The Roof Over Our Heads, by Nicole Kronzer

Finn's family are all about the theatre.  They even live in a Golden Age mansion owned by the region's major theatre Beauregard.  But appearances can be deceiving on the stage:  the mansion is falling apart and, while Finn's mothers and siblings are all successes, Finn is always flubbing his lines.  The truth is that Finn is really much more successful in the kitchen than on stage.

Family is family and the one thing that has kept Finn's family together is this old mansion.  So, when the new artistic director for Beauregard announces that they can no longer afford to maintain the property and need to sell it, the family comes together with a plan to save it.  It is a family dream to stage a historical murder mystery about the original inhabitants of the mansion -- the Jorgensens -- in the house itself.  But with the dire need for funds, the plan is now extended to host a special dinner for VIPs at $1000 a plate as part of an exclusive televised performance.  That's all well and good until things start going wrong.

Mix into all of this a complex web of subplots worthy of Downton Abbey and you get the whirlwind of this novel.  There's romance and intrigue, coming to terms with the past, and a main protagonist who sorts his entire life out in 340 action-packed pages.  With a huge cast of characters it can be hard to keep up with everything that is going on, but the story is forgiving and coaches you so you don't get completely lost.  There are many things to like about this book.  I particularly enjoyed the mash-up of manor home posing with modern sensibilities as the cast (largely made up of high school drama kids) are forced to live in character as upstairs and downstairs inhabitants of the play.  Great fun!

Then Everything Happens at Once, by M-E Girard

Baylee has never been in a relationship.  And given her size, she figures she'd be lucky if anyone ever noticed her.  She remains oblivious to the friendliness of her neighbor Freddie, on whom she actually has a crush.  When she starts texting with Alex, a stranger she's met online however, she realizes that things could change.  But it's all very awkward as Baylee isn't used to navigating romantic relationships.  Suddenly, she goes from famine to feast when Freddie reveals his interest.  Instinctually, Baylee returns the affection, putting her in the awkward place of juggling two relationships where once there were none.

And things are about to get a lot more complicated because this is March 2020 and news stories about a virus sweeping the world are just starting to pick up.  With Baylee's complicated love life, she doesn't have much time to pay attention to any of that (although having school get cancelled helps give her time to focus on sorting things out).  Even as lockdown is declared, Baylee can't really conceptualize the weight of the matter, despite repeated entreaties from her Mom and the authorities.

During the early days of the Pandemic, I had wondered what sort of YA stories would come from it.  This sort of dazed-and-confused romance makes a certain amount of sense.   Baylee's an interesting protagonist.  Aside from cheating on Alex, she's actually very candid.  While she's articulate, her mind is truly confused by all of the novel things that are occurring to her:  first love, first kiss, and first sexual experience.  Putting it all in the context of lockdown raises the stakes a bit and Baylee proves largely (and realistically) incapable of adapting to the restrictions.  As an adult, it's hard for me to be sympathetic to her selfishness and to the degree she puts her family (and her vulnerable little sister in particular) at risk by her quarantine violations.  However, it felt authentic and even if it made me dislike her, I recognized that as a sign of my degree of investment in the story.

That's Debatable, by Jen Doll

Millie is an excellent debater and, on the Lincoln-Douglas debate circuit, she's practically unbeatable.  Despite having to wrestle with constant sexual harassment from other students, their coaches, and even the judges, she repeatedly wins her debates,  She has won the Alabama state championships for three years in a row.  Now in her senior year, she stands to set a record by winning all four years.  This coincidentally also carries with it a scholarship that could help pay for college, which she will otherwise have a hard time affording.

Tag doesn't have to worry about paying for college.  His family is wealthy enough that scholarships are not a major consideration.  But doing well in debate is the sort of extracurricular asterixis he needs to impress admissions committees.  It's certainly what is driving the other students on his school team to do well.  The problem is that he doesn't care.  He isn't even sure he wants to go to college.  And the debates have become just as meaningless to him.  In debates you have to argue the side that you are given, but Tag is done with that.  He wants to argue the position that he believes in, the position that is right.  Even if it means his team loses.

When a crisis and some quick thinking throws Millie and Tag together into an unusual situation, two opposites find that they share a love for the same things.  And while debate will always be important to them, they find that maybe the feelings they have for each other are just as important.

A lovely romance with a lot to say about taking a stand for what you believe in and a really great introduction to the arcane world of Lincoln-Douglas Debates -- a subject that I knew absolutely nothing about before I read this book.  I enjoyed that education, I was caught up in the (occasionally over-the-top) drama, and I loved the message.

This is How I Roll, by Debbi Michiko Florence

Sana loves cooking and dreams of becoming a famous sushi chef like her father.  She'd love to spend the summer getting pointers from Dad and cooking with him, but he refuses to teach her and just finds excuses to go in to work instead.  Sana suspects that he doesn't believe that women should make sushi.

One day she meets Koji, a boy who is helping landscape her Dad's restaurant.  He seems nice but her best friend warns her that he has a reputation.  Rather than dissuading her, the news simply makes her curious (and then cautious about telling her friend anything more about him).  She and Koji become friends and he takes her to meet his Mom who turns out to be an amazing cook.  She offers to teach Sana what she knows about Japanese cuisine.  Soon, Sana is sneaking over to Koji's house in order to take lessons from Koji's Mom (and to see Koji as well!) and he even helps her put together YouTube tutorials about kawaii sushi. All of this Sana has to keep secret from her parents, even though she knows that all this sneaking around will lead to nothing but trouble!

A predictable and formulaic middle reader with a determined heroine and an unusual hobby.  While Sana makes a number of ostensibly dangerous choices, the entire environment of this book feels very safe secure.  Yes, Sana is hanging out with strangers without her parents' knowledge, but this is terribly tame stuff by children's book standards.  Predictably, she gets caught and (similarly predictably) she gets off pretty lightly.  Even the romance is safe and chaste (some hand holding and one furtive kiss).  The ending is saccharine and very tidy.  Nothing remarkable, but pleasant enough to read and appropriate for tweens.

Lolo's Light, by Liz Garton Scanlon

At the age of twelve, Millie gets her first experience of babysitting for their neighbor's four month-old baby, Lolo.  The evening goes fine and Millie is so happy that she's managed so well as a child carer.  But the next morning, there is terrible news:  sometime in the night after Millie went home, baby Lolo died.  Attributed to SIDS, Lolo's death is not Millie's fault, but that's not how Millie sees it.  

Suddenly, nothing feels safe or secure.  Withdrawn into grief, Lolo cuts herself off from her friends and it struck with panic attacks at school.  She becomes convinced that the spirit of Lolo still lives and imagines she can see the light of that spirit shining from her neighbor's windows when she walks by.

A poorly timed science project in which the class incubates and hatches chickens stirs up the worst of her fears and anxieties.  Millie becomes obsessed with taking care of the eggs and their incubation and grows inconsolable when some of the eggs fail.  Her parents, the science teachers, and a counselor all attempt to help, offering different perspectives on life/death and reconciling to it.

Stories about grief don't generally allow much room for maneuver in the plot. It's pretty much a given that you'll work through the stages of grief and come out at the end of the story in a state of acceptance, prepared to move forward.  It's an inward journey and can get really dull, unless it is particularly well-written.  In this case, the challenges are compounded by the author's decision to tell the story in third person voice.  Millie is sad.  Millie is angry.  Millie won't tell people how she's feeling.  It's an incredibly passive way to experience her emotional state and one that is very hard with which to connect. I couldn't get invested in her story.

Remember Me Gone, by Stacy Stokes

Tumble Tree is such a remote small town that there is no cell service.  All it has going for it is the mine where half of the town is employed and Memory House.  Memory House is the outfit that Lucy's father runs:  a place where people go to forget their troubles.  Dad is a unique skill:  he's able to erase people's bad memories, leaving them free to go on with their lives unburdened by what they want to forget.

But something is not quite right.  Lucy keeps having flashes of memories that don't make sense and periods of time for which she can't account.  People are giving her vague answers and tell her things that can't be true.  Someone's hiding something and going to great pain to do so, and it's almost as if someone like her father has been wiping her memories.  However, Lucy knows that her Dad would never practice on an unwilling person.  It all seems to center around the mines and the mayor.  Lucy and the mayor's nephew, Marco feel that they are tantalizingly close to uncovering the mystery, but plagued by the sense that they may have been in this same place before.

A wonderful edge-of-the-seat thriller that mixes just the right amount of suspense and paranoia to keep you hooked.  Lucy and Marco have great chemistry (even though the novel never slows down enough to give them space for romance) and a series of creepy antagonists keep readers on their toes.  Things get a bit strained towards the end as Stokes tries to wrap everything up and some of the explanations didn't make much sense, but the adventure is so much fun along the way that you want to just let it go so you can enjoy the ride.  Great read!

I Was Born for This, by Alice Oseman

Angel lives for The Ark, a boy band she's been following since they were posting amateur videos on YouTube.  She's a obsessive fan for a band that has one of the hardest core fandoms in the world.  Hardly an hour goes by without her monitoring Twitter for the latest information about The Ark.  She loves them sooooooooooo much!

She's finally saved up enough money to travel to London to see them perform and spend a week hanging out with Juliet, another fangirl.  She's sure that it will be amazing and she's going to have a great time because every time she's hanging out with The Ark, she feels all the love the band gives out.

After five years, life as a member of the band in The Ark is wearing Jimmy down.  Secretly suffering with anxiety and panic attacks (which his PR people keep under wraps), he struggles to get through  days of pointless interviews and photo-ops.  He longs for the days when he could just go out on the street and not get accosted by some vapid fangirl who allegedly "loves" him.  How can they when they know nothing about him?  With the record company pressuring them to sign a more restrictive contract, he feels more and more pressure to just step away.  And as they return to London to finish up their latest tour, the band is falling apart.

In the week that follows, nothing turns out quite like either Angel or Jimmy planned.  Being in a band or being a fan of the band isn't what they imagined.  And as their plans come apart, both of them are forced to confront the fact that they aren't loving the one person they need to love -- themselves.  

With a ethnically and gender-diverse cast that is Oseman's signature, she explores fame and the people who put people there, the fans.  Despite such an unoriginal topic, Oseman has a surprisingly large amount of original things to say about it.  And a cast of characters who are not only diverse but original, vivid, and (at times) outrageously funny makes this a great read.

Justine, by Forsyth Harmon

An unusual illustrated novel tells a familiar story, presented in an entirely original way, about a teenager growing up on Long Island in the late 1990s.  Aimless and lonely, Ali picks up a job at the local convenience store where she meets Justine and falls into a deep obsession.  Ali's been experimenting with boys and finding nothing there for her and so falling head over heels for tall enigmatic Justine makes a certain sense.  

Justine is not a terribly good role model.  She teaches Ali how to memorize produce codes and bag groceries, but also how to purge to stay thin and how to shoplift from stores.  Apathetic and bored with her own life, Ali doggedly follows Justine's example in every way.  It ends badly and on a tragic note.

This is a very short story (135 pages, nearly half of which are illustrations) and a quick read.  It's not really a story per se, but more a series of journal entries, with ink line drawings of common everyday objects (a Coke can, a bag of potato chips, a gas station sign. etc.).  The banality of the drawings and the story itself is part of its charm.  Ali's life isn't particularly big or important to the world, but it is a complex swirl of emotions and feelings for Ali herself, most of which she is unable to process or contextualize.  It's a tragedy, but not one that Ali really cares much about.

Girls at the Edge of the World, by Laura Brooke Robson

In the kingdom of Kostrova, The Captain's Log has foretold a series of ten storms that will bring on a great global flood in its conclusion.  It's not supposed to come for many more years, but as the storms start occurring as they have been described, people start to panic.  There are no preparations and not nearly enough boats for everyone.  It readily becomes apparent that people will do anything to find a place on one of them.  Natasha, the leader of the elite Royal Flyers (a group of young women who perform acrobatic ballet on silk ribbons, has her eyes on the attentions of King Nikolai who is searching for a wife.  

For the elite Royal Flyers themselves, their chances are slightly better than average. So, when a vacancy appears, many apply.  For most of the applicants, getting a foot in the door would improve their chances of survival.  For Ella, she knows she is doomed regardless and she doesn't care.  She's joining the Royal Flyers for an entirely different reason:  to exact revenge by killing King Nikolai.

As the storms progress, and the prophecy unfolds as it was foretold, social unrest breaks out and palace intrigues start to emerge.  There is tug of war between Nikolai and the faith's leader, mass poisonings, and acts of arson.  However, in the end, everyone's plans get thrown off and things take their own course.

I loved the immersive world building.  While I found it a little distracting, I even enjoyed the faint Russian and Finnish references in the novel.  However, the ending is a rushed mess in which so much of what is built up in the story gets tossed aside.  It keeps us on our toes but so little of what happens in the end is actually built during the story.  The storms, the revenge, the struggle over the crown, competition for the king's hand, and even the planned murder weapon become irrelevant for how the story wraps up.  And a romance that is barely hinted at during the bulk of the story becomes determinant in the end.

Afterlove, by Tanya Byrne

Ash and Poppy meet on a school trip and embark on a whirlwind romance that quickly turns serious. For Ash, this comes as a surprise because she's never had much luck in her previous relationships.  The two girls are from drastically different socioeconomic situations.  In spite of that, her doubts are swept away as she becomes convinced that Poppy is the one whom (in the words of Death Cab for Cutie) she'll "follow into the dark." Poppy is a keeper and Ash is starting to consider how to introduce Poppy to her conservative family.

But then Ash is suddenly struck down in a hit-and-run and dies on New Year's Eve.  As the last teenager to die in the year, she is assigned the role of "reaper" to help guide the recently deceased to the beach and to Charon's waiting boat to take them to the afterlife.  Life as a reaper, while ostensibly similar to Ash's life before, has its own set of rules.  Key amongst them is that, while people can see you, you don't look like you did before.  Only those who are about to die can see the real you.  She is also warned away from visiting friends, family, and (especially) Poppy.  But Ash can't resist the temptation and when she goes anyway she is hit with a rude shock when Poppy can actually see her!

An interesting paranormal romance with a split personality.  The first half plays out as a typical teen lesbian romance, with a lot of struggling over whether to come out to their families.  There's some lovely character building here between mother and daughter, and we get a real strong sense of the tension between Ash's intense feelings for Poppy and her loyalties to her family.  It's thus a big shock in the second half where the focus is entirely on Ash's superficial relationships with her fellow reapers and the doomed romance with Poppy.  The family is barely mentioned and her mother is forgotten.  Moreover, the second half is not even that interesting.  The potential drama of finding out that your girlfriend is about to die is not really developed.  Another potential flash point with a head reaper Deborah (and a really easy potential replacement for Mom) remains a cypher -- an utterly wasted character.  The story disappoints.

I did love the not-safe-for-Florida cover art though!

Wishing Upon the Same Stars, by Jacquetta Nammar Feldman

The move from Detroit to San Antonio is a big change for Yasmeen.  She's used to her predominantly Arab community and San Antonio is so different.  She just hopes that she'll fit in and that people will like her.  What she finds is a bit more complicated.  She is surprised to find that stories of Texan hospitality really are true.  Her neighbor Waverly warmly welcomes her.  The neighbors, while a bit taken aback by Yasmeen's family, are largely friendly.  But there are others who see her differences as something to hate, from the mean man at the restaurant who threatens her father to the bully at school who accuses Yasmeen of being a terrorist.  But the most complicated relationship of all is with Ayelet, a girl who is also from the Middle East, but who's Israeli.  In principle, the girls have a lot in common as immigrants, but the shadow of the conflict in their homeland hangs over them.  Can they forge a friendship against so much pressure to hate?

As is typical in a middle reader, there's plenty going on in this book:  Yasmeen has to learn how to dance, Yasmeen's sister goes to the National Spelling Bee, grandmother comes to live with them, and so on. With fairly simple age-appropriate explanations of the intifada, a faint hint of a romantic interest (but not even a kiss), and a story of largely well-behaved young people, this novel has little to object to.

The key message is about forging true friendships based on loyalty and kindness.  Through determination and a fair amount of bravery, Yasmeen stands up for what she wants:  to have the friends she wants to have, to be so the things she wants to do, and to be the person she wants to be.  And while everything comes together a bit too neatly and the book's ending stops just short of solving the Mideast Crisis, it's a charming story of young people trying to break free of their parents' prejudices.

Meant to Be, by Jo Knowles

In this companion to Where the Heart Is, the focus shifts to Rachel's little sister Ivy and jumps ahead a few months to the aftermath of the family's downsizing to an apartment in the city.  While most of the family is sad about losing their country home, Ivy is much happier in this new place.  She doesn't mind that it's smaller.  And she enjoys sharing a room with her sister.  There are more kids to play with and she feels less isolated.

But having children to play with presents new challenges.  When Ivy makes an unintentionally insensitive remark to her new best friend Alice, she's surprised at Alice's angry response.  And when she quickly apologizes, she's hurt when Alice doesn't immediately forgive her.  In fact, nowadays it seems that Ivy can't say anything without offending someone.  Maybe life really was better out in the country!  But with some guidance from her older sister, the superintendent of the apartment, and some other adults, Ivy learns some valuable lessons about being patient and loving with one's friends.

I didn't remember Ivy so well from the original book, but she is fleshed out as a resourceful and intelligent (and perhaps overly precocious?) nine year-old.  Her primary talent and love is cooking and she shines in her clever ability at coming up with substitutions when she lacks specified ingredients.  That talent extends to her ability to solve the problems in her interpersonal relationships as well, bootstrapping her way through her challenges.  The author claims to also be addressing Ivy's anxiousness, but I really didn't notice much of that.  She's a bit emotional, but not in a way that seemed particularly remarkable for her age.

Where You've Got to Be, by Caroline Gertler

At the start of sixth grade, Nolie's best friend Jessa decides that Nolie should start using her full name (Magnolia), which Nolie doesn't like.  Also, that Nolie needs to wear her skirts shorter and hang out only with the right kids.  Nolie doesn't like any of it, but when she tries to stand up for herself, she finds herself cast out of the old friendship circle.

And that isn't the only thing that is changing.  At home, her sister's just been cast in the lead role for The Nutcracker and now their parents are totally centered around her sister's needs.  Feeling ignored and self-pitying, Nolie starts "borrowing" objects that don't belong to her:  a necklace, a package of candy, and her grandma's antique compass.  When she gets caught, Nolie realizes that she's in too deep and, amidst all this change and challenge, that she's lost sight of who she is and who she wants to be.  Seeking guidance in her faith, she tries to atone and fix things.

A nice conduct-of-life middle reader with a large agenda of issues to address (including sibling rivalry, changing friendships, bullying, and even anti-Semitism).  It comes together a bit too abruptly at the end, but the right notes are struck. Ultimately, strong family ties, forgiveness, and making good choices are the path to a solution.  I would have liked to see more done with Nolie's interesting new BFF Serena, but there was a lot of material to cover in the story.

Lifeling, by Kirsty Applebaum

While only twelve years old, Lonny looks older on account of the magic he possesses.  When Lonny comes in contact with someone or something on the verge of death, he is faced with an irresistible urge to lay hands on them and save their life.  Unfortunately, every time he does so, he ages and loses a part of his life proportionate to the life he has saved.  Given the compulsive nature of his magic, being around others is dangerous and his family has tried to keep him hidden from the public.  To pacify Lonny, they have created a story of public hatred and fear of "lifelings" like Lonny that make it imperative for Lonny to lay low.  But Lonny longs to see the world and when he and his younger brother Midge sneak out to the city, they discover that lifelings are not feared, but honored. Lonny makes the fateful decision to reveal himself.

A quirky timeless story that reflects on the value of life within the bounds of a family of memorable characters.  I enjoyed its original juxtaposition of magic and mundane.  At times the story seems to be a medieval fairy tale and then someone pops up with a cell phone or a car to shake things up!  I loved the premise of Lonny's magic and the severe conundrums it presents.  And finally, the cast is wonderful.  However, I was less taken with the storytelling, which I found uneven and difficult to follow.

Why Would I Lie? by Adi Rule

Viveca is an obsessive overachiever, getting better than perfect grades in her classes.  She doesn't have a lot of friends (she simply doesn't have time for a social life).  Instead, she is driven to her (better than) perfect record to make up for some stupid mistakes in her past and the singular goal to get accepted to the one prestigious college that her mother attended.

At the start of her senior year, she's definitely on track to do so and to become the class valedictorian.  But then a new boy named Jamison comes to the school.  And he's amazing.  He's transferred from an elite French school, does virtually everything, excels at everything, and seems just about...well, perfect. 

Viveca is suspicious about his claims.  Too many things seem implausible, too many coincidences are convenient, and too many things don't line up.  Viveca knows all about liars.  Her father's ruined his life (and hers) through pathological lying.  She learned long ago that little he said could be trusted and she has had to deal with the consequences of his dishonesty as her father has lost jobs and friends along the way.  So, while it seems like every teacher and student in the school is willing to accept Jamison's stories, Viveca eyes him suspiciously.  Confronting and exposing Jamison, however, proves to be difficult and as she tries to do so, he goes on the offensive and attempts to discredit and destroy Viveca's reputation.  Without much social support, she quickly finds out how vulnerable she is to her peers and the fleeting loyalty of her teachers.

In the end, Viveca learns that no one can really destroy your life.  That is something only you can do.  However, it is a lesson she'll only learn once she's lost everything she thought mattered.

If you can read this lightly and without getting too invested, this is probably a pretty enjoyable book, but I found myself growing more and more infuriated at the set-up.  The level of bullying, Viveca's inability to defend herself, the connivance of the adults, and the nastiness of Viveca's peers was all pretty upsetting.  There is a good message about Viveca's need to gain some perspective, develop empathy, and work on her social skills, but the level of cruelty is a bit much for me.  The ending, where justice is (thankfully!) served is far too brief, not nearly satisfying enough, and surprisingly rushed for what we've endured in the reading.

This Raging Light, by Estelle Laure

Lu has been stuck taking care of her kid sister since her parents left (Dad was committed and Mom left town shortly thereafter).  Still in school herself, Lu has to figure out a way to hide the situation from the neighbors and her teachers.  But as bills come due and there's no source of income, it is pretty rough.  At first, Lu falls back on the help of her best friend Eden, but that friendship is stretched to the breaking point when Lu falls romantically for her twin brother (who is already in a relationship).  With everything collapsing around her, the last thing Lu really needs is to embroil herself in infidelity.

And that's probably one of the bigger problems with this story, which pulls me back and forth between really caring for this girl and hating her various mistakes.  It would help if there was something interesting about the guy to like.  At no point in the book did I get the sense that the two of them even liked each other.  There's no heat at all between them.  Allegedly the boy has been in this super serious relationship for the past two years and then, despite the fact that Lu and him have known each other for ever, suddenly he can't live without Lu and he's ready to dump the previous Love of His Life.  Nope.

This is a tough genre to love:  I always always always find these child abandonment stories to be cruel and nasty.  In this one, Laure pulls her punches by producing an endless parade of helpful adults.  That keeps the suffering to a minimum, but it also feels manipulative as we get presented with these really bad situations which all turn out OK in the end.  And it presents a different problem:  once Laure has miraculously solved all of Lu's financial, legal, and ethical problems, she's left with no story.  So then it's time to bring in a weird out-of-the-blue accident that sends one of the characters to the hospital in a coma.  That's the point where you know the story's in trouble!

This was Estelle Laure's first novel and she's written plenty of good ones since.  It's been nothing but up since this one!

Most Likely, by Sarah Watson

In January 2049, on the occasion of her swearing-in as POTUS, president-elect Diffenderfer pauses for a moment to think back to her formative senior year.  Flashback to 2019, when four seniors, each of whom have impressive bona fides struggle through the drama of their last year of high school (alongside their friend Logan Diffenderfer). Which one becomes the President thirty years later?  You'll have to read the book to find out!

The four young women, friends since before kindergarten, are inseparable, yet strikingly different.  Ava has the grades to get into a top notch school like Stanford, but dreams of pursuing her art at RISD.  Martha also has the grades for a great school but lacks the financial resources and has to figure out a way to pursue her dream of being an engineer.  CJ can't manage to crack 1150 on her SAT and finds herself challenged by a volunteer stint at an afterschool program for wheelchair-bound youngsters and the critical appraisal of the program's director.  And finally there's Jordan, who dreams of turning her amateur investigation of a local politician's attempt to shut down a local park into an award-winning investigative piece.  While she doesn't find the scandal she's looking for, she instead finds a potential romance with a legislative aide who doesn't realize that she's underaged and over-her-head.  All four of them, at one time or another, find themselves confiding (or more) with the amenable Logan Diffenderfer.

While reading the novel, I twitched at the way that I kept looking for clues, not in the young women's leadership skills, but in their relationships with Logan -- knowing that the one who became Mrs. Diffenderfer becomes the President.  That seemed too sickening like the trope that behind any great woman there had to be a great man, but thankfully that never actually is in the cards.  Instead, the novel proved to be a much more fascinating study about the character of successful people.  Each of these women exhibit multiple character traits (intelligence, loyalty, empathy, resourcefulness, conviction, courage, and others) that made any of them likely candidates for a future president.  And that is really the point of a story like this:  showing how character builds leadership.

It's a winner from several perspectives in my mind:  a story with strong and admirable protagonists, a tale based on kindness and loyalty, a book with an important message to convey about how one confronts adversity, an uplifting story of empowerment for young women, and ultimately a paean to the American Dream that people of character (no matter their background) can change the world.

Again, but Better, by Christine Riccio

Shane is stuck in a life that she cannot stand. She majors in premed solely because her parents insist upon it and she struggles to make friends because she is shy.  And a boyfriend?  Forget about it.  When the opportunity arises for her to study abroad in London, she jumps on it.  A new place.  A chance to restart and be the person she wants to be.  Have friends.  Study creative writing (because writing is what she truly loves).  Because her parents would never approve of her studying anything other than medicine, she lies to them and claims to be continuing her premed program.

Once there, she does manage to come a little out of her shell and make friends with her flat mates.  And she falls head over heels for a boy named Pilot.  He sends encouraging signals but turns out to have a girlfriend already.  And after a few close encounters, he becomes cold and distant.  Eventually, her parents find out about the deception and are furious at her, forcing her to abandon the dream of writing.  By the end of the semester, nothing has worked out as Shane had hoped and she returns to the States in shame and disappointment.

Flash forward six years when Shane is ostensibly a successful doctor, but still torn apart by the unfinished business in London.  She finds herself presented with the opportunity to go back in time and re-do the whole thing.  Given how horrible it was, is this something she would really wish upon herself?  But what if, armed with the knowledge of when she made mistakes and six years to consider better choices, she could do it right?  Would it make any difference?

A little like Groundhog Day but more similar to Before Sunset, this charming story of what you might accomplish with a do-over is a crowd pleaser.  First of all, it has the adventure of impulsive youth set loose on Europe, which is always good makings for a beach read.  But when we shift to the second half,  the book shifts tone significantly and there's some wonderful opportunity for reflection on how we change as we grow up.  It's helpful to pay close attention to the first half of the book as much of it is referenced in the second half, and it is apparent that the initial run through was full of misperceptions.  So, even though you are running through much of the same story a second time, it's really entirely new.  The book's clever, but it is also no small feat to engineer a book that well.  I did think that the end comes on a bit too fast and loose ends get wrapped up entirely too neatly in a brief epilogue, but I enjoyed the book.

Somewhere Between the Trees and Clouds, by Chuck Murphree

Dylan struggles with violent behavior and bouts of self-hatred.  The recent death of his mother buys him sympathy from others but the truth is that Dylan's problems go back to when he was twelve and his uncle molested him on a hiking trip.  He's never found the strength to tell anyone besides his best friend TJ about what happened until he meets Audrey.  Audrey has just transferred to their school to get away from bullying and harassment that started when she was raped at a party and tried to press charges.  The transfer didn't help and her "reputation" has followed her to Dylan's school.  

Drawn to each other through their recognition of how much they have in common, Dylan and Audrey's relationship that should have warning flags all over it.  Two fragile people grappling with the scars of sexual assault and self-loathing and somehow helping each other seems like a very bad idea, but in this story it all works out.  Each of them finds the strength to rise to each other's aid and also rebuild their own lives.  It's depicted in a way that seems so deceptively easy.  Yes, there are some relapsing and plenty of bad days, but they are basically perfect to each other and manage to never hurt each other.  That's not how these things play out in the real world.

Beyond my reservations about the wisdom of the blatantly codependent relationship that is at the core of the story, I was put off by the writing itself.  This is a verse novel with nothing particularly outstanding about the verse.  Instead, it is more of a trick to turn a really thin story into a nearly 400-page book.  In fairness, there are some great characterizations here and I think it's great to have a book that explores the impact of sexual violence on boys (a topic that is rare in YA literature), but it's a disappointing read.

Breathe and Count Back from Ten, by Natalia Sylvester

Since she was little, Verónica has always wanted to be one of the performers in the Mermaid Cove show, to be a mermaid swimming beautifully in the water.  In reality, she's a girl with hip dysplasia, enduring multiple surgeries and the bearing the scars to show for it.  For her parents, she must be the good girl who stays away from boys and studies hard.  For her friends, she must be a brave warrior fighting the pain she lives with.  And to strangers, she must hide her scars and do anything she can to avoid their pity.  She never does anything for herself.

When a position opens at Mermaid Cove, Verónica's friends try to convince her that she should try out for the part.  Her parents are utterly opposed.  Performing in public as some sort of sex object in the water is hardly something her immigrant parents approve of (or even understand).  But Verónica is tired of never having a say in her life.  After enduring years of submitting to painful surgeries and denying herself the things she wants, it's time to take responsibility and take charge.  And with support from her secret boyfriend and from her friends, she takes the scariest step in her life.

While ostensibly the well-trod story of an intrepid first-generation teen breaking free from the bounds of her conservative parents (for heavens sake, can we have a story about permissive immigrant parents sometime?!), this novel actually avoids wallowing in that morass and finds something exceptional.  So while we do have to endure the endless refrains of "good girls don't" from her parents, the sneaking out/lying, and the inevitable getting caught, we also get treated to an strong story of a young woman rejecting ablest labels.  The parental disapproval is actually a side show to the bigger problems Verónica faces with societal judgments of her body and her capacity.

<Spoiler> The parental resistance is never truly overcome, and instead Verónica and her parents achieve an uneasy peace.  They come to mutually accept that there will always be conflicts between what her parents and what she needs and that the family can still love one another in spite of this.  So, rather than the catastrophic corner that these stories usually find themselves in (where either the parents or tghe child have to bend), Sylvester allows the characters to back away, retain their beliefs and creeds, and yet recognize that doing so doesn't mean having to give up on what is truly important:  each other.</Spoiler>