The Wolf Princess, by Cathryn Constable

Three girls from London (Sophie, Delphine, and Marianne) are invited to be guests of a mysterious Dr Starova in Saint Petersburg during their break.  But instead of ending up with the doctor, they are transported to the long-forgotten estate of the Volkonskies.  Their hostess is the last Princess Volkonskaya, who takes a special interest in Sophie.  This is an odd choice as Sophie is definitely the least inspiring of the bunch.  A scholarship student and an orphan, she is surprised to find the Princess eagerly soliciting her.  And even more surprised when the Princess asks for her help in locating the long-lost family diamonds!

A cute little book in that grand tradition of English Public School Kids Take a Trip Into a Magical Kingdom.  This one stays a bit harder on the realistic side with suitable attention to Russian history, current events, and language (plenty of decent Russian phrases litter the book and a useful glossary at the end provides definitions).  The magic, mostly involving communing with the animal kingdom, is suitably kid friendly and harmless.  The most fantastic element of the story is of course the fact that the kids are basically outside of adult supervision altogether (the English seem as devoted in their literature to putting their young children in harm's way as the Scandinavians!).  Being away from parents won't bother the target audience.  Young readers will mostly enjoy a gentle fantasy adventure.

[Disclosure:  This came to me as an unsolicited ARC, which I'll recycle.  The actual book is not released until September 24th.]

Fingerprints of You, by Kristen-Paige Madonia

Lemon has been dragged from one town to another by her single mother for the past dozen years, a process that she despises but has grown used to.  However, on this latest move (to Morgantown WV), she's in trouble:  she's gotten pregnant from her Mom's ex-boyfriend.  Determined to keep the baby, but aware of the uncomfortable parallel's with her own mother's decision to keep her but flee her father eighteen years ago, Lemon decides that she needs to get away.

She convinces her friend Emmy to join her on a cross-country roadtrip to California, where she hopes to find her father (who she's never met).  Classic road-trip story unfolds and California offers its shares of surprises and revelations to the girls.

Coming with a warm endorsement from the Godmother of YA (Judy Blume), the novel actually manages to live up to the hype.  Madonia writes fluidly and creates complex and interesting characters.  The actual plotting of the story can be a bit broken (Madonia has trouble foreshadowing properly and the ending of the book drags on a bit), but the characters make up for these flaws.  Both adults and children have their share of strengths and flaws, and their interactions are mature and realistic.  Key amongst these is the complicated struggle between Lemon and her mother that forms a fascinating thread throughout the story.  Rather than just stringing raging dialogues together (as most YA books do), Madonia takes the time to explain each side's point of view in reasonable terms.  Mother and daughter clearly love each other, even when they don't quite see eye to eye.  And the dramatic arc of the novel basically recounts the ways that Lemon comes to understand how her mother's fingerprints are really found all over her life.

I Swear, by Lane Davis

When senior Leslie ends up dead in her garage, there is no question of how it happened (she intentionally asphyxiated herself with car fumes), but there is the open issue of why she did it. The student leaders in her class rally together to form suicide-awareness rallies and peer counseling groups, but an uncomfortable truth hangs around them:  Leslie was bullied by precisely the same group that is now leading the charge to heal their classmates.

When Leslie's parents file a wrongful-death suit and the subpoenae start to be served, the kids circle their wagons.  Led by media-savvy queen bee Macie (herself the daughter of a local politician), they try to deflect responsibility.  But their guilty recollections to each other (and eventually to the authorities) reveals a variety of motivations that could lead a group of teenagers to drive a classmate to her death.

The story is, of course, chilling to read for anyone who was even mildly teased in school.  It is also naturally cathartic to watch a conspiracy fall apart (although the less-than-happy conclusion will disappoint readers clamoring for blood).  Beyond those primal instinctual appeals, the story doesn't boast much depth in its plot or its characters.  It's a good story and one that probably needs to be told a few more times, but much potential complexity was sacrificed for a slick story.  At the end, as the guilt-ridden ones are baring their souls, I wouldn't have minded learning something that would have painted a more complex explanation of bad behavior.  I think I was supposed to forgive some of these kids, but I honestly didn't find much to redeem them!

What Came From the Stars, by Gary D. Schmidt

The Kingdom of Valorim has come under a terrible siege.  As the barbarian O'Mondim are breaking through the defenses of their fortress, the doomed Reced bind their power into a chain and send it far away to a distant galaxy.  Denied what they came for, the enemy swears to find the chain and gain the power necessary to rule their new thrones.

Far far away in Plymouth, Massachusetts, Tommy Pepper is celebrating his birthday.  Unfortunately, instead of getting anything cool, he has been saddled with an embarrassing gift (a lunchbox suitable for a little kid) from his grandmother! Heedless of the irreparable harm that showing up with an uncool lunch pail will cause, Tommy's parents insist that he take the lunchbox in to show his friends.  But as Tommy's social standing is about to endure a fatal blow, he finds a mysterious necklace inside the box with his lunch.

In the days that follow, Tommy discovers that he has the ability to see things that no one else can see, draw so well that his sketches seem to come alive, sing beautiful songs that no one has ever heard, and even to see his dead mother.  Realizing that it all has something to do with the mysterious necklace, he is determined to keep these new powers.  Which is about the time that the bad guys show up....

The result is a terribly clever and well-written fantasy-adventure, which manages to squeeze in some poignancy as well.  The fantasy elements are intentionally over-blown in the form of a mild satire (along the lines of the movie Super 8) which is cute but drags.  Instead, the story moves along best when it is stuck on Earth.  And while there isn't much room to effect something original in Middle Grade Fantasy, Schmidt seems to have pulled it off, producing a story with enough soaring adventure and down-to-Earth middle school drama to appeal to its target audience.

My Beautiful Failure, by Janet Ruth Young

Billy's father suffers from manic depression and when Dad's obsession with restarting his art career threatens to put him back into the hospital, Billy becomes desperate.  However, nobody else in the family seems to be concerned with what is happening.  Unable to fix the situation at home, Billy embraces the opportunity to work at a suicide prevention line.  Knowing something about mental illness first hand, Billy figures he can do some good.

But as his father's condition starts to worsen, Billy find himself caught in his own problems:  a girl named Jenney who keeps calling in.  At first, he finds he just enjoys listening to her, but soon it grows into something more.  Going around the organization's rules, Billy becomes more and more involved in her issues.  Too late, Billy comes to understand why those rules exist.  Simultaneously, Billy has to deal with his father's potentially devastating public art exhibit.

Short and breezy, the story is a good fast read, but it is a bit of a disappointment.  Too many lost opportunities.  There are some lovely ironies in the story that I wish that Young had called out in the end (but which I won't reveal here as they would spoil the ending).  I also found the climax a bit underplayed.  And while I hate conveniently clean conclusions, too much is really left unresolved in the end (most notably, no coming to terms between father and son).

Seeing Red, by Kathryn Erskine

In rural Virginia in 1972, Red knows that bigotry and racism are wrong, but he also sees plenty of otherwise responsible adults engaging in it.  The children around him emulate the adults and his think nothing of expressing opinions and using words that Red was never allowed to express by his late father.  When an error in judgement causes Red to betray his African-American best friend, Red comes to understand the intoxicating effect of racism.  But there are darker secrets from the past that Red must confront -- a secret that may have even been responsible for killing his father!

It's a classic American novel setting:  boy growing up in the South finds and confronts racism in his community.  Erskine isn't breaking new ground here and her characters (from the wide-eyed boy to the wise old African-American woman to the slow-witted but gentle giant are all part of the well-worn cliche.  Whether it has any basis in reality is completely irrelevant: these are archetypes and you can pretty much picture the discussion guide that will go along with the chapters (I was actually surprised that the book didn't come pre-equipped with one already).

Does it deserve the attention?  Actually it probably does.  Not so much because of the setting or the characters, but for what else Erskine is trying to do.  The book isn't so much about racism, but about race relationships in a post-racist world.  By which, I mean:  how does one come to terms with the history of institutionalized racism when it is supposedly past?  How do you accept the role that your ancestors played in it?  That's an interesting idea and not as frequently explored in literature, particularly children's literature.  How much that will register with children is a bit of a guess since the book itself is placed nearly in their grandparent's era.


[Disclosure:  I asked for and received an advance copy of this book (it is slated to be published on September 24th) from the publisher free of charge.  I will be donating the book to my public library.  I do not receive or solicit compensation for any of my reviews.]

Drowning Instinct, by Ilsa J. Bick

The story opens with a detective handing Jenna a Dictaphone to record her side of the "story." But not knowing how Jenna ended up being a person of interest or what the detective is investigating, we spend the rest of the novel in anticipation of having that story unravel.

I was very reminded of American Beauty and the way we start off knowing the ending, but not how it began  Like that story, there are plenty of distractions along the way:  Jenna's abusive parents, her psychiatric illnesses, her absent brother, a zealous and attentive (or maybe overly attentive) teacher, a jealous classmate, some lecherous adults, and so on.  It's complicated, but in the end I'm not really sure what the point was, except to spin an elaborate whodunnit.

More distracting is the character of Jenna herself who is wise beyond her years and more articulate than humans - of any age - are ever likely to be.  How Bick, who claims to be a child psychologist, could write such an unconvincingly and inauthentic adolescent voice is beyond me.  At best, this is Jenna some fifteen years later on a shrink's couch recounting her youth.  But it is certainly not the voice of a sixteen year-old girl.  It's barely even human.

All that said, the story is taut and fast-paced.  You won't be bored reading the book.  You may even have trouble putting it down.  I read it to the end, mostly because I madly wanted to know how it began.  But in the aftermath, I really don't know if I would recommend that someone else start it.

Kill Me Softly, by Sarah Cross

Growing up, Mira's godmothers (who took over raising her when her parents died in a fire) have kept a close eye on her.  They have a strict set of rules, including a few odd restrictions like not handling sharp objects.  But as Mira's sixteenth birthday approaches, she decides that she must break one of their most important rules: never returning to Beau Rivage -- the town where she was born and where her parents died.

So, she runs away from home and shows up at the town.  Her goal is to scour the town's graveyards and find her parents' grave, so she can finally come to terms with their demise.  Instead, she finds a town with an obsession with fairy tales and befriends two brothers who run a local casino:  Felix and Blue.  Felix is charming and takes Mira in, while Blue seems angry at everyone (alternating between attacking his brother for scamming on Mira and sniping at Mira for being receptive to Felix's overtures).  But something more serious is going on here than just fraternal jealousy.

A creative and unique twist on the Grimm's tales, combining the dark and nasty side of the originals and placing them in a contemporary setting.  The details are complicated and can't really be revealed without spoiling the story, but suffice it to say that it mostly works.  The result is a steamy adventure story that tends to work best when it focuses on action, overcoming destiny, and some good hacking and slashing.  The romantic parts try a bit too hard and the combination of curses and lust is heavy handed -- the type of thing that sounds good in theory but which reads like wet cardboard.

The ending becomes particularly messy as two very important threads (one involving Felix and the other concerning Mira's parents) get suddenly dropped and forgotten in favor of a romantic subplot that most of us could see coming.  It's not a bad twist, but the decision to completely drop the ball on the primary plot lines is a bit jarring, to put it mildly. So, bag the last fifty pages or so, they will just drive you nuts and take my word for it that the story was never wrapped up.

Every Other Day, by Jennifer Lynn Barnes

Kali has a double life:  one day she's an invisible sixteen year-old, but the next day she's a killing machine hunting down hell hounds, basilisks, dragons, and other "preternatural" creatures.  She doesn't know why she has to endure the cycle, but simply that it's been that way since she hit puberty.  On the days she is the hunter, she is invincible and capable of anything.  On the other days, she is vulnerable and fearful.

For the most part, she keeps a low profile and doesn't reveal her alter ego, but one day that changes.  At school, she notices that Bethany (one of the cheerleader/It girls) has been marked by a demon in a way that indicates that she will die within the day.  Despite the social class divide, Kali is determined to save her, but there is one problem:  it's the wrong day!

If this description (which more or less follows the book's jacket blurb) was the extent of the story, it would have been a clear riff on how a nerd and a popular girl became friends facing a mutual adversary.  The trouble is that this part of the story wraps up after about 120 pages, leaving an additional 200 more in which to unfold a pretty complicated plot that lacks consistency.  The story was far more interesting when it was simpler (awkward girl fantasy about using superhero powers to save the popular girl and gain acceptance).  Once it becomes an industrial conspiracy and every adult (including the parents) are involved in it, the story gets silly and drags.

Beautiful Music for Ugly Children, by Kristin Cronn-Mills

In a small town south of Minneapolis, Gabe dreams of making it big as a DJ.  He's got a mentor next door, an old man with an amazing collection of music (and some great stories about Elvis).  The neighbor even lands Gabe a late-night slot on the community radio station, where Gabe plays classic rock for a show he calls "Beautiful Music for Ugly Children." The show is a big hit with the kids at school and Gabe builds up a following. There's just one problem:  Gabe's birth name is Elizabeth and just about everyone off the air knows him as a her.

Since Gabe was little, he's known that he wasn't a girl, even if his body didn't agree.  When he was younger, he dressed the part and played with the boys.  But what was cute or maybe awkward growing up has now become dangerous.  At first, Gabe hopes that he can remain anonymous on the radio, but what will happen if the kids at school figure out Gabe's identity?  But even that is not so simple: at the same time, Gabe welcomes the danger -- he's tired of being in the closet and hiding his identity from his family and friends.  But, even for those who accept him for who he is, stepping out has its costs and unexpected complications.

There's a bit of a split focus to the story as it tells the more conventional story of seeking fame in the radio industry, but combines it with the more unusual quest by Gabe for acceptance of his transgendered state.  Of the two stories, I found the first one to be the weakest.  I lose patience with YA writers who can't be bothered to give their characters contemporary music tastes (C'mon! How many teens really care about Matt the Hoople!?).  It either seems like the author is too lazy to study contemporary music or they hate what the kids are listening to.

But the story of Gabe's struggle to break free of his Elizabeth identity was much more compelling.  Just how much?  Well, I very nearly missed my flight reading in the airport and, once on board, completely missed the flight attendant asking me if I wanted something to drink!  I was totally out of it, being so sucked in to the story.  I liked Gabe.  I liked his way of handling people.  I was fascinated by his relationship with his BFF (the straight and very confused) Paige.  The mentor, the parents, and even the kids at school were all interesting.  No easy answers, not even a complete ending, but plenty of things to think about.  In sum, a nice addition to the very small "T" section of LGBT literature.

The Boy on the Bridge, by Natalie Standiford

Laura has always been fascinated by the Russians -- their murderous history, crazy rulers, and forbidding landscape.  So, it is a dream-come-true to come to Leningrad to study at the Pushkin Institute in the Winter of 1982.  Now, for the younger ones out there:  this is before Putin, Yeltsin, and Gorbachev -- it's the tail end of "the period of stagnation" (the dying days of Brezhnev) when the Soviet Union, while faded, was dozing in the glorious perpetuity of authoritarianism. It's a grey time and while things will change dramatically is six to seven years, no one knew that at the time.

One early day, on the bridge that connects the main part of the city to the island where Laura's dorm is located, she meets Alyosha.  He is a revelation to her -- sensitive, romantic, and mature.  He is different from Americans, and she is curious.  Curiosity, in turn, becomes infatuation.  It's a difficult relationship to maintain -- socializing between Americans and ordinary Russians is discouraged and Laura and Alyosha must sneak around a bit to be together.  But as their relationship becomes more and more serious, they care less about the consequences.


The book fascinated me.  My own travels in Russia don't start until nearly five years after this story takes place, but from what I remember of their early trips, Standiford nails the details spot on.  She obviously took good notes during her own stay in Leningrad (and the novel is either autobiographical or a mash-up of experiences of her compatriots).  Dom Knigi, Cafe Sadko, and even the Uncle Sam's at the US Embassy are real places and they are described accurately.  But moreover, Standiford captures the nuances of Russians and the awkwardness of American-Russian interactions in pitch perfect detail.

More importantly, the misunderstandings and jealousies that complicate American-Russian romances which are described herein are painfully familiar (I myself decided that I was going to marry my Saint Petersburg girlfriend some ten years after the events in this book -- and we went to many of the places that Laura and Lyosha chose to visit and had similar conversations).  Needless to say, I have a good position from which to judge this book (I lived this story myself) and it brought back many memories.

But I wonder what the book would mean to other people?  The Soviet Union is long gone and forgotten.  It's not a piece of history that is likely to resonate with adolescent readers.  And Laura's romance (and its difficulties) will sound awfully strange to people today.  This is a period piece -- a perfect one at that -- but still an alien world.  And the story is not helped by its rather clunky third-person voice, which feels distant and detached.  So, I can't imagine where the book will find its readers, unless there are more nostalgic folks out there who can remember what it was like to walk along Fontanka with the love of your life!

By the way, the cover, which looks like it came out of a Sims game, is really quite creepy when you stare at it too long!


[Disclosure:  This book will be released on July 30th.  I received an ARC from the publisher and no further compensation.  I'm donating the copy I received to my local public library]

Almost Home, by Joan Bauer

When Sugar and her mother lose their home and end up on the streets, it would be easy to feel down and lose hope, but Sugar is as sweet as her name.  Whenever things take a turn for the worse, she still finds it in her heart to thank the people who help her and even locates a kind word for the good parts of the people who don't.  After all, her mother, as helpless as she may be, taught her to always say "thank you!"

Meanwhile, her late grandfather and his book of life guidance and wisdom has taught Sugar to stand up for herself and her family.  As a result, Sugar is one strong-minded, resourceful, and determined twelve year-old.  Through some encouragement from her English teacher, Sugar articulates her feelings about her family and the hard times that have befallen them.  And she makes some friends (most notably a puppy that actually purrs!) and does a decent job of keeping things together even when the adults around her can't manage to do so.

Joan Bauer usually has a pretty specific formula:  create a vivid character with a particular skill (waitressing, pumpkin growing, shoe selling, pool playing, etc.), set a bunch of obstacles up, and let the protagonist overcome them and learn a little self-confidence along the way.  In some ways, this book follows that heroic script, but Sugar is a much more complicated character (in spite of being five-six years younger than the usual Bauer heroine and a bit less articulate).  Mostly, she reminded me of a younger Jody from Letting Go of Bobby James in her quirky spiritedness.  She certainly doesn't live in the comfortable middle class environment that pervades in most of Bauer's stories.  The stakes are a bit higher and danger a little closer, and the dysfunctional parent is a bit of a twist (in most Bauer novels, the parents are pretty inconsequential, but not nearly as self-destructive as Sugar's Mom).  This makes the story darker, but ultimately deeper and more meaningful.  Overall, it's a winner, although less easily digestible than Hope Was Here or Rules for the Road.

Petals in the Ashes, by Mary Hooper

At the end of At the Sign of the Sugared Plum (reviewed here a few weeks ago), Hannah and her sister have escaped the Plague in London.  Expecting to be welcomed with open arms by Lady Jane (whose orphaned niece they have rescued and brought into the country), they are rudely surprised to end up in quarantine for forty days instead.  But they survive this trial to be plunged into new challenges.

When the Plague has passed and it is judged safe to return to the city, Hannah is anxious to go back.  Ostensibly, to set back up their shop, but also to find handsome young Tom, who helped them escape.  But no sooner has she restored their business and made progress in locating Tom, then a new calamity befalls them:  the Great Fire of 1666!

While not a big fan of sequels, this seemed like a more organic continuance of the story than most, and too good of a concept to pass up.  For the most part, it charmed as much as the first book.  Hooper maintains the ability to spin out strong historic details and keeps the pace lively enough to make this brief book a fast read.  The story, if anything, is a bit rushed and seemed to have far more loose ends and glossed-over plot points (the rescued baby, for example, while allegedly missed, hardly merits a mention once it is unloaded with its aunt) than the first installment.  Good historical writing, but perhaps just enough of a good thing (for once, the trilogy rule did not get enforced)!

Since You Asked, by Maurene Goo

Bored sophomore Holly thinks she's being cute when she re-writes a column for the school newspaper that she's copyediting.  But little did she expect when she was turning the dry boring piece she was correcting into a ripping expose on the school that it would see the light of day!  When it accidentally gets published, she's sure that she's dead:  if not by the hands of her angry peers, than by the crazed paws of her mother.  Instead, her article is an instant sensation.  She is given a column of her own where she delights in lighting into her fellow students, while simultaneously lambasting the pitfalls of being a Korean-American.

Holly's wise cracks and cynicism are a currently-popular form of humor, so this book should sail with its target audience, but it frankly wears thin.  Yes, I get that she's angry and frustrated, but I don't get much out of reading 200+ pages of the snide remarks.  And the Korean angle, while not overplayed, has been gloriously done before (Gilmore Girls, anyone?).  The resulting book is sassy, but ultimately insubstantial.

Never mind that the cover is the hands down winner for Least Appealing Image of the year!  But hey, who am I to make snide wise-ass remarks?!

Beta, by Rachel Cohn

Elysia has been created (cloned from the body of a recently deceased girl) to be a servant in the utopia of Demesne.  She is also a rare attempt at cloning a teenager -- a process full of controversy and challenges, many of which Elysia doesn't yet truly understand.  Purchased and adopted into a powerful family as a surrogate for the family's eldest daughter, who has gone away to school, she is a simple plaything for the people around her.

Clones are supposed to lack feelings and emotions, but Elysia finds that she has both.  Clones are subservient and have no will of their own, but Elysia finds that she has that as well.  That makes her a suspect -- a "Defect" -- and she must hide those feeling from her owners or risk being "expired."

Dystopias are far too trendy these days and it is inevitable that a decent "reality" writer like Cohn would give it a shot (anyone care to imagine what a Sarah Dessen dystopian novel would look like?).  Surprisingly, it's a strong contribution to the genre.  The story is fast-paced and generally consistent, avoiding too many annoying plot twists.  The ethics and issues raised by the novel (ranging from struggling to meet adult expectations to drugs and peer pressure) will resonate with young readers.  In sum, I enjoyed reading it.

My biggest complaint is with the ending that meanders a bit too much.  Cohn both tries to tie up loose ends (often awkwardly) and simultaneously introduce a silly plot twist at the end that is designed solely for the creation of the need for the sequel, Emergent.  Will someone explain to me why dystopian novels always have to come out as trilogies?  Somehow Huxley and Orwell managed fine in fairly thin single volumes!

At the Sign of the Sugared Plum, by Mary Hooper

In 1665, farm girl Hannah comes to London to assist her sister run a sweetmeats shop.  She is excited to live in such a great city and has many dreams of becoming rich and successful in such a place of opportunity.  However, the timing is not fortuitous.  The city has been struck with plague.  At first, the sisters manage to avoid the infection and even develop some clever ways to make a living amid the chaos.  However, as the mortality rates increase, the challenges become more and more severe.

A brief, but ultimately satisfying historical novel that has a lively and sympathetic heroine and which vibrantly reveals life in 17th century London at a very dark time.  Hooper takes her subject fairly seriously, so this story lacks the wit and fun of Karen Cushman's similar books, but it is fascinating to read. This is a great example of what a historical novel can (and should) be -- educational and entertaining -- and did a nice job to launch many other historical novels from Hooper (including a sequel, Petals in the Ashes that I plan to read soon).

Love and Other Perishable Items, by Laura Buzo

 

It's an unusual story about lovers who aren't, not least of all because he's 22 and she's only 15. 

Amelia struggles with understanding what her parents see in each other and why her mother puts up with Dad's chauvinistic behavior.  Everywhere she looks and every thing she reads reinforces her belief that things are just plain wrong and that love is all messed up!  But most confusing of all for her is her unrequited crush on Chris, a co-worker at the grocery store where they both mind registers.

Chris is the harder egg to crack.  He's disillusion about love, his career, and his future.  He's bitter over the recent abandonment by the "perfect" girl he's experienced, school is no longer meaningful, and he's unable to make a living or stick to a plan.  More than anything, he's lonely, and tries to assuage those feelings by chasing after the women at work (paying little mind to Amelia, since she's just a kid!).

Through alternating diary entries, Amelia and Chris tell their stories about trying to figure out what is happening in their lives.  Their inability to find each other is both tragic and natural, given the circumstances, and one mostly comes away with a deep sense that they are both in very different places, but are so lost in themselves that they cannot recognize it.  The story leaves things unresolved, but this isn't really a relationship that any one would want to see consummated anyway!

There is no small creep factor in the age difference between the protagonists.  To Buzo's credit, the story never turns it into an issue.  What works less well is the general lack of a story in the first place.  There is a lot of dialogue in the book, but not much actually happens.  Drunken parties provide most of the decent action, but it doesn't amount to much and we have to spend a lot of time enduring sober banter to get to these pivotal moments.

There's also the question of intended audience.  As a depiction of what an angsty crushing fifteen year-old girl and a driftless 22 year-old young man are like, it is spot on, but what is the point and who would really care about them?  Certainly, a teen would hardly understand what Chris is feeling and an older person would cringe at reading Amelia's naivete.

Meant To Be, by Lauren Merrill

Julia is a hyper-organized, straight-A student who's always followed the rules.  She's got a clear sense of how things are supposed to happen and that includes the certainty that Mark is meant to be her partner for life (even if he doesn't know it yet!).

But while on a school trip to London, Julia is paired up with class clown Jason -- a boy whose chaotic lack of respect for the rules drives her nuts.  But for every obnoxious act he does that annoys her, she finds herself drawn to him...and, well, you know the rest and how it will all turn out, right?

In many ways, this was the perfect book to accompany my own trip to London.  Between the observations about travel and all the name dropping of people and places, there was plenty with which to compare.  What worked less well for me was the story itself.  There isn't much fun in watching a fairly adjusted young woman throw away good sense for bad taste in guys, and make one bad choice after another.  And, as depicted, there isn't much to recommend Jason.  He's vain and conceited and immature to boot!  And, while the appeal of the "bad boy" is obvious, it doesn't make sense for someone as allegedly mature as Julia to fall for him.  This ultimately makes the story pretty dumb.  And, even with the fairly heavy Shakespearean allusions that Merrill is pulling out, the story lacks originality and appeal.

Struck by Lightning, by Chris Colter

Carson Phillips could be described as "majorly cynical" without fear of overstatement.  He invariably has a biting comment to share with his peers about every behavior he observes around him.  He is the quintessential angry young man.  Predictably, this does not endear him to the rest of the student body (not that he really cares!).

His primary ambition is to get accepted at Northwestern University, major in journalism, and end up some day as editor of The New Yorker.  And while it is hard to find anyone to support his dreams (or even understand them), he holds out hope that it won't matter in the end -- he will soar above them all.   However,  when he discovers that his chances of getting accepted at Northwestern will be greatly improved by putting out a literary magazine, he realizes that he need some help to pull it off and he has to find a way to solicit the help of the people he has so thoroughly alienated.

I found this a particularly hard slog.  While Carson's biting social commentary is supposed to be amusing, it's way too cruel and mean spirited.  Perhaps the targets of his disdain deserve what they receive, but without any effort from Colter to demonstrate their worthiness, Carson's abuse just comes across as nasty.  As a result, I really grew to hate Carson's bullying.  This is only partly mediated by the times when Carson himself realizes that he's overstepped (more so, because the realization never seems to effect a change in his behavior!).  Colter himself seems to have a mean streak of his own in this book, leading up to a particularly bleak and unsatisfying conclusion, which turns the book's title into a sick joke.

Ferocity Summer, by Alissa Grosso

In the summer between their junior and senior years, Scilla and her best friend Willow are aimlessly trying to escape their lives. There is ample reason -- they have been implicated in an accidental homicide.  But rather than lay low as their case goes to trial, they indulge in excessive alcohol and drug consumption to mask their feelings of guilt.  The book's title meanwhile is a reference to a new drug called Ferocity that is making the rounds on the party scene.  It's a nasty thing, leaving about half of its users as permanent vegetables.  Still, given the cluelessness of the kids in this story, they hardly need any help!

I'm a bit conflicted about the book.  The shallow characters and their self-centric moaning and groaning gets old pretty quick, and this is not a group with whom I found much to empathize.  Yes, eventually, redemption will be achieved, but by the time it came about, I simply didn't care.  It simply isn't interesting to read about stupid people screwing up their lives.

On the other hand, Grosso has created an interesting (and rather subtly dystopian) world -- just slightly different from our own -- to use as a setting.  A great example of this is the Ferocity drug which mirrors (but also exaggerates) the drugs of today.  Overall, the setting is realistic, but with twists that make for an interesting read.  This, in spite of my distaste for the characters!