Boy2Girl, by Terence Blacker

When the nice quiet Burton family in London gains custody of Sam, the son of Mrs. Burton's late sister, it's pretty obvious he doesn't fit in. Angry and wound up and terribly "Yank"-ish, he fights and curses at anyone who gets close to him. But then he accepts a dare to show up at school for the first week dressed as a girl -- a disguise that is surprisingly effective. Yet "Mrs. Doubtfire" this most certainly isn't. Sam makes a strange girl, not even trying to act feminine. That's when the fun really starts.

It's clever and funny and surprisingly revealing for a popular novel. Blacker is trying to get at some of the stuff that defines gender identity, without getting too preachy about it, and he largely succeeds. Characters can be a bit two dimensional, but this is one of those odd books where a constantly changing narrator (just about everyone -- except, notably, Sam himself -- gets a chance to tell the story) actually works pretty well. A clever original.

Pretty Things, by Sarra Manning

In ultra hip and trendy London, four young people take part in a summer staging of Shakespeare's The Taming of the Shrew. There's the vacuous fashion-obsessed Brie; gay friend Charlie; swarmy womanizing Walker, and angry dyke Daisy. And, as the story opens, Brie has an unrequitted thing for Charlie, Charlie finds himself attracted to Walker, while Walker decides that he wants Daisy. And, as implausible as any of these infatuations seem likely to bear fruit, things start to get a bit wild and a lot of unimaginable things happen.

The book is way too trendy and current. Not only is it terribly regional (American readers will occasionally find the dialogue and references just a bit off-putting), parochial (London IS apparently the center of all things cool), and temporal (the references to Justin Timberlake and George Bush will not age well), it just grates on the nerves for the first half or so. Then the book does something interesting: Manning stops trying to impress us with how hip she is and starts telling a storr - a very interesting story about sexual identity and the fluid and flexible nature of that identity. By the end I was actually hooked, but first I had to get through the first 140 pages or so to get there.

How I Survived Being A Girl, by Wendelin Van Draanen

In a series of anecdotes, Carolyn tells us about her neighbors, the pranks she plays with her brothers, and the trouble she gets in to. Some of the anecdotes are funny, while others are revealing, and some are even both. As for an actual story, there isn't much here: she spends the summer getting into trouble and the school year butting heads with mean teachers and giggly girls. And her mother is having a baby.

I liked Flipped a lot and was hoping for more of the same, but this is an earlier work and not quite as polished. And it is also a bit dated. Although published in 1997, it references vinyl records several times as if anyone born in the last twenty-five years has had any significant exposure to them. The writing style has a nice folksy down home feeling to it and the settings are warm and friendly so it's a good read, but not exactly classic literature.

One other thing that dates the book is a mention of a spanking early in the book. Corporal punishment doesn't find its way into many children's books anymore (much the same way that smoking has largely disappeared from movies). While statistically speaking, most children have experienced getting hit by their parents, it strangely never occurs in literature. I understand the reasons to paint such an idealistic vision, but I found Van Draanen's inclusion of it (neither graphic nor particularly long) a realistic touch and the sort of thing that real 8-11 year old readers (the target audience) would relate to.

Julep O'Toole: Confessions of a Middle Child, by Trudi Trueit

Julep has the most obnoxious little brother you could imagine, and an older sister with a heart of ice, and she knows that she's the most invisible girl in the universe (or at least in sixth grade!). So, when Danica (the most popular girl at school) invites her to her Halloween party, Julep can't believe her good fortune, but then disaster strikes!

A bit uneven (maybe a few more revisions would have helped), but amusing story with a heroine with some spunk and great misadventures. I didn't really buy the "invisible" part but the siblings were definitely obnoxious enough to elicit sympathy.

Red Ridin' in the Hood, by Patricia Santos Marcantonio

When Jaime and Gabriela are left in the desert to die, they find a house made from pan sweet bread and tamales. Red goes to visit her abuelita and ignores her mother's warning and takes Forest St where she runs into Lupo. Lazy Juan drives his mother nuts when he trades in their delapidated old car for a handful of magic pinto beans. And the vain Emperador is tricked into showing off his new designer clothes to an entire school assembly. Yes, these are classic tales, some from Greek myth, some from the Brothers Grimm, retold with a distinctly Mexican bent.

Some of the stories are more clever than others, some are more interesting, but they're all just moderately updated and altered. Blanca Nieves (Snow White) proves to be worthless as a cook, but she makes a good ranch hand. Red doesn't need a woodsman to rescue her, she's plenty good at dealing with the wolf on her own. But with retelling and a changing of contexts, one of the really neat results is that you'll spend a lotr of time thinking about what these stories are really about.

I'm giving this book very high marks, despite my knee-jerk desire to hate its PC qualities. There is an obvious mission here to create a "multicultural" book that will help school districts and public libraries prove how "culturally sensitive" they are, but the reality is that this is a book of distinctly Mexican retellings of these fairy tales, and to ascribe a "Latino" label to the book ignores the diversity of the cultures encompassed by the word "Latino." I don't get the sense that the author had that intent, rather it seems more like a slick plan of some PR person at the publisher who came up with the selling angle. But the hypocrisy of it does twitch me.

The Illustrated Mum, by Jacqueline Wilson

Marigold has always been an unusual mother. For one things, she's practically covered in tatoos. But she also has her moods. And Dolphin and Star have to be careful when their mother gets into her mood swings and starts freaking out. As Star gets older, she's less and less willing to put up with her mother or with trying to protect her younger sister, and when Star's father appears and offers to take care of both girls, the delicate balance of their family is tipped.

Not entirely sure why I picked this book out as it is the old (very) tired plot of the mentally-ill mother and the co-dependent children who refuse time-and-time-again to get help from any other adults. Frail thin subterfuges are invented by the author so that page after page we are presented with one harrowing incident after another, and the children needlessly suffer. I've grown to believe that this plot device is sadistic and exploitative and not dramatic at all and I wanted seriously to throw this book against the wall and burn it in the grill out back. What rubbish!

Fly on the Wall, by E. Lockhart

Gretchen Yee feels completely unnoticed, an outsider, yet also obsessed with that alien race of BOYS at school. In sum, she is your stereotypical teen. But then, for some mysterious reason, she becomes something special. One days she tells her friend that she would love to know what the boys are saying about them, that she would love to be "a fly on the wall of the boy's locker room." And then she wakes up the next morning to discover that her dream has been answered!

An extraordinarily clever and funny story from the fabulous writer who gave us The Boyfriend List (already one of my fav books of 2005). Lockhart gets better and better. I was all laughter with her description of grading the boys' bodies and their "gherkins." And while the idea of a heroine who spends half of the book as a bug is a bit hard to take (even with its great Kafkaesque forerunner), this book really runs with the idea to reach for some higher greatness. Definitely recommended. A breezy and really fun read!

Like We Care, by Tom Matthews

A story of two high school students, Todd and Joel, who get themselves in the midst of a consumer revolt against the obnoxious cable music station R2R and its attempts to shove commercialized rock music down their throats. What starts as a boycott of convenience stores blooms into an attempt to affect grassroots politics and destroy commercial rap.

This rather preachy book suffers from two major flaws: written by a guy it has a male writer's typical penchant for violence and unnecessary roughness (and a consequent lack of interest in emotions, feelings, and motivations). It's second flaw is that it's written by a guy who believes that HIS generation's music was less commercialized than the current generation (and hence, more "authentic"). This is a good lesson for teens to read (if they don't realize the extent to which they have been had, they will), but for a read, it comes off pretty thin and pretentious. And the novel itself bears the hype stamp of a commercialized YA book industry that is only slightly on higher ground than the industries that the book does attack.

My Mom and Other Mysteries of the Universe, by Gina Willner-Pardo

Arlie can't stand her moth, and it's no wonder! No matter how hoard Arlie tries to please her, her Mom only has a critical word to say. Meanwhile, Arlie's little brother gets away with murder. But then two events happen (one tragic and one very peculiar): her parents are in a card accident and her mother falls into a deep coma and a new girl comes to school who looks and acts strikingly like Arlie's Mom (but as a 10 year-old).

From the title, I assumed this would be a nice mother-daughter struggle to get along book, and the supernatural twist that the author put in took me completely by surprise. But what might seem a bit derivative of Freaky Friday, actually works quite well as an original take on a fairly tired story line. And while the story is not exactly enthralling reading and suffers from some of that typical middle reader preachiness, this one was actually a bit fun.

Rules for Life, by Darlene Ryan

Izzy's Mom left her with a rule to cover any situation, and in the absence of a living mother, these rules guide Isabelle through life. But when her father decides to remarry, and Izzy's older brother falls off the wagon, the rules don't seem to cover the situations she is facing.

A rather irregular and uneven book, with trouble creating an authentic voice. There are times when Izzy seems too petty to be the older high schooler she is supposed to be, and other times when she is far too worldly and well-spoken to be a plausible adolescent. And the story plods along in somewhat melodramtic fashion from one crisis to another, without large amounts of linkage between events.

Crank, by Ellen Hopkins

In free verse, we learn how Kristina (the good grades-receiving and model student) became Bree (an unwed mother and meth addict). Along the way, this is a story about addiction, drugs, danger, sexual violence, and ideals gone awry. Nice uplifting material.

But more than being dreary, it's awfully repetitive. The verse falls into two basic catgeories: pieces that advance the story (by revealing a key new plot point) and reflective pieces (that all basically state that meth has a terrible hold on people). No denying that, but how often do we need to read about it? What is missing in so much of this is what caused Kristina to start. The motivation is muddy and the escalation equally unclear. And the result is that the exercise sounds a bit sermonizing. The author's message: if you do meth, you'll get raped and beat up and lose all your friends and lose your respect...and, oh yeah, it's bad for you too.

Perfect, by Natasha Friend

Isabelle doesn't understand what the big deal is. She just throws up from time to time, especially after she's eaten a lot of food -- an awful lot of food. But this is the only way she can cope with her annoying little sister, and her depressed mother, and the memory of her Dad who died two years ago. And from a distance, Ashley seems like the most perfect person in the world, until Isabelle gets to know her better. And until Ashley shows up at Group.

Pretty much a by-the-numbers story of eating disorders, with the requisite kids who don't succeed to counterpose against the heroine who (of course) starts on the road to recovery. It's satisfying, albeit more than a little predictable.

Just Listen, by Sarah Dessen

When Annabel sees herself on TV in the Kopf's fall fashion commercial, she doesn't recognize her own image. The girl in the commenrcial is so happy and has it all, but life since she made that ad has been anything but, and Annabel feels lost. The trouble, Annabel learns, is that every lost opportunity (lost friends, lost happiness, lost life) is a result of her own inability to communicate. She'd like to think that it is because no one listens to what she wants to say, and that she should scream "just listen!" to them, but she realizes that the reality is much much more complicated.

Sarah Dessen scores again with a deeply moving story of a teen struggling to find her own voice and her own way of coping with the world. And aside from a very nasty (and frankly unnecessary) digression about 2/3 through the story, this is a wonderful read. There are so many things that are wonderful about Dessen: she's a great observer of human relationships and of the world in general, she writes beautiful flowing prose, and she has a tremendous understanding of what growing up is about. Beautiful. Haunting. Highly recommended.

Harry Sue, by Sue Stauffacher

Harry Sue is one mean-talking joint-jive-fluent young lady. She needs to get the lingo down, because she means to spend her time in the slammer as soon as she can. The problem is that she first has to start her life of crime, and she just doesn't have the heart to do what must be done. Maybe once she rescues the kids from her grandmother's day care center or gets her "road dog" and quadraplegic Homer to start trying to live again, she'll be able to become the hardened criminal she longs to be.

Harry Sue is a fun character but the writing style drains after a while and the novel is written in a madly unlinear style that makes you want to skip ahead a few pages to figure out stuff and then jump back. Sometimes, that makes things interesting, but mostly it's annoying. And in a book this long, it takes out the fun.

Rx, by Tracy Lynn

Thyme Gilcrest enjoys Ritalin. It gives her the edge she needs to do well at school and keep up with the smart kids (not quite enough to BE one, but enough to come close). The problem is that she doesn't have a prescription for it, and she starts to trade others with the drugs she can get for the drugs she wants. Before she knows it, she's dealing.

Lynn does a great job of pointing out the hypocrisy of an adult society where adults medicate themselves freely and easily, and become so unaware of their surroundings that they don't recognize the way it destroys their lives and the lives of their children. The novel can get high marks for avoiding the easy sermons and cliche events that a more moralistic writer would choose. Instead, this is a pretty taut story.

What isn't so good about the book is all of the topical references. This book is packed full of very contemporary cultural references which will ensure that the book has a shelf life of no more than five years. In general, YA writers avoid this, and they should.

The subject matter had more than a passing interest to me, as I dabbled in a bit of prescription drug swapping when I was in high school (trading Valium for Darvoset and their ilk). We didn't quite have as many fun drugs to choose from or as much readily available anti-depressents and uppers, but I could very much relate to the rather exhaulted place of "legal" drugs (and its higher ground than acid and hash). This is a story that will give parents the willies, but it has a ring of truth to it.

Talk, by Kathe Koja

Through alternating viewpoints, Kit and Lindsay tell the story of putting on a controversial play at their high school. But it's also a story of misplaced affections, as Lindsay falls in love with Kit. Kit meanwhile is in the process of coming out and taking the risks of how the school will react to him. In the midst of all this, is the text of the play itself which is about freedom and societal attempts to impose order.

Koja gets a lot of critical acclaim but I simply don't get her style. I had problems with The Blue Mirror for its incomprehensible narrative, but this one is far worse. If it wasn't for the plot synopsis on the jacket, I would have completely lost track of the characters or what they were up to. And the snippets of the play thrown in confuse matters more. They are there, of course, to underline parts of the main story, but they don't really perform that function. Skip this one.

Mermaid Park, by Beth Mayall

Amy's family (especially her step dad) is driving her nuts, so a summer in Wildwood NJ away from them is just what she needs. And when she discovers the swimmers at Mermaid Park, she knows that she has found her calling. During the summer she learns to deal with the anger she feels towards her family and how to transcend it as a "mermaid."

I wanted to like this novel very much, but it was all over the place. It took nearly 100 pages just to develop a sense of the characters and their relationships to each other. In the end, I didn't find myself terribly moved by any of them.

Crooked, by Laura and Tom McNeal

The Tripp brothers are bad news and when Amos runs across them on a vandalism spree, trouble escalates. What starts as bullying takes a violent turn and drags in Clara and Amos's friend Brook as well.

Another trashy teen exploitation novel. Some interesting character development and misplaced signals, but overall this is a violent and unnecessary novel.

Crunch Time, by Mariah Fredericks

Daisy, Leo, Jane and Max meet by accident at an SAT prep class and decide to form their own study group. Alternating between them, each kid shares their feelings about the SATs, and the person who ends up cheating on them.

Fredericks portrays the high stress world of SAT prep and the pressures surrounding kids in landing a good college. the rotating narration is sometimes interesting and effective, but it does make it hard to get a fix on the characters and understandwhat makes everyone tick. The story ends with lots of loose ends and some rather convenient solutions to others.

Elsewhere, by Gabrielle Zevin

When 15 year-old Liz is killed by a taxi cab, she embarks on a voyage to Elsewhere - the place we all go after we die. Here, she learns how to speak Canine, discovers an avocation, makes friends and discovers that life does go on (even when you are no longer alive!), and that there are lessons to be learned in the Beyond.

I would not have considered a novel about the Afterlife to be of much interest to YAs, but if there ever was a YA-appropriate story about life after death, this would be it! With the lyricism of What Dreams May Come and the absurdity of Hitchhiker's Guide to the Galaxy, this is a fairly original vision. It is not, however, of even quality and the last 80 pages of the book really fall apart. A good idea, but flawed delivery.

Dizzy, by Cathy Cassidy

When Dizzy was little, her mother went away - traveling the festival circuit. But every year she sends Dizzy a birthday card. This year it's different: she shows up and offers to take Dizzy on the road with her, traveling from one festival to another. But Dizzy discovers that things are not always as wonderful as she had hoped. And that her mother is not quite as wonderful as she seemed.

A rather predictable story of how our dreams/wishes don't get realized in fact as much as we imagined. There is a major lack of plausibility to Dizzy's easy acceptance of her mother's lies - lies that probably every reader is going to figure out without the help. Passable, but ultimately unfulfilling.

Alice I Think, by Susan Juby

Over the space of several months, Alice documents in her journal entries a series of events including her failing career in retail, her aborted attempt to find a boyfriend, a horseback expedition with her sexually-promiscuous cousin, and her re-entry into "civilization" (public high school) after years of home schooling. She's definitely a bit quirky and odd, and it will be pretty obvious to everyone (except her) why she has so much trouble getting by.

Not only is Alice a quirky character, but Juby's story is as well. The humor is very subtle and dry. At times, the story drags or the style gets a bit tired, but overall this is an amusing and humerous read.

Friction, by E. R. Frank

Simon is the coolest teacher at school. Alex thinks so. Everyone thinks so. But when Stacy arrives, she begins to tell disturbing stories about Simon that cause Alex and her classmates to reconsider how they see him.

A mildly disturbing portrayal of a teacher who may or may not have behaved inappropriately with his students. It's hard to know what the audience is. The subjects are 12-13 year olds, but the subject matter may be a bit complicated for that age group, so overall the story has a mixed focus.

Princess Academy, by Shannon Hale

Miri has never felt like she fits in with her village. While most of her people work in the quarry mining for linder, she stays at home. But all of that changes when an emissary from the Prince arrives to announce that the Prince will take a bride from the village and that all girls between 12-18 will be trained in the arts of being a princess in preparation for the choosing in one year's time.

A magical and rich fairy tale with just a small amount of actual magic and fantasy. Mostly, this is a very creative story about growing up, learning one's own worth, and finding a true calling. The ending takes a bit long to come around and has some contrivances, but this is a good read.

Breakfast With Tiffany, by Edwin John Wintle

When Tiffany's family life in Connecticut takes a major nose dive and her mother Megan begins to give up on her, Tiffany's gay uncle in NYC takes her in and tries to give her the stability she has lacked. What ensues is a very realistic look at the dynamics of being a troubled teen and a struggling guardian.

This piece of adult fiction is way off of my usual read -- intended more for my actual demographic than my favorites. It's a more "appropriate" book for a middle-aged guy to read. I liked the sections most where we get to see Tiffany struggle between rebelling against and needing her uncle. It's a painful story and, being non-fiction, generally rings true. I wonder if younger readers would like it or find it annoying?

Far from Xanadu, by Julie Anne Peters

Mike has more than a butch name. She presses 100 lbs, is a super fast-pitch softball player, and an excellent plumber to boot. But she and her family are haunted by demons - a brother who can't finish anything, a mother who is eating herself to death, and the memory of a father who killed himself two years ago. Then, the most gorgeous girl in the universe - Xanadu - moves to Mike's small kansas town, and she starts to dream again.

A lot of potential here, but there is too many plot lines and the characters are mind-bendingly dull. The book stretches on for nearly 300 pages, and from about page 20 onwards, I just gave up caring about their whining. The dearth of sympathetic characters makes reading this book a total chore. That is truly a shame as I've liked all of Peters's other books.

Double Identity, by Margaret Peterson Haddix

The story begins with Bethany being mysteriously abandoned with an aunt that she has never known she had. And it gets weirder from there as strangers keep calling her "Elizabeth" and she is stalked by a mysterious man. Eventually, all is revealed, but not before a number of twists and turns.

Haddix writes pretty good suspense, although this story (set in the future) borders heavily into sci-fi. In fact, it's an odd mix of teen angst, child/parent conflict, and a bit of mystery. Makes for good entertainment.

So Super Starry, by Rose Wilkins

Octavia goes to a posh London high school for children of the elite (rock stars, movie stars, etc.). Her own mother is the star of a long-running sitcom and her father is a rising movie director of art films who has just snagged sexy heartthrob Blake Montague for his new picture. But even if Octavia hangs with the rich and famous -- it is not a world that she feels as comfortable in as her mother and classmates. And having her first boyfriend opens all sorts of revelations for her about who she is and who she wants to be.

Wilkins is basically a British Meg Cabot, but unlike the heroines of Princess Diaries or All-American Girl, Octavia doesn't really have any particular talent of her own (except her sincerity). In the end, it is hard to feel much empathy for this mature, yet rather mopey, 15 year old. Her primary quirk seems to be her heighth, but it never becomes much of a plot driver. Instead, this is the rather familiar girl-meets-boy-but-decides-that-she's-better-than-him story. Satisfying, but ultimately predictable.

A Maze Me, by Naomi Shihab Nye

A collection of largely unrealted poems, reflections on growing up, on the state of the world, and just about everything in between. There are poems about pumpkins, and old ladies, and babysitting. All sorts of topics!

The subtitle "Poems for Girls" is a bit of a misnomer. There is a wonderful essay at the beginning about turning 13 and some of the earlier poems have a particular feminine quality (in the stereotypical sense of the term) quality to them, but the majority of this work isn't really gendered in any particular way. That doesn't make it any less magical.

I fell in love with this book when they read "Because of Poems" at the CCBC Spring Gathering, and that poem alone makes this the first must-own book of the year. Not every poem is a hit, but the ones that are, are truly transcendent.

What's in a Name, by Ellen Wittlinger

In ten chapters, ten different kids tell a story, with one of them picking up where the last one left off. The story itself concerns a small town that is holding a vote to decide whether to change its name, but there are plenty of subplots about who likes who and a boy coming out of the closet. The plot, however, is not really the point -- the fun lies mostly in seeing how different perspectives make a story very different.

Of course, stories told from different points of view have been done many times before. It's a clever device, but since the story itself is not terribly overwealming, this isn't going to captivate you a lot. Moreover, it's a bit distracting to just start getting into a character and then suddenly have their turn be over.

What I Call Life, by Jill Wolfson

When Cal Lavender makes a mistake and lets her mother Betty have an episode in the Public Library, Cal gets sent to the Pumpkin House (a foster home) under the care of the Knitting Lady. There she learns a lot about adoption, the ways that other kids deal with trauma, and a little bit about knitting. And while the reader will quickly recognize some truths about Cal's life that she has trouble recognizing herself, none of it will matter in the end.

Interesting mild critique of the foster care system written by a woman who apparently usually writes about it from the inside as non-fiction. It's a good story with decent characters but I wanted, in the end, to see more happen to Cal -- at the very least to see her develop more. Maybe not so realistic, but more fulfilling.

Dolores: Seven Stories About Her, by Bruce Brooks

Dolores is not your typical girl. She doesn't care what you think of her. She isn't afraid of strangers. She likes the yoyo. And odd obscure music. And she can handle herself in a Lexus with a horny guy lusting after her ample chest. And she does the best cheers. That's about all you need to know about Dolores.

This very short book is actually seven short stories, that share Dolores in common, although they take place in different moments of her life. Some of the stories are absolutely hiliarious, while others will leave you scratching your head. That makes for an uneven read, but the ones that are good, are REALLY good, and Brooks does wonders at blowing the top off of YA conventions.

If you thought Criss Cross rocked, you'll like the non-story flow of this book for the same reason. But if you thought Criss Cross was pompous trash (like I did) then you'll still like this collection.

I Am Not Esther, by Fleur Beale

One day, out of the blue, Kirby's mother announces that they are moving away. But before they even reach their destination, Mom admits that she's really leaving Kirby off with some distant relatives that Kirby's never heard of before, and leaving to go overseas for a few months. Before Kirby has had a chance to adjust to this news, she's thrust into a family in an austere Christian cult. Confused and hurt by her mother's abandonment, Kirby (now called Esther) has to find the inner strength to survive.

Gripping and entertaining, this is good escapist fiction. Nothing here to really mark it as a classic or even as a particularly strong book, but it has good entertainment value. The writing is smooth, the characters interesting, although the ending is a bit rushed and I found it a bit disappointing.

Holly's Secret, by Nancy Garden

When 12-year-old Holly's family moves to Massachusetts from the Big Apple, she decides to implement The Plan -- changing her name to Yvette and creating a glamorous vision of herself as more feminine, bolder with boys, and interested in things like cheerleading and ear piercings. But most of all, the new Yvette will have a normal family -- with a Mom and a Dad -- instead of Holly's two Moms.

A book obviously intended with a political message -- or to feed a market for people who read books for a political message, and thus a hard book to read for its own merits.

Putting that aside, we end up with a fairly straightforward middle reader story about how lying can come back and bite you and how good friends don't judge you for stupid things. Both of these messages good ones for kids to read about. The story has good pacing and good characters, albeit the good guys are a bit too good and the bad guys a bit too bad. There isn't much room for gray when you have a mission to accomplish!

Predictable but functional.

Child X, by Lee Weatherly

Jules life is heading along swimmingly. She tries out for a part in Northern Lights and gets the lead. Her biggest problems are the mean girl at school who bullies her and the fact that her parents keep fighting. But then one day her father moves out and won't talk to her. She knows it's her mother's fault but for some reason her father keeps holding it against her as well. And then the media starts to show up.

A bit on melodrama, but this is a pretty gripping story about a pretty normal English schoolgirl whose life gets very turned upside down by legal controversy and paparazzi. It's a good fun read, although a bit devoid of deep substance (that's OK, not everything has to have substance!).

All Rivers Flow to the Sea, by Alison McGhee

Rose and Ivy were in a car accident and Rose survived. Ivy ended up nearly brain dead and kept alive with ventilators -- not quite dead and not quite alive. In the months after the accident, Rose tries to piece together her life, but all she can find is a textbook about wars, a series of boys who she tries to use to take her pain away, and an older man who has also suffered loss, and teaches her to drive.

Beautifully written, but largely pointless. My synopsis does more credit to the plot than it deserves as this is largely an exercise is writing pretty prose, not really in telling a story. Be prepared to snoooooooooooooooze.

The Queen of Second Place, by Laura Peyton Roberts

Cassie believes everyone has a talent. Whether it's Quentin's ability to find parking places, Fitz's ability to find the longest line, or Casiie's own talent at always coming in second place. But those ideas are all about to come under serious fire when Cassie meets Kevin and decides that she will be his girlfriend, even so uber-sexy Stirling has already set her eyes on the guy.

All of which makes this novel sound like a vacuous boy-crazy book, which it really isn't. Roberts's writing is great and witty and Cassie is so much the best friend that you wish you had in school. That makes her trials and tribulations really fun to follow her through and the payoff in the end when things end up...well, end up pretty much as you have to expect them to (enough said!). It's a pretty long read, but it's a good one!

Half and Half, by Lensey Namioka

When Fiona Cheng has to indicate her race on a class registration form, she doesn't know which box to check. She's half Chinese and half Scottish. And as the Folk Festival comes up, Fiona gets an opportunity to explore her notions of her own identity and those of her friends as well.

Fairly basic by-the-numbers middle reader about racial identity. No major crises, Fiona solves all of her family's problems, and everyone is very happy in the end. It's warm, it's caring, it may even teach a valuable lesson or two, but it doesn't really have much substance behind it and the clunkiness of the prose will keep this out of the limelight.

Light Years, by Tammar Stein

Maya leaves Israel to come study in Virginia, but she is leaving more than her homeland, she is leaving behind the place where her first love, Dov, was murdered by a suicide bomber. Unable to cope with the grief from that loss (and her role in causing it), she retreats into nightly runs and her love of astronomy.

An almost certainly autobiographical look at being a foreign student in the US and coming to terms with a homeland that offers both beauty and pain (whether the dead boyfriend actually happened or not is irrelevant), Stein creates a world that is probably unknown to most Americans. The chapters that take place in Israel, in particular, portray a world that will be fascinating to anyone who has never been there.

My major reservation is that I don't think this is really a YA book. It will probably be most of interest to younger adults, but most likely in the 18 and up category. That doesn't mean that kids shouldn't read it (and won't enjoy it), but as a story that begins when Maya is already 18 and out of school, people will enjoy this book as an adult book.

Bittersweet, by Drew Lamm

Taylor has always had plenty of ideas for pictures, but after her grandmother is taken to a nursing home, Taylor can't deal. She loses all inspiration and falls into a slump where she can't manage to draw a thing, and where she loses interest in life itself, casually accepting whatever comes her way, whether it is her friends or a guy hitting on her.

This is a soul wrenching rumination on loss and how we cope with it. It starts off very strong and ends on a predictable sad note. But in between, the story meanders, not that much unlike Taylor's own depression. The problem is that a meandering plot just isn't all that interesting to read. There's very little dramatic arch and characters wander in and out without sparking much interest. A distant father suddenly becomes less distant and then just fades away from the story, as if life going well isn't worth living or talking about. Aimless and in need of serious editing.

Missing Abby, by Lee Weatherly

When Abby goes missing and Emma realizes that she's the last one who's seen her, it triggers a torrent of memories -- about the fun they used to have together, and about how Emma ran away from their friendship because Abby got too embarassing to be with (with her Goth fantasies and other non-trendy stuff). As days turn to weeks, and the chances of finding Abby diminish, Emma comes to the realization that she's lost a real friend.

Moderately predictable, but satisfying story with an edge of suspense (about as much danger as Brit YA Lit ever seems to allow -- have you ever noticed that the kids in UK children's lit are on such tighter leashes than the Yanks?). Some nice unorthodox friendships (where things don't necessarily work out) and less unusual parents (who go rather abruptly from being unreasonable to being totally cool). A mixed bag, but not a wasted read.

Peaches, by Jodi Lynn Anderson

Reluctantly, three girls (Birdie, Leeda, and Murphy) find themselves spending Spring Break and then the entire summer together at the darlington peach orchard, where they learn a lot about boys, peaches, and friendship.

The novels reads like a movie treatment and perhaps it would make a good one, but it's all a bit too distant and I never found myself getting inside any of the main characters. I kept being told what they were feeling or deciding, but never quite understanding it for myself, and so I found myself cut off. It might be the multitude of characters or the third-person style, but in any case, not really so much fun to read. Great ideas, occasionally funny bits (especially all the cute random asides), but ultimately unfulfilling.

If We Kiss, by Rachel Vail

Charlie starts the year off with her first kiss. That ought to be a good thing except that the boy (Kevin) then starts to date her best friend Tess. And Kevin's father starts to date Charlie's Mom. And when it couldn't get any more confusing and complicated, it seems that Kevin still wants to kiss her...and she wants to kiss him too.

Both predictable and cliche, yet fun and original, Vail does a wonderful job at producing a realistic story. It doesn't break new ground, it won't teach you life's lessons, and it won't shock the schoolboard, but it is entertaining and fun to read. The literary equivalent of comfort food.

Locked Inside, by Nancy Werlin

Marnie has learned to be very careful how she opens up. It was an important survival technique as soons as she was old enough to realize the way that people would try to use her because of her famous mother. But when she is kidnapped, she must confront that decision to stay closed up, and learn to trust the right people in order to survive.

A thriller. Not my usual choice of genre, but I'm trying to branch out. The whole thing was a bit too long and rambling for my taste, with very little long-term redeeming quality to it, but it was entertaining. The characters never quite sucked me in but the novel wasn't a bad experience. If you like thrillers and mysteries, this one is not bad.

Just Like That, by Marsha Qualey

Hanna breaks up with her boyfriend, blows off her friends' party invite and takes a walk out to the lake during a bitterly cold Minnesota night. What happens next triggers a series of event that compound with others to create a story of sorts as Hanna separates herself from her friends, finds new ones, and seeks out lost family relations for herself and others.

This is an odd book. On its face, it's very poorly organized. Plot twists show up out of the blue, usually with only a few pages foreshadowing (important character information is presented after the fact to justify these twists). It all reeks of bad writer. Yet, this is well-written and one suspects that the poorly announced plot twists are something of a style. That particular style may or may not appeal. I'll give it points for originality, but I'm not so sure it works for me.

Splintering, by Eireann Corrigan

In the aftermath of a random act of violence against a family, the individual members of the family must recover and rebuild. Each one struggles with their own demons and none of them can quite figure out a way to reconnect. Through a series of prose poems which are alternating visions of what brother and sister feel, Corrigan brings to life their conflicting feelings.

Some poetry collections work, while others become excuses for fragmented writing. This is an example of the latter. It doesn't help that the poetry isn't really that good. Long rambling free verse, the language is basically prose written in snippets. That's really an abuse of the form, as if Corrigan can't connect the dots between the various scenes or find a way to connect her characters. Yes, as the title implies, being splintered and disconnected might be the point here, but this is pretty turgid reading. The characters mostly mope around, not really realizing anything about themselves or others, and end up pretty much where they started. Very little payoff here.

Sandpiper, by Ellen Wittlinger

Sandpiper Hollow has a confused relationship with boys. She picks up a new boyfriend, stays with him for a few days, and drops him when she tires of him. But then she meets Walker and his secrets and her life changes. But not before her past catches up with her. Each chapter is interspersed with poetry that expands upon the themes that the chpater before has just introduced.

A fairly explicit and violent story about teenage sex, jealousy, and love, placed in a very realistic and believable setting. When the heroine starts describing giving her boyfriends blowjobs within the first twenty pages, you know you aren't reading Catcher in the Rye anymore! This is thoughtful and respectful fiction, just the type of thing that narrow-minded people like to ban. But while it will give the adults gray hairs, I think YAs will like it.

Overnight, by Adele Griffin

Caitlin's birthday sleepover is the high social event of the year for the Lucky Seven -- the in-crowd at school. But when one of them gets abducted, the whole thing falls apart. By the end of the evening, the old alliances will be permanently broken.

Told from several viewpoints, Griffin captures the pettiness of sixth-graders well. Whether this makes for a good read is a matter of debate. If I was a sixth grader, I'd probably take offense at how shallow and cruel everyone is portrayed. But most of all, too many things were left unanswered, and that's frustrating. I like a few loose ends, but an awaful lot at the end is left unanswered.

The Nobodies, by Julianna Baggott [N. E. Bode]

In this sequel to The Anybodies, Fern and Howard go to summer camp, where the Mole (a.k.a. BORT -- sorry! no underlines!) has turned everything wrong. It is up to Fern, Howard, Corky Gorsky (secret agent!), and Good Old Bixie to thwart his plot. And with some help from everpresent empty bottle of diet lime fizzy drink, they will do it...that is, unless the author is killed by her ex writing teacher first!

More silly fun here, although of course not as striking the second time around. As sequels go, this isn't bad, but I don't imagine this story line has much left in it. Still, good for a silly chuckle. The storyline is so ridiculous that it really isn't worth following, but it will make for a fun bedtime read.

Ostrich Eye, by Beth Cooley

Ginger is initially distrustful of the stranger in the park who is watching her and her friends, but then she notices how much he looks like her biological father who left so many years ago. Now that she knows who she is, she opens her life to him and helps him figure out a way to confront her mother about her Dad's reappearance into her life. But everything is not quite what it seems.

A functional, but largely by-the-numbers story about family, trust, and a couple other things that I can't reveal because it would ruin the ending, this is a Delacorte prize winning story. I'm not quite sure it lives up to the hype, mostly because the ending is a bit too predictable, but it is a good read.

Contents Under Pressure, by Lara M. Zeises

Lucy's life takes a massive change when her older brother comes home (with his pregnant girlfriend) to live at home. Add to the mix a first kiss and a first boyfriend. Then finish it off with some heartfelt discussions about sex.

Zeises is a wonderful author for niot being prudish or talking down to her readers. Her characters are wonderfully multi-dimensional and realistic. She's not afraid to not only discuss sex honestly, but also discuss passion, lust, doubt, fear, and the whole emotional rollercoaster. Another strong work by a woman who is fast becoming a favorite author of mine.

Project Mulberry, by Linda Sue Park

Julia may be a Korean-American, but she wants to be as American as she can be (and forget about the Korean part). When her best friend Patrick suggests that they do a project raising silk worms, Julia resists the idea as too Korean, but she warms up to the project. Along the way, she deals with managing her annoying little brother, her mother's distrust of Blacks, and her frustration with the author.

The really clever part of this novel is the heroine's chats with the author that take place between chapters. It's an original and (unusually) entertaining concept to shed some light on the author's mind. Otherwise, the story is satisfactory with good writing and engaging characters, but nothing especially extraordinary.

Flipped, by Wendelin Van Draanen

In alternating chapters, Bryce and Julianna tell the story of how they met and how they've grown up together, but with drastically different points of view. And while Julianna has been chasing after Bryce from the very beginning, Bryce doesn't feel quite the same attraction until a series of events causes the two of them to flip their positions.

Very clever and insightful. I have a soft spot for stories where you get multiple perspectives on the same events. It's always so clever and fun to read. Van Draanen creates two very believable and sympathetic characters that you really want to see develop, making this a difficult book to put down. Recommended.

Criss Cross, by Lynne Rae Perkins

A series of overlapping and interrelated storylines about a group of kids in the small town of Seldom. Opportunities found and lost (mostly lost) and several clever asides and digressions.

Doesn't sound like much of a plot, does it? Well, it isn't. If this book had not just won the Newbery (and been written by a really great author), I'd probably just blow this one off as a bit of literary pretension. But instead I feel rather compelled to take it seriously, since others are as well.

There are a number of clever stories (the traveling necklace, the driving lesson, the guitar) and the writing is certainly excellent. There are also some really silly experiments (the sponge, the Japanese chapter). That said, I have a hard time seeing this as children's literature. Rather, it struck me as being as inaccessible as adult lit has become. Perhaps YAs would like it, but it is way too experimental and weird for younger readers and the vocab is a bit too advanced. Think The Little Prince with more SAT-level words. What you have here is a book written by adults for adults with the illusion of being a kid's book because the characters are children. But that doesn't make it a book for kids.

Now, if any young readers would like to weigh in and tell me I'm wrong, and that they really loved this book, I certainly wouldn't mind hearing from them, but my money is on the bet that this book isn't going to get read very much.

Jailbait, by Leslea Newman

Andi is almost 16 and as much of an outcast as she can be. But when an older man starts to pay her special attention and tells her how beautiful she is and how much he loves her, she finally feels appreciated. And as their relationship goes further and further, Andi begins only a little too late to realize how trapped she is.

Newman deftly avoids turning this cautionary tale into sensationalistic schlock. Instead, creating a very tender coming-of-age story set in the early 1970s. It all feels rather autobiographical, but that is its charm: the story is believable and touching. And it will make your stomach churn, but that's what good writing - and this story in particular - are all about.

Bird, by Angela Johnson

Bird has run away from Ohio, her dead father, and her family, seeking something else because of a dream she has had. She ends up in Alabama, taken in by the kindness of Jay, Ethan, and Mrs. Pritchard. And, in the summer she spends down there and the intertwined storylines of the people she meets, she learns a bit about why she is running and where her home is.

This is a well-written and sweet story about losses not fully comprehended and about self-discovery. I have to wonder if it wouldn't be a bit dull to a younger reader as very little actually goes on in this story, but I'll leave that conclusion to others (I certainly found it a bit dull!).

Killing Britney, by Sean Olin

Years ago, Britney's mother died and her body was never found. Now, friends and family are dropping like flies to a mysterious murderer. Is it the strange Adam who arrived recently from far away and has a past he is trying to hide? Or is it obsessive Bobby who is trying to "protect" her? Or someone else?

Gack! I will rate this as one of the worst books I have read so far, certainly the worst for 2006. Even if you like murder mysteries, this one lacks all sorts of plausibility or coherent writing. Oddly, the whole thing is set in Madison WI (where I live), with people and places changed to avoid slandering anyone, but it is patently obvious that Olin has never been here as he has no idea what the place is like. Some minor (but representative) examples: the action takes place in "northwestern Madison" (where? on Lake Mendota?). Worse, he talks about the Packer's green and white colors (Excuse me? You don't even have to be a native to know the green and gold). But skipping past that amazing sloppiness, this story is full of two-dimensional characters with ridiculous motivations and poor writing. Good descriptions of gorey deaths if that interests you, but there are better examples of the genre if that's what you want.

Wrecked, by E. R. Frank

A party, a drunken friend (and a few too many drinks perhaps of her own), a dark night, an old U2 song, and a big crash. A wave, a father, and scream that won't stop...until they all do. The friend in the cast, the SATs, therapy, the nightmares, and the attempt to rebuild and reconnect. Some stories come to happy conclusions for no particular reasons (like people bindly sending dollars to a PO Box), others remain unfinished, like the memorial website never visited or the brother who won't admit that he needs help, or a father who plays internet poker on his laptop. Sometimes you are just wrecked.

This multi-layered story (and yes, I didn't mention every subplot!) tells about how Anna recovers from the experience of driving the car that kills her brothers girlfriend, and along the way disocvers some of the mysteries of what makes her tick. It's a good story and well-written, and probably should have been another 100 pages. They say that you should always let then story tell itself. But when you get to the last ten pages and the story suddenly jumps ahead six months, you know that the author has tired of the story or an editor has forced her to shorten the manuscript, and you've been cheated of a part of the narrative. I'll give it a mixed review for that and some other narrative muddiness, but this is a very strong book and certainly worth reading!

Amy, by Mary Hooper

When Amy loses her best friends, she goes online to find new ones and meets the fabulous Zed, an older boy. Within a few weeks, he invites her to visit him. Knowing what she does about stalkers and the creeps that hang out online, she's wary but takes the leap anyway. Their meeting goes surprisingly well and she's thinking of doing it again, but something feels terribly wrong.

Readers should be able to see the ending being telegraphed from a mile away (not least of which is because the story begins as a police interrogation), but maybe it still has value as a story. At the least, there is a great deal of suspense in the story and that makes it a decent read.

Summer's End, by Audrey Couloumbis

When Grace's brother Collin burns his draft card, their father throws him out of the house. Grace's big birthday party is cancelled and Grace can't imagine a worse state of affairs, that is, until Collin runs away to Canada, and now grace has a set of secrets to hold inside as she and her cousins take sides in a war at home that the adults are playing with each other.

Set in the early 1970s, Couloumbis is attempting to capture the mood of the times as conservative families faced the reality of their own sons going off to war, and had their ideals tested by the experience. Intended to be more of a set of reflections on family, the book falters a bit there, and overall this is a thick and turgid read. I'll admit that I'm not a big fan of historical fiction, but it seems that this particular topic must seem pretty far removed from the minds of young readers today, since the characters of this story would be grandparents by now. And I don't think it helps that the story is so cerebral and not terribly event-filled.

Number the Stars, by Lois Lowry

In Nazi-occupied Denmark, Annemarie Johansen and her family, help their neighbors escape the Nazi's. At first an effort of only the parents, eventually Annemarie finds that she has a role to play as well in saving her friend Ellen's life.

Suspenseful and intriguing, this book represents the very best in historical fiction. An interesting period, with a fact-filled afterward that explains the history behind the story. This is a very well written, short book, and an unusual exception to my usual rule that Newbery winners tend to not live up to the hype. I'll withold one star simply because the story doesn't captivate me personally, but I'll do so reluctantly because this is really a very good story.

***

I promised in my last post that I would comment on the award announcements from the ALA on Monday. Mostly, I am glad about the results. I haven't read Criss Cross yet although I intend to do so soon. I love Looking for Alaska so I'm very glad it won the Printz. I don't know the Caledecott winner, but I liked Zen Shorts (one of the honor books). So, all in all, not a bad set of choices. I suppose I'm mostly glad about what didn't win also, but it's better to stay positive, eh?

The Fashion Disaster That Changed My Life, by Lauren Myracle

On the first day of seventh grade, Alli is hoping to make a big impression. And she does. Unfortunately, it involves static cling and the embarassing appearance of her mother's underwear at school. But what starts as a great humiliation opens doors to stardom that Alli has only dreamed of, and as she becomes popular she has to cope with whether that fame is really what she wants.

Myracle does a really good job with books about middle schoolers. This story doesn't break any new ground. It's the old chestnut about seeking to be popular, winning the chance to be one of the "in crowd," and then discovering that it isn't what it's cracked up to be. It's been done many times before. In fact, another novel of hers, Rhymes With Witches did it much more cleverly for an older audience. But the story is still fun and satisfying.

A special shout out to any authors who are having a restless night of sleep tonight, awaiting the announcements of the Newbery, Caldecott, Printz, Geisel, King, and all the other kid lit books. Tomorrow at 8am in San Antonio. My best wishes to all of you. I'll try to write more tomorrow when the results are announced.

What I Believe, by Norma Fox Mazer

When Vicki's father loses his job, a series of events ensues where she and her family must cope with a rapidly declining standard of living. They have to sell their house, move into the city, and then cope further when Dad leaves them. As things hit rock bottom, Vicki makes a horrible mistake of her own and has to cope with the consequences of that mistake, learning that even adults are not flawless and that, in the end, family is all we really have.

It has platitudes and it has some good writing, but free-verse novels always seem a bit of a cop-out to me. Sonya Sones writes some good ones, but this one is quite uneven - even if the verse structure is more ambitious. Good technique does not translate to a compelling story.

Luna, by Julie Anne Peters

Regan loves her sister Luna, even though Luna never reveals herself in the light of day, even though Regan can't tell anyone that Luna even exists. And Luna does exist, although their parents would like to ignore her existence. The world isn't ready for Luna, because Luna is also Regan's brother Liam.

As a groundbreaking novel about teenage transgender identity, this is a pretty original piece of work. And once again, Peters hits on a pretty good story idea and does a great job developing her characters to rise to the occasion. But once again, I find myself frustrated. Define "Normal" was a great book. So was Keeping You a Secret. But they always fall a bit flat. This time it is the sheer annoyingly selfishness of Luna which comes off as a barrier more than a character flaw. It's really hard to sympathize with so much co-dependency floating around in the story. A shame, though, because this is otherwise a very good book.

Trick of the Mind, by Judy Waite

Erin loves Matt and Matt loves Kirsty and Kirsty is going out with Billy, who has a mean temper. And since Erin and Matt are sort of losers anyway, and Kirsty and Billy are popular, neither of them have much of a chance, except maybe with each other, but the games that they will play (compounded by numerous misunderstandings) ensure that everything gets pretty messed up in the end.

The story is told in two voices, shifting back and forth between Matt and Erin, and that is a clever (although not-too-original) idea. However, it is also painfully distracting. And what on earth is with these morbid British YA books where people get killed? The homicide rate in these books rival an episode of 24! Anyway, a drudgery to get through. Not worth the effort in the end.

Sixth-Grade Glommers, Norks, and Me, by Lisa Papademetriou

Allie enters sixth-grade at an elite magnet school with her best friend Tam, but as these things have a way of doing, she and Tam start to drift apart. And as the year progresses, Allie struggles with her identity, as she starts playing offense in soccer (after being on defense all the time), becoming friendly with geeky Orren, and learning to do things because SHE enjoys them, rather than to be cool. Still, she struggles with what she really wants.

This is pretty much a by-the-numbers book about changing friendships. It's got a terribly clever thing going with made-up words like "glommers", "norks" and so on. You'll be able to predict where the story is going, but that doesn't diminish it's fun. So, a good book, but nothing outrageously original.

Girl, Nearly 16, Absolute Torture, by Sue Limb

In this sequel to Girl, 15, Charming But Insane, we get the further adventures of Jess a few months later. She and Fred are no a regular number and looking forward to a romantic summer together, when her Mum announces that they are going away on a surprise holiday for the whole summer. Will Jess survive? Will Fred still be waiting for her or will he be swept away by Flora? Will he text her everyday on his mobile? And, oh yeah, there's visiting her Dad and finding out what dark secret he's hiding from her.

It's clever, it's funny, and it's very very British stuff. Not just the slang or the heavy reliance on text messaging, but also the social interactions and the insecurities. While book starts off very clever and even stronger than the first, Jess comes off terribly insecure in this sequel, to a point where you start to lose sympathy for her. I found the book a bit tiresome and dull, and the ending a bit too tidy.

Inexcusable, by Chris Lynch

Keir "the Killer" is a senior, football player, and all round "good guy." He's popular, has lots of friends, a great relationship with his Dad, and two wonderful sisters. So, why is Gigi accusing him of raping her? Doesn't she understand that "good guys" can't be rapists? It doesn't make any sense, and Keir now has to prove to her, us, and himself that he really is a good guy.

This is apparently Newbery material this year, so I had pretty high expectations, but I'm going to nix it the same way I did A Room on Lorelei Street. I wanted a story about a sympathetic guy who makes a terrible mistake. I wanted a novel that would show that people who are "good" people can do horrible things to each other. But this isn't that novel. Instead, we get a creep and a jerk who does a horrible thing, we can pat ourselves on the back and say, "See! Only creeps are rapists!" That isn't the message we need repeated in this day and age. And with all the hype this book is getting, that is the message that is going to come out.

The story has plausibility and it had a good sense of what makes Keir tick and why he did what he did, but it was way too obvious and way too convenient. And since he was the only mind we ever got a chance to look at, we get a pretty simple story. And I wanted the story to be more complex, more subtle, and more nuanced. For example, give me a story where the reader - even for a moment - believes that the guy is in the right. Create that moment. And then let the reader be as crushed with guilt as the guy when they realize what they've done. I didn't for a minute sympathize with Keir and I held him (and the book) at arm's length.

A lot to say: but if you've read my other entries, you know that I care a great deal about how sexual violence is portrayed.

The Doll People, by Ann M Martin and Laura Godwin

Annabelle is a doll, a real one, and she and her family live in a doll house in Kate's bedroom. While Kate isn't there, they come out and act like a real family, trying to avoid the traumas of the family cat and Kate's little sister. The adventure begins when two events occur: a new family of dolls moves in next door and Annabelle goes to search for her long-lost Aunt.

Obviously with a debt to Toy Story, this is the "girls" version of that same story. There are a few clever commentaries (Barbies, we learn, are the one consistently literally lifeless dolls!) but mostly this is pleasant bedtime reading. Instead of the adventures of Buzz Lightyear, we get a pleasant story about friendship and family (how stereotypical!). Amusing, but nothing spectacular.

Riding Freedom, by Pam Munoz Ryan

Based on a true story, orphan Charlotte Parkhurst can ride horses better than any of the boys at the orphanage she grew up in, but the simple fact that she is a girl in the mid-1800s means that she will never be allowed to. When her best friend Haywood gets adopted and she is told that she will never be allowed to ride again, she runs away and takes on a new identity as "Charley." Charley becomes a legendary coach driver who eventually moves out to California, realizing her dreams and becoming one of the first women to vote.

This engaging and true story is a fascinating piece of history. The stuff that Hollywood movies are made of (and it would make a spectacular movie), it's hard not to root for everything that Charlotte overcomes in her life. If the story had been written for adults, the author might have spent more time on what Charlotte had to forgo to live her life as she did, but Ryan wisely sticks to just a few episodes that hint at this, providing instead a heart-warming and inspirational tale for middle readers. Strongly recommended.

Gathering Blue, by Lois Lowry

Somewhere in the distant future, Kira (who has always been an outcast in her village because of a bad leg) must find a new future when her mother suddenly dies. Miraculously, not only does she find a means to support herself, but it as as the honored embroiderer of the Singer's gown that he wears each year to sing the history of the people. But as Kira becomes more familiar with the new world she is in, she also begins to suspect that things are not quite as they seem.

This interesting piece of fantasy, deep with metaphors, is a companion to Lowry's The Giver. It's an original and fully-developed world that we get to see, so fans of fantasy literature will like it. I'm not much of a fan myself, but moreover, I tend to find the style (which is written in a rather distant 1st-person narrative) hard to relate to. There are characters and they do interesting things, but you never quite end up caring what they are doing.

When Jeff Comes Home, by Catherine Atkins

At the age of 14, Jeff is a rising baseball star, revered older brother, and the jewel in his father's eyes, but then he is kidnapped and held captive for two and a half years. When he returns "home" to his family, he has to learn to come to grips with what he lost and what he has become. And his family must also learn that his return is only the beginning of a long recovery.

A gripping and unusual story. Not as strong as Atkins's later writing, but original and compelling. There are no simple solutions and no punches pulled (although I am personally a bit maddened that the family never seeks professional counseling!). In some ways, the lack of easy answers makes the story a bit harder (and more mature) than even YA lit usually is. Definitely for older readers, but a book for everyone to talk about.

A Heart Divided, by Cherrie Bennett and Jeff Gottesfeld

When Kate's family moves from New Jersey to a suburb of NAshville TN and tears her away from her fledgling playwright training, Kate is sure that she will hate it. At first every stereotype of the South seems to come true -- from her rich antebellum boyfriend to the Confederate flag flying overhead. But as Kate tries to understand her new ome well enough to write a play about it, she discovers that the more she learns, the less she knows.

I'm inherently distrustful of books about the South. They are either written by Southerners and depict romantic views, or they are written by Yankees, explaining either the superiority or inferiority of the South. Neither approach really gets at the truth and I leave dissatisfied. But this novel gets at the greater complexity of things (and deals with the whole Confederate flag issue to boot!). It tosses in a nice romance story as well. Surprisingly good and recommended.

Homeroom Exercise, by Jana Striegel

Regan is a dancer and a good one. In seventh grade, she wins an audition to host a morning aerobics class broadcast on closed-circuit TV. The program is a success and catapaults her into city-wide fame, and gets her noticed by the in-crowd. But then her joints start to hurt and she starts to suffer from fevers. As her pain brings on a nightmare of tests, hospital visits, misdiagnosesm, and uncertainty, Regan has to face a possibility that she might not be able to dance again.

Much better than My Brother Made Me Do It, Striegel creates a nice middle reader book on Juvenile Rheumatoid Arthritis. It gets a bit preachy towards the end and just starts downloading facts about the disease (a common occurrence in these illness-books where the author feels rushed to tell the story) but there is a nice introduction to JRA here and young readers will like that. The subplots make the story interesting and believable but don't distract.

Amalee, by Dar Williams

Amelee doesn't have any friends at school that she's comfortable with, and she has a pretty unusual life at home. Her father and his friends are raising her and she spends much of her time with them. Things change when her father gets sick and she has to rely on others for help, discovering unusual and unexpected allies, and making a new friend or two.

Being a big Dar fan, I'm trying (with some difficulty) to ignore who the author is, but you can certainly see the similiarity between the book and her songs. Full of optimism about the strength of kindness, and full of complicated thoughts about human nature and seeing the world through other people's eyes, this is a warm story. However, it is also a bit preachy for many of the same reasons, and more about the adults than the kids. There are nice lessons here but it will be a bit hard for younger readers to relate to them. Amalee never quite comes alive and things pop out of her mouth that just don't seem in character. So, I guess this was something of a disappointment.

Bras & Broomsticks, by Sarah Mlynowski

When Rachel finds out that her little sister Miri is a witch (and that her Mom is too), her first thought is how amazingly unfair it is that she didn't get the same powers, but then she realizes that magic could do wonders for her popularity and maybe even help her keep her Dad from marrying Jennifer (the STB). But quickly, Rachel learns that popularity and magic can have some pretty harsh consequences.

Part recycled Grimms Tale (and what good story isn't?) but with some modern cred behind it, Rachel will remind readers a lot of Cyd Charisse (the heroine of Gingerbread and Shrimp) but a bit younger. She's as boy crazy but maybe not as boy lucky. And the writing is snappy and fast paced. I'm not too bonkers for the story which seems a bit predictable and well-trod, but it's a fun read.

The Truth About Sparrows, by Marian Hale

When Sadie's family is forced to sell their home and travel in search of a new life at the height of the Depression, Sadie hopes the change will be temporary. She hopes that soon they'll be able to return home to Missouri and to her best friend Wilma. But as time goes by, Sadie realizes that there is no going back, and that she must make a new home on the Texas coast, with new friends and a new life.

Hale's story of coming of age in the midst of economic dispair has all the makings of assigned reading. It's a good story if you're into historical fiction, but one can't help but wonder how many readers end up reading it because they have to write a book report for school. The strengths are the crisp writing and tone that never misses a beat, but there isn't much that will grab and hold you.

My own reading experience was interrupted as I started reading this book a month ago and had to stop because the copy I was reading was missing pages -- so there was a gap in my experience. That said, I didn't find myself gripped with suspense at what I was missing, so while this is a good book, it's no page turner.

Harley Like A Person, by Cat Bauer

Harley think she may be adopted [didn't we just read that two books back?] and it would explain how her eye color differs from the rest of her family, and why her parents have lost her birth certificate and get all weird when she brings up her suspicions. But mostly Harley needs it to be true, to help her cope with the spiraling nightmare of her life which is causing her to lose touch with who she is. Instead, she tries alcohol, smoking, and drugs, climaxing is a last ditch effort to sort everything out which takes her to New York.

This is a pretty dark and melodramatic book. It's not bad. The writing is good, the characters are believable. I bought the motives and all, but the payoff at the end will disappoint as you just hoped for so much more, and the plotlines developed early just seem to die in the end. As far as "mystery of where I came from" stories, this is lightyears ahead of the Face on the Milk Carton.

Keeping You A Secret, by Julie Anne Peters

Holland Jaeger is the senior class president, on her way to majoring in pre-law at Stanford, and the apple in the eye of her mother. She dates Seth (also on Student Council) and has a great set of friends. But then she meets Cece, a very out-of-the-closet teen lesbian, and Holland begins to have feelings that she has a hard time explaining to her mother, her friends, or herself.

Peters scores again with a touching book about coming out in high school, and the difficulties of being gay, when you're still trying to figure out what you want to major in in college, let alone what your sexual orientation is. It's not instant classic material, but it's a good book. I'll have to fault it slightly for dragging a bit at parts and then speeding to catch up. Maybe some editorial assistance? But these are the type of quibbles that shouldn't lead anyone to not read this book. Peters hasn't really expanded herself very much from Define "Normal" but she's in a very good place.

The Anybodies, by Julianna Baggott [N.E. Bode]

Fern has been convinced for most of her life that she was raised by the wrong parents. They are dull and boring while Fern is certainly not. They talk endlessly about lawn care, while she is able to make crickets emerge from books, witness a nun turn into a lamppost and an umbrella, and sees evil clouds and watchful birds. Then, much to her delight, her suspicions are revealed to be true when her long lost real father Bone shows up and swaps her for the Summer with the boy who is supposed to be living where Fern is. And she acquires a mission: to find a powerful book called The Art of Being Anyone, before it falls into the devious hands of The Miser. There are angry fairies, dinosaurs, and all of your favorite children's book characters to deal with before Fern is done.

Julianna Baggott (writing as N. E. Bode) has obviously had a great deal of fun with this book, telling a story that will amuse children and put a smile on the face of lovers of kid lit. It's full of references to all sorts of classics (and more than a few knowing jibes at pretentious MFA creative writing programs as well!). Ine wonders if the whole thing isn't a bit too precious, but it's a quick read. Nice if you like fantasy, and a welcome break from so much of the other much-less-clever stuff out there.

Looking for Alaska, by John Green

Miles Halter comes to Culver Creek, a boarding school in Alabama with few friends and fewer regrets. His great accomplishment so far is his obsession with people's last words. But his life changes as first he meets his new roommate (the colonel) and then he meets the enigmatic and emotionally volatile Alaska -- the young woman who would be the Love of His Life if only she would stop making fun of him for it. In this very touching and insightful look at growing up from a boy's point of view, everything is about Alaska. Everything, that is, until After.

I remain very very torn about this book. I hate boy books, especially books about boys written by boys. So, I really want to hate this book, but I now understand why this book is getting all the buzz this year from the librarians. John Green is truly an outstanding writer and I can see this winning the Printz (at least, it SHOULD win it). You will laugh and you will cry -- I rarely do when I read, but this was a major exception. I'd ding it if I could, but it deserves all four stars. stunning!

Ola's Wake, by B. J. Stone

Josie and her Mom travel to the Ozarks to attend Great-Grandma Ola's funeral. Josie never met Ola when she was alive, but now she wants to get to know her. Through listening to other people's stories and learning about live in the Ozarks, Josie is able to do so.

It cute and quaint and a fast read. It's also disjointed and never really develops into a real story.

Belle Teal, by Ann M. Martin

Belle Teal is growing up in the South in the late Fifties. Her grandmother is going senile and her mother is studying at secretarial school while trying to support them all, so there's really no one at home for Belle Teal to tell about the new colored boy at school or snooty new rich girl. As she confronts her classmate's blatant racism with the help of her friend and a sympathetic young teacher, Belle Teal does a lot of growing up.

Probably one of Martin's better novels, this one still has some rough spots, almost as if it was rushed and underedited. It is enjoyable enough as a read for middle readers, but gets a bit scrappy at parts. Like other novels about racism in the past, this novel seems suspciously like one of those books you get assigned to read, rather than choose to. Might make a good book report subject but for enjoyment I'd go for something more contemporary and relevant.

Tae's Sonata, by Haemi Balgassi

Taeyoung is a very self-conscious eighth-grader, but she has reason to be so, as one of only two Korean-Americans in her school. She copes with discrimination (some real, some imagined) and with a sense of isolation and loneliness, struggles with friendship and shifting loyalties, and a growing sense of herself.

A nice, charming, and short book about growing up Asian in America. Nothing terribly deep, but not a shallow book either. A good read.

See You Down the Road, by Kim Ablon Whitney

Bridget is a Traveller, a group of modern day nomads who travle in trailers, making a living largely by ripping people off and then moving on before they can get caught. But 16 year old Bridget isn't sure that this life is for her. The stealing is part of her concern but it's also her upcoming marriage to Patrick that makes her question who she is and what she wants to do with her life.

Based on a real subculture, Whitney carves out an amazingly fresh landscape to tell her story. And being such an unusual background, the characters operate in ways we aren't accustomed to. How many teens worry about engagements, bride prices, and stealing to make their parents proud of them? I'll give the book high marks for originality and presenting a compelling set of characters.

But I think my reservations come mostly from personal problems with the story. It's hard to care about Bridget's fretting about getting married when she's defrauding and outright robbing people right and left and lives with such a distorted moral compass that this is OK. When you think of how these people live, this is a very difficult group to feel sympathy for.

Quiver, by Stephanie Spinner

Atalanta is a divinely-blessed huntress and athlete, accompanying Jason and his Argonauts on hunts and a favored mortal of the Goddess Artemis. When Atalanta's father, the king, comes to claim her from the woods where she was abandoned, he demands that she marry. And she replies by setting up a contest, a race which every suitor must run (and win) if he wishes to stay alive. Many suitors dies until Atalanta meets her match.

The story is classic Greek myth, with Spinner's psychological interpretation superimposed on the story. The result is uneven. Some scenes (like the boar's hunt) are nicely drawn, but the characters are sketchy and undeveloped. The most interesting parts end up being the squabbles of the gods themselves.

My Father's Summers, by Kathi Appelt

In a series of short, poetic passages, Appelt tells the story of her childhood, growing up in Houston with a father who went to Arabia to escape his family, returning only to divorce her mother and marry another woman.

This really is not a YA book, but rather a book for adults about looking back on a childhood. The passages are all quite bittersweet, but it is not a tough task to make a brief segment come off that way. And it doesn't really create a story per se, just a collection of ideas. Nice writing, but not really storytelling either.

Lucas, by Kevin Brooks

Caitlin's life on the island is fairly quiet. She goes out drinking with her friend Bill and she dreads the return of her older brother Dom from university. But then a strange and cryptic vagrant boy named Lucas shows up and changes everything, threatening the stability and peace of life.

This is a very dark and violent story (and a long one!) -- one of my very infrequent outings into stories written by male writers. There's a reason for that: they tend to be dark and violent. The sheer amount of rapes, assaults, and so on in this book is enough to just disgust. I'll take my mushy heart stories anytime. Is Brooks a good writer? Yes, but you need a strong stomach.

Anastasia Krupnik, by Lois Lowry

Anastasia loves lists and she's creating a list of things she loves and things she hates. There are lots of things to classify: her soon-to-be-born baby brother, her ailing gradmother, the nutty and seductive Washburn Cummings, and her parents. For a fourth-grader, there's a lot to say.

A little odd to go back to middle reader material again, when I've been doing so much teen reading lately. Weirder to read a book that is actually contemporary with my childhood. The book dates itself in numerous places (teachers and students smoke in Anastasia's father's college classroom), but it has tremendous heart. A contemporary equivalent would be the Judy Moody series and that probably accounts for some of the enduring popularly of Lowry's writing. A nice diversion.

Joyride, by Amy Ehrlich

Nina and her mother Joyce never seem to spend very much time in the same place. That was fun when Nina was younger, but lately she's begun to yearn for some time to just make friends and have a life. But the more she yearns for that, the harder it becomes, it it all goes very very badly.

In what is ultimately a very sad book, Ehrlich does a wonderful job of creating characters and situations that we really care about. It's a challenge to generate a place full of memorable and believable characters, and she does so several times in such convincing detail that you feel as much wrenched from the setting as Nina does when they are forced to move again. The ending is a bit weaker, but still quite haunting.

Bringing Up the Bones, by Lara M. Zeises

When Benji dies, Bridget doesn't know how to rebuild her life. They weren't even dating by the time he was killed, but that hardly mattered to Benji's parents who always treated her like a member of the family. And it didn't bring her closer to her distant mother or her doting stepfather. As Bridget tries to make some sense of her life, a new boyfriend Jasper enters the scene as now she tries to balance her ties for the old with her hopes for the future, and comes to realize some strong powerful truths that have more to do with herself and less to do with everyone else in her life.

This is categorically one of the best books I have read this year. I question a little whether it is truly a YA book (the jacket says 14+, but I suspect it's really shooting for an older audience based on its R-rated material at the very least). Yet as a novel in itself, it is a fantastic accomplishment. Zeises hits two major topics: (1) coping with grief; and (2) learning that strength comes from within and not from the people we are with. Two very powerful themes, dealt with realistically and with great heart. Unforgettable and highly recommended.

John Riley's Daughter, by Kezi Matthews

When Clover runs off and disappears, Memphis becomes something of a suspect. And it is true that Memphis and Clover had a fight in which Mephis said some terrible things that she regrets, but over the next three days, a lot of tensions simmering in the family come to the forefront and Memphis has a lot of discovering about where her friends lie and what a home really is.

This is a warm yet heartbreaking story of lost innocence and sufferings that never get quite resolved. It has some rough spots that keep it from being a true classic, but I still consider it a really good book. Some of the scenes don't play very well (Memphis's romance never quite pans out and an encounter with a crazy old woman is an unexplained jumble) but there's great lyrical narrative going on her.

Love Me, Love My Broccoli, by Julie Anne Peters

Chloe is a teenage animal rights activist. And when she meets jock football-playing Brett, it's a case of opposites attract. But eventually, her idealism and Brett's desire to have Chloe be less of a political frebrand come into conflict and Chloe has to choose what is really important to her.

This one had some great promise with observations about the difficulties of being a teen vegetarian and a strong-willed and likeable character, but the plot is all over the place with so many subplots (distant mother, senile grandmother, best friend's crush on teacher, and raids on animal-sacrificing churches!) that you just lose interest after a while. Peters can write good stuff, but this is not one of her best.

Esperanza Rising, by Pam Munoz Ryan

Esperanza has a beautiful life as the privileged daughter of a wealthy Patron in Aguascalientes Mexico in the 1920s. But then her father is killed and her mother and her are forced to flee to the United States. Settling in the San Joaquin Valley, they become farm workers, harvesting vegetables and fruits for the companies there is back breaking poverty. But despite dealing with her mother's illness and the threat of strikes, Esperanza learns that wealth comes in many forms.

A heartwarming and exciting read. Unfortunately, because of its hispanic themes, it seems to be one of those books that schools use to prove they are multicultural by forcing the kids to read. I suspect that that makes a generation of middle school readers HATE this book. That is sad, because it is a beautiful book, like Gabriel Garcia Marquez for kids. I personally enjoyed all the references to Bakersfield and Kern County Hospital, since I worked there for 14 months. Highly recommended.

A Door Near Here, by Heather Quarles

When Mom gets sick (drinking bottles of vodka after bottles of vodka) and no longer takes care of the kids, eldest daughter Katherine tries to take charge and protect her three siblings. But she must struggle with a nosy teacher and the foibles of her brother and two sisters, the youngest of which is convinced that she can find the door to Narnia and get help from the great lion Aslan.

I am so tired of reading YA books about alcholic parents who let their children fend for themselves and the terribly dreary disintegration of life as these kids attempt to manage on their own. It becomes the same tired exercise as the author cooks up one crisis after another as life gets worse and worse. In this case, half of the crises end up just being non-events (in one case, the youngest disappears in a grocery store - presumably lost - then suddenly reappears as if the author forgot her own story -- continuity, anyone??). *sigh* Perhaps I would have enjoyed this book if it had been the first child-abandonment piece I had read. But it wasn't and I'm tired of them...

The Tail of Emily Windsnap, by Liz Kessler

Emily's fear of her first swimming lesson take a backseat when she discovers that her body transforms into a mermaid's when she enters the pool. And that's just the beginning of the fun as she discovers the alternate world of merfolk in the sea and attempts to see her father, and confronts Neptune.

This is no Little Mermaid, but rather a quirky and unusual story about an uncommon teenager. The book is at its best (and funniest) when it compares mer-teens and human teens. It drags a bit towards the end as Kessler seems to struggle with how to wrap up the story, but it has enough charm to make it an overall good read.

A Corner of the Universe, by Ann M Martin

When Hattie's summer begins, it seems like it will be just like any other: hot and quiet. Her best friend has left for the summer and she is free to hang out with her adult friends. But then two things happen: the carnival comes to town and her uncle Adam comes home for the summer. She's never met Adam, and in fact never even heard that she had an uncle Adam, but that's because Adam is special and of course he has some lessons to teach Hattie.

I was initially sceptical about this book. I don't like period pieces much and the character just didn't seem interesting, but the book grows on you and by the time I reached the end, I had a much better feeling about the book. No major life lessons learned, no major sob fests when you get to the end, but a pretty good book overall.

Don't You Dare Read This, Mrs. Dunphrey, by Margaret Peterson Haddix

When Tish's Englishteacher, Mrs. Dunphrey assigns a journel, Tish knows it is a bogus assignment, especially since the teacher has said that they can write whatever they want and put "Don't Read This" on the entry and she'll respect their privacy. But when Tish starts to test that promise by writing about what is really going on at home, she acquires a mirror that shows her just how much her life is falling apart.

This is another of those stories about a teen trying to survive with disfunctional parents (See Room on Lorelei Street for example). They are harrowing stories of neglect and abuse and make for good melodrama, but I'm not sure what purpose they serve otherwise. The plot certainly sucks you in and the conclusion is a tear jerker, but in the end, what have we learned?

ttyl, by Lauren Myracle

Three ten graders (Maddie, Angela, and Zoe) struggle through the first half of tenth grade, dealing with crushes, flirty teachers, parties, and the usual misadventures of a YA novel, with the twist that the entire story is told through their IMs.

It's a cute concept, but hard to read. It took me about 40 pages to really get comfortable with the format, and then get somewhat familiar with the three characters, who have a tendency to merge together in the mind until they start really doing different things. The trouble with IM is that it establishes a lot of distance from the characters so that you really don't establish much of a connection with any of them. Basically, you're reading a long conversation, without ever really getting inside their hearts and heads.

Risky Friends, by Julie Anne Peters

Kacie notices that Skye, a new girl, is having trouble during their Algebra test. In a fateful moment, she sneaks Skye the answers and sets in motion a "friendship" that turns sinister as Skye reveals a deceitful and manipulative side. Kacie has to make the right decision and re-gain control over her life, before Skye destroys all of her former friendships.

How's that for a melodramatic synopsis? Well, it isn't quite that bad, but it isn't good either. This is pretty weak formula stuff, with dialog that sounds way too grown up. I'm not even sure anymore how I found this book, so perhaps we'll just this one slip by.