Every Soul A Star, by Wendy Mass

Three kids from three different backgrounds: Ally (shy and isolated, she's spent most of her life with her parents and little brother taking care of a campground deep in the woods and now most face the decision of her parents to leave and return to civilization), Bree (spoiled and materialistic, her dreams of becoming a fashion model are destroyed by her parents' decision to pull up stakes and relocate the family to the campground to replace Ally's family), and Jack (a dreamy artist who's never had much interest in science but has been offered the opportunity to skip summer school if he'll accompany his science teacher to the aforementioned campground to help observe a total solar eclipse). Three kids faced with impending huge changes in their lives and the rare opportunity to observe one of the most beautiful occurrences in nature.

A fun and mostly fulfilling read about learning to accept changes and discovering oneself, Mass has delivered another winning novel for middle readers. I was a bit disappointed at how easily the characters changed and I would have appreciated a bit more drama and resistance. That said, Mass brings great creativity to this work (and which novel of hers hasn't been creative and interesting?) and a strong ability with characters. Even Bree, who could easily have been the least likable of the three narrators, develops in a way that makes her sympathetic and identifiable. And while following a convention where each narrator gets to tell the story in alternating chapters can easily get tiring, Mass keeps the pace up. A good read.

What They Always Tell Us, by Martin Wilson

At a party at the beginning of his Junior Year, Alex decided on a whim to swallow a bottle of Pine-Sol. A month later, he is coming to terms with what prompted such a rash act and dealing with the way that his old friends are treating him now. His older brother James has issues of his own, not least of which is a suspicion about the unusual attention that his friend Nathen is paying to Alex. A lonely 10 year-old boy next door plays a role in both Alex's and James's lives as well.

A strange story that can't seem to decide what it wants to be about. Alex's coming-out story is the clearest plot line and would seem to be the focus of the novel, but half of the book is really about James and James's storyline never really seems to go anywhere. The subplot about the boy next door also seems to lead nowhere. None of this is helped by the lack of real character development. As much as we would expect the suicidal and sexual-orientation-questioning Alex to make an interesting character, he stays pretty flat. For me, neither Alex nor James really came alive off the page.

Gossip of the Starlings, by Nina de Gramont

In 1984, Catherine is being given a chance to redeem herself after being removed from her last school for sleeping with her boyfriend. She misses her old friend Susannah, but is quickly befriended at her new school by Skye Butterfield (the daughter of one of the state's senators). Skye is hardly a good influence and quickly leads Catherine into bad old habits that threaten to destroy all of them. In sum, a complicated story about adolescent jealousies told in a past passive voice that implies recollection from a wiser older self.

Overall, this is a terribly dull and boring story. The narrator's passive voice does nothing to help. Billed as YA, the novel is really a wistful adult novel about teens (it's no coincidence that Jacquelyn Mitchard's gushing praise appears on the cover -- only she could write a novel that was similarly dull and age-inappropriate as this!). The characters spend their time waxing poetic with a wisdom entirely inappropriate for their age (and lack to ego-centricity that authentic 17 year-olds would express). And where did all the cocaine come from? I myself went to a private school in New England in 1985 and, while we had plenty of pot and acid, none of us could afford the plethora of blow that these young women plow through! Just give this story a miss! There are plenty of nostalgic stories about teens written by grownups -- most of them are more interesting than this one.

Getting the Girl, By Susan Juby

Girls at Harewood High School are getting blacklisted (or "defiled") through an anonymous accuser. The results are devastating -- complete social ostracism. However, Mack Daddy (a.k.a. shy 9th grader Sherman Mack) is on the case! He doesn't know much about girls (and even less about the specifics of the case!) but he bravely plows ahead, even if it means getting caught in a closet wearing a dress that belongs to the mother of one of the lacrosse players! Before the story is done, he will have exposed the mysterious "defiler" and managed to prepare a dinner party for twelve.

A bit more hectic than Juby's previous books but still displaying that same dark wit. The narrator's still slightly more clueless than your average reader (not so much that you can hate him, but enough for a good laugh). As with the Alice books, this can be hard to digest (either you like or you don't) but unlike those books, the humor is less mean and anyone can root for our hero's attempt to right the social wrongs of casting out people who are different.

Fearless, by Tim Lott

In the future, the Ten Corporations run the world and the City is controlled by the City Boss. Children who do not comply with the rules (or who have the misfortune of being associated with parents who do not) are sent to the City Community Faith School -- really, a prison -- where they are stripped of their names and identities and forced to work. One day, one of the girls raises up her voice and challenges the status quo. Nicknamed "Little Fearless," she hatches a plan to free the girls and wake up the compliant cityzens of the City.

A clever and rich allegory, although largely derivative of most other dystopian novels, Lott spins an intersting story. Character development is sparse but in a world of such dehumanization, it is hard to flesh out characters. Instead, we get a fast-paced adventure story. The ending is all a bit too convenient for me, but suffered mostly from being so rushed (it was certainly plausible). The story overall will give you plenty to think about and makes a nice discussion piece (for people who like to analyze literature!).

Zoe & Chloe on the Prowl, by Sue Limb

Zoe and Chloe are desperately looking for boys to take them to the Earthquake Ball next weekend and they get the bright idea of interviewing candidates for the role by inventing a fake job vacancy to use as a cover. Around the same time, Zoe's older sister has a crisis and needs the girls' help. There's also the amazingly naughty Norman boys to babysit, a suspicious mother to placate, Zoe's attempts to charm Oliver, and all manner of zany adventures to keep this story moving.

It's really hard to say what drove me to finish this book. I picked it up in hope that Limb would find new energy with some new characters (since her Jess Jordan series has been losing steam and energy), but these two girls are no mindlessly lame that it was some sort of torture to finish the book. I realize that this isn't a book intended for blokes (to coin the Brit flavor of the writing), but I can't see much here for girls either. Most of the book is spend gushing and fretting and not much of substance goes on (just because it's a children's book doesn't mean it needs to be completely vapid, does it?). By the time we get to flatulence jokes on page 78, I would think that most folks would be ready to turn this one in. Unfortunately, Limb appears to be a one-hit wonder with Girl, 15 Charming But Insane (a brilliant story she just has never managed to match for creativity and fun).

Switched, by Jessica Wollman

Laura would love to be doing anything this year besides cleaning the houses of rich people, but there is no other way she can come up with to earn the money she needs to attend UCONN next year. Willa is floundering at home, sentenced to attend yet another boarding school, where she will undoubtedly fail yet again and let her parents down. In short, two very unhappy girls. But through some strange stroke of fate, the girls are dead ringers for each other and they hatch a plot to switch places -- Laura will become Willa and vice versa -- and both of them will get to live the life they have dreamed of.

Yes, it's Prince and the Pauper modernized and set in the word of texting and MySpace. Who says the classics have to be boring? The story stretches believability in more ways than one and has enough skips in logic to make your head spin, but I have to give it some credit -- I kept reading and I even enjoyed myself. Brainless escapism, but then it's almost Summer isn't it?

Artichoke's Heart, by Suzanne Supplee

Continuing on the same theme...it was the plane ride devoted to eating disorders!

Rosie (nicknamed "Artichoke" so many years ago) struggles with food. Unable to moderate her consumption, she binges as a means of soothing her heartaches. But when she cracks through 200 lbs, she commits herself to losing weight. Meanwhile, she also struggles with a variety of outside stressors: a mother sick with cancer, a new friend who has been cast out of the popular girl clique, and a gorgeous boy-crush who (for some reason she cannot fathom) actually likes her in return. All of this is set in the environs of a Spring Hill TN beauty salon (cue lots of Southern cliche).

Overall, this is a nice story about finding self-esteem and gaining the strength to take charge of one's life. The added element about coming to terms with a sick parent will probably make this a popular pick for mother-daughter book clubs. However, I couldn't quite get beyond the chaotic number of subplots. The overall impact was that I began to block out large amounts of the story just to stay focused on the main narrative. The rest just got distracting. Subplots are beautiful things but focus is best!

Wintergirls, by Laurie Halse Anderson

When Lia's best friend Cassie dies, Lia knows it is her fault. Never mind that Cassie has been purging for years and destroying herself through bulimia and alcohol. Lia knows that Cassie tried to call her a couple of dozen times before she died and Lia never called her back because she was afraid to help her old friend. Not that Lia can tell anyone about this, because if she did, they would throw her back in the nuthouse again. Just as they would if they knew that she was losing weight again. Instead, she has to lie her way, denying to everyone - including herself - that she has a problem (beyond being massively overweight and trying to get herself down to 75lbs or less!).

A truly harrowing trip through the mind of an anorexic. Anderson, of course, is of the great shining stars of YA lit and this book certainly does not disappoint. This is a hard topic to read about and (for me) harder to relate to than her other books (I'll be honest and say that I just don't anorexia -- it combines self-denial with a lethal dose of dishonesty and self-indulgence that repels me on several levels -- but perhaps it is a Good Thing that I can't quite comprehend the motives). Wintergirls lacks the humor and emotional release that helped lighten Speak but I think it is fair to say that humor would have been out of place in a story like this. What Wintergirls offers instead is an unrelenting tour of self-destructive madness. This is scary stuff but worth reading!

Goldengrove, by Francine Prose

After her sister drowns, Nico and her family must come to grips with their loss and grief. Nico's father buries himself in a book he is writing ("Eschatology for Dummies"), her Mom starts abusing painkillers, and Nico herself gets drawn into a relationship with her dead sister's boyfriend. The relationship, which begins as simply a means to vent their grief, spirals out of control as Nico finds herself unable to accept that her sister is truly gone.

I seem to have picked up a lot of books about death and grieving lately. This one, not truly a YA book, is well-enough written but suffers from the same general problems as the others: what can you actually say about this subject? Someone died, you spend a lot of time ruminating about them, and then you either move or or you don't. Prose (great name for a writer, don't you think?) has little to add to this formula and even less about going through it as a teen. Her 13 year-old narrator tells the story through the benefit of adult flashback, so comes across as terribly precocious.

Angel, by Cliff McNish

When Freya was little, she was visited by an angel. The experience led her to become obsessed with angels until that obsession drove her into madness. Now that she is 14, she's better and returned to a normal life, just trying to fit in at school. But the arrival of a strange girl named Stephanie, her brother's struggles with a bully, her father's battle against illness, and the appearance of a dark apparition all threaten the sanity she has struggled so hard to achieve.

A complex and interesting story that spends about as much time exploring high school cliques as it does the meaning of good and evil (in a way that will appeal to teen readers well!). If you're not into angels (and I'm not), there is still a decent adventure story here. But if angels are your thing, you'll like this even more.

Forever Changes, by Brendan Halpin

Brianna is struggling to survive Cystic Fibrosis and her senior year of high school. She dreams of getting into MIT, but being able to live long enough to matriculate will be a more important accomplishment. Her Calculus teacher serves as an inspiration to keep her going and also to appreciate her role in the universe. The music of (the band) Love keeps her going.

While showing a lot of promise, this is a very rough book. The ending is great, but largely comes out of nowhere. Much of the rest of the book is like that as well: pieces of genius observation scattered amidst a rough outline. In sum, Halperin has fantastic ideas but no real story. The story has promise, but disappoints.

Down to the Bone, by Mayra Lazara Dole

Laury is a typical Cuban-American girl living in Miami with a secret (she is in love with another girl) and when a nun intercepts a love letter between the two girls, Laury is kicked out of school and out of her home by a mother who won't let her back until she changes into a heterosexual. So Laury has to go out and fend on her own, which she actually does quite well at: finding a job, making friends, and discovering her identity. She still struggles with whether she should date boys in order to win back her mother or be true to her heart and see girls. In between, Dole gives us a lot of local color and custom, and insight into the gay Cuban-American scene.

Fast paced and heavily laced with jargon and cultural details, Dole obviously knows the milieu and appreciates the culture, mores, cuisine, and patois of Miami. Readers who want the multicultural experience will appreciate the chance to read about a sympathetic character who is Cuban-American and unashamedly gay at the same time. Moving beyond that, however, this is a very thin book. Dole is great with dialogue and so relies on endless conversations about nothing (basically, just her characters "chilling" or "kicking"). Important plot developments get stated quickly and we return to the chatter. The result is frustrating. The characters obviously had a lot going on inside, but we don't get to learn much about that as neither they (nor the author) want to share.

Looks, by Madeleine George

Meghan may be the "fat girl" and the largest girl in the school, Aimee may be a razor thin and unknown new arrival, but between them they share a mutual enemy and have the opportunity to right a series of wrongs. Ultimately a story of revenge, this novel is also a series of observations about cliques and standing up for oneself.

There are some nice commentary and the adults are refreshingly observant and aware, but the overall story is scattered and lethargic. Worse, subplot after subplot (from Aimee's eating issues to Aimee's relationship with her mother's ex-boyfriend) peter out without any serious attempt to achieve resolution. Even the overall settling of scores is left inconclusive. It felt largely like George liked bring up conflicts but lost interest in the characters.

Season of Ice, by Diane Les Bacquets

In the late Fall, Genesis's father goes missing. They quickly find his truck and his boat, but the body (for it seems likely that the worst has happened) is not found. Before the search can get much further, the lake begins to freeze over and the search must be delayed until the Spring. In that winter, Gen and her family deal with the uncertainty and come to terms with their loss. Gen spends the time searching out friends of her Dad's to try to learn more about him.

A well-written, but ultimately dull story of grief. The author has a good sense of the characters and the community she portrays is rich and colorful, but the story does not go anywhere. The jacket blurb's promise of romance, for example, is largely unrealized. Other subplots fizzle in similar fashion. It is a pretty work but a purposeless exercise.

I Know It's Over, by C K Kelly Martin

Nick and Sasha have a great little summer romance with a dose of sex thrown in with a good measure of awkward first-time clumsiness thrown in. But after Sasha breaks up with Nick (truth be told, he's a bit of an asshole -- so much so that some reader before me wrote as much in the margin of page 30!), Nick struggles with getting over her -- a problem which is exacerbated when Sasha announces that she is pregnant.

This is a finely written book but I was prejudiced against it because of an overenthusiastic publicity department. There is no worse deed that your publisher can do for you than to get one of my favorite authors (Lara Zeises) to write a blurb on the back of the book that compares this novel favorably with two of my other favorite authors (Sarah Dessen and John Green). Talk about setting uber-unrealistic expectations!

It is a very nice book and addresses rather sensitively the struggles that Nick goes through in a very believable and realistic fashion (this is one of those rare cases where I can speak with some authority that what Nick was thinking and going through rang true). Martin has a good feel for teenage sexuality and a better idea of how boys think that most female writers I have read. However, the book has very little in common with either Dessen or Green's works. For one thing, it lacks the humor and irony that are trademarks of those authors, and for another it lacks the poetry of their books. If you choose the read this book, ignore the hype. You will find plenty to like on its own merits.

The Ghost's Child, by Sonya Hartnett

On an evening when Matilda had planned to finish her book, she is instead visited by a mysterious young boy who prompts her to tell her life story, covering 75 years (growing up, falling in love with another mysterious boy, losing that love, and finding a career).

A haunting and well-written story that will evoke memories of Titanic (but without the pesky ship-sinking bit). Ultimately, this short story does not really have much of a purpose, but it is beautifully-narrated. Also, it is a bit strange that they decided to target the book to a YA audience when this romance will appeal to a much larger demographic. Beware the heavy use of metaphor and symbolism which is certain to cause this book to be misused as a writing assignment in some AP English class!

The Hunger Games, by Suzanne Collins

In the distant future, North America is now known as Panem, and is ruled by a tyranny from the Capitol. In retribution for an uprising many years ago, a contest is held every year called the Hunger Games, where each of twelve districts must send two of your young people to fight to the death in gladiator contests. This year, District 12 is represented by Katniss and Peeta. Peeta is a weak baker's son, but Katniss has struggled all of her life to support her family and has a suberb survival instinct. But will it keep her alive in the contest against the others? And what about Peeta, who she must also kill to stay alive (an idea which becomes more complicated as her feelings for him begin to develop)?

Not my usual thing, but a strangely compelling book. I had a great deal of trouble putting it down, which speaks highly for its value. The suspense level is high and Collins spins a very tight story. Perhaps not as much character development as I was hoping for, but there will be a sequel and that promises ample opportunity for taking this further. The book is getting a lot of hype, so it probably doesn't need another endorsement, but I'll give it anyway. If you want entertaining, hanging on your seat excitement, you can't do much better than this book.

Everything Beautiful, by Simmone Howell

When Riley screws up again, her Dad and Stepmom decide that the best thing to do with her during their planned vacation is to send her to a Christian camp in the outback for a week. This naturally enough does not go down well with atheist and wild grrl Riley. And in her first day or two there, she does her best to not fit in. However, she grows close to wheelchair-bound Dylan and (against her own better judgement) begins to enjoy herself, even as she manages to get in more and more trouble.

Despite some originality in the characters (Howell does a good job of giving everyone a twist that keeps them a step or two away from the stereotypes), the story itself is pretty much by-the-numbers and the conclusion falters badly. The novel gets points for avoiding feel-good observations about paraplegics and any temptation to throw in a cheap redemption scene. But the cost is that the story never quite wraps up and an attempt at spiritual depth towards the end falls flat. But I found the characters interesting and original enough to keep me involved in the story.

No More Us For You, by David Hernandez

Life as a museum guard ought to be fairly boring, but red licorice-loving Carlos has an amusing ability to attract trouble. Add to this some awkward relationship stumbling and a lot of boy-on-boy hazing and trash-talking (the writing is definitely R rated) and you mostly get a fairly uneventful story about a 17 year-old boy for the first half of the book. This changes though when a tragedy strikes out of the blue. Now the book becomes an exploration of survivor guilt and coping with loss. Employing alternate narrators (Carlos and Isabel), we attempt to get two perspectives on the events.

If my summary sounds a bit half-baked (and if it seems a bit odd that I have nothing to say about the narrator [Isabel] of half of the novel), that should give you a sense of the book's flaws. The book lacks direction, preferring to wallow in dialogue that seems to exist mostly to prove its authenticity than to further the story. The boys (Carlos and his male friends) are well drawn-out but the girls are throwaway and never really emerge with clear purposes of their own. This would be forgivable if the story had a point to make, but it never does that either.