The Mousehunter, by Alex Milway

In an alternate world, mice come in all sizes and shapes, and have proven to be the most versatile helpmates a human could long for. And in this world, young Emiline yearns to fine tune her mousekeeper skills to the point that she can one day be considered a mousehunter. But in the meantime, she has left the employ of her eccentric mouse-collecting Lovelock to join the privateer Drewshank on an expedition to capture the dread pirate Mousebeard. Through storms and sea monsters, Emiline and her trusty gray mouse Portly take the adventure of their lives.

An extremely developed and colorful fantasy read, Milway's descriptions of all of the various mice that populate his world are the true highlight of this book. And the book certainly has enough twists and turns to keep things busy. However, Milway seems to delight in throwing in these details and twists not so much to keep the story exciting as much as to fill the story with activity. Far too many storylines are introduced and die with a whimper. And I found the constantly shifting narrative voice (sometimes with the girl, sometimes with the privateer, and even sometimes with the villians) very distracting. This is not a story for character development (or even growth) and that makes for dry reading. Very creative but dreadfully dull (in spite of its frenetic activity level).

Everything Is Fine, by Ann Dee Ellis

Mazzy's mother is sick, lying at home slowly vegetating from grief. Mazzy's Dad is away from home pursuing his dream job of being a sports commentator on ESPN and avoiding facing th truth about what is going on at home. People come by to help (a home health aide named Bill, the neighbors, a hired woman who brings the groceries, a concerned social worker, etc.) but each time Mazzy tries to drive them off with her "karate chops" and an assurance that "everything is fine," even if it most certainly is not.

The story seeks poignancy by telling the story entirely through Mazzy's voice and her drawings. That would work if Mazzy wasn't such an unlikeable character. Some of this nastiness is a result of her need to protect her family, but there is also a terrible selfish streak to her that really turned me off. And as the story promised that everything would be revealed, I wanted to find out that Mazzy had some good reason for behaving as she did (autism, ADHD, anything!) but that never came. Once I hated the main character, my interest in what happened to her plummeted. And my desire to read her (realistically) scrappy narrative declined. An interesting concept but a book that you will probably want to give a pass on.

House of Dance, by Beth Kephart

With her mother distracted by an affair with her married co-worker, Rosie is left alone to help her dying grandfather go through his possessions and decide what to give away. It's an eye-opening journey for Rosie who has not known that much about her grandfather before. Determined to give him something very special before he is gone, Rosie organizes a party for Granddad with the help of the dance students at a local studio.

Beautifully written and inspired by the death of Kephart's mother, this story of family and dealing with change is striking and memorable. It is not, however, a YA book, despite its teenaged heroine. I have no doubt that some young readers might enjoy it (and many adult readers will be taken by the gorgeous narrative and adult observations of the characters), but it is being mis-marketed to a teen audience. Moreover, it suffers from one of my least favorite attributes of the adult modern novel: the tendency to use characters and story to sell a point, rather than letting the characters find their way into your heart. As beautiful as the story was, I never found myself caring for the characters at all.

Fancy White Trash, by Marjetta Geerling

Abby has developed a series of rules (You Don't Need Him, No Baggage from the Past, etc.) to help save her from the fate of her sisters and mother. Mom's been married three times already (twice to Abby's biological Dad) and she's now pregnant with the child of The Guitar Player (who's also managed to get Abby's older sister pregnant). Add to all this that Abby's about the only one in the family so far that hasn't been a teenage mother, and you can appreciate why she's trying to live by some sort of order. But her life is really just a Jerry Springer episode in the making -- her best friend is an in-the-closet gay boy with immaculate taste, and she can't tell if she's ready to date the older brother of that same best friend (she's hesitant because she's convinced that he might be the father of one of her sister's kid). Oh yeah, she likes to watch soap operas...can you tell?

If you take this story as light entertainment, it works pretty well as a farce. It's a little too serious to be comedy though and way over-the-top for serious drama. So, I just sort of waded through it, never quite managing to get connected with the characters. It's cute and it's original at times (skipping over a very tired cliched portrayal of the gay friend), but it's not very compelling.

Unraveling, by Michelle Baldini and Lynn Biederman

Amanda is always getting into trouble with her mother. Her younger sister, on the other hand, is perfect and skates through life unscathed. But it isn't all Amanda's fault -- Mom's sister and even Dad notice that Amanda seems to get singled out a lot for blame. But it's complicated and no one is really all that perfect in this look at familial relationships.

A complex story that is at its strongest when it is dealing with the mother-daughter relationship. It struggles more when it attempts to deal with peer pressure and teen sex (as it is pretty obvious that these subplots really don't have much to do with the story). Also, a little more subtlety in the maternal abuse would have gone a long way (most readers will have to admit that Amanda has it a lot worse than they ever have had it).

But putting that aside, the story itself is striking and the characters true and vibrant. I, of course, have no first-hand experience with mother-daughter relationships, but this story seemed honest and accurate. The frustrations and disconnects between Mom and Amanda seemed familiar, and I am sure that all of us will recognize a bit of their struggle in our own relationships with our parents (or children, as the case may be).

Ten Cents A Dance, by Christine Fletcher

In 1941 in Chicago, Ruby must find a way to support her widowed mother and younger sister. Working in the stockyards, she can barely earn anough money to scrape by and certainly not enough to get her family out of their living situation. But when a local boy tells her about a dance hall where she can get paid for dancing with men, she decides to explore the option. She loves dancing, after all, and the promise of earning $50 a week sure sounds great! Very quickly, Ruby realizes that there is much more to the job than simply dancing and comes to understand that she is going to have to make some difficult decisions in order to survive.

Appearing on several "best of 2008" lists this year, I was intrigued by this book. It doesn't fall into the category of a book I would normally want to read. I'm not big of historical novels and 20th century really tends to bore me. However, the richness of the detail and the engrossing story very quickly take over. Gangsters and jazz in Chicago is pretty tired cliche but this book never falls a foul of that. Instead, we get a glimpse of a really vibrant world and a story about a truly original heroine. Truly, a very well crafted story!

Feathered, by Laura Kasischke

During Spring Break in their senior year of High School, three girls (Terri, Anne, and Michelle) go to Cancun. The planis to meet some boys, have a few drinks, and enjoy themselves in the sun. But beneath the surface, the girls are always just a bit aware of the danger of being a young woman in such a situation. And when the fear of danger becomes a horrible reality instead, one of them struggles with her inability to cope with the changes it causes in their lives.

A beautifully-written tale (Kasischke's previous works have primarily been written in verse and it shows!) about a very dark subject. The story avoids exploitation by focusing on character themes (Michelle's search for beauty and Anne's fear of living). The juxtaposition of the characters is striking and creates a book that transcends its genre with its ambitious design.

Rainy, by Sis Deans

Rainy has troubles staying focused on one thing for any length of time and she drives her teachers (and the other kids) nutty with her outbursts and seemingly random behavior. But life with ADHD is not easy. It will be particularly challenging this summer as her parents are sending her to overnight camp for four weeks in Maine. There she must learn to adapt to life with lots of new kids but so many familiar problems.

I'll have to come clean out say that I've never been terribly patient or sympathetic to people who suffer from ADHD (it pushes all sorts of personal buttons for me on so many levels), so it's also a bit of a challenge to read a (fictional) story about what it is like. I kept coming back to the thought of "how is this girl going to survive in the real world when she grows up?"

Putting that bias aside though, the book itself is fascinating. Deans has done a fantastic job of crafting a sympathetic portrait of what having ADHD could be like. Rainy is no saint and Deans doesn't hesitate to show both strengths and weaknesses. For a reader who wants to understand how it works, this is a good primer. The story itself is fairly basic but full of enough suspense and character development to keep middle readers interested. As much as Rainy would drive me completely up the wall in person, I could appreciate her struggles. That makes this a good story.

Cicada Summer, by Andrea Beaty

Lily hasn't spoken a word in two years, since her older brother died. But in the summer when a girl named Tinny came to town and the cicadas came out of the 17 year hibernation, things will change. Lily will reveal some talents she's learned from Nancy Drew and confront both her past and the injustices that pervade her world.

A beautifully written and lyrical look at a summer of change. Perhaps too lyrical and abstract for the targeted tween audience, but a gorgeous and gentle read nonetheless. This short novel (almost a novella) has delightful descriptions and the type of bittersweet poignancy that I'm a sucker for. Recommended.

Vibes, by Amy Kathleen Ryan

Kristi makes outfits for herself out of random items she has found (tire inner tubes, old raincoats, etc.) and she listens to opera music on her iPod really loud to drown out the kids at her hippie alternative school. But what she really is trying to drown out is their thoughts (Kristi is cursed with the seeming ability to read minds) because what she hears isn't exactly nice stuff. She know full well that the girls think she is a bitch and the boys are all obsessed with her "ginormous" breasts. But things are changing. A new boy at school seems interested in her and the sexy older brother of her former BFF is sending out conflicting signals. Just to complicate matters, her absent Dad has returned and she is struggling to keep her secret pet cat hiddne from her allergic Mom.

This synopsis will probably make it seem like there is a lot of random stuff going on in this story, but Ryan has a good talent for making it all gel. Yes, some of the subplots could probably have been trimmed out, but I found the story quite readable. The whole psychic subplot, for example, is left beautifully vague and unresolved, which is just the way it needed to be. In so many ways, this book could have gone very badly, but it manages to skate through fine. As another example, a near-sentimental finale avoids the pitfalls and ends up with both a satisfactory sense of closure and enough open stuff to permit a sequel (although I hope that won't happen!). This book is worth reading for both its own enjoyment and as a lesson in how to keep readers nicely on their toes.

Boy Minus Girl, by Richard Uhlig

In the early 80s in Kansas, Les is dying to prove himself with a girl. When he isn't jerking off or begging God for forgiveness for doing so, he is studiously studying love-making technique as taught by the book The Seductive Man. He even knows the girl he wants to try it all out on -- if he could only get up the nerve to talk to her. To add to the mix, he's got a bully dogging his tail, a gym teacher on him to practice more, and a pair of overprotective parents. Enter his uncle Ray who makes a rare appearance and stays for a few weeks. Ray is destined to give Les the push he needs to change his life, but it won't really go the way either of them imagined.

A mixed result. Quirky-enough characters and lots of activity/action keeps the story interesting, but there is a lack of depth to everything that kept me cold. A good example would be the relationship of Les to the girl Charity which has shades of Hard Love but with so little dramatic tension that you almost forget it's there. The author may have captured the stereotypical shallowness of a horny teenage boy (and the similarly immature male adults), but that wouldn't excuse the female characters.

The book does itself no favors by claiming to be humorous. There are brief moments here and there but for the most part, this is actually a fairly serious story.

Skin Deep, by E M Crane

Andrea has spent her life so far observing the people around her, never getting actively involved in anything. But after her homeroom teacher commits suicide and she starts dog-sitting for an eccentric dying woman, her life begins to change. Eventually, she starts questioning her assumptions about high school cliques, her abusive Mom, and what she wants from life.

Well-written and occasionally engaging, this book is so busy being a "modern novel" that it never really tries to tell a story. I found it maddeningly difficult to get through. The usual culprits were at work: half-developed ideas scattered throughout the story (why do contemporary writers of adult fiction think this is a good style? And why do they think it will translate to YA?) and far too much noise. I give her high marks for busting the snobby cheerleader archetype, but beyond such good ideas, this story left me high and dry.

Cassie Was Here, by Caroline Hickey

When she was little, Bree had an imaginary friend named Joey. After her family moves to a new town, Bree turns back to Joey for companionship. Here parents are distressed to see their 11 year-old daughter retreating into fantasy, but soon they are even more worried about the real friends Bree is making in the neighborhood. However, initial impressions can be deceiving.

A fairly gentle middle reader about friendships -- both real and imaginary -- and the challenge of transitioning out of the world of make-believe. Hickey has a good sense of life at 11. This is a pleasing book with a lot of respect for its characters (both child and adult), but breaks no significant new ground.

Dear Julia, by Amy Bronwen Zemser

Elaine is a shy and withdrawn girl with an unusual penchant for haute cuisine. She's been cooking since she was little and has perfected and memorized every recipe in Julia Child's books (except the omelet!). She has four brothers (counting the one who keeps borrowing her clothes and wants to be a girl). She has a stay-at-home Dad who's big into yoga. A high-powered Mom who is a member of Congress and can't understand why her eldest daughter wants to make a career out of sweating over a hot stove. But Elaine doesn't have a friend, so she writes letters to Julia Child for help but never manages to mail them off.

Enter Lucida Sans (as in the type face). She's never been good at anything except for trying everything with the aim of becoming famous. She's not quite made it, often because of her weakness for the evil Croton (a rotten fig, a flower gone to seed). But while she doesn't really understand cooking (her two Mom's fry up cream cheese sandwiches!), she sees an opportunity to help Elaine and help both girls achieve their dreams.

A bizarre and strange rollercoaster of fun and mayhem. While the ending goes a bit over the top, you cannot fault the general fun of the story. The characters are hillarious and memorable, and the situations outrageous. This is a delightful book and tops off a run of really good books I've been reading lately (recent arrivals to this BLOG may not believe that I pan far more often than I praise as I'm beginning to sound like a softie)!

All We Know of Love, by Nora Raleigh Baskin

Four years ago, Natalie's mother walked out on her and her Dad. Now she has decided to go to Florida in hopes of finding her mother and sorting out why her Mom left. The 24 hour bus trip from Connecticut gives Natalie the opportunity to reflect upon the meaning of "love" and how it has affected her life. But more than an exercise in navel-gazing, Baskin shifts the narrative's POV and inserts anecdotes about love from incidental characters along the way. There are a number of odd plot twists and the story is only slowly revealed, but the overall result is an ode to the various meanings of love.

A thought-provoking novel with a lot to say. Baskin keeps the prose sparing and wraps the whole thing up in 200 pages, which is a blessing as an introspective book like this could have easily gotten tough to plow through. In fact, this is a novel that could easily have gone astray as Baskin trucks out more than the usual quota of YA cliches, but she is masterful at keeping things on track and focused. There has certainly been way too much written on the subject so one might wonder what Baskin could really add to the subject of love, but this story is repackaged in a way that makes it quite intriguing. A good read. If not perfect, it is at least well worth cracking open.

The Smile, by Donna Jo Napoli

At the end of the 15th century in Florence, Elisabetta dreams of a beautiful life at her country villa, wedded to the kind but hesitant Giuliano. But these girlish fantasies are not to be as Giuliano is a Medici and events are about to overtake her beloved republic. The years pass, tragedies strike, and her world changes around her, but every opportunity that disappears creates new ones to replace it. And while she keeps her friends and stays true to the things that are important to her, Elisabetta finds her life taking her places she had never imagined. Life is truly much more complicated than she ever imagined. By the time that a decade has passed and the book is closing, culminating in "Mona Lisa" posing for the world's most famous portrait, Napoli has created a parallel literary study to rival the complexity of Lisa's smile.

While the material Napoli has to work with is formidable and fruitful, it in no way diminishes the stunning achievement that this novel truly is. Napoli has written several previous works placed in medieval Italy, but this is easily the best. It underscores her striking command of the historical novel. The historical detail is lovely but never crowds out the narrative or the characters (who are delightful). One could nit pick and note how she grows impatient with her story and rushes it forward towards the end (a problem she also had in Hush) but overall the work is well-developed. Elisabetta is an interesting heroine who stays within the cultural bounds of her time while being vibrant to a modern mind. This is easily one of the best books I have read in the last year. Highly recommended.

The Luxe, by Anna Godbersen

In 1899 high society New York, reputation and discretion were paramount. And a family's destiny was driven by the right friends and the right marriage. Add to this exotic and luxurious environ the jealousies and unpredictable hormones of adolescents where everyone (in true classic romance style everyone is in love with the wrong person) and you get the world of The Luxe.

On so many levels I was certain I would despise this historical cum Gossip Girls derivative. And it started off badly enough with all the materialistic bodice ripping that I expected. But somewhere in its quick-reading 400+ pages, I got sucked in. Maybe not enough to want to read the sequels, but enough to understand -- and appreciate -- the appeal. Yes, it's an overblown Harlequin for teens. Yes, it lacks much in the way of redeeming aesthetic value. But it was also captivating and just plain fun!

Matilda Bone, by Karen Cushman

In the midst of medieval England, Matilda is left with Peg the bonesetter to learn the ways of medicine. She hates it. She would much rather be studying the lives of the saint with her beloved tutor Father Leufredus, but he has gone away. To Matilda, Peg and her colleagues (a doctor, a leech, and a barber) are barbarous folk -- not so much for their profession, but for being illiterate and uneducated. In her mind, only the learned Master Theobald is a worthy practititioner, although even Matilda acknowledges that he seems less successful at curing his patients. Matilda struggles with this contradiction and others.

Less funny than Catherine, and a bit more bookish (Cushman admits in the afterword that she fought the temptation to make this a textbook instead of a novel), Matilda Bone is an interesting read but a disappointment. You can't quite escape the feeling we're being taught here rather than entertained. And while the characters are interesting enough, one loses sympathy for Matilda's attitude and arrogance amidst such kindness and generosity.

Shelter, by Beth Cooley

When Lucy's father is killed in a car accident, she and her family lose everything, moving from place to place until they end up at a homeless shelter. Things have gotten as low as they can get. But as life hits rock bottom for Lucy, she discovers there is hope. And while she, her mother, and her little brother struggle to rebuild their lives, they also discover new talents and skills.

A light and fast read, but superficial and predictable at the same time. Cooley is an uneven writer. The setting was fresh and the characters engaging, but the dialogue and the narration gets very clunky and artificial at times. Fun enough to read, but don't expect much from it if you do.

Almost Alice, by Phyllis Reynolds Naylor

In the latest installment of the Alice series, Alice is now finishing up her junior year. As usual, there are plenty of adventures (a Sadie Hawkins dance, working for the Gay Student Alliance and the school newspaper, a production of Guys and Dolls, a friend from work choosing to become a priest, etc.) and a few deep issues (mostly dealing with sex and forgiveness). But for the most part, the rather frantic pace of Alice's just continues forward. Long-time readers will be excited that she goes to the prom with Patrick.

In my mind the franchise is mostly treading water at this point. She's a fun character to catch up with and I get the appeal, but aside from chronicling what Alice eats for dinner and the latest goofy adventure she has, Naylor seems to have run out of things to actually say in these books. Some of the installments (Alice In-Between and Alice the Brave, for example) were beautiful stories that just happened to be snapshots of her life. Now, it seems more like we are cramming in a lot of activity, skimping on the reflection, and full speed ahead. Alice seems shallow in comparison to her younger days.

I'll probably get savaged by the multitude of Alice fans out there, but I think it is fair to say that something has truly been lost. I've always been taken by the idea of the project (documenting a single person's life from childhood to adulthood) but I want it to be an emotional journey where I can see the insides of the person, not just a diary account of all her nutty adventures. Let's slow down a little and smell the roses!