How It Feels to Float, by Helena Fox

Almost ten years ago, Biz lost her father to depression.  While his suicide made her sad initially, she felt better when he came back to her and spoke to her when she needed him.  This was not so unusual for her.  Lots of other things speak to her: the ocean, the photographs she takes with Dad’s old film camera, and so many other things.  But what about the new boy at school with a mysterious limp?  The one who rescued Biz from the waves when the ocean was convincing her to join it?  He doesn’t speak to her, but she wishes he would!

After a traumatic event pushes Biz into outcast status and gets her suspended from school, her happy world collapses around her.  Lost in depression, she determines that the only thing she can do that would make any sense is to seek out the places where her father lived and see if they (or him) would speak to her again.  So, she goes out on a quest to find her father and join him under the water…where he drowned himself.

A fresh, albeit occasionally creepy look at life with inherited psychosis.  As Biz makes her own descent into madness, she's all too aware that she’s following her father’s path, but less and less concerned about what that could mean for her.  There’s something quite gentle and beautiful about the way that her world falls apart, which makes the journey all the more terrifying.  The reader is forced to take the plunge with her.

In a field with a lot of similar books about mental illness, I found Biz a compelling character and the story an excellent read.

Goodnight, Anne, by Kallie George

It's bedtime for Anne, but before she can nod off, she wants to wish everyone a goodnight.  Whether it is Marilla or Matthew, her bosom friend Diana, or even horrid Gilbert, Anne (with an e, thank you!) has a bedtime wish for them all.

A charming bedtime picture book that will please small children with its pretty artwork by Genenieve Godbout, but is far more rewarding for older ones who are familiar with Anne of Green Gables. They will delight in remembering Anne's adventures as they drift off to sleep.  If you find "goodnight" books to be dull and boring, you may end up giving this a pass, but for fans of L. M. Montgomery's classic, this is a sweet diversion.

The Raven's Tale, by Cat Winters

A whimsical biography of Edgar Allan Poe's early years, set mostly on Poe's year away at UVA.  Torn between two muses (one that embraces the macabre and another young Eddy's Byronesque romantic side), Edgar struggles to find his way and choose what sort of writer he wishes to be.  But most of all, he wrestles with his stepfather's aim of destroying his literary ambitions altogether. I call it whimsical because Poe's muses in this story are incarnate, visible, and interacting with the people around them.

An interesting concept that I found hard to get into.  Partly, it is hard to follow the cast of characters (most of whom are based on real people but not being already familiar with Poe's life, were hard to keep track of). Partly, it was the story's uneven pacing.  But mostly, it is the supernatural elements of the story (the muses and their rather corporeal magic, which is itself intended to to have a Poe-like tenor). If I was a Poe fan, then Winter's riff would probably be more meaningful.  But as a story on its own, it just doesn't have much going for it despite the obvious love and dedication of the writer to the hero.

Astrid the Unstoppable, by Maria Parr

Astrid is a thunderbolt, a force of nature in her mountain home of Glimmerdale.  Her joys in life consist of sledding down hills, singing at the top of her lungs, and driving grumpy Mr. Hagen crazy (children, in his opinion, should be silent and kept indoors).  But amidst the beauty of her Nordic paradise, there is something she lacks:  some other children with whom to play.

The novel covers three important events in Astrid's life:  First of all, her efforts to ride a sled all the way from her high mountain home down to the town on the shore of the fjord.  Then, secondly, the moment when her dream of having other children come is answered but it seems that the children will go away almost as soon as they arrive.  And ultimately with the return of a young woman that Astrid never even knew existed.

Inspired by Heidi (and a bit by Pippi Longstocking as well), Astrid fits comfortably into the tradition of irrepressible young heroines.  The book, translated from Norwegian, is quirky and very much a cultural artifact – written in a style that makes it seem old fashioned, even though it is set in modern day.  The fact that the children are always playing outdoors and no Game Boys, texting, or Net Flix are to be found can be disconcerting.  Like Johanna Spyri, the author of Heidi, Parr promotes the benefits of outdoor living and that can seem anachronistic for a contemporary novel.  But as alien as the setting may be, Astrid's joyfulness and energy has universal appeal.

Running through Sprinklers, by Michelle Kim

Sara is looking forward to spending the last year of middle school with her best friend Nadine.  However, at the end of summer Nadine announces that she's skipping a grade and starting high school.  It isn't just that they are spending the year in different schools.  Suddenly Nadine is too busy to spend time with Sara and scoffs at Sara's "childish" ideas.  In anger, Sara makes friends with Nadine's little sister, but it doesn't help bring the girls back together.

I tend to like these bittersweet and nostalgic stories of friends growing apart.  They are certainly common in books for middle grade readers.  This one, though, is surprisingly cluttered.  Full of subplots (including a strange abduction story that just is left dangling in the end), the story gets overwhelmed but everything else.  There's bra shopping and the first periods as one would expect for a book targeted for girls in this age group, but even coming of age seems buried, despite its obvious relationship to Sara and Nadine's estrangement.  Critics have lauded the book for its multicultural elements (both Sara and Nadine are bi-racial) but while a certain amount of attention is spent on Sara's Korean heritage, it's hardly an important element.  The book is just noisy and distracting.

Eventown, by Corey Ann Haydu

Eventown is a perfect place.  In it, the most beautiful roses grow, food is delicious, everyone is perfect, and every house looks the same.  The people are happy and content, but all extreme emotions have been banished.  Everyone is even.  Everyone is the same.

Elodee and her twin sister Naomi are turning twelve and drifting apart.  The easy bond that they once had has frayed by a family trauma.  So when Mom gets a job offer in Eventown, moving and starting a new life sounds like a great idea.  And while Elodee has reservations about some of the strange things about their new home, she likes how nice everyone is and how easy the life is.  But over time, Elodee's reservations grow stronger and she finds herself rebelling against the "even" way of life.  This proves to have severe consequences for Elodee, her family, and the town as a whole.

A peculiar and fascinating tale that explores the costs and benefits of sacrificing risk and chance for the security of an unchanging world. While written for middle graders, the subject matter (which is ultimately about enduring tragic loss) seems a bit heavy for the target audience.  The metaphor of the utopia also seems likely to be lost on them.  Adults however will find that the book has a lot to say in the end about love, community, memory, and the value of embracing differences.  It's a beautiful and haunting story.

Are You Ready to Hatch an Unusual Chicken? by Kelly Jones

In this sequel to Unusual Chickens for the Exceptional Poultry Farmer, Sophie continues her explorations of raising chickens.  Now the proud owner of Agnes's old farm, Sophie is challenged with the process of fixing the place up and reestablishing the farm's poultry business, starting with hatching some new chickens.  And while the chickens may have extraordinary powers, the business of hatching and raising is pretty much the same as with normal chickens.  Learning all of that and soliciting the help and input of her community teaches Sophie a lot about humans and chickens alike.

As with the first book, a small dose of fantasy (teleporting and fire-breathing chickens) aside, this is a story about a girl working hard to achieve her goals.  Packed full of useful and interesting instructions about chicken care, this delightful story will entice readers to learn more about chickens.  Gently delivered messages about tolerance and forgiveness add substance.  Copious illustrations throughout provide the icing on the cake.  Fun, educational, affirming, and pretty to flip through -- what more could you ask of a middle reader?

The Surface Breaks, by Louise O'Neill

Gaia and her sisters are mermaids, living off the coast of Ireland.  In their society, men are in charge and their duty is to be demure and subservient to men in general and the Sea King in particular.  He in turn uses her daughters to reward his most loyal soldiers.

Gaia, who has just turned fifteen has been informed that she will be given away to the odious (and much older) Zale.  The idea repulses her.  Her mother, who might have stood up for her, is gone.  She was lost many years ago when she went to the surface and was captured and tortured by the humans.

And much more was lost.  It was Gaia's mother who had carefully crafted peace between the mer-people and the wraith-like Rusalki (the spirits of wronged women who skulk in the dark and attempt to lure sailors to their death).  But since her death, the King, Zale, and the other mer-men have been plotting war.

For her birthday, Gaia has been granted the opportunity to go to the surface for the first time.  Mindful of her mother's fate, she is cautious, but nonetheless she becomes enchanted by Oliver, a human boy.  Aware that she has no chance with him in her fishy form, she makes a bargain with a sea witch:  she will be granted human legs but only for a short period.  In that period she has to get Oliver to love her.  Otherwise, she will die.

A grisly and dark retelling of The Little Mermaid with a strong feminist twist that becomes especially pronounced in the ending.  It works but I found the story depressing.  The essential message seems to be:  love is pain and suffering, while freedom from men is death.  It’s well within the eco-feminist cannon (although perhaps a bit more Andrea Dworkin than Susan Griffin), but this isn't usual territory for YA.  Curious and original, but it is hard to imagine this dark and unhappy story finding much of an audience.

[Disclosure:  I received an ARC in return for an unbiased review.]

Not If I Can Help It, by Carolyn Mackler

Willa has issues with things around her that feel wrong.  A sensory processing disorder makes certain sights, sounds, smells, tastes, or feels for her entirely unbearable.  Every day is a struggle but through routine she is able to manage her adverse reactions.  But any change is a challenge.  She definitely doesn't like changes!

So when her father announces that he’s dating again, Willa isn't happy.  Worse, his girlfriend isn't some stranger, but rather the mother of Willa’s BFF Ruby.  Willa is not OK with the idea of Dad having a girlfriend.  As much as she loves Ruby, she doesn’t want Ruby to be her sister.  But change is in the air and Willa has to learn to cope with it.

A short, but well-written middle reader about a condition that I don’t believe has been touched on before.  Willa's hypersensitivity can make her seem difficult, but Mackler navigates that challenge well, showing how difficult these situations are for her.  At the same time, everyone’s a bit too perfect for my tastes (Willa’s parents in particular deserve some major reward!), but it’s a kind story that really just is focused on Willa’s difficulties.  That might be the bigger issue:  while we get a good picture of Willa’s struggles, there’s not much growth here.  So, the pattern is Willa finds out about a change and then gets upset and then eventually moves on.  Repeat.  That’s actually pretty dull over the expanse of an entire novel.

[Disclosure: I received an ARC from the publisher in return for an unbiased review]

Mun Mun, by Jesse Andrews

In this most striking science fiction novel of 2018 that you've never heard of, Mun Mun describes a world where your net worth defines your physical size.  Based on the amount of "mun mun" (money) you have, you can be anywhere from the "littlepoor" (about the size of a squirrel) to "bigrich" (where the sky's the limit on size and height).  Being as small as a rodent has some significant disadvantages, ranging from having trouble working at a normal job to simply not being eaten as a snack by a free-range kitty.

Littlepoors Warner and his sister Prayer have dreams of making some mun mun of their own and maybe becoming middlepoor some day, but their plans run astray and Warner ends up in jail.  But then a well-meaning family of middleriches rescues him, trying to prove that, with a little mun mun, anyone can pull themselves out of poverty and littleness.  But as the author grindingly makes clear, mun mun by itself can't change the legacy of who you are and where you came from.

With a wit that owes much more to Jonathan Swift's satire than any modern day dystopian novel, Andrews says a lot about class, privilege, and the inherent flaw in so many well-intended attempts to "fix" these social evils.  The result can be depressing at points, but just as Gulliver's Travels was able to say so much of contemporary relevance in its day through fantasy, Andrews knows that the message is so much clearer when you are not expecting it.  It's unwillingness to embrace either Left or Right will probably upset some folks, but there's little to argue with here.

The ending grows a bit weird as Warner becomes unhinged from his suffering and his character transforms to a dark anti-hero with whom it becomes hard to identify and sympathize, but the originality and biting observations of this allegory make this novel a stand-out work.  It's a largely neglected book that deserves a wider audience.  Highly recommended.

A Week of Mondays, by Jessica Brody

Ellie is having the worst Monday ever.  Her parents are fighting, she gets a ticket for running a red light on the way to school, and her hair is ruined in the rain and it’s school picture day.  In rapid succession, she then flubs a quiz, botches her campaign speech for class vice president due to a food allergy, and fails her tryouts for varsity softball.  To top it all off, at the end of the day her boyfriend dumps her.  What she wouldn’t give for a do-over!

And then she gets the chance: her whole horrible Monday repeats all over again.  With the advantage of foresight, some things she can fix but others are worse for the meddling.  But our chances are far from over and the day repeats again. She gets to tinker with and tweak this fateful day, never quite fixing it, because she’s really missing the big picture.

This would be the second Groundhog Day rip-off I’ve read this summer (see Opposite of Always on July 6th for the other one).  It’s a cute device, of course, and overflowing with comic potential.  In this case, it also has a weightier moral about being oneself instead of trying to be perfect for others.

The book does have a decent heroine and a fun story going for it.  The guys are largely throwaway but Ellie is sympathetic with the right mix of skills and mistakes to make her believable.  It makes for pleasant reading even if not treading much new ground.

Spark, by Alice Broadway

It is now the day after Leora Flint's grand reveal, the event that formed the finale of Ink (reviewed here on June 21, 2019).  Leora faces exile, but Mayor Longsight's given an alternative: go into the forest and find the Blanks (the heretics who don’t ink their skin), uncover their plans and preparedness for war, and report back.  Leora knows she's being manipulated (and probably betrayed), but as in Ink she really doesn't have an alternative:  the Mayor and his henchman Minnow hold her family and friends hostage.

For Leora, it is also a chance to learn about her roots and maybe uncover the truth about her real mother.  Eager to determine how the Blanks have gone so far astray and understand their hostility to inking and to her people, good can come of this mission.  What she finds is very disturbing to her.  The Blanks, far from being evil, turn out to follow a very similar belief system as hers.  Their canon of myths and fables are strikingly similar to the ones that Leora was raised on, but just slightly different.  The differences, however, are crucial and form the crux of the schism that exists between the inked people and the Blanks.  It's a difference that brings the threat of war -- a conflict which is being fed and encouraged by forces that Leora is yet to understand.

As the second book in a (presumed) trilogy, readers will understand that there is no resolution or ending quite yet.  Similarly, it really helps to read these books in quick succession to keep up with the complicated relationships between the characters. So, what have we learned in this installment? The themes of family loyalty and adherence to faith continue, but Leora’s challenge now is finding her faith in a sea of doubt. Scepticism is the main theme of part two. Presented with the small but nonetheless striking differences between the beliefs of the Blanks and her home, Leora feels pressured to choose between them (the faith of her upbringing vs the faith of her ancestors).  She's resistant and ultimately led to question whether either tradition is right for her.

I'm enjoying the way that Broadway has not only created a very original setting for her story, but also done so much more with it.  The action is compelling and the various crosses and double-crosses dizzying, but underneath it all is a novel that explores faith.  Leora's questioning of her childhood convictions will resonate with anyone who has ever grown up (or is facing the process now).

[Disclaimer: I received an Advance Reviewer’s Copy of this book from the publisher in exchange for an unbiased review.  The book was originally slated for release on July 30^th, but has already been released]

Truly Madly Royally, by Debbie Rigaud

As ambitious Zora arrives for her summer study program at the prestigious Halstead University, she knows she’s out of her element.  She’s the only attender who’s taken public transit to get there.  Her peers all come from money and it shows.  She's pretty much the only student who’s black.  Her plan is to basically lay low.  Hiding out in the library one day, she meets a nice young man named Owen, who sweeps her off her feet.  It turns out that he’s the Prince of Landerel and suddenly Zora’s potentially in over her head in publicity and attention, as everyone wants to know the Prince's new romantic partner.  But Zora has a cool head and she keeps her focus on her goals, her causes, and her people.

It’s a perfectly fine story – light and entertaining summer reading.  The royal element reminds one of a black girl’s Meg Cabot.  The empowerment pep talk that carries through the story gets a little tiring and doesn't always fit organically in the story.   Zora’s flawlessness can make her seem awfully precious and doesn't give the reader much to identify with.  Still, Rigaud does great characters.  Zora’s family and neighbors are particular stand-out.  It's a fun read.

[Disclaimer:  I received an Advanced Reviewer's Copy of this book in exchange for an honest review.  The book is scheduled for release on July 31^st.]

Boys of Summer, by Jessica Brody

Grayson, Mike, and Ian have been best friends since they were children.  As residents on a vacation island, the summers have always been an adventure of dealing with the tourists.  But this last summer together promises to be very different.

In the past year, Ian's father was killed in Afghanistan and, while relations between he and his mother are strained, he seems alright to the others.  Mike and Hunter have been a pretty permanent couple for years, but this time it looks like their little break-up could be permanent, especially because Grayson and Hunter have started to secretly hook up.  Grayson, meanwhile, has to find the strength to admit to his father (and himself) that the little injury he sustained has ruined his ability to play football and jeopardized any possibility of taking the football scholarship that was supposed to get him through college.  There will be girls (of course), family conflict, and lots of bonding and secrets in a final summer together.

In other words, it's a girl's book about guys.  If there's anything funnier than how misportrayed female characters are by male authors, it's just how awfully bad female authors can get young men.  It's not really Brody's fault in this instance, but more like an impossible project:  create a story of friendship between young men that would be relatable to young woman readers.  They're a sensitive trio, all of them terribly worried about how the others feel and trying to avoid hurting each other's feeling.  In a mild nod to testosterone, there's a bit of fighting, but it's usually about protecting others (usually women) than about ego and pecking order.  Most silly of all is the alleged "Guy Code" that you can't date each other's ex's.  I have no idea if girls have such a thing for real (although you hear it invoked in plenty of books) but I can say with some certainty that guys don't believe in such things.  Grayson, Mike, and Ian could just as easily been Taylor, Micaela, and Iona and very little of the story would have need to be altered.  But then, it would just be a sweet beach romance of three BFFs enjoying their last summer before college, which come to think about it, it basically is.

The Mighty Heart of Sunny St. James, by Ashley Herring Blake

After twelve year-old Sunny makes it successfully through a heart transplant, she’s determined to change her life.  In the days leading up to her surgery, she was always so sick. Worst of all, her BFF Margot betrayed her.  She’s determined to do new things, key among them is to find a boy and kiss him.

But life is so much more complicated.  Her mother (who abandoned her eight years ago) has returned and wants to be part of her life.  At first, Sunny is resistant and suspicious and has to be urged on by her guardian Kate.  But when mother and daughter bond, the new relationship put a stress on Sunny and Kate's own one, particularly as Kate finds herself protecting Sunny from some of her Mom's darker secrets.

More important is Sunny's new friend Quinn, who is helping her in the Boy Quest.  The girls are not terribly successful, at least in part because Sunny finds herself thinking that she’d rather be kissing Quinn instead.  Does that mean she's a lesbian? 

With so many traumas going on, the novel runs the risk of being cluttered, but Blake does a good job of keeping things moving along.  It helps that the many different stories eventually interweave making the complexity organic and less distracting.  Delightfully, Sunny’s forays into exploring her gender identity are sensitively handled.  The overall result is a beautiful story full of honest emotion, and respectful to both adults and children.  Highly recommended.

Angel Thieves, by Kathi Appelt

The Buffalo Bayou is a landmark of Houston and in this rather dreamy novel, Appelt uses it as a means of telling four different stories that cross time periods but still overlap.  There's Cade who, along with his father, steal angel statues off of forgotten graves.  Soleil is the sweet girl who falls for him and wants to believe in him.  A hundred and sixty years earlier, a former slave is trying to smuggle her two little girls to safety in Mexico.  And back in the present, an ocelot in a cage fights for its survival as the Bayou's waters rise up.

If those seem pretty disconnected, they largely are. Not that it really matters as Appelt is mostly in love with the concept of the Bayou as a swiftly flowing body of water that shifts and surges, swallowing up (and occasionally disgorging) objects and people.  She's so in love with the idea that she repeats it again and again. Repetition is key in this story and established themes are repeated again and again like a piece of music.  The issue, for me, is that what works nicely in a score comes across as boring in a story.  Most of all, as pretty as this book is, it is not a YA book and it is poorly marketed.

Hurricane Season, by Nicole Melleby

Fig is not a fan of storms.  Their coastal New Jersey town gets a good share of them.  It’s not the wind, dark clouds, or rain, but rather the impact that the storms have on her father.  

Her father was once a great composer but after Fig was born and her mother skipped town, Dad stopped composing.  For days at a time, he checks out altogether.  When a storm comes, he wanders outside and puts himself in danger.  The last time he did so, Fig had to call the police to help, but that just made things worse as now the authorities are watching and threatening to put Fig in foster care.

When a new neighbor moves in and tries to help, Fig is wary.  Every adult is a risk.  But it’s a lot to ask of a sixth grader who just wants to fit in and have some friends.   Fig has to learn that it is OK to accept outside help for her and her Dad.  Along the way, Fig is learning about the life of Vincent Van Gogh and his relationship with brother Theo provides inspiration and helps her understand her father. (It also inspires the gorgeous cover of the book)

A touching story about family and friendship.  The characters are complex and the relationship between father and neighbor is a nicely nuanced romance.  A subplot about Fig’s ability to judge her own friendships is a pleasing analogue.

Heroine, by Mindy McGinnis

When star catcher Mickey and her best friend Caroline (their team's pitcher) are seriously injured in a car accident, the girls are terrified that they won't heal in time to play for their senior year.  It is going to take a lot of work and a lot of pain to rehabilitate.  But Mickey discovers that the Oxycodone she's been prescribed really helps.  It works even better when she ups her dose.

But when she uses up her entire prescription, she finds that she can't get any more from her doctor.  Without it, she won't be able to push herself as much as she feels she needs to in order to be able to play. So she resorts to drastic measures, finding an old lady who's selling drugs dispensed for other people.  With this new source, Mickey starts increasing her doses gradually as the lighter doses are no longer enough.  Mickey has to turn to stealing and deception to maintain her supply, but all along she is convinced that she'll be able to stop just as soon as the season is over.  But then she finds that she can't quit.

A brutal and frank description of addiction and the process of falling into it.  As a story, it's pretty bleak stuff.  McGinnis does a great job of depicting Mickey's demise, the ease at which she ignores warning signs and the way she convinces herself that she'll be okay.  It's a bit matter-of-fact to be art, but works fine as an educational primer and a warning to any young people who are feeling invulnerable.

Opposite of Always, by Justin A. Reynolds

Jack meets Kate at a party during a weekend visit to Whittier, the school he plans to attend.  And Kate is the best thing that's ever happened to him.  Unlike his best friends Franny and Jillian who have each other, Jack has always just missed a happily-ever-after story.  The next four months though are amazing!  Sure, Jillian and Franny both have their rough patches, but things are mostly great for Jack and Kate...until she unexpectedly dies.

Suddenly Jack finds himself back at the party, the same party where he first met Kate four months ago.  He's been given a do-over. Like Bill Murray's character in Groundhog Day, Jack is condemned to relive those four months all over again.  And, again as in that movie, Jack tries to tweak the outcome to make things turn out better.  But this isn't a comedy and Jack finds his choices each have consequences -- some of them dire.

While the gist of the story has been done before, the angle here is different.  For Jack, there is a lot to learn about love, friendship, family, and loyalty.  Being a boy book, the relationship stuff is mostly about keeping appearances and pride (rather than tears and jealousy) but the complicated family relationship of Franny and his jailbird father is just one piece that gives this novel a serious tone.  There really isn't much doubt of how the story should end (and it delivers) but there is a very satisfying dramatic arc of personal growth for Jack.

Sparrow, by Sarah Moon

When they find Sparrow standing on the edge of the roof of her school, everyone presumes that she was planning to jump.  She knows she wasn't.  She was planning to fly away like a bird.  But if she tells anyone that, then they will know she is crazy!

The thing is that Sparrow has always found talking about things to be hard.  And ever since her traumatic first day of school, she's generally avoided talking to others. Instead, with the support of a friendly librarian, she's found a way to avoid social situations and conversations in general. This has gotten her a reputation for being a snob and made her a target for bullies and hasn't exactly kept people away from her.

The rooftop incident sends Sparrow into counseling and her persistent counselor finds that the key to break through Sparrow's insecurity is through music (the angrier the better!).  The doctor goes on to suggest that Sparrow attend rock band camp this summer.  The idea astounds both Sparrow and her mother, who both know that Sparrow will never survive away from home, living with strangers, for four weeks.  But the counselor is convinced that this is just what Sparrow needs.

A sweet and inspiring story of a girl who finds the strength to face the world and embrace it.  There are no surprises here, but the story is well told, with good characters and a bit of fun.  Perhaps more could have been done with Sparrow's love of birds, but Moon's answer is that freedom lies in music, not ornithology.  I might beg to differ, but the point is well taken.