The Diary of a Teenage Girl, by Phoebe Gloeckner

In this highly original story of growing up in San Francisco in the 1970s, Phoebe tells the (presumably autobiographical) story of Minnie, the daughter of an alcoholic and abusive mother who sleeps with one of her Mom's boyfriends, takes lots of drugs, and fails her way through her junior year of high school. It's a disturbing and dark story with some very believable moments and motivations (especially Minnie's misguided search for affection through having sex with older guys). As such, the work is groundbreaking for its honesty.

It is also so gross and removed from most adolescents' experiences that it is a hard sell. Sure, we've all experimented, but the sheer depth to which Minnie falls to will turn off many readers. And the explicitness of the story (and its drawings) certainly turned me off. Still, if cult comix are your thing and you like some pervo graphic novel stuff, there may be something here for you. A strange combination of exploitation and empowerment by an author who couldn't quite decide which she was more interested in. Complex like life.

Converting Kate, by Beckie Weinheimer

Kate's mother is a devout follower of the Church of the Holy Divine and Kate herself always tried to do what her mother told her to do, that is, until her father died and Mom refused to have a funeral for him because he had not embraced the Church. This event an a move from Arizona to Maine prompts Kate with an opportunity to break free of her Mother's grasp and strike out on her own. And with the help of a kindly Aunt, a friendly pastor, a lobster fisherman's grandson, and some friends that she doesn't even know she has, she begins her own emotional and spiritual journey.

This book is as much about growing up and breaking free as it is about the decisions we make about faith and beliefs -- and thus touches deeply on many of the issues of coming of age. And while the endless bickering with Mom gets a bit wearing, especially since Kate seems to have already made her break with the Church from the start, there is much more to this story than simply breaking free. In this way, Weinheimer has created a story which goes the extra mile -- showing us Kate's journey to a place as well as where she is coming from. A tear-jerking and deeply moving story. Highly recommended.

Zig Zag, by Ellen Wittlinger

When Robin's boyfriend announces that he is going away for the summer - to Italy - she doesn't know what she will do with herself. But then her aunt proposes that she join them (aunt and two cousinlets) on a road trip across the country. And while things do not start off well (and do not get much better!) everyone learns a thing or three during their adventure.

This is actually one of Wittlinger's better books. It starts off slow but grows on you by the end. You will like the characters (even when they are messing up pretty bad) and Wittlinger understands psychological motivation pretty well so she does pretty realistic angst. I'd ding this novel for some unrealistic dialog, but overall it is pretty good.

What Mr. Mattero Did, by Priscilla Cummings

Mr. Mattero the music teacher is generous and kind to his students and the community. The worst that can be said is that he is a bit forgetful and absent-minded. So when three girls accuse him of sexual abuse, it comes as a shock to everyone, especially to his daughter Melody. As accusations and rumors spread, Melody must face revelations about her father and the conclusion that no matter how it turns out, things will never be the same.

Treading on the same ground as Harmless (right down to the shifting narrative), this is a paler and more shallow work. It is entertaining, but there are few original observations here and (compared with Cummings's other works like A Face First) this is a disappointment.

The Breakup Bible, by Melissa Kantor

When Max dumbs Jen, she finally understands why those 19th century heroines are always dying from heartbreak. She wishes that she too could die. But when her grandmother gets her a copy of Dr. Emory Emerson's Breakup Bible, Jen still thinks its the silliest thing in the universe. None of this realization saves her from the moping that nearly causes her to miss the opportunity to dig up real dirt on the school district while researching an article on race relations for her school newspaper. No, all she can think about is Max!

A fairly lightweight, but entertaining girl-loses-boy story. The first half drags on as it pulls out the usual romantic angst stuff, but the novel picks up speed in the second half and reaches a satisfactory conclusion.

Stargirl, by Jerry Spinelli

In the town of Mica AZ, kids are pretty normal and Leo is a normal kid. But Stargirl is different. She dresses strange, plays a ukelele in the cafeteria at lunch, cheers for the opposing team at basketball games. In short, she simply doesn't fit in. But somehow in being so very different from everyone else, she brings special magic to Mica and to Leo's life as well. And now he must choose whether he would rather be with her or be a part of the crowd.

This is a hard book to describe or to convey just how deeply moving and inspiring it is. It is more of a fable than a novel, addressing peer pressure, love, and the meaning of popularity. Stargirl is not specific to any particular era and may well remain a relevant book for years to come. Thus, I'll risk calling it a timeless classic.

Bloom, by Elizabeth Scott

Lauren and Dave are the perfect couple and everyday that Lauren walks down the hall at high school, she can tell that all the freshman girls would kill to be in her place. But from the inside, all is not so wonderful. Dave is boring and Lauren longs for something more, for someone she can share her feelings with, for someone she can truly love. And in Lauren's life, there isn't much room for real emotions or for sharing what you truly feel (her friends are distant, her father is distracted, and her mother abandoned her when she was little. And then she meets Evan...

OK, so you can probably guess where the story is going to go and it will win no prizes for originality. Worse still, the plot is full of old tired YA tripes (absent mother, distant clueless Dad, friends who just don't get you, etc.). But there is something to be said for decent writing and a sympathetic complex character. And while you know that reading a book like this is not good for you, it's still a pleasant Saturday summer read.

Listening for Lions, by Gloria Whelan

Rachel was born in Africa near the turn of the century to a missionary family running a hospital in the bush. When both of her parents succumb to the flu, she is taken in by the shady Pritchard family who scheme to have her impersonate their late daughter to get their family back in the good graces of the rich elder Pritchard. Rachel (now Valerie Pritchard) must embark of a trip to England to visit her "grandfather" for the Pritchards and leave behind her beloved Africa.

Combining some of the classic cliches of the orphan genre with some warm dialog and cultural detail, this is a charming book. The book is broken into three parts and, of these, the first two are the most interesting. The third suffers from a drastic telescoping of the narrative as Whelan rushes to the end of her story. One imagines that the third part probably needed another 100 pages or so to tell adequately and one wonders why she chopped it down so brutally, undercutting a fascinating character. A beautiful start but a flawed ended.

Lost in the Labyrinth, by Patrice Kindl

In this retelling (and combination) of several Greek myths, we get the story of the ancient Manoans, the Minotaur and the "hero" Theseus, Daedalus and Icarus, and an obscure princess Xenodice -- who unites all the threads together through her love for her half-brother (the Minotaur) and the young clever Icarus.

The myths are well-enough known, so no real surprises on the story, but much like the way that the novel Orphelia expands on a well-known story, Kindl riffs on Greek mythology in new ways, breathing life into the story and creating an engaging story about the brave princess Xenodice. It's a fun read, albeit neither suspenseful nor nourishing to the mind -- a good summer read (especially if you like Greek myths).

Dangerously Alice, by Phyllis Reynolds Naylor

In this latest (and 22nd) installment, Alice is doing the first half of her junior year. She has a new boyfriend and takes a few more risks (some of them major errors). But most of all, she tries to break free of her Miss Goody Two-Shoes (MGT) image and prove that she's a bit more nuanced as a person (even if she isn't quite sure what that will mean). More concretely, she rides a motorcycle, gets busted at a party by the cops, and goes just a bit further than her girlfriends have gone with a boy.

I've always been a fan of the Alice series (and it's the only series that I read religiously), but what worked well when Alice was 12 or 13 gets a bit old as she becomes an adult. No matter how old she gets, Alice remains terribly sheltered and innocent, more prone to mischief than real trouble. Naylor appears to understand this and has made an effort to create an edgier episode, but (like an overprotective parent) she really isn't willing to let go of her character. Alice makes errors in judgment which are quickly corrected for before even the reader can identify the mistake. In the end, she really is an MGT -- far too prim and proper to be believable. The truth about Alice is that she's always worked better as a character for middle school readers. While there is some pretty explicit sex in here, this book (like the others) will really appeal to the 12-14 year olds (as long as their parents don't find out what they are reading!).

In the Name of God, by Paula Jolin

In contemporary Syria, Nadia seems like the perfect daughter -- kind and generous to beggars, pious and respectful of her elders, but very very angry. Her anger is directed towards the way that the US treats Muslims, the way the leaders of her country treat the common people, and about the way her cousin Fowzi has been arrested. And one day when she is angry enough, she encounters a persuasive young man named Walid who gives her the opportunity to make a real difference in the world -- as a suicide bomber.

The extremely unusual YA story explores a part of the world that is certainly on people's minds but is largely misunderstood. I'm sure that purists could find flaws with it, but the descriptions of Arab culture ring true. So, as a glimpse of an alien world, the book is groundbreaking. As a novel, it is a bit thin at points, but the ending is immensely satisfying and dramatically gripping. A fine example of the potential of YA literature to transcend both the inane and the politically correct. Stunning!

Beige, by Cecil Castellucci

Katy and her mother have always been a close team and done everything together, but this Summer, Mom has to go do research on her own and Katy is being sent from her home in Montreal to her Dad in LA. Katy's Dad isn't your typical geeky Dad. He's the drummer for the legendary punk rock band Suck. Katy knows very little about music, so the culture shock is immense. But Katy's bigger problem is finding her inner strength to stand up for what she believes in and what she wants.

Castellucci writes good books about young women finding themselves and finding their inner strength. The characters of her books tend to be engaging and quirky and a bit off-beat. Katy is no exception to the mold and there are strong similarities between this book and her previous novels. As such, there is not a lot of novelty here. The book also suffers from a pretty lame ending which won't really surprise anyone. Those two drawbacks make the book a bit disappointing, but for decent strong characters who are admirable and do cool things, this is a decent book.

When It Happens, by Susane Colasanti

Sara spends the Summer before her senior year waiting for Dave to call her, while Tobey spends the Summer trying to build up the guts to ask Sara out. So, things get complicated in the Fall when Dave asks Sara out before Tobey can make his move. But things will work out in the end, because when it happens you just know that it is right...and Sara and Tobey are soul mates. Misunderstandings ensue and the young couple work through applying to colleges and deciding whether to have sex.

And that basically sums up this story. It has a nice realistic quality to it (and Colasanti does a fairly decent job of portraying her male characters -- a real challenge as the novel is told in alternating narration from Sara and Tobey), but the story has very little in the way of surprises or drama. You basically know where the story is going. In fact, the story is so predictable that even Colasanti decides to drop most of the plot lines before she concludes them. That makes for a brisk read, but not for anything you can get your teeth into. Good characterization, but really thin story.

Oh, and please save me from another YA novel where the kids have unusually ancient tastes in music. In this one, they swoon over The Cure, Bob Seeger, REM, Chicago, and even James Taylor! I can understand a few retro tastes, but give me a break! Those are my favorite bands, but I'm old enough to be a Dad in this book! I'll cast my vote right now for fictional pop music. Either that or we require all authors to actually learn some current pop culture before they publish (and a few gratuitous references to the White Stripes or Coldplay - so yesteryear! - does not qualify).

Looking for Lucy Buick, by Rita Murphy

When Lucy was a baby, she was found abandoned in a Buick that one of her "uncles" had won in a card game. When no one could find her real family, the uncles and aunts of the Sandoni family raised her. Now nearly grown up, Lucy longs to find her real family and fortune (in the form of a fire at the Sandoni factory when Lucy is presumed to be inside) provides her the opportunity to make a break. Her search brings Lucy to Iowa where she befriends a kind old lady, a Japanese butterfly breeder, and a storm chaser -- all of whom (along with the ghosts of Lucy's past) guide Lucy in her search.

A tale of searching for one's roots has a lot of potential. Add in some eccentric characters and a touch of the supernatural and yoy should have a pretty good story. However, this one falls flat, mostly because the story is so thin and the characters are poorly developed. A disappointment.

Sugar Rush, by Julie Burchill

When money gets tight, Kim's father has to pull her from her private girl's school and send her to the loacl public comprehensive - a place with a very poor reputation. Kim quickly falls under the spell of sexy alcoholic Maria ("Sugar") and falls in love with her. But their on-and-off lesbian flirtations combined with drugs and alcohol spell trouble.

The book is tough going because of all of the Brit slang, but even once you get used to that, you realize that the author is complete shite. Intoxicated with clever overblown prose, Burchill seems to think that writing about teens doing drugs and sex is a sufficient substitute for story. Shockingly badly written, skip this one with a vengeance!

Dramarama, by E.Lockhart

Sadye and her gay black friend Demi have never quite fit in at their high school in Benton OH. Far too dramatic and theatrical! But then they both apply to go to a summer drama school and get accepted. For Demi, it is a dream come true and he flourishes in the environment, but Sadye doesn't do as well. And as the summer progresses, their friendship undergoes stress and strain as the life-changing experience of living amidst other dramaramas takes its toll.

As you may already know, I am an intense fan of E. Lockhart's writing. All of her books to date have gotten my four-star rating. It may be a bit churlish of me then to not give this one the same (I'm giving it three stars). Dramarama is an excellent book and light years better than many of the books you will read this year, but it was slightly less funny, slightly less poignant, and just sightly less spectacular. But only slightly! You will thus waste no time reading this book and you will enjoy it, but it is still not as great as her previous outings (they're a hard act to follow).

Tender, by Valerie Hobbs

After her grandmother dies, Liv has to go live with her father - a man she has never met before, the man who walked out when she was born. And Dad is not an easy man to get to know. He's silent and unreadable, gone all day out to sea fishing for abalone. But what starts as a living hell for Liv slowly becomes a new life and she begins to realize that her family ties are stronger than she thinks.

Hobbs is a good writer with a decent sense for strong and believable characters. The story itself breaks no new ground or reveals any new deep truths, but it is a decent read. You could easily do worse, and would have a hard time doing better.

What My Girlfriend Doesn't Know, by Sonya Sones

Picking up exactly where What My Mother Doesn't Know ended, but switching viewpoints from Sophie to Robin, this sequel tells the continuing story of the romance of the unlikely beauty-and -the-beast pair of teenaged artists. It is hardly a happily-ever-after story as Robin gets an opportunity to audit an art class at Harvard and discovers that there is life after High School. And both of them must struggle with the problems of a popular girl dating an unpopular boy.

The first book is among my very few four-star books and my absolute favorite of Sones's books. Sequels always have a tendency to disappoint (or at least lack the novelty of the originals). But what really killed this book for me was the change of perspective. Sophie was a fascinating character, Robin simply is not. I think there are two reasons for this. One is that Sones really doesn't have as good of a hold over adolescent boys (as she does on adolescent girls). But I also think that the teenaged male psyche doesn't lend itself as well to free verse poetry as her girls do. A stereotype to be certain, but it is honestly hard to find Robin's voice to be plausible. It's an interesting experiment and a lot braver writing than Sones has done before, but it falls flat.

Gracie's Girl, by Ellen Wittlinger

Bess's mother is so busy helping the homeless down at the shelter that she doesn't have any time for Bess at all. Worse still, she wants Bess to come down and help as well. Bess can't stand the idea. She's much rather be planning her transformation to popularity as she starts middle school. But when she goes to the shelter and meets Gracie, her life changes and she realizes that there are more important things in life.

Fairly predictable and lacking an authentic voice, this story is not one of Wittlinger's best works. I'm a minor fan, so I was disappointed that Bess turned out to be such an uninspiring heroine. I suspect that Wittlinger herself didn't find the story all that exciting. It certainly doesn't seem that way. The dialogue is flat, plotting is erratic and uneven, and there isn't much that is new here. Give it a pass.

Crushed, by Laura and Tom McNeal

Audrey's life changes when the new boy at school shows an interest in her. Complications ensue, including a school bully, an infidelity and a friend's betrayal, a rumor monger, and her father losing his job and their house.

This is a novel with too many characters and plot lines to make much sense. Ostensibly, the authors are writing a story about committing mistakes and making amends, but since that is a generic part of any dramatic storyline, we are really stuck with a mess of incoherency. Give it a pass!

Lost It, by Kristen Tracy

Tess has a strange life. From her parents who leave you to learn survival camping from an inspirational leader to a grandmother who's won the Illinois Lottery and buys you sexy underwear to the friend who is plotting to blow up an annoying poodle. Never mind the exploding shoes and chance to lose it to your boyfriend....

Essentially the same old girls meets boy, girl loses boy love story format, Tracy has thrown in enough non-sequitors and weird conversations to feed a decent season of Gilmore Girls, but it all seems a tad contrived. The characters are quirky but never quite engaging and the plot twists are outrageous enough that this story just putters along, with a disappointing attempt to bring closure at the end.

Owl in Love, by Patrice Kindl

Owl has a crush on her science teacher, which is probably pretty natural for a 14 year-old girl. But she's not actually your typical 14 year-old girl. In fact, she's part owl, which greatly complicates things, especially when she encounters another (very strange) owl and an (even stranger) boy in the woods.

This rather clever story of teen crushes and raptor mating habits is amusing and fun. With a touch of fantasy but grounded simultaneous in a mundane reality (Kindl's apparent trademark), you get two stories in one -- an adventure/romance combined with some outsider/teen angst. A pleasant and fun read!

Such a Pretty Girl, by Laura Weiss

In this harrowing novel, Meredith has to face the fact that her father -- the man that sexually abused her and several other children in their town -- is about to be paroled (six years early). As it becomes apparent that he has remained unchanged and that she is in danger, Meredith must figure out who are her friends and can be relied upon to help her.

While the praise runs really high on the jacket (to the point of BS -- one reviewer compares her favirably to Catcher in the Rye and To Kill A Mockingbird!), I found this to be a functional, decent read...and not much more. It won't open any new doors about abuse and survival, or the teens who experience it. But it is a decent gritty read.

Hana in the Time of the Tulips, by Deborah Noyes

In the 17th century, Holland was beholden with tulipomania. Little Hana doesn't understand why there is such a fuss over the pretty flowers or how something that is so beautiful can make her father so unhappy. But she does know that father is very unhappy and she asks everyone around her for help in making Dad feel better.

A bit of a departure for me, but this lovely children's picture book tells a touching and timeless story of a girl reaching out to her father to remind him that the most precious things are not reaches or "means" but the flowers we cultivate in our families. The story is augmented by absolutely charming illustrations by Bagram Ibatoulline, based loosely on Rembrandt and other contemporary Dutch masters. The text can get a bit thick for younger readers and it may be a bit gratuitous to cast Rembrandt in a guest role, but this is a beautiful book.

A Drowned Maiden's Hair, by Laura Amy Schlitz

Maud is a troublemaker and the least likely of all the girls at the Barbary orphanage to be adopted, so when she is picked out by a trio of rich old ladies to live with them everyone is a bit surprised. But it becomes apparent that these old ladies have tricks up their sleeves and Maud may have gotten herself into bigger trouble than she ever managed on her own.

Placed at the turn of the century, Schlitz has captured all of the maudlin qualities of a novel of the era, riffing on that style to create an original work. The main characters are engaging and hardly old-fashioned, but Schlitz is a weak writer. The blurb on the jacket indicates that she has some background as a playwright and one imagines that she often just wanted to "fade out" on some scenes as overwhelmingly her transitions are awkward and painful. The dramatic arc weaves all over the place as well. She could well improve on a second effort or with a better editor and this is not a painful read -- it is just rough.

The Miraculous Journey of Edward Tulane, by Kate Di Camillo

Edward is a china rabbit, not a doll (dolls are silly things!) and loved deeply by Abilene Tulane. But no matter how much he is loved (or, in fact, no matter how much he moves himself!), nothing can prepare him for being lost. But lost he is, and Edward is now forced to undergo a trying long journey where even a toy rabbit can learn a few powerful lessons.

This touching story combines Di Camillo's sense of the odd that made Because of Winn Dixie such a strong favorite (and one of my all-time faves) with the magic of an anthropomorphic toy. But this is no silly Toy Story (or even a whimsical tale like Toys Go Out). Instead, this story has a darker edge and some strong messages about the importance of opening your heart. It's all a bit too intense for younger children but those of us who are biologically older (but still young at heart) can appreciate it.

The book also has some wonderful illustrations by Bagram Ibatoulline that really make the book.

Grandfather's Dance, by Patricia MacLachlan

In this final installment of the Sarah, Plain and Tall series, we see Anna finally get married and a long-expected funeral of another long-running character. But for the most part, this is a story more about reunions than changes.

MacLachlan retains a very spare style that works beautifully in many of her books (Sarah, Plain and Tall and Seven Kisses in a Row are among my favorite books). The Sarah series though is a bit out of steam by this point. While it is nice to revisit with old charactersone gets a feeling that the reader has overstayed his/her welcome. This final book doesn't really have much to add.

Ask Me No Questions, by Marina Budhos

Nadira and her family are illegal aliens living in New York City. They dream of someday becoming legal and being able to live a normal life. But when 9/11 happens, a crackdown on illegal immigrants (and Muslims like Nadira's family in particular) changes all of this. Nadira's father is detained and she must find the strength to keep her family together.

A harrowing tale which is fictional, but based on real life events, this novel will intriniscally appeal to more liberal readers, who will feel indignation at the social injustices documented in this story. The author (to her credit) doesn't stretch this, reminding us at several points that the family has broken the law. Beyond the politics, there are some strong characterizations but a strangely thin and underdeveloped plot. And when teh story wraps up a bit too neatly at the end, I felt that the effort had been fairly wasted. A powerful topic, but a mixed review for the story.

Anahita's Woven Riddle, by Meghan Nuttall Sayres

In 19th century Iran, Anahita is coming of age and must soon be married. The local Khan would ahve her hand and alternates gifts and threats to win it. But Anahita's heart is restless and she wonders about kind teacher Reza, local boy Dariyoush, or a mysterious stranger who seems to understand her heart. To help her choose between them, she decides to pose a riddle in her woven qali (a wedding rug) that each suitor must attempt to answer.

Starting with the tired plot device of the historical girl with an anachronistic opportunity to choose a mate for love (rather than having one imposed on her), we are on pretty familiar plot ground throughout this book. What does stand out is all of the rich historical/cultural detail (so much so, in fact, that the book comes with a study guide!). This shows a tremendous amount of research went into the book, but the story itself does not quite hold up to it. Beautiful, but ultimately unsatisfactory.

Dumb Love, by Kathleen Jeffrie Johnson

While she doesn't have much experience with romance, Carlotta considers herself to be quite an expert at it. She is working on a love advice column and writing a romance novel. But in the worth of romance fiction in her town, there is a lot of competition from another girl who would steal not only her boy but even the characters from her novel! Meanwhile, she must also attempt to prevent her Mother from getting back together with her no-good biological father (and forsaking the confused but loving Franklin Thomas).

"Confused" is a good word for this book. While it claims to be humorous and funny, I found it more painful and difficult to follow, and missed the humor altogether. There were too many unmemorable characters and confusing plot lines. Give this one a miss!

Grace Above All, by Jane St. Anthony

In this gentle (if somewhat dull story), Grace copes through a summer vacation taking care of her siblings in the family's cabin, while her useless mother hangs on the sidelines. There's a love interest in the form of the boy next door and a handicapped relative that get Grace thinking about the importance of family (even if they DO drive you nuts!).

Gentle and dull. The romance and most of the other storylines sort of hang in place, but never get any serious development and the action is pretty much below the surface. Even the inevitable mother-confrontation scene is underplayed. The result is a realistic snapshot but one that does not go anywhere.

Cures for Heartbreak, by Margo Rabb

In this collection of loosely-interrelated autobiographical stories, Rabb tells the story of 15 year-old Mia losing her mother suddenly to cancer, and having to stumble through with only her father and testy older sister. Through these short stories (several of which were published previously as stand-alone pieces in earlier drafts) she outlines the various feelings and experiences she goes through.

While the characters are nicely drawn out and there is some poignant writing going on here, I found the novel rather dull. While marketed as "teen," this is really an adult book about being a teen and a YA story. And I find it hard to imagine that teens will find much in it either, except to share an adult's perceptions of growing up without a mother.

The Woman in the Wall, by Patrice Kindl

Like her father, Anna had an uncanny ability when she was little to blend into her surroundings and completely disappear (her father's talents were so great that he disappeared altogether some years ago). Combined with intense shyness, Anna is a perfect wallflower. Unable to deal with crowds and strangers, Anna spends her time alone developing skills with her hands (carpentry, embroidery, sewing, etc.). At the age of seven, in order to avoid being sent to school, she hides away from her family through a complex series of passageways that she builds in the house. For seven years, she lives in this alternate world safe and secure, but now her haven is threatened and she may have to confront all of her fears.

This novel works beautifully on two levels simultaneously. As a fantasy book, the story is entertaining and engrossing. But the book is also a fable and an analogy for growing up as Anna goes from caterpillar to brilliant moth after years in her caccoon. A stunning achievement in such a modest story.

Anatomy of a Boyfriend, by Daria Snadowsky

Dominique's best friend Amy is always managing to hook up with guys, but Dominique herself hasn't really dated. That doesn't stop her from wondering what it would be like and how it would be to do "it" with a guy. Then she meets Wes and they hit it off and she dives head first into the relationship. In doing so, she discovers the amazing rollercoaster of first love, in great graphic detail.

At its base, this is a by-the-numbers teen romance novel, but Snadowsky has bigger plans and ambitions in this book. Like Judy Blume (with whom she has been compared) she wants to address issues of sexuality as well as love. As a result, a considerable part of the book describes in explicit and graphic detail Dominque's sexual exploration (including arousal and orgasm, masturbation, intercourse, and oral sex). Beyond that, the story parallels Forever very strongly and my conclusion was that Snadowsky was going for an updated and modernized version of Blume's classic. Now, I'm not a big fan of Judy Blume (she's preachy and her older books are quaint and dated), so it will be faint praise for me to say that I think Snadowsky has improved upon Blume's book. But, for those of you who liked Forever, this book is certainly worth a read.

I have to say that it wasn't really for me. Perhaps because of my age and sex, I felt a bit like a pervy voyeur reading this book (I actually hid the pages from my neighboring passengers on the plane lest they think I was reading porn!), but I think it also is about what you expect from a book. The explicit detail may appeal to some readers (either out of lasciviousness or curiosity) but it set a mood that caused me to distance myself from the characters and the story. Sex and its mysteries are beautiful things and I don't mind discussing them or reading about them, but at this point in my life I don't need them spelled out. This is, in the end, an interesting - and probably controversial - novel, but it lacked the material to engage me as a reader.

Brave New Girl, by Louisa Luna

Doreen drifts through her 14th Sumnmer hanging out with Ted, smoking cigarettes, and listening to the Pixies. It isn't much of a life, but it beats being her angry dad, weepy mother, or stupid older sister. Never mind the older brother that Dad kicked out years ago when he was 14. But then an event happens that changes the entire family in ways that they (and especially Doreen) could not have predicted.

Written in a rambling train-of-consciousness style, the book is a bit hard to plow through. For the more jaded YA reader, Luna can get high points for originality and creating a character with a strong original voice. But I didn't personally find the voice all that interesting. Maybe because there are so many unresolved problems that keep piling up (just as I hate a book which ties up every loose end, I hate ones that leave almost them all unresolved). I found the experience a bit painful and unpleasant.

Life As It Comes, by Anne-Laure Bondoux

Mado and her older sister Patty were orphaned last Fall and, while Patty is the eldest and was granted guardianship over 15 year-old Mado, it is Mado who has always been the responsible one. This becomes painfully more apparent when Patty reveals that she is pregnant and expects Mado to take care of the baby.

Not a very deep story (despite the dramatic potential), the action rolls out at a pleasant enough pace. In the end, there is not much of a dramatic pay-off (most of the important stuff is told in flash-back -- depriving the reader of any involvement). Fair writing, but not enough depth and the characters seem far too distanced.

Now You See Her, by Jacquelyn Mitchard

Hope Shay has been working hard to build her acting career and when she is cast as Juliet (in Romeo and Juliet), bypassing all of the older girls who are entitled to the role, she knows she is on her way. And it's no small matter that Logan (playing Romeo) is so hot for her. But then she is abducted in a plan gone horribly awry and all the perfect pieces of her life start to come apart.

[Spoiler alert! Back in 2004, a UW-Madison student was "abducted" and missing for four days and it turned out later that she had faked her own abduction. At the time, everyone wondered why she did it. Apparently, Mitchard wondered enough to create this thinly-veiled biography of that girl (changing a few details like making her a high schooler rather than a college student).]

As for the story, it's well-written but more of an adult book than a YA. Like I noted with the Jodi Picoult book I reviwed a few months ago, a good adult writer is not necessarily going to write good YA (even with a teen-aged heroine). The focus is just not quite right.

Cathy's Book: If Found Call (650) 266-8233, by Sean Stewart and Jordan Weisman

Set up as the diary of Cathy, a 17 year old girl with an unhealthy curiosity about what her 23 year-old boyfriend is up to, this book tells the story of drugs, intrigue, and the Chinese mafia in San Francisco. The story however, is quickly dwarfed by all of the other elements to this package -- a half dozen real phone numbers (yes, you can call them!) and a bunch of web sites to research. Combined with copious illustrations throughout and a packet of 32 slips of paper (my library catalogued each of them!) that amplify and illuminate the story.

I found all the trappings a bit gimmicky and focused on the story, which was a bit convoluted and thin. However, if you like a mystery and want to have an unusual experience, then this is a book to digest. Some reviewers have compared it to an RPG and I can see how it would have a similar appeal. But I think the target audience is actually a bit younger. I could easily see a pair of seventh-graders having a blast researching every angle of the story and comparing notes. A lot of fun and hours of entertainment. As a read, however, this was not so exciting.

Haters, by Alisa Valdes-Rodriguez

When the studios option Paski's father's cartoon series for a movie and the two of them move to SoCal, paski feels like she has lost everything. And she's a bit fearful as well because of a premonition she has that things are going to go very badly. The thing is that her premonitions have a wau of coming true. And when she has a "vision" that the meanest (and most popular) girl in the school is going to be injured, she has to decide if she is going to try to save her or be just another "hater."

The first part of the book is quite good. Paski is a funny character (granted, with a lot of YA cliches) with an authentic voice. You want to be friends with her. But, for me, the supernatural stuff didn't work as well and the villian Jessica was poorly developed. I ended up feeling that a great character had been diminished by the rather silly story. And the ending combined the worst happily-ever-after set-up with managing to leave the most important issues unresolved. Great writing but a lousy story.

Anything But Ordinary, by Valerie Hobbs

Winifred and Bernie have been friends and soul mates through most of high school and plan to spend the rest of their lives together, even planning to go to the same college. But when Bernie's mother dies, his life takes a nosedive and their lives diverge. When Winifred goes off to college without Bernie, he's so broken up over their separation that he comes to her college and stalks her, not able to let go of what they had. But gradually their paths and plans diverge again and before the story is out, the tables will turn at least a few more times.

This very unusual and beautiful book about relationships, finding oneself, and holding on to what we have as we change our lives is an unusual gem. Perhaps not even a YA book (since the characters are more college-aged), it speaks to some very universal themes that will appeal to all ages. As a younger reader, I might not have appreciated the wisdom of this book, but as an older reader, I really appreciate what Hobbs had to say.

The characters are strong, not always likeable but interesting to follow. The plot is twisted but realistic and easy to follow. The conclusion satisfying. All in all, a great book.

First Impressions, by Marilyn Sachs

Alice has always been an excellent student and gotten good grades, so when she gets a C+ on her paper on Jane Austen's Pride and Prejudice, she is shocked. More so because she disagrees with her teacher's reasons for giving her the grade (Alice had written about the tragic nature of the character of Mary, instead of seeing her as a humorous figure). But as Alice re-reads the novel as part of a make-up assignment, she begins to appreciate the strength of Austen's novel and the ways it can give her strength in her own life.

[Let's quickly note my extreme distaste with any teacher who would downgrade a student's literary criticism because it was different or unusual (I recall a not-so-pleasant encounter or two of my own with literature teachers who were beholden to their particular views and graded on the basis of whether you agreed with them or not). To set up a story in which the great dramatic arc's end is to agree with the teacher is insulting.]

This is an ambitious, but ultimately confusing and disjointed novel. The story involves elements of fantasy mixed with realism as Alice find herself inside the story, re-writing what the characters do. A fascinating device but one which is used merely to point out that Austen is such a genius that a teenager is foolish to attempt to re-write her novel. Afairly unnecessary and even arrogant idea. As for a story, gthis is all over the place. Is it about Alice? Her relationship with a boy? Her mother? All of the above?

I am certain that within this novel there are plenty of wonderful allusions to Austen's work that I am undoubtedly missing. Truly Austen fans will probably find these clever stylistic devices and thus find something to enjoy in the book. In fairness, I'm really not a big fan of Jane Austen, so perhaps the exercise is wasted on me and I am an unfair critic or a lost cause.

If I Have a Wicked Stepmother, Where's My Prince?, by Melissa Kantor

It's rough to be left by your Dad on the East Coast with his new wife (the witch) and her snotty daughters (princesses #1 and #2). Worse, you are either ignored or forced to slave away for the family. It makes you think of Cinderella. But life is not really a fairy tale and when the cutest guy at school starts to notice you, you have to get a bit suspicious that it's all too good to be true.

Borrowing a bit of Meg Cabot's it's-to-fabulous-to-be-real-but-boy-ain't-it-fun-to-read-about style, Kantor steers treacherously through realism and fantasy, creating an engaging heroine and a promising dramatic story. Lucy is pleasantly cynical and witty. The stepmother is both vile (in Lucy's descriptions) and strikingly realistic. But the ending falls apart as things fall too conveniently into place. This is a guilty pleasure read (quick and funny) but having set up a great conflict with a difficult family situation, Kantor doesn't seem to know how to resolve the issue and side-steps her way out. So, a disappointing ending on an otherwise promising story.

Razzle, by Ellen Wittlinger

Kenyon isn't exactly thrilled to be permanently relocated to Cape Cod from Boston by his retiring parents. It does not exactly help that the first person he meets there -- Razzle -- is so weird either. But over time, the two of them develop a friendship and an understanding that helps Kenyon blossom as he never has before. But another relationship with a promiscuous girl named Harley and far more damaging revelations about Razzle's past threaten that friendship.

I would not consider this novel to be one of Wittlinger's better books. The characters seem flat and unsympathetic, and the story plods along. Razzle herself is an interesting invention, but overall there isn't much in this story to recommend it.

The Parallel Universe of Liars, by Kathleen Jeffrie Johnson

Robin is a big girl - a piggy- but that's far better than living in a universe of liars like the grown-ups around her (who are almost all cheating on each other and even leching after her). The one bright spot is a multi-racial friend Tri who may or may not be a boyfriend, but seems to genuinely like her either way.

The novel has some complexity and artistry (and even some clever layout and design), but it is not a terribly interesting experience. None of the characters really grow (I'm big on character transformation!) and you end the voyage wondering why you started. A book that neither changes the reader nor the characters. What's the point?

Easy, by Kerry Cohen Hoffman

Jessica's talent is photography, but it isn't enough. As she prepares for an upcoming national contest, she realizes that she needs something more: to be noticed and loved by others. And, although she is only 14, she knows there is one way she can get that attention. And while she fully realizes the danger of flirting with men, it is simply so easy to do and it provides her with the attention she craves.

This is an absolutely stunning book. Obviously, I don't know from any first-hand experience, but Hoffmann seems to have truly captured the eseence of adolescent feminine desire -- brilliantly balancing lust, insecurity, anxiety, love, and loyalty. It may help that she's a counselor, but a writer this good has to have both an ear and a heart. I was extremely impressed and highly recommend this book.

The book does raise a number of issues for adults. It's quite explicit (we've come a long way since Judy Blume!) and some parents may have second thoughts about kids reading it, but I would urge careful consideration. The sexual explicit scenes in the book are realistic and show respect for the readers (depicting both a strong sense of consequences -- one might even accuse the book of preachiness -- and a respect for life and self-worth). This novel is completely removed from exploitative trashiness. Part of me still is uncomfortable recommending it to its target audience of 13 and 14 year-olds, but I think the story it has to tell is important and true for that age group.

The Year of Secret Assignments, by Jaclyn Moriarty

At the beginning of the school year at prestigious private school Ashbury, Lydia, Emily, and Cassie are assigned pen pals at the nearby public high school. At first, the correspondance goes very badly as everyone gets off on the wrong foot. But gradually, as the weeks and the letters go by, the three girls get to know three buys (Seb, Charlie, and Matthew) who may be from the other side of the tracks, but are hardly anything like these privileged girls ever imagined.

I have developed a strong bias against Australian YA (because so much of it basically sucks!), so I steered clear of this novel for over a year. But it kept coming up in other people's "best of" lists, so I overcame my bias and dove in and was pleasantly surprised. I did find a few parts dull and the ending a bit too convenient (and silly), but there was some wonderful clever moments and some great observations on what being a teen is really all about. It had a good combination of emotion, adventure, and character development. It won't make my own "best of" list, but it was a decent read.

Aquamarine, by Alice Hoffman

Claire and Halley are spending their last Summer together ever. Calire is moving away at the end of the season. And, it's not just that. Their favorite place, the Capri Beach Club is also going to be demolished at the same time. In fact, it seems like everything will come to an end soon. But then the girls discover a surprise in the deep end of the Capri's abandoned swimming pool - a mermaid!

A very short book with a great deal of potential, but this one falls flat. Too many ideas left undeveloped and characters who just seem to be killing time, waiting for something more. Hoffman is maddeningly erratic in quality. This little novella needed more work and comes off as something that she just phoned in.

13 Little Blue Envelopes, by Maureen Johnson

Ginny gets a letter from her late aunt telling her to pack her bags and fly to England. And somehow, although she is shy and reserved, Ginny does what she is told. What unfolds is a series of adventures travelling across Europe, meeting people and having experiences that she otherwise would not have. And at each stage, there is a new envelope (13 in all) for her to open to guide her on her quest.

This is a fun and lively book about the search for self (and also about learning some about your family). There's lots of local color and detail and most of us who have been to Europe (on our own) will recognize a bit of ourselves in the story. I liked this book a lot more than I expected to and can see why it has been so popular.

Better Than Running at Night, by Hillary Frank

Ellie arrives for her first year of art school and immediately meets the devil (and Elvis!) at a party. Actually, it's a guy named Nate, but in the end the relationship she develops with the clingy (yet unfaithful) Nate will become a sort of unhealthy association. Meanwhile, Ellie is also struggling to express herself artistically and grapple with the fact that her father is not her biological Dad.

This is a messy book, but has an element of realism to it, in the sense that life is not a convenientdramatic arc. The problem is that life can be dull too and there were sections of this story that truly put me to sleep (of course, reading the book on my 7am flight doesn't help!). I give the story high marks for realism and strong characterization but I wanted a more coherent story.

Goose Chase, by Patrice Kindl

Alexandra the Goose Girl has hair that looses gold dust when brushed, she cries tears that become diamonds, and her face is as fair as dawn. While these gifts might seem like blessing, they are the Goose Girl's curse as they also bring her the unwanted attention of the King and a Prince. When she runs away, aided by her geese, it sets in motion a series of events that change the course of the kingdom and help to right an ancient wrong.

This is pretty much a by-the-numbers fairy tale. A bit convoluted and long, but enjoyable with enough twists to hold your attention. Not fine literature (and I'd more highly recommend Hale's Goose Girl in its stead), but good reading. The Goose Girl is resourceful, her sidekicks amusingly dim witted, and the geese manage to save the day on more than one occasion. No surprises, but entertaining.

Story of a Girl, by Sara Zarr

When she was 13, Deanna's father caught her in the back seat of a car with a Junior named Tommy. Three years later, she is still struggling with the reputation of being the school skank and a father who won't look her in the eye. But three years is a long time for healing and Deanna decides it is time to reinvent herself.

This novel has gotten a lot of hype and comes with an assortment of high-power endorsements (John Green, E Lockhart, etc.) -- all of which both made me look forward to reading it with anticipation and also scepticism that it would be able to live up to the hype. The truth lies somewhere in between. Did I buy the story and think it was something special? Yes! Did I think that Sara Zarr is a pretty cool writer? Yes again! That said, the story itself didn't completely grab me on a personal basis, but it was still good writing (and I'm fair enough to admit that I don't ahve to like something for it to be good). So, it might not make my "best of" list but I'm sure that Zarr's second novel will have my full attention. Recommended.

I'd Tell You I Love You, But Then I'd Have to Kill You, by Ally Carter

Cammie Morgan goes to the elite Gallagher Girl where she studies 14 languages, covert operations, and how to kill people twice your size. But don't let the trappings of her elite school fool you: she's a typical sophomore girl with a crush on a townie boy and an endearing awkwardness. And even with the high tech trappings of spy gadgets and espionage tricks, the most dangerous mission is putting your heart on the line.

At times clever and other times silly, Carter has created a concept that she hopes to make into a profitable commercial enterprise. Combining spy novel cliche with high school cliche, this novel never really rises above either genre. Yes, I laughed the first couple of times Cammie and her friends did something James Bond and then immediately topped it off with a Gilmore Girls moment, but the joke wears thin and the conclusion got pretty muddy. It's a concept that may improve with the sequels, but we'll need to work on the story and come up with better jokes.

Jeremy Fink and the Meaning of Life, by Wendy Mass

Jeremy is a bit obsessive (he only eats PB sandwiches and never travels far from home) and his best friend Lizzy is a kleptomaniac. Just before his 13th birthday, a mysterious package arrives for him. In it is a box that his father (dead for the past four years) left him to be opened on his birthday. The problem is that the box is locked and needs four keys to open it, and the keys are missing. Inside the box allegedly lies the "meaning of life" and now Jeremy and Lizzie must search to find those keys and open the box.

I've really enjoyed Wendy Mass's other books. This one does not disappoint. The characters are quirky and original and the story is well thought out. I do find that her characterization are not very deep, but for a younger teen reader that is probably fine.

Psyche in a Dress, by Francesca Lia Block

If you ever thought that the Greek Gods were a pretty dysfunctional family, this verse novel won't change your opinion to the contrary. Placing the characters of Psyche, Echo, Aphrodite, Eros, and others in a modern urban context, Block explores the meanings of those myths (both as story and as metaphors). Surprisingly, it generally works.

This is not, however, a story (but more of a series of reflections and meditations). I'm not a big fan of that (see a couple of my Alice Hoffman reviews to get a sense of that!) but it is an interesting literary device to take characters whose names are metaphors and then dissect them (what does it mean, for example, to love Eros?). The modern references are a bit jarring, but this is a highly original book.

Harmless, by Dana Reinhardt

One night, Emma, Anna, and Mariah sneak out to a party with some older boys. And when their parents find out that they aren't where they are supposed to be, the girls panic and make up a story -- a lie that quickly escalates and grows bigger until it threatens everything around them: friends, family, and even their own sanity and perceptions of self-worth.

This chilling and engrossing second novel is a complete score for Reinhardt. Her first novel (A Brief Chapter in My Impossible Life) was good, but here she improves many times over. I tend to get annoyed by stories based on shifting narrators, but this tired device worked well in this case and gave far more punch than a single voice could have delivered. An excellent sophomore effort and highly recommended!

The Higher Power of Lucky, by Susan Patron

Lucky spends her days in the desert town of Hard Pan, CA hanging out with her knot tying friend Lincoln, being pestered by young Miles, and eavesdropping on the SA, GA, and AA meetings that take place at the Found Object Wind Chime Museum and Visitor Center. It is from these meetings that she learns of the "higher power" and all the things it can do. Lucky would like to find her own higher power so that she could convince her homesick French guardian Brigitte to not abandon her.

This touching and affirming story, full of quirky and fun characters, got a lot of press for its use of the word "scrotum" on its very first page. That criticism probably was levelled mostly by people who didn't bother to read any further. As anyone who's hung with my Blog knows, I tend to hate most Newbery winners as being either too trite or too political, but this one scores really strongly and surprised me. It's good storytelling and well worth reading! Recommended.

This Is All: The Pillow Book of Cordelia Kenn, by Aidan Chambers

In this huge book, broken into six parts, Cordelia and her friends provide an exhaustive revirew of her teenaged years and thoughts for her daughter. It wraps from how she met her daughter's father to a series of woes (romantic, comic, and tragic). Included throughout are various thoughts, facts, and "moans", as well as drawing and poetry.

At 808 pages, this is probably the largest YA book I have ever read, and it is not really a YA book. The explicitness of the sex alone would probably get it banned out of most school libraries, but the real issue is that the perspectives are adult perspectives, the worries and fears (money, jobs, future, etc) are the worries that an adult looking back on adolescence has. Missing are the insecurities and hopes and dreams (as a young person herself would see them).

It is also a very British book, not simply in terms of language but also in outlook. Everyone takes themselves very seriously in this story and hold themselves so tightly that tragedy (and the inability to deal with it) is simply a forgone conclusion. American readers may not be able to pinpoint this problem, but you'll sense it when you read this book that people are just a bit too uptight and stuck on themselves.

Finally, there is the style of the book. Chambers has been writing for some time and there is an impressive variety of styles in this book. I'm not too fond of them as most of them seem done to be clever and literary (as if the audience was a bunch of English teachers rather than a young reader) and often distract from storytelling. Still, it is extremely impressive to create a work of this size and this complexity. By the end, you really truly do know Cordelia in a way that most authors never quite have an opportunity to do.

After reading this work (it took an entire trip out to Seattle and back and an additional hour or two this weekend), I want to sing its praises and intimate that you have to read this book and that it will truly change your life (as some over-the-top Borders reviewer did), but I really cannot. There are some lovely passages in this book, but size and complexity do not make a book great, they merely make it long. I would give it a serious pass. In the time you spend on this novel, you could easily read three really good books that would change your life.

Soccer Chick Rules, by Dawn Fitzgerald

Tess lives for sports, whether it's soccer or basketball. In fact, sports are about the only reason that Tess shows up for school. So when they announce that a new tax levy is needed or the after school programs (including sports) are going to be cut, Tess jumps into the game and gives it her best effort to save the sports programs.

As my loyal readers know, I'm not a big fan of the sports genre but I'll be fair here and say that if you like good sports action (and love soccer) there's some good action scenes in this book. And since there are surprisingly few good soccer books out there, this book serves an important niche. That said, I'm also not a fan of first-person present tense writing (it's exhausting to read and tends to get really clunky) so I found this a bit of a chore to get through. Combine the style with a character that I found stuck-up and arrogant, and this was a hard slog.

The True Meaning of Cleavage, by Mariah Fredericks

When the geeky sci-fi fan Jess sees her best friend Sari going psychotically in-love with David Cole, she knows there will be trouble. David is not only a senior but part of the inseparable duo of David and Thea, and there is no way that Sari will ever succeed. But when Sari and David start fooling around on the side, Jess realizes long before her friend that there is a dangerous game being played and tries to do what she can to save her friend.

I could personally relate to this story on all sorts of levels (from Jess's sci-fi obsession to the alternative school she attends). I even noted with amusement that - like E Lockhart and Nora Raleigh Baskin - she also attended my alma mater Vassar. This was, in sum, a book I wanted to like a whole lot. Most of the time I really do like it and I'll give it a strong recommendation, but it is also true that this is just a bit short of greatness. Perhaps because it is too tied to YA cliches (geeky girl rises above popular in-crowd) rather than reaching for total greatness. You'll enjoy the book and it may even become a favorite, but I wanted something a bit more.

Oh yeah, and the title is actually appropos of nothing at all (perhaps a slight reference in the middle of the novel). Perhaps it made the book sound more like chick-lit, but it seemed a bit inappropriate.

Green Angel, by Alice Hoffman

When her parents and sister leave her at home on market day to take care of the farm, Green is so angry that she won't say goodbye to any of them. But then a cataclysmic event burns the cities and plunges her world into ash and gray. Grieving from her loss and unable to adapt to her changed surroundings, she must learn to heal and rebuild.

The fire-analogy parallels Hoffman's watery Indigo and folls many of its structures: being more of a meditation than a story. As a result, it's pretty enough, but not terribly substantive. More of a novella than a novel. More of an exercise in pretty prose than an interesting story.

Plan B, by Jenny O'Connell

Vanessa has planned out her life: finish senior year, and then go to Yale to be with her high school boyfriend. Her life looks pretty set and that makes her happy. But then a series of surprises occur: she finds out that she has a half-brother, that that brother is none other that then seriously hunky Reed Vaughan, and that he is coming to live with her family.

A fairly formulaic and predictable read, but entertaining nonetheless. O'Connell has crafted a heroine who is so amazingly rigid that when she breaks it won't really come as a surprise and you can basically guess whre the story is going. Think a B-List Meg Cabot. A sufficiently engrossing guilty pleasure but zip surprises or drama.

Scrambled Eggs at Midnight, by Brad Barkley and Heather Hepler

In alternating chapters, written from the perspective of Cal (Hepler) and Eliot (Barkley), we get a story of two teens meeting in a sleepy southern town. They come from different backgrounds: Cal is the daughter of a restless jeweler who follows the Ren Faire circuit, while Eliot has been relocated from California by his God-huckstering father. Their relationship develops and is threatened by Cal's mother's decision to move on.

Joint-authored novels (especially boy-girl projects) tend to suffer from a tension of styles. Usually, the two authors start off pretty compatible, but by the end of the project, the authors are visibly fighting each other over the plot line. This is a classic example of the problem. To their credit, Barkley and Hepler try very hard to avoid messing up each other's stories, but they are diverging so far by the end, taht it is like reading two separate novels (but with the same characters). Ideas developed by one author are frequently ignored by the other. The result is distracting. I think both authors could have written a decent story (although I found Barkley's writing to be stronger), but together it is a mess.

A Certain Slant of Light, by Laura Whitcomb

In this unusual novel, Helen has spent her years attached to writers, artists, and teachers, following them wherever they go. But no one would accuse her of being clingy, because no one can actually see her -- she's actually dead and a ghost. But then one day in her host's English class, a young boy named James surprises her by talking to her. Romance and many complications develop.

I'm not entirely sure that this is my cup of tea, but it is certainly an original piece. The characters are strong, the story sufficiently compelling, and the action moves well. There were times when things could have been written a bit smoother, but this is a good first novel. I'd recommend this story if you like books with a supernatural twist to them.

The Bermudez Triangle, by Maureen Johnson

A story of three girls: Nina, Avery, and Mel. The story opens at the beginning of the Summer when Nina goes away to leadership camp and meets Steve, while Avery and Mel stay home and discover each other. Yes, it's girl meets boy and girl meets girl (combined with the ever popular girl loses boy and girl loses girl to keep things dramatic). By the end of the novel, there will be plenty of love lost and friendships gained.

I'm probably making it sounds like this was a bad novel (it isn't). It's just terribly long and has a storyline that just keeps going and going without much regard for a dramatic arch. It is also a bit uneven in style and quality throughout (some sections really suck you in and others just drag on and one). But there is something to say about a novel about freindship that treats teen gays as really just normal teens (neither freaky nor unusually sophisticated). I'm beginning to really appreciate Johnson as a writer but this earlier novel is eclipsed by her later work. It's good, but not great.

Good Girls, by Laura Ruby

When someone takes a picture of Audrey going down on Luke at a party and sends it around the school so that everyone sees it (including Audrey's Dad!), you would think that her life has come to a complete end, but Audrey's a fighter and she's determined to show that the difference between a "good girl" and a "bad girl" is not so big after all.

A feel good novel with some very hillarious moments, as well as some great soul searching. The story can veer a bit, but overall this is witty and fun and strikes a very true note (the parents, in particular, come off very real; but I think it is safe to say that Ruby has just about everyone's number!). Some people might have problems with the explicitness of several chapters in the book (some readers might actually seek this out for them!), but I think that even those scenes add something to this story. A very good read and recommended for those who've grown tired of the depressing angsty literary novels (you don't have to be dry or politically-correct to have something important and empowering to say!). Hooray!

The Alison Rules, by Catherine Clark

Alison has a lot of rules. These rules help here stay safe and protected so she doesn't have to think about things. And it doesn't matter how hard her best friend Lindsey or the new boy Patrick try to change things. But then a horrible chain of events rock her world and destroy the safe cacoon she has created.

For the first 174 pages, this story chugs along as a pretty unsubstantial novel and I wouldn't be surprised if some readers didn't give up on it before then. There's the usual predictable YA cliches of love triangle, pranks, conflict with teachers and parents, etc. But then the story turns very dark, very quickly, and basically becomes something else altogether. In this respect, it reminded me of Nicholas Sparks (and I noticed that a lot of people who like Sparks like this one). But in my mind, taking a mediocre story and turning up the volume on the violins at midpoint by an out-of-the-blue tragedy is a cheap way to rescue the story. Yes, you'll cry for the second half of the book, but I'd rather have a single coherant plot line (or at least have the tragedy be sufficiently foreshadowed -- see Looking for Alaska or Almost Home).

Seven Tears into the Sea, by Terry Farley

Seven years ago, when Qwen was 10 years old, she went sleepwalking out on the beach and thought that she met a gypsy. But at the time, people figured that she was either making it up or had been molested. After the incident, she and her family moved away. Now at 17, she has returned to the beach to help her grandmother, and also to face her past and figure out what happened -- a mystery that is intensified when she encounters a young man who claims to have been that "gypsy" on the beach.

A bit clunky and hard to follow, this fantasy romance brings in lots of nice color and strong characters, but the plot veers all over the place and, by the end, becomes difficult to follow.

The Taker, by J. M. Steele

Carly is a good student with plans of going to Princeton, but when she gets the results of her SATs, she has a nasty surprise with a 1710. And then, just as she is receiving this news, she is contacted anonymously by the "Taker" who promises that he can fix her problem. And now she has to choose whether to accept the offer or not.

This is a passingly good story but excruciatingly predictable, packed full of every YA cliche you can imagine. The authors ("J. M. Steele"), the blurb tells us, are a "pseudonym for two New York entertainment industry professionals" and the novel reads likea formula (picture a bunch of TV producers pitching a concept!). It's harmless (aside from its questionable ethics), it won't bore you, but it is mindless entertainment with a "surprise" ending that you will see coming by the time you're even half-way through the book.

Ophelia, by Lisa Klein

As one of the greatest classics of English Literature, Hamlet has been not only remade in every possible way, but the subplots and characters of the tragedy have spawned many stories of their own. Ophelia's story, though, has really remained underappreciated. She loves Hamlet and seeks to console him as he grows mad, and then goes mad herself and finally kills herself. BUt her name has spawned an entire metaphor for adolesecent femininity. Thus, it is only in small irony that it should all come round and Ophelia's own story should become the subject of a YA book.

This novel picks up many years before the Bard's Hamlet, and continues for many years after -- a subject of some confusion as Ophelia dies in the more well-known version of events. And between this back story, the tale that follows, and a different viewpoint on the events in Elsinore, we get a story that expands upon Hamlet, adding details that change no fact of the narrative but which cause us to rethink the meaning of the tragedy itself.

It will probably shock the more cultured people to hear me say that I always picture Helena Bonham Carter in this role (as it is Mel Gibson's Hamlet that I most clearly remember). So, I'll take a special delight in seeing her story expanded and I enjoyed this novel a great deal.

All of which is not to say that I think this is a perfect book. I found the after story (the last 100 pages or so) to be completely unnecessary. It added so little to the understanding of Ophelia. If anything, it cheapened her a little by adding political correctness and anachronistic visions of gender roles to her character. But I understand Klein's purpose in doing so (having Ophelia's life end as a suicide was such a dramatic disappointment).

I think this novel can serve two purposes: it can serve as an entertaining novel in its own right, or it can help readers appreciate Hamlet more, opening up an interpretation of that story that might otherwise go uncovered. Fascinating!

Vive La Paris, by Esme Raji Codell

Continuing with the same semi-autobiographical setting as Sahara Special, we now shift focus to the story of Paris, who is dealing with a brother who keeps letting himself get bullied by a girl in Paris's class. And Paris also has an eye-opening introduction to history throug piano lessons with a Holocaust survivor.

While this book does not carry the novelty value of either Sahara Special or the autobiographical Educating Esme, it is still a special story. It is made a bit more poignant than its predecessors by the decision to bring up the Holocaust (a hot topic of discussion not so long ago on the CCBC list). Throughout, we get an admirable respect for life and education. A winner!

The Braid, by Helen Frost

An alternating prose poems, interspersed by short praise poems, Helen Frost tells the story of two sisters separated by the forced emigration of the Western Scots to Canada in the 19th century. One goes to Canada, while the other moves south to more remote sections of Scotland to avoid deportation. But they manage to stay connected despite the distance.

This is a fairly sophisticated piece of writing (both in terms of structure and content), but the story falters a bit in maintaining engagement with the reader. As a piece of art, I appreciated the style and the effort, but as literature I found it lacking. As a younger reader, I would have maybe even found it a bit dull. A mixed review.

The Foretelling, by Alice Hoffman

Rain is a warrior princess of the Steppes, ostracized by her mother for being the offspring of a gang rape, and feared/ignored by her tribe. But in the harsh world of the ancient world where her group of Amazon warriors defend themselves on horseback against greedy men, Rain is finding the strength to lead and the ability to interpret a prophecy to make her world a better place.

While a bit heavy on the macho images of brutal warrior women (is there a feminine version of macho?), this estrogen-packed action fest has a lot to offer. A bit more intellectual than Xena, but maintaining much of the appeal, this is a pretty brisk read. I did grow tired of the heaviness, but the cultural details were fascinating and it made for good storytelling. Hoffman has a stylistic rut in which she operates, but it's a good one to be in.

Side Effects, by Amy Goldman Koss

When 15 year-0ld Izzy finds a lump in her neck that turns out to be cancer, all of the everyday concerns of her life take second place as she enters a new regimen of blood work, labs, chemo, and endless sickness. But rather than be a story about a dying teen, this is one about survival and pulling through.

Unfortunately, this is about all the book is. I had been hoping for some sort of uplifting text about the power of human spirit and overcoming the odds. Or maybe about living a normal life in spite of the sickness. Instead, Koss is more interested in spelling out all the technical details of treatment and teen cancer (if I wanted that, I'd read non-fiction!). We know that Izzy doesn't like needles and can't swallow pills and that her Mom cries a lot, but none of these issues are really ever addressed. Nor is Izzy's romantic interests or her relationships with family and friends. In a word, almost all of the character development is wasted and become nothing more than windowdressing for a blow-by-blow description of cancer treatment and recovery. A major disappointment.

Letting Go of Bobby James, or How I Found Myself of Steam, by Valerie Hobbs

Atthe age of 16, Jody has made the decision to leave her husband after he hits her in a fit of anger. She has nothing to her name, but a good head on her shoulders and some luck. And those two ingredients help her set out on her own.

Told as a series of serious digressions in a letter to the owner of a grocery store chain (in order to complain about the store's coleslaw), Jody is an engaging character with an amusing ability to mix up her words (as someone - myself - who once wrote "intensive purposes" on the first draft of his dissertation, I can relate!). What Hobbs shows very nicely is that decent people come in many shapes and sizes, and that being a decent person amongst decent people can take you a long way. A good uplifting read.

Indigo, by Alice Hoffman

In this very short fable, a town that is afraid of water, a girl who wants to leave it, and two boys with a strong attraction to the sea all serve as metaphors for longing and insecurity.

In such a brief book (84 pages of very large type), it isn't really possible to develop much of a story and while Hoffman does relate a complete narrative, this is more of a novella, than a novel. My preference would have been for a longer book (and thus more to review).

Dairy Queen, by Catherine Gilbert Murdock

In DJ Schenk's family, people don't talk much and, when they do talk, they get pretty angry with each other. That's easy for them to do because they have a lot to be angry about. DJ's father is angry to be injured, her Mom is angry that Dad drove away his sons. Little brother Curtis doesn't say much to anyone. And DJ spends a lot of time taking care of the farm and the family, doing her best to please everyone, just like one of the cows on the farm. However, things change when she spends the summer training Brian (the aspiring QB of arch rival Hawley's football team). And then she decides to go out for football herself.

In honor of today's "big game," let me come clean and say that I'm not a big fan of sports or sport fiction, but this novel really hines as something of a notable exception. From strong, realistic characters to an interesting narrative voice to good plotting, Murdock has a talent with writing that I really hope to see much more of (and will soon, as her next novel comes out this summer!).

On a negative note: I really DO wish that writers would do their homework or stick to subjects that they know. It's hard to read a book like this and not be bothered by the factual inaccurancies. For example, no dairy farm in the US (let alone in WI) could survive if the barn wasn't clean because the dairy inspectors would shut it down. Secondly, a high school with 120 students per class would hardly be considered "small" in rural Wisconsin. To the contrary, any high school up near Eau Claire with that many students would be one of the largest in the area. And any school that size would have no problem fielding a large football team. These are sloppy mistakes that a few hours on the Internet could have prevented.

The Girls, by Lori Lansens

Rose and Ruby are twins, but not the normal sort. They are conjoined at the head. And if you've ever wondered what that is like, this novel explores what it is like to have your sister always with you. The book traces three decades of sisterhood, covering the highlights of the girls' lives (family, loves, losses, etc.). It is not so much that anything specific happens in this novel, but more that it is a realistic story of a type of life that is hard for any of us to imagine. And more than being a story about them, it is also about the people they live with and growing up in a Slovak household in southern Ontario.

At 345 dense pages, this is a very long read. It is not a bad read (except maybe towards the end where it just starts to drag and drag), but given it's essentially lacking a plot, it can grow a bad hard to plow through. That said, I found the subject matter so totally interesting that I have to give it a recommendation. There are so many things about being a conjoined twin that never would have occurred to me and that this novel addresses. And a book that opens a new world is always a valuable literary contribution.

Firefly Cloak, by Sheri Reynolds

After her brother dies, 15 year-old Tessa Lee goes looking for her mother. Mom left her and her brother seven years ago and Tessa Lee is just trying to fulfill a promise to her brother to find her mother. However, her Mom has become a drug addict and an alcoholic and denies Tessa Lee when they first meet. Told in alternating voices (Tessa Lee's, Mom, and Grandma), this story traces an attempt to reconstruct Tessa Lee's family.

I'm not quite sure how I tripped over this book, but someone must have thought it was YA (it isn't, despite having a teenaged heroine). I found it a bit gross to be frank, and I'm not that much of a prude. And the alternating narrative could get very hard to follow as the author would often switch voices without identifying who had taken over telling the story. Those sorts of distractions, plus some overall clunky writing, made this a bit of a chore to get through.

The Wall and the Wing, by Laura Ruby

Gurl is the only child at the Hope House orphanage who cannot fly, but she has a cat (a truly rare thing!) and an ability to make herself invisible. This power attracts attention from various evildoers. Before her story is done, she and her friend Bug must deal with punks in the subway, the Sewer Rats of Satan, Sweetcheeks Grabowski, the Professor, and the Richest Man in the World.

This fantasy story gets high marks for originality and liveliness and I'm sure it has its fans. However, it never engaged me. The characters were not very interesting and their adventures seemed too random and unpredictable to capture my attention. Instead, I found myself simply drifting through the story.

Baby Blue, by Michelle D. Kwasney

13-year-old Blue is struggling to keep her family together (or rather, what remains of it). Since her father drowned and her mother remarried to the abusive Lyle and her older sister Star has run away, this is a pretty big undertaking! If only she could convince her mother to stand up for herself!

This is pretty much a by-the-numbers abuse story. We get a series of abusive episodes that escalate and esclate, but also the predictable resolution and starting over again. It's an OK story and well-written, but no earth-shattering revelations or novelty.

The Somebodies, by Julianna Baggott [N. E. Bode]

In this third installment to the series about Fern, her friend and "brother" Howard, and the magic hidden in books, Fern and Howard must flee from their parents when the Drudgers decide to send them to military academy and the Blue Queen makes her move on the kingdom, located underground, under the city of New York.

The series has lost a bit of its lustre as it continues. The latest installment is more clunky and heavy-handed but most of all the novelty of books springing to life has declined. The message this time is about the sacrifices that writers make to create stories that transport you, but it is a message delivered with a sledgehammer. This time, the author has forgotten to liberally spread the joy and fun around that was in the previous books (replacing it with weirdness and unpredictable and meaningless plot twists). Re-read The Anybodies and give the sequels a pass!

Toys Go Out, by Emily Jenkins

Lumphy, StingRay, and Plastic all belong to the Little Girl who sleeps in the top bed. In this series of six related stories, the three of them have a series of hilarious adventures involving peanut butter, dictionaries, a washing machine (and dryer!), the sea, and a birthday party. Of course, they're all three of them just toys, but what fun adventures they can have!

For younger folks, you'll probably think Toy Story or its descendants, but these stories reminded me much more of Winnie the Pooh with their whimsical and clever nature. I'm not entirely sure that little kids will really understand the stories, but they are so cute and adorable. Highly recommended!

Drawing the Ocean, by Carolyn MacCullough

Since Sadie's twin brother died when they were 12, she has felt his presence wherever she goes and her habit of talking with him has gotten her in trouble at school. But when her family moves across the country, Sadie has a chance to start her life over again and carves out a new identity for herself as a normal and popular girl. But the more she succeeds at being popular and building a relationship with a jock named Travis, the more she feels drawn to an outcast Ryan and a life that might be too much like what she left behind.

MacCullough has not had a good track record with me. Both Stealing Henry and Falling Through Darkness were good but nothing terrific. This third novel, while less original and far more formulaic than her predecessors, is actually the strong thing she's written so far. You can probably guess how the story will end up, but that does not diminish the beauty of the writing or the engrossing nature of the read. When I had to put this book down, I genuinely regretted having to do so. That is a mark of a good book!

Life As We Knew It, by Susan Beth Pfeffer

When an asteroid collides with the moon and shifts the moon's orbit erratically closer to the Earth, the effect is catastrophic to the ecosystem. For 16-year-old Miranda, it is hard to understand the significance of the event and how it will change her life. But as civilization begins to fall apart and Miranda and her family struggle to stay alive, she begins to realize how precarious life is and what really matters in this world.

An extremely depressing and downbeat story of survival. This may shock the more innocent and naive, but overall I found it to be tedious. Not that I suppose that survival in such circumstances for an average family would be all that exciting, but the day-after-day repetition of hunger, boredom, and endless new agony just really makes the book's 337 pages a bit of a chore. A powerful story, but not a very entertaining one.

Kiki Strike Inside the Shadow City, by Kirsten Miller

As the back of the book says, "Five delinquent Girl Scouts/a million hungry rats/one secret city beneath Manhattan/and a butt-kicking girl superspy-welcome to the world of Kiki Strike." That gives you a taste of the most original YA book of the year. Kiki and her band of Irregulars fight the nefarious evil powers let loose in Gotham and save the day, conquering evil Chinese gangs and snooty girl cliques for a direct head butt. These girls can blow out doors, become mistresses of disguise, jimmy any lock, and finish off anyone in their way.

My only complaint with the book is that it's terribly long (390 pages) and probably at least two books in one (the story is wide open for a sequel and perhaps a series), but the writing is fresh and fun (the technical advice given in each chapre is useful and adds flavor to the story). The heroines of the story are an irresistable bunch -- everything you typically expect from a group of 12-14 year old girls but with a good non-nonsense approach to battling evil thrown in. On one had, realistic and on the other completely over the top. This book is clever and fun. Did I mention that I like it?

Head Games, by Mariah Fredericks

Judith has been engrossed in the Game for months now. It's an online game and in it Judith can be a stronger person than she ever feels able to do in real life. But when she discovers that one of the people she plays with is actually a next door neighbor, the Game becomes real in ways that she never imagined possible. And she learns to find some strength in the real world that she had only tapped before in her fantasy world.

An engaging story with a realistic voice. Judith isn't an anybody, but her shy resolve will resonate with young book readers. Fredericks knows how to tap into that psyche, but moreover how to spin a good combination of teenage cynicism with some hope thrown in. The story does begin to drift off tangent at the end (almost as if Fredericks got worried when she passed the 250 page mark and wanted to wrap things up quickly), but her characters are such winners that you'll forgive the sloppy ending.