I'd Tell You I Love You, But Then I'd Have to Kill You, by Ally Carter

Cammie Morgan goes to the elite Gallagher Girl where she studies 14 languages, covert operations, and how to kill people twice your size. But don't let the trappings of her elite school fool you: she's a typical sophomore girl with a crush on a townie boy and an endearing awkwardness. And even with the high tech trappings of spy gadgets and espionage tricks, the most dangerous mission is putting your heart on the line.

At times clever and other times silly, Carter has created a concept that she hopes to make into a profitable commercial enterprise. Combining spy novel cliche with high school cliche, this novel never really rises above either genre. Yes, I laughed the first couple of times Cammie and her friends did something James Bond and then immediately topped it off with a Gilmore Girls moment, but the joke wears thin and the conclusion got pretty muddy. It's a concept that may improve with the sequels, but we'll need to work on the story and come up with better jokes.

Jeremy Fink and the Meaning of Life, by Wendy Mass

Jeremy is a bit obsessive (he only eats PB sandwiches and never travels far from home) and his best friend Lizzy is a kleptomaniac. Just before his 13th birthday, a mysterious package arrives for him. In it is a box that his father (dead for the past four years) left him to be opened on his birthday. The problem is that the box is locked and needs four keys to open it, and the keys are missing. Inside the box allegedly lies the "meaning of life" and now Jeremy and Lizzie must search to find those keys and open the box.

I've really enjoyed Wendy Mass's other books. This one does not disappoint. The characters are quirky and original and the story is well thought out. I do find that her characterization are not very deep, but for a younger teen reader that is probably fine.

Psyche in a Dress, by Francesca Lia Block

If you ever thought that the Greek Gods were a pretty dysfunctional family, this verse novel won't change your opinion to the contrary. Placing the characters of Psyche, Echo, Aphrodite, Eros, and others in a modern urban context, Block explores the meanings of those myths (both as story and as metaphors). Surprisingly, it generally works.

This is not, however, a story (but more of a series of reflections and meditations). I'm not a big fan of that (see a couple of my Alice Hoffman reviews to get a sense of that!) but it is an interesting literary device to take characters whose names are metaphors and then dissect them (what does it mean, for example, to love Eros?). The modern references are a bit jarring, but this is a highly original book.

Harmless, by Dana Reinhardt

One night, Emma, Anna, and Mariah sneak out to a party with some older boys. And when their parents find out that they aren't where they are supposed to be, the girls panic and make up a story -- a lie that quickly escalates and grows bigger until it threatens everything around them: friends, family, and even their own sanity and perceptions of self-worth.

This chilling and engrossing second novel is a complete score for Reinhardt. Her first novel (A Brief Chapter in My Impossible Life) was good, but here she improves many times over. I tend to get annoyed by stories based on shifting narrators, but this tired device worked well in this case and gave far more punch than a single voice could have delivered. An excellent sophomore effort and highly recommended!

The Higher Power of Lucky, by Susan Patron

Lucky spends her days in the desert town of Hard Pan, CA hanging out with her knot tying friend Lincoln, being pestered by young Miles, and eavesdropping on the SA, GA, and AA meetings that take place at the Found Object Wind Chime Museum and Visitor Center. It is from these meetings that she learns of the "higher power" and all the things it can do. Lucky would like to find her own higher power so that she could convince her homesick French guardian Brigitte to not abandon her.

This touching and affirming story, full of quirky and fun characters, got a lot of press for its use of the word "scrotum" on its very first page. That criticism probably was levelled mostly by people who didn't bother to read any further. As anyone who's hung with my Blog knows, I tend to hate most Newbery winners as being either too trite or too political, but this one scores really strongly and surprised me. It's good storytelling and well worth reading! Recommended.

This Is All: The Pillow Book of Cordelia Kenn, by Aidan Chambers

In this huge book, broken into six parts, Cordelia and her friends provide an exhaustive revirew of her teenaged years and thoughts for her daughter. It wraps from how she met her daughter's father to a series of woes (romantic, comic, and tragic). Included throughout are various thoughts, facts, and "moans", as well as drawing and poetry.

At 808 pages, this is probably the largest YA book I have ever read, and it is not really a YA book. The explicitness of the sex alone would probably get it banned out of most school libraries, but the real issue is that the perspectives are adult perspectives, the worries and fears (money, jobs, future, etc) are the worries that an adult looking back on adolescence has. Missing are the insecurities and hopes and dreams (as a young person herself would see them).

It is also a very British book, not simply in terms of language but also in outlook. Everyone takes themselves very seriously in this story and hold themselves so tightly that tragedy (and the inability to deal with it) is simply a forgone conclusion. American readers may not be able to pinpoint this problem, but you'll sense it when you read this book that people are just a bit too uptight and stuck on themselves.

Finally, there is the style of the book. Chambers has been writing for some time and there is an impressive variety of styles in this book. I'm not too fond of them as most of them seem done to be clever and literary (as if the audience was a bunch of English teachers rather than a young reader) and often distract from storytelling. Still, it is extremely impressive to create a work of this size and this complexity. By the end, you really truly do know Cordelia in a way that most authors never quite have an opportunity to do.

After reading this work (it took an entire trip out to Seattle and back and an additional hour or two this weekend), I want to sing its praises and intimate that you have to read this book and that it will truly change your life (as some over-the-top Borders reviewer did), but I really cannot. There are some lovely passages in this book, but size and complexity do not make a book great, they merely make it long. I would give it a serious pass. In the time you spend on this novel, you could easily read three really good books that would change your life.

Soccer Chick Rules, by Dawn Fitzgerald

Tess lives for sports, whether it's soccer or basketball. In fact, sports are about the only reason that Tess shows up for school. So when they announce that a new tax levy is needed or the after school programs (including sports) are going to be cut, Tess jumps into the game and gives it her best effort to save the sports programs.

As my loyal readers know, I'm not a big fan of the sports genre but I'll be fair here and say that if you like good sports action (and love soccer) there's some good action scenes in this book. And since there are surprisingly few good soccer books out there, this book serves an important niche. That said, I'm also not a fan of first-person present tense writing (it's exhausting to read and tends to get really clunky) so I found this a bit of a chore to get through. Combine the style with a character that I found stuck-up and arrogant, and this was a hard slog.

The True Meaning of Cleavage, by Mariah Fredericks

When the geeky sci-fi fan Jess sees her best friend Sari going psychotically in-love with David Cole, she knows there will be trouble. David is not only a senior but part of the inseparable duo of David and Thea, and there is no way that Sari will ever succeed. But when Sari and David start fooling around on the side, Jess realizes long before her friend that there is a dangerous game being played and tries to do what she can to save her friend.

I could personally relate to this story on all sorts of levels (from Jess's sci-fi obsession to the alternative school she attends). I even noted with amusement that - like E Lockhart and Nora Raleigh Baskin - she also attended my alma mater Vassar. This was, in sum, a book I wanted to like a whole lot. Most of the time I really do like it and I'll give it a strong recommendation, but it is also true that this is just a bit short of greatness. Perhaps because it is too tied to YA cliches (geeky girl rises above popular in-crowd) rather than reaching for total greatness. You'll enjoy the book and it may even become a favorite, but I wanted something a bit more.

Oh yeah, and the title is actually appropos of nothing at all (perhaps a slight reference in the middle of the novel). Perhaps it made the book sound more like chick-lit, but it seemed a bit inappropriate.

Green Angel, by Alice Hoffman

When her parents and sister leave her at home on market day to take care of the farm, Green is so angry that she won't say goodbye to any of them. But then a cataclysmic event burns the cities and plunges her world into ash and gray. Grieving from her loss and unable to adapt to her changed surroundings, she must learn to heal and rebuild.

The fire-analogy parallels Hoffman's watery Indigo and folls many of its structures: being more of a meditation than a story. As a result, it's pretty enough, but not terribly substantive. More of a novella than a novel. More of an exercise in pretty prose than an interesting story.

Plan B, by Jenny O'Connell

Vanessa has planned out her life: finish senior year, and then go to Yale to be with her high school boyfriend. Her life looks pretty set and that makes her happy. But then a series of surprises occur: she finds out that she has a half-brother, that that brother is none other that then seriously hunky Reed Vaughan, and that he is coming to live with her family.

A fairly formulaic and predictable read, but entertaining nonetheless. O'Connell has crafted a heroine who is so amazingly rigid that when she breaks it won't really come as a surprise and you can basically guess whre the story is going. Think a B-List Meg Cabot. A sufficiently engrossing guilty pleasure but zip surprises or drama.

Scrambled Eggs at Midnight, by Brad Barkley and Heather Hepler

In alternating chapters, written from the perspective of Cal (Hepler) and Eliot (Barkley), we get a story of two teens meeting in a sleepy southern town. They come from different backgrounds: Cal is the daughter of a restless jeweler who follows the Ren Faire circuit, while Eliot has been relocated from California by his God-huckstering father. Their relationship develops and is threatened by Cal's mother's decision to move on.

Joint-authored novels (especially boy-girl projects) tend to suffer from a tension of styles. Usually, the two authors start off pretty compatible, but by the end of the project, the authors are visibly fighting each other over the plot line. This is a classic example of the problem. To their credit, Barkley and Hepler try very hard to avoid messing up each other's stories, but they are diverging so far by the end, taht it is like reading two separate novels (but with the same characters). Ideas developed by one author are frequently ignored by the other. The result is distracting. I think both authors could have written a decent story (although I found Barkley's writing to be stronger), but together it is a mess.

A Certain Slant of Light, by Laura Whitcomb

In this unusual novel, Helen has spent her years attached to writers, artists, and teachers, following them wherever they go. But no one would accuse her of being clingy, because no one can actually see her -- she's actually dead and a ghost. But then one day in her host's English class, a young boy named James surprises her by talking to her. Romance and many complications develop.

I'm not entirely sure that this is my cup of tea, but it is certainly an original piece. The characters are strong, the story sufficiently compelling, and the action moves well. There were times when things could have been written a bit smoother, but this is a good first novel. I'd recommend this story if you like books with a supernatural twist to them.

The Bermudez Triangle, by Maureen Johnson

A story of three girls: Nina, Avery, and Mel. The story opens at the beginning of the Summer when Nina goes away to leadership camp and meets Steve, while Avery and Mel stay home and discover each other. Yes, it's girl meets boy and girl meets girl (combined with the ever popular girl loses boy and girl loses girl to keep things dramatic). By the end of the novel, there will be plenty of love lost and friendships gained.

I'm probably making it sounds like this was a bad novel (it isn't). It's just terribly long and has a storyline that just keeps going and going without much regard for a dramatic arch. It is also a bit uneven in style and quality throughout (some sections really suck you in and others just drag on and one). But there is something to say about a novel about freindship that treats teen gays as really just normal teens (neither freaky nor unusually sophisticated). I'm beginning to really appreciate Johnson as a writer but this earlier novel is eclipsed by her later work. It's good, but not great.

Good Girls, by Laura Ruby

When someone takes a picture of Audrey going down on Luke at a party and sends it around the school so that everyone sees it (including Audrey's Dad!), you would think that her life has come to a complete end, but Audrey's a fighter and she's determined to show that the difference between a "good girl" and a "bad girl" is not so big after all.

A feel good novel with some very hillarious moments, as well as some great soul searching. The story can veer a bit, but overall this is witty and fun and strikes a very true note (the parents, in particular, come off very real; but I think it is safe to say that Ruby has just about everyone's number!). Some people might have problems with the explicitness of several chapters in the book (some readers might actually seek this out for them!), but I think that even those scenes add something to this story. A very good read and recommended for those who've grown tired of the depressing angsty literary novels (you don't have to be dry or politically-correct to have something important and empowering to say!). Hooray!

The Alison Rules, by Catherine Clark

Alison has a lot of rules. These rules help here stay safe and protected so she doesn't have to think about things. And it doesn't matter how hard her best friend Lindsey or the new boy Patrick try to change things. But then a horrible chain of events rock her world and destroy the safe cacoon she has created.

For the first 174 pages, this story chugs along as a pretty unsubstantial novel and I wouldn't be surprised if some readers didn't give up on it before then. There's the usual predictable YA cliches of love triangle, pranks, conflict with teachers and parents, etc. But then the story turns very dark, very quickly, and basically becomes something else altogether. In this respect, it reminded me of Nicholas Sparks (and I noticed that a lot of people who like Sparks like this one). But in my mind, taking a mediocre story and turning up the volume on the violins at midpoint by an out-of-the-blue tragedy is a cheap way to rescue the story. Yes, you'll cry for the second half of the book, but I'd rather have a single coherant plot line (or at least have the tragedy be sufficiently foreshadowed -- see Looking for Alaska or Almost Home).

Seven Tears into the Sea, by Terry Farley

Seven years ago, when Qwen was 10 years old, she went sleepwalking out on the beach and thought that she met a gypsy. But at the time, people figured that she was either making it up or had been molested. After the incident, she and her family moved away. Now at 17, she has returned to the beach to help her grandmother, and also to face her past and figure out what happened -- a mystery that is intensified when she encounters a young man who claims to have been that "gypsy" on the beach.

A bit clunky and hard to follow, this fantasy romance brings in lots of nice color and strong characters, but the plot veers all over the place and, by the end, becomes difficult to follow.

The Taker, by J. M. Steele

Carly is a good student with plans of going to Princeton, but when she gets the results of her SATs, she has a nasty surprise with a 1710. And then, just as she is receiving this news, she is contacted anonymously by the "Taker" who promises that he can fix her problem. And now she has to choose whether to accept the offer or not.

This is a passingly good story but excruciatingly predictable, packed full of every YA cliche you can imagine. The authors ("J. M. Steele"), the blurb tells us, are a "pseudonym for two New York entertainment industry professionals" and the novel reads likea formula (picture a bunch of TV producers pitching a concept!). It's harmless (aside from its questionable ethics), it won't bore you, but it is mindless entertainment with a "surprise" ending that you will see coming by the time you're even half-way through the book.

Ophelia, by Lisa Klein

As one of the greatest classics of English Literature, Hamlet has been not only remade in every possible way, but the subplots and characters of the tragedy have spawned many stories of their own. Ophelia's story, though, has really remained underappreciated. She loves Hamlet and seeks to console him as he grows mad, and then goes mad herself and finally kills herself. BUt her name has spawned an entire metaphor for adolesecent femininity. Thus, it is only in small irony that it should all come round and Ophelia's own story should become the subject of a YA book.

This novel picks up many years before the Bard's Hamlet, and continues for many years after -- a subject of some confusion as Ophelia dies in the more well-known version of events. And between this back story, the tale that follows, and a different viewpoint on the events in Elsinore, we get a story that expands upon Hamlet, adding details that change no fact of the narrative but which cause us to rethink the meaning of the tragedy itself.

It will probably shock the more cultured people to hear me say that I always picture Helena Bonham Carter in this role (as it is Mel Gibson's Hamlet that I most clearly remember). So, I'll take a special delight in seeing her story expanded and I enjoyed this novel a great deal.

All of which is not to say that I think this is a perfect book. I found the after story (the last 100 pages or so) to be completely unnecessary. It added so little to the understanding of Ophelia. If anything, it cheapened her a little by adding political correctness and anachronistic visions of gender roles to her character. But I understand Klein's purpose in doing so (having Ophelia's life end as a suicide was such a dramatic disappointment).

I think this novel can serve two purposes: it can serve as an entertaining novel in its own right, or it can help readers appreciate Hamlet more, opening up an interpretation of that story that might otherwise go uncovered. Fascinating!

Vive La Paris, by Esme Raji Codell

Continuing with the same semi-autobiographical setting as Sahara Special, we now shift focus to the story of Paris, who is dealing with a brother who keeps letting himself get bullied by a girl in Paris's class. And Paris also has an eye-opening introduction to history throug piano lessons with a Holocaust survivor.

While this book does not carry the novelty value of either Sahara Special or the autobiographical Educating Esme, it is still a special story. It is made a bit more poignant than its predecessors by the decision to bring up the Holocaust (a hot topic of discussion not so long ago on the CCBC list). Throughout, we get an admirable respect for life and education. A winner!

The Braid, by Helen Frost

An alternating prose poems, interspersed by short praise poems, Helen Frost tells the story of two sisters separated by the forced emigration of the Western Scots to Canada in the 19th century. One goes to Canada, while the other moves south to more remote sections of Scotland to avoid deportation. But they manage to stay connected despite the distance.

This is a fairly sophisticated piece of writing (both in terms of structure and content), but the story falters a bit in maintaining engagement with the reader. As a piece of art, I appreciated the style and the effort, but as literature I found it lacking. As a younger reader, I would have maybe even found it a bit dull. A mixed review.