Then Miles meets a boy named Eric who gets his pronouns right and likes Miles however he sees himself. And while Miles still aches to get back together with Shane, everything is much easier with Eric. Is Miles going to figure out who he wants to love and who he wants to be? Will he win his piano competition? Well, you'll just have to read it to find out!
Underhill does a great job with his main character. Miles starts off annoyingly shallow and insensitive to others, but his understanding of himself is complex and nuanced. It's not that he doubts that he's a boy so much as he struggles with what that in fact means to him. And his behavior -- which overwhelmingly reads as feminine (with its socially-sensitive, intuitive, and emotional instincts) -- feels authentic for a newly-transitioned boy. That's a subtlety that authors rarely capture. I also enjoyed watching Miles grow as a person, becoming better at negotiating his relationships and losing much of that initial insensitivity.
While the supporting characters are not as interesting as Miles, they do exist in a rather complex dynamic that will feel relatable to teens and painful to adult to reminisce about. Underhill has a good sense of the insecurities of the adolescent mind. On the other hand, the lack of any straight characters -- while fashionable in contemporary YA -- feels less authentic.
This is a well written romance that presents a strong and sympathetic trans character in a meaningful and realistic relationship.
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