Ellie Haycock Is Totally Normal, by Gretchen Schreiber

Ellie has been in and out of hospitals all of her life.  And her mother has documented every stay, every surgery, and every success and failure, and publicized it to the world in her popular blog. Now a teen, Ellie isn't so thrilled about having her medical care being broadcast to the general public.  She's trying to have a "normal" life and not let her most recent hospital admission derail her speech tournaments and her relationship with a boy.  To keep things on track, she's devised a strategy of keeping school things at school and hospital things at the hospital.  But a combination of some poor judgment from her mother and a rare comraderie with other teens at the hospital wrecks those careful plans and opens unexpected new opportunities.

Books about sick kids tend to grab you by the emotional jugalar and take no prisoners, and for that reason many readers shy away from them altogether.  Usually at least some of the characters die (and maybe a few will live and get better).  Regardless, they are difficult books to read.  I've been drawn in the past to books that took the formula and did something exceptional to it and thus loved John Green's The Fault In Our Stars for its humor and its tough protagonists.  This book has some particular virtues worth calling out.

First of all, the novel's look at illness feels fresh.  Ellie is a jaded patient with a learned cynicism towards the medical profession.  Her devastating take on doctor hubris and the vanity of nurses (or is that doctor vanity and the hubris of nurses?) won't surprise anyone who's spent a significant time in a hospital, but it's an approach that is surprisingly rare in literature.  Secondly, there's the novel idea of choosing a disease -- VACTERL -- that can't actually be curied.  Rather, it's a disease with a moderate survival rate that helps ensure (spoiler alert!) that Ellie isn't going to have a tragic death.  But she isn't going to be cured either.  And both she and we have to accept that and be comfortable that the ending isn't going to be about Ellie's medical transformation.

In the end, this is not a story about a disease or Ellie's brave fight with it, but a story about Ellie herself.  And while there is some tremedous emotional growth shown when Ellie learns to trust her friends a bit more and open her heart, the really stellar performance is between Ellie and her mother.  For the first half of the book, I really loathed Ellie's self-obsessed and narcisistic mother.  The blog, which is liberally quoted, amounts to endless whining from Mom about how much she's suffered, how unappreciative her daughter is, how hard she's trying to be a good mother, ad nauseum.  But at the same time, Ellie is horribly cruel in her lack of sympathy for her parents in a way that (while you can see where it is coming from) is really painful to read.  It takes a major showdown between mother and daughter for them to break out of their toxic relationship and that provides the most emotional part of the story.  

In other words, this is not a story that will break your heart because Ellie is a fine young woman struggling with a horribly painful and debilitating rare chronic condition.  It is a story that will make you cry because it is about parents and children wrestling with a much more common chronic and debilitating condition:  parents learning how to let your children become adults and children figuring out how to grow into being that adult.   Universal and relatable, and ultimately empowering and hopeful.  Tears, but ones that feel good.

The Big Sting, by Rachelle Delaney

Leo's Dad, currently between jobs, has discovered a personality test that he believes can correctly identify your key behavioral traits.  He tests it out on the family and Leo's little sister Lizzie is an "adventurer," which makes sense because she is always getting into trouble without a second thought.  Leo comes up as an "auditor" which reflects his cautious nature and non-adventurous personality.  It frequently falls on him to keep Lizzie out of trouble.

These personality traits get tested when the family goes to visit grandpa on a remote island off of the coast of British Columbia.  One night grandma's beehives are stolen and the kids and their grandfather launch a search to find them.  While Leo is reluctant to do something as risky as to try hunting down potentially dangerous bee thieves, he rises to the occasion, proving that labels aren't everything.

Pleasant and lively middle reader.  The life lessons are largely in second place to a riotous cast of quirky supporting characters and some low-key adventuring.  While the kids fall into some dangerous situations, there's nothing too scary and Leo largely saves the day.  Sadly, there's not not very much on bees themselves.

The Girl Next Door, by Cecilia Vinesse

Cleo and Daniel have been collaborating on installments of their high school film club's ongoing soap opera project for years and they both dream of getting into NYU and eventually taking Hollywood by storm.  But that's until Daniel cheats on Cleo by hooking up with Kiki.  In the aftermath, Kiki's ex-girlfriend Marianne and Cleo commiserate.  

Marianne and Cleo are next-door neighbors and once upon a time they were best friends too, but they went their separate ways.  In their shared misery they rebond quickly and, when the people around them start to assume that they are dating, they decide to go along with the plot.  But what starts as fake dating to get back at their unfaithful partners becomes a real relationship.

While the plot sounds largely unremarkable and a bit contrived, the novel is well-written and breathes a bit of freshness into an old story.  The setting is dense and immersive.  That means both that it relishes its details and the realistic feeling that such details gives its charcaters and also that it takes a bit to keep all of those details straight.   I had some trouble getting into the story and was frustrated by the lack of distinctiveness to all of the players.

Elf Dog & Owl Head, by M. T. Anderson (ill Junyi Wu)

In the midsts of a lockdown triggered by a global pamndemic, Clay doesn't have much to look forward to this summer except long solitary walks in the woods.  But when he discovers a stray magical dog, his world changes.  Quite literally.  The dog takes him to other worlds -- a land with a huge wishing lake, a village of people with owl heads, and group of sleeping giants.  But the dog belongs to the Kingdom Under the Mountain and her owners want her back!

A rollicking adventure of strange creatures, battles, and subterfuge.  Filled out with delightful illustrations, this fast-paced story is an easy read.  I found it terribly violent and a bit thin on character, but it won plenty of awards (including a Newbery Honor last year).

With A Little Luck, by Marissa Meyer

Jude's idea of risk is rolling dice for the D&D campaigns for which he dungeon masters.  He knows that there is no way he'll ever realize his dreams in real life.  He'll always be a mediocre artist, an average student, and he'll never get the girl of his dreams, Maya.  But things seem to change for him when he stumbles across a beautiful twenty-side die on the turntable at his parents' record shop.  Suddenly, everything starts going right.

Defying the odds, he finds a rare signed record that everyone's overlooked, he wins a radio contest for two tickets to see a British hearthrob in concert, he finds missing homework, and he's rolling d20s perpetually.  With the tickets, he gets the courage to ask Maya out on a date and she surprisingly accepts.  And then she surprises him further revealing that she loves fantasy roleplaying as well and becomes an essential part of his D&D parties!  It would seem that there is no limit to the things that Jude can do with his magic die until, that is, his luck changes.

Maya turns out to be a lovely person but not the love of his life.  His true love is actually with someone else.  His grade start slipping again.  Every good deed he tries to perform backfires on him.  It would seem that the die has now cursed him and he can only roll d1s.  But for everything that goes wrong, some new opportunity arrives.  Jude begins to discern that it isn't a simple matter of good and bad luck.

For a novel based (as its predecessor Instant Karma was) around Beatles references, the lesson of this story actually comes to us from the Stones -- "you can't always get what you want...you get what you need." As Jude's luck seems to reverse, he comes to understand that luck itself is overrated.  And the best things in life are not determined by fate, but by courage and taking chances.

Continuing the unobtrusive magical nature that Meyer played with in Instant Karma, there are plenty of similarities but is is an imminently more satisfying story.  Prudence and Quint from that book play minor roles here to give us some foundation, but Jude's struggles to gain self-confidence and his acts of bravery are much more relatable that Pru's acts of karmic vengeance.  And while a string of hillariously improbable coincidences at the end of the story might have derailed the whole thing, they in fact are quite in keeping with the spirit of this fun and enjoyable read.

Cupid's Revenge, by Wibke Brueggemann

Ever since their mutual best friend died, Tilly and Teddy would do anything for each other.  So, when Teddy begs Tilly to accompany him to tryouts for a musical revue called "Cupid's Revenge," she comes along, even though she has no interest in acting or singing.  The truth is that he isn't too keen on them either but he is trying to impress a girl named Katherine.

Katherine doesn't seem very impressed with Teddy but Katherine and Tilly have instant chemsitry and that makes things awkward. Tilly knows better than to date Katherine, but the heart wants what the heart wants.  And, anyway, you know how this trope works so I don't really need to lay out the rest of the story.  Furthermore, the setting -- rehearsing a play -- is tiredly familiar. No surprises!

What's a little more off script is the rest of the story:  Tilly's oddball family of professional musicians and dancers (so, so unlike Tilly) are colorful and humorour.  The drama of taking care of Tilly's recently-diagnosed-with-dementia grandfather, who's come to live with them and proves to be alternatingly a huge handful and a great help, provides pathos.

Full of humor, some lovely romance, frank depictions of sex, and a fantastic cast of characters, Cupid's Revenge (the novel) is a stand out for both refreshing a tired plot and being a surprisingly good read.  I have a poor record with British YA (or NA, in this case) as it tends to be preachy and condescending, but this book surprised me.  It's not just a heroine with a good head on her shoulders but a full cast of characters who act like normal people and behave sensibly.  The story and its humor comes through so much bettter without lots of false drama and contrived circumstances.

Drawing Deena, by Hena Khan

Pakistani-American Deena is a good artist and her friends are always raving about her drawings.  But she isn't really sure and she wishes there was money to pay for art classes so she really could become good.  But money is tight.  Deena knows this because her parents fight about it all the time.  And there are other priorities like the dental work that Deena needs for her teeth grinding and like her mother's failing clothing business.  It's causing Deena to lose sleep and she has trouble eating in the morning.  After a panic attack at school lands her at the nurse's station, the school recommends counseling and she finds it helpful.

Deena is also capable of solving her own problems.  With some help from her friends, they help set up a social media site for her mother's business.  They develop policies and plans for her mother's commercial success.  Along the way, Deena learns to stand up for herself and her family.

Full of lots of ethnic details (mostly about clothing and food), Khan's book is really about portraying a typical American malaise:  children stressing themselves sick.  What it doesn't do is spend much time on the treatment.  Rather, Deena just sort of recovers at the end, gaining assertiveness and confidence.  So, even though there's plenty said about Deena's condition and its prognosis, there's hardly anything on strategies for stress relief.  That makes her recovery something of an article of faith rather than a shared journey and sucks much of the pay-off out of the story.

Ruptured, by Joanne Rossmassler Fritz

While Claire and her mother are eating lunch, her mother confides that she's thinking of separating from her father.  Before Claire can ask her mother to reconsider, Mom collapses on the floor from a brain aneurysm. For the next couple of weeks, her mother's situation is tenuous but she does begin a slow path to recovery.  Once conscious, it becomes apparent that she has trouble keeping events straight and she can't remember the day of the attack.

Claire wavers over whether she should tell anyone what her mother said.  Perhaps she no longer believes it.  But what will happen when Mom does remember what she was feeling?  Claire's previously distant Dad has been devotedly doting on his wife.  Perhaps, his actions can make up for whatever triggered her mother's doubts about the marriage in the first place?

This quick read is all the more speedy for being written in verse.  It's not a particularly compelling use of the method and mostly just allows the action to race ahead without much attention to character development.  Outside of Claire herself, there isn't much room to expand on much of anyone.  There's some sketchy drama with a friend and some set backs in Mom's recovery, but these are glossed over.  I found it pretty thin.

Hope In the Valley, by Mitali Perkins

There were still farms and orchards in Silicon Valley in 1980, but they were becoming rarer as the cost of property drove the farms out of business.  If the town of Sunny Creek has its way, there will be one less.  For Pandita, the abandoned home across the street has always been a refuge and it carries a lot of memories.  When her mother was still alive, the two of them would sneak over and spend hours on the  house's porch swing.  It's the strongest connection Pandita has to her mother and, with the pact that she and her sisters made to not mention Mom around their father, it is likely to be the only one.  She needs to do everything she can to save it.

Her attempt fails as she is literally unable to speak up in defense of the house's preservation.  Pandita must accept that she has to let it go, but does that mean that she must accept every else that is going wrong in her life?  Does she have to watch her father start dating again?  Or tolerate the way that her sisters never respect her wishes?  Or the fact that her BFF has abandoned her to hang out with a classist popular girl?

Pandita's world seems to be spinning out of control and it would be easy for her to get sucked in by all of the drama, but the something unexpected happens.  She gets asked by the local historical society to help review the contents of boxes of abandoned documents from the old house to search for items of historical importance.  As she does so, she unearths the forgotten history of the "Valley of Heart's Delight" (as Silicon Valley was once known) -- a history full of discrimination and prejudice and people who fought it.  Through these rveleations, she gains confidence in herself and develops a voice strong enough to speak out for what she believes in.

There's a lot going on. First, there is the tween-appropriate introduction to NIMBYism and the politics of housing and urban development.  The is the story of Pandita's family rebuilding and moving on after a loss of her mother.  And finally, there is Pandita's personal journey from quiet middleschooler to strong voiced and confident orator.  Despite the many threads to the story, this is a surprisingly easy book to read. Charming.

Shut Up, This Is Serious, by Carolina Ixta

Ever since Belén's father left them, a darkness has fallen across her home.  Her mother has been distant or not at home.  Her older sister Ava is mad at her.  Belén doesn't see much of a point to anything and she's stopped going to her classes and may not graduate.  She's angry and upset and doesn't know how to pull things together.

Her best friend Leti ought to have everything going for her.  She's an honor student and doing well at school, but now she's also pregnant.  Worse, the father is a black kid that Leti's racist parents would never accept in their house.  She knows that eventually she'll have to tell her parents, but Leti procrastinates.  In their seemingly impossible situations, the two girls struggle to find solutions.

Deftly sifting through a wide array of issues, including child abuse, teen pregnancy, abandonment, prostitution, racism, and poverty, Ixta packs a huge punch into her debut novel about coming of age in East Oakland.  Belén herself drove me crazy with her endless series of bad decisions and her stubborn unwillingness to accept help, but I was still captivated enough to hang in there for her.  She felt real and in fact really quite beyond my judgement.  I won't ever really know what it is like to grow up in Mexican-American household, but this novel opened a portal that allowed me to see it with all the good and the bad.  A rich and rewarding story.

If I Promise You Wings, by A. K. Small

The lyrical magical realist tale of Alix, an aspiring Parisian artist who dreams of creating feathery costumes for the Moulin Rouge.  It is an aspiration that was hatched with her best friend Jeanne who then tragically died in a car accident.  Grieving from the loss, Alix throws herself at the doorstep of the famed artiste de plumes Salome, begging to be taken in and given training.  Mme Salome accepts her and sets her to work sweeping floors, but also giving her an opportunity to help work at the feather boutique.  There, Alix shows a special talent for the work which draws on her ability to communicate with the feathers and with the guidance of the unsettled spirit of Jeanne.

Torn between the attention of Salome's mercurial son Raven and a musician Blaise, Alix drifts through her work, struggling to find her place and move beyond her grief.  In the end, a series of  bad choices catch up to her and a final betrayal forces her to break out of her malaise.  All of this set against dreamy Parisian landscapes.

Beautifully written with lots of details for Francophile readers.  I personally found much of this to be distracting.  An occasion bon mot would have been delightful, but it's a bit too frequent for my taste, slowing down my reading as I utilize my forty-year-old High School French to decipher the text.  And while I'm sure that the various streets of Montmatre are very significant, they don't particularly add to the story for me.  If those criticisms seem invalid to you, you'll probably really enjoy the story a lot.  I did enjoy it, but for the fantasy elements and the beautiful feathery imagery.

Good Different, by Meg Eden Kuyatt

Selah is well aware that the ways in which she responds to loud noises, bright lights, or being touched by others are not "normal." To pass and help get by at school, she's developed a set of rules.  But when her rules fail her and she gets suspended (and nearly expelled) for hitting a fellow student, she has to revisit those rules. In doing so, with the help of a supportive grandfather, she is surprised to find that normal is overrated.  While she is certainly different from others, there are plenty of people like her and lots of good wisdom to draw upon from them.  And she finds that, while there are certainly people who will hate her or fear her for being different, many more want to be her friend and help her.  Through poetry, she finds her words and learns to stand up for the things she needs to succeed.

An inspirational story in verse about a neurodivergent girl in the process of self-discovery.  The verse itself is not particularly extraordinary, but the choice to write this book in verse is brilliant as it captures the process of Selah's inner dialog much better than prose would have done. 

Red, by Annie Cardi

When Tess becomes pregnant and decides that getting an abortion is her best option, part of her calculation is that no one back in Hawthorne will ever have to know that she was pregnant.  No one will ever ask her who the father is.  Things will go back to normal.  

But when she and her mother get back home, they are suprised to find that somehow people did find out.  A picture of them leaving the clinic is being distributed and someone has painted a red A on her locker.  Tess is no longer welcome by the congregation of their church or allowed to sing in her beloved church choir.

The hostility from the community is not nearly as hard as the loneliness that Tess feels.  But a chance meeting with a group of band geeks who don't seem to care about Tess's reputation help rebuild her confidence.  Gradually, through music, she puts her life back together and eventually confronts the events that caused her to need the abortion in the first place and challenge a pattern of abuse that she was caught up in.

I enjoyed Tess, a young woman with a strong sense of faith.  It's so easy in books like this to demonize organized religion, but Cardi creates a protagonist who refuses to let that happen.  She certainly suffers some doubts, but her constant reassertion that she doesn't want to lose the comfort of her religion is a nice change of pace.  While Cardi herself struggles a bit in differentiating between the faith and the people in power of the church, the most inspiring part of Tess for me was her desire to not allow herself to be driven off.

While Tess starts off being afraid to speak out and spends the arc of the story finding her voice, there's an articulate mind there all along, making an easy character to which to relate.  But while the book delivers a strong message about the insideous danger of silence in the face of sexual abuse and ends on an affirming note of empowerment, I found the story predictable and laborious in getting to its conclusion.  For all of the originality behind Tess (and in fact most of the characters in this novel), the lack of inspiration in what to do with them is a disappointment.  I was particularly disappointed in how quickly the musician friends are largely forgotten about in the end.

Cold Girls, by Maxine Rae

Rory always felt that she wasn't good enough for her friend Liv.  While Rory stresses over every thing, Liv gives the world the finger without a second thought.  But eight months of grieving after a car accident in which Liv is killed, Rory isn't so sure anymore about Liv's detachment.  In a series of flashbacks, we see that the nature of Liv's coolness was much more complicated than anyone ever understood. And the relationship between Rory and Liv similarly complicated by trauma and secrets.

A complex emotional story that hints at much more than it says, Rory and Liv are anything but the cold girls that they projected to the outside world.  In fact, it was the shared knowledge that there are these strong current underneath that bonded them together. It was also a relationship that was coming to an end as the girls were about to graduate and move on.  Neither girl could ever hope to maintain the facades and there are moments when each of them crack, but by dying Liv avoided ever having to face those feelings as much as Rory ends up doing (on her own).

The story starts strong and quickly gets us deep into the hidden world that these two girls share, but I found the middle section a hard slog.  With little clear sense of where we were going or why we were going there, the multiple characters and complex relationships between them become a chore to keep straight.  The constant time shifts become trying as well as I had to keep reminding myself what was happening at a point of time we haven't rveeisted for the past fifty pages. It's only towards the end, that the story's pace picks up.  An end point becomes visible and I tuned back in.  I think the story would improve with a re-reading and if you enjoy a book that you can get more out of with a repeat then this might be for you.

Absolutely, Positively Natty, by Lisa Greenwald

After her Mom leaves the family, Natty's father relocates them to his old hometown.  Natty, refusing to let it (or anything else) get her down, insists on looking at the positives.  If you just have a positive mindset, nothing can ever go wrong!  The town of Miller Creek could certainly use some help.  The school is falling apart and no one (students or teachers) has any enthusiasm.  Everyone Natty meets seems to be angry at something or someone.  If Natty's plan to always be positive is going to work, she needs to stir up some positive vibes around her.  So, she starts a pep club.

Practically no one has any interest in the idea, but Natty is determined  to make it happen and through persitance and stubboness she manhandles a band of skeptical kids and demoralized adults to come together.  But is being relentlessly positive a good thing and can it really change anything?  Natty is convinced it will all work out, as long as she can just keep a sunny outlook.  For whether that is true or not, you'll have to read the book.

There is certain level of frustration with a story that never actually resolves, but my biggest issue with this book was the flimsyness of the premise.  From nearly the first page, just about everyone is pointing out to Natty what a foolhardy exercise it is.  Her unwillingness to accept any truth in that isn't all that interesting.  That doesn't leave much to grow on and the conclusion is largely inevitable.  And when the refusal to acknowledge that bad things are happening causes Natty to gaslight her friends, it doesn't make her look very kind. There's not much learned in the end and not really a lesson worth learning.

Pieces of Me, by Kate McLaughlin

Dylan wakes up to find herself in a strange bedroom with a stranger.  She doesn't know the people and they are all calling her by a different name.  But the biggest shock is when she realizes that she has no memory of the past three days!  In recent years, Dylan has been dealing with a lot of problems, including alcohol and drug abuse, and has a history of blackouts, but not anything that would last this long.  Her mother takes her to a doctor and a psychiatrist but no one can find any explanation until the psychiatrist trips over the possibility that Dylan is suppressing traumatic childhood memories.  The epiphany is overwhelming for reasons that Dylan can't explain at the time and she finds herself in a hospital after a suicide attempt she can't remember.

She is suffering from Dissociative Identity Disorder (DID), a condition characterized by having vivid alternate personalities that manifest in a person and are usually formed as a coping mechanism for an early childhood trauma.  The actual particulars of  Dylan's trauma take a while to be uncovered and the real itself is anticlimactic.  The story focuses instead on Dylan's growing understanding of her condition and  her learning to cope with it.  Unfortunately, this part of the book (roughly the middle) is also the weakest section.  

I was really captivated by the story from the start and reminded of how much I enjoyed novels dealing with mental health.  There's a compelling mystery with all sorts of interesting elements that are slowly revealed.  Up to the diagnosis, this is a real page turner.  But once we know what is happening, the pacing really slows down and becomes this big educational text where we're introduced to Dylan's "system" and her "alters" who "front" for her from time to time because of various conditions.  Not much actually happens in these 150 or so pages beyond a bunch of repetitive and strikingly boring conversations.  It's only when the culprit (a completely new character never mentioned prior to that point of the story) is revealed that the pace picks up again.  But here McLaughlin is at a loss as to how to portray the moment of confrontation and the last sixty pages reads more like a lengthy postscript than a climax.  There is no dramatic conclusion.  In fact, there really is no conclusion at all.

A fascinating topic but the presentation sucks the life out of the story. It starts strong but then treads water, before dying at the end with a whimper.

Opportunity Knocks, by Sara Farizan

Everyone around her seems to have a thing, except for Lila.  Her best friend is super good at soccer.  Her older sister is good at everything!  Lila, though, can't seem to find her place.  Her attempt on the stage was a disaster when she blanked out on all of her lines and ended up getting cast as a tree!  She finally finds a space, playing the triangle in band (although she still misses her cues).  But then disaster strikes as the band leader announces that the program is being shut down for lack of funds!

Enterprising Lila doesn't let this hold her back.  She marches down to the bank and tries to apply for a loan for the band program.  She gets turned down, but she comes across a strange box lying on the floor of the lobby.  The box turns out to contain a magical being who calls herself Felise and brings good luck for a week to the bearer of the box.  Lila doesn't know what to do with her good fortune but she manages to spin it into a number of small successes, raising money for the band program.

Then, just when things are really starting to look good, the owner of the box comes looking for it and wants it back!

A lovely, albeit heavy-handed, middle grade reader story about the magic of friendships and self-determination.  The magic that Felise brings, in contrast, is downplayed and much of Lila's good fortune is attributed to Lisa herself,  Lila exhibits an infectious combination of bravery, compassion, and good ideas that makes her a perfect friend. And while that point is sometimes thrust a bit too forcefully in the reader's face, the book is a pleasing combination of a fun story and positive messages.  Having enjoyed her YA novels, it's nice to see her doing equally well with a younger demographic.

The Stranded, by Sarah Daniels

The Arcadia was a luxury cruise vessel.  When the countries of Europe destroyed themselves in biological warfare, the ship (and many others like it) became an escape route for refugees.  But when the boats reach the Federated States on the other side of the Atlantic, anti-immigration forces refused to allow them to disembark.  Forty years later, the passengers and their descendants are still quarantined off the coast and the government has tired of maintaining them.  It initiates a plan to solve the issue for good by imprisoning in labor camps or massacring the inhabitants.  But the passengers won't go down quietly.  A rebellion has long been brewing to liberate the passengers and with the ships being cleared, a plan kicks into high gear.

Esther is a sixteen year-old studying to become a medic and, if she can pass her exam, win a coveted slot to study on the mainland.  She and her boyfriend Alex are loyal citizens, but they find themselves dragged into the conflict as the land forces ratchet up their suppression and start implementing their genocide. 

There is some elaborate world building but the book doesn't waste much time before diving into the thick of the action.  Told in alternating chapters by three narrators -- Esther, her older sister's boyfriend Nik (who works for the rebellion), and Hadley (the leader of the government forces charged with controlling the boat) -- it maintains a breathless pace through over 400 pages.  It's a fast read, but doesn't leave much time for sorting out the characters or for the reader to establish much attachment to them.  Rather, the story screams out "film option!" and seems designed for a visceral and visually immersive adventure.  It would probably make a great film, but as a dystopian novel it's fairly average.

Long Road to the Circus, by Betsy Bird (ill by David Small)

No one ever truly leaves Burr Oak, Michigan, but twelve year-old Suzy means to make a good try of it.  She has a great role model in the form of an eccentric retired circus performer, the mysterious Madame Marantette.  Madame left Burr Oak and, while she returned after retiring, Suzy figures she knows a thing or two about how to see the world.  However, she has to figure out a way to ask the woman.

Suzy's opportunity comes when she notices that her uncle keeps slipping away early in the morning.  Suzy sneaks out of the house and follows him all the way to Madame's house.  Uncle Fred, it turns out, has been helping train Madame's horses and taking care of a flock of ostriches that she owns.  Suzy's never seen an ostrich before but soon she's smitten by them.  Gaucho, the feistiest bird in the flock, is being trained to pull a surrey alongside a horse.  It's an impossible task and Fred has been struggling. Suzy insists on helping him by learning to ride Gaucho for herself!

Suzy knows plenty about horses, but ostriches are an entirely different thing.  And with a lot of trial and a lot more error, Suzy steadfastly pursues her task with the hopes that if she can master Gaucho she could earn a ticket to join the circus and leave Burr Oak.

Set in the 1920s, this charming story features lots of humor and plenty of adventure.  It also is an unusually innocent book.  Aside from breaking some family rules (and being punished for doing so), there's hardly anything for even the most anxious parent to object to. Suzy's family may strike modern children as being overly strict, but Suzy is clever and knows how to bend the rules to get what she wants in the end.

Suzy is also not much of an intellectual, but instead relies on a lot of horse sense and instinct, and just stubbornly holding on to what she wants.  One of the lessons she learns in this book is that sometimes you do have to let go and having the wisdom to know when is a big part of growing up.  Charming illustrations enliven the text and a fascinating appendix describes the real people who inspired the story.

Dog Star, by Megan Shepherd

Inspired by the tragic and true story of Laika, the first living creature from Earth in space, we get this middle school novel told in alternating chapters by Laika and Nina, the girl who grew to love Laika before she was sent on a one-way ticket to the stars.

Laika is a stray, a "cold dog" in her words.  Very much unlike the "warm dogs" who have warm house to live in and food to eat.  Instead, Laika must survive on scraps and her street smarts to get by.  But a careless lapse leads to her capture and enrollment in a program to train canines to undergo the rigor of space travel.  She excels at it despite her distrust of human and other dogs.

Nina is a proverbial "cold girl" whose very best friend has abandoned her by defecting along with her family to America.  because of the family's betrayal, Nina is told that she must denounce her friend in order to protect her own family.  She struggles with the idea and is horrified to find the things that are being said about her friend.  Confused by the way her fellow students and teachers are betraying their ideals, she seeks solace in the presence of animals and bonds with Laika. The two grow close and, when Nina discovers that Laika won't be able to return from her trip, Nina becomes convinced that she must do something to save her best friend.

One can question the wisdom of writing a children's book about a girl and her slated-for-death best friend.  The true story of Laika is one that sits uncomfortably in history and there will be many people who would simply never read this book on principle.  Shepherd makes this much worse in two ways:  by developing a strong emotional story between the girl and the dog and by telling half the story through Laika's voice.  The chapters told from Laika's trusting point of view -- including her final moments on the rocket -- take a rather strong stomach (or severe detachment) to read.  Shepherd makes the argument in her afterward that the story, while tragic, needs to be told because of Laika'a major contribution to science and the nobility of her sacrifice, but one might counter that argument by pointing out that Laika never actually chose to make the sacrifice so what we are basically witnessing is a living creature being murdered.

Setting those ethical questions aside, the story felt uneven.  The story of Laika and Nina opening up to each other was lovely, but the political elements of the story are half-heartedly developed.  The bullying at school is poorly explained.  An over the top attempt at last minute sabotage rings untrue and largely undermines the emotional seriousness of the story.  One almost wishes that these diversions had been skipped altogether.