the characters.  Instead, the story rests on humor.  The wit gets a bit tired after the first 200 pages.  By the 400th page, we're more than ready for it to wrap up!

The Lucy Variations, by Sara Zarr

Eight months ago, Lucy walked out on her concert in Prague, after discovering that she had been betrayed by her family.  Sixteen years old and already an established concert pianist, her future had looked bright.  But now she's quit music altogether and her family can't forgive her.  Their hopes are now pinned on her younger brother, who's apparently a wunderkind himself on the piano.

While Lucy herself would deny it, she really does want to play again.  In the end, it is her brother's new teacher who reawakens that desire to play again, but it is no easy matter.  Can she find a way to enjoy the music itself, without the pressure of performance?  Can she play without her family's expectations or judgements clouding that joy?  And what about the teacher himself?  He's supposed to be teaching her little brother, and yet Lucy clamors for his attention, virtually stealing him away.  And despite the fact that he's married, Lucy finds herself recklessly drawn to him.

Zarr's books can be hit-or-miss, but I liked this one.  There are plenty of other books out there about young musical prodigies and more than a few about forbidden teacher-student relationships (what's with all the lecherous music teachers out there, anyway?), but Zarr keeps this one fresh.  First of all, because the characters are too knowing to fall into tragic tropes.  More importantly, though, because Zarr keeps the focus on Lucy's family.  There are many complexities, from Lucy's brother's jealousy to her grandfather's obsessions to her mother's guilt.  Even the father, who starts off rather weak, shows strength and comes into his own by the end of the story.  The non-family characters (Lucy's friends and colleagues) are less interesting, but I'm willing to let that go as the main story of Lucy's journey to break free of her familial bonds ultimately is so engrossing.

Pretty Girl - 13, by Liz Coley

Three years after she was abducted during a campout, Angela suddenly reappears at her home.  At first, she cannot recall anything that has occurred during her absence.  However, with the help of hypnosis and the support of a psychologist, she slowly reassembles what happened while she was gone.

To protect herself from the trauma of her abduction and long periods of captivity, she has developed a series of "alters" (other personalities) that inhabit her body and shield her.  Putting these pieces of herself back together becomes crucial for the healing and rebuilding her life, but involves unraveling the horrors of those three lost years.

An extremely emotionally intense to read, but also quite compelling.  Given the ickiness of the premise, it’s a bit weird to say that I “enjoyed” the book, but I did find it hard to put down.  Angela's suffering is immense and her capacity to survive it makes her a strong heroine.  This is amplified by Coley's complex portrayal of her and her psyche.  Despite these strengths, some of the other characters (the parents and the counselor, in particular) can be a bit two dimensional. 

Do be forewarned that this isn’t a book for sensitive readers.  Coley avoids getting too graphic, but the events portrayed are quite gruesome.  This is definitely nightmare-inducing material.

The Anti-Prom, by Abby McDonald

When Bliss Merino catches her BFF and her boyfriend doing the nasty in their group's rental limo at the Prom, she wants revenge.  However, she's better at fashion than vengeance and she could use some help.  That help comes from an unlikely source: the local "bad girl" from the wrong side of the tracks, Jolene Nelson (who has her heart set on a little vengeance as well!).  Neither of the however have the transportation they need, so they recruit wallflower Meg Zuckerman to drive them around.  And on the night when all three girls thought that they would be celebrating their Prom, they end up doing something very different.

Compared with McDonald's other books, this one is bit more slight.  The idea that three mismatched kids will come to understand each other and bond in a wild night of adventures is pretty formulaic.  And while there are a few twists, we don't stray very far from the formula here.  Still, if you don't mind predictability, it's an entertaining enough read.  The characters are

The Last Present, by Wendy Mass

In the fourth (and probably final) installment of Mass's Willow Falls series, many mysteries are revealed and loose ends are tied up.  It begins where the third book left off:  with ten year-old Grace falling into a inexplicable coma.  The ever- cryptic Angelina knows more than she's saying, but what she is saying is that Amanda and Leo (just off of their own one year vow against speaking to each other) must team up again, travel back in time, and revisit each of Grace's previous birthdays.  Their mission is to distract Grace's brother who somehow manages each year to mess up the birthday parties and thwart the magic that could eventually save Grace in the present.  Yes, the adventures of Willow Falls continue!

While this continues to be a clever series, I think it probably is time to retire it.  While the third breathed new life into the franchise with new characters, here we are mostly revisiting old friends.   That said, I still enjoy the kids and their adventures and the mixture of fun and the awareness of their own growing up (there's a bit more kissing in the latest book!).  Wendy Mass writes true quality books for middle readers and deserves the attention she gets.  That said, you wouldn't want to pick this book up unless you've read the preceding installments (in order) as there's no allowance for getting up to speed.

Heaven Is Paved With Oreos, by Catherine Gilbert Murdock

Sarah has a typical share of fourteen year-old's problems:  a mother who's always watching her, a friend who's a boy but not a boyfriend (or maybe not!), and a bitter rival at school.  But everything is about to be put in perspective when her eccentric grandmother announces that they are going to Rome (as in Italy)!  At first, no one is particularly excited about it, but Sarah's parents come round to the idea that it could be a great learning experience.  And as for Sarah?  She hopes that getting away will just help her sort out things with friend-who-is-a boy Curtis.

The trip turns out to be a true adventure.  From all the things that are new (despite Sarah's attempts to survive on familiar food, she finds that even pizza is different in Italy!) and all the things that are old (like the churches), Sarah and her grandmother have a major cultural outing.  In the last days there, however, something happens to grandma:  she becomes withdrawn and depressed, and she makes a shocking confession to her grandddaughter.  When they return to America, Sarah has to deal with it and what it means for her family.

In my mind, the very best thing about this book is the title.  But although Oreo cookies are invoked several times in the book, the story itself is really about family secrets and learning from the mistakes of the past.  That's a bit hard to suss out as the narrator is a realistically scattered fourteen year-old. Realistic, but not really very enticing for a novel.  There's a lot of ambition in the story, but it never quite gets the gravitas it needs.  And I keep wondering about Murdock's obsession with Wisconsin (she really doesn't seem to know much about it -- wouldn't her native Pennsylvania provide the appropriate rural setting she needs?).

Just One Day, by Gayle Forman

A chance meeting with a Dutch actor named Willelm in London, sends American high school grad Allyson on an impulsive trip to Paris with him.  The two of them spend a whirlwind day together, but in the morning he is gone.  Panicked by the abandonment, Allyson barely makes it home to the States.

For the next year, Allyson is obsessed with figuring out what happened.  And, not content to let the matter drop, she makes arrangements to return to Paris to look for Willem, a move that neither her friends or family understand.  But along the way, she comes to understand that this need to close a chapter in her life is about much more than a one day fling.

While it starts off as a variant of the Before Sunrise/Before Sunset story, Forman takes her tale of an impulsive love that becomes a year-long obsession into much deeper territory, exploring how chance meetings can change lives (and, in fact, cause us to reexamine all of the parts of our lives which we do plan) in a way that those movies never had the opportunity to explore.  And it's a well-written story with great character depth (surprising, given the large and diverse cast of characters that play parts in the story).  The pace is brisk, but various different settings (London, Paris, school life in Boston, and The Netherlands) are well-developed.

I enjoyed the read and the found it easy going, with one exception: the editing.  Nothing is more distracting than a well-written book which is edited horrendously.  Either Forman had a lousy copyeditor or she was too lazy to read her galleys, but when I can casually count over ten typos without even trying to notice them, one really has to wonder why anyone would take a book that otherwise represents a huge effort and release it so sloppily!

The Different Girl, by Gordon Dahlquist

Four girls live on a desert island with their two guardians.  Each day, they learn new things in their school about the world and their abilities.  Each night, their guardians put them to sleep.  Completely inseparable, the four girls communicate seamlessly with each other, sharing thoughts and completing each others' sentences.   It all seems normal until the day that a fierce storm comes and suddenly a new -- and very different -- girl is washed to the shore.

But it isn't just that the girl is different.  The island itself is changing and danger seems to be approaching quickly.  The guardians begin warning the girls that their very survival may be at risk.  And as previously unimagined dangers close in on the four girls, they come to rely on the new arrival to guide them.

An unusual, striking, and original story.  The mystery of the girls themselves and how they came to live on the island is very slowly unraveled (but is also a process which is never completed).  Instead, we are left with a story with many things unexplained.  The loose ends offer up a choice of interpretations to the reader.  Yet, given the situation, it is natural that a vast majority of the story's action occurs off-page and is beyond the ability of the narrator to explain to us.  Some readers may find that maddening, but I think it provides a fascinating dynamic for the reader to absorb, leaving us sometimes as bewildered as the four girls themselves.

Sophomore Switch, by Abby McDonald

As far as bad decisions go, Tasha's impulse to make out with a teen idol at a party ranks pretty high (especially when a video of the moment goes viral on the Web, earning her an international reputation as a sexual predator and all-round slut).  Desperate to get out of the limelight (and get away from California), she jumps at the opportunity to go on an academic exchange. Meanwhile, prim and hyper-organized Oxford undergrad Emily is less driven by recent events than simple bad luck.  Her application has gone astray and now there are few remaining opportunities for study abroad.  The chance to swap with an American girl attending UC Santa Barbara seems the best option she has.

Two totally different personalities swap places to the most inappropriate of choices.  But, as one would predict in a novel, the initial fish-out-of-water experience gradually turns to acceptance and life-changing success.  Both girls learn something about themselves from walking in each others' shoes.

What is somewhat more surprising, given the book's general lightweight focus on fun and parties, is the strong empowerment message that comes through by the end.  As McDonald writes in the afterward, she was particularly interested in exploring the sexual politics of the younger generation. That said, McDonald has created a bit of a straw person, by creating an overly simplistic reading of feminism as anti-sex (focusing in particular on Andrea Dworkin and Catherine MacKinnon) in order to show how these two young women break free of such old fashioned ideas.  However, there has always been a significant body of literature out there exploring the place of desire in defining identity, so McDonald (and Tasha and Emily) are hardly stepping in new ground. 

There are other issues with the story itself.  Some of them are little (claiming that Rousseau wrote Civil Disobedience) while others are bigger (in what exchange program would student swap entire class schedules -- trying to attend each others' classes?).  But I may be taking it all a bit too seriously.  The story itself is great escapist fun, with some light romance and a bit of drama to keep things interesting.