Girl of the Moment, by Lizabeth Zindel

When an internship at MOMA falls through, Lila gets a last minute opportunity to spend the summer working as an intern for superstar Sabrina Snow. As the summer progresses, Lila struggles with the demands of the job, with the fame of being in Sabrina's shadow, and with staying true to her own values under pressure from Sabrina.

Utterly predictable, this story follows in the fun escapist vein of a Meg Cabot novel, with the exception that Lila is far from perfect. Her mistakes make Lila more approachable, but they are the types of mistakes you can see from miles away, so it's hard to see them as credible. Some humor ensues and this is fine entertainment, but I'd still rather pick up the latest Cabot novel when I'm in the mood for this stuff.

One Whole and Perfect Day, by Judith Clarke

Lily hopes that she can make Daniel notice her. Her brother stays estranged from the family until a chance encounter with his grandfather makes him decide on impulse to bring his Chinese girlfriend home. Grandmother talks endlessly to her imaginary friend Sef. And grandfather surprises everyone by befriending an old Chinese woman. And then a magical and perfect day brings everyone together in perfect harmony.

Had I remembered how much I detested Kalpana's Dream, I almost certainly would never have picked out this book. Like that novel, this meanders incoherantly from one POV to another, making observations that intended to be profound but which basically make little or no sense. I imagine that there are (non-librarian) people out there who will enjoy this book. But I found it dull and unengaging.

Do-Over, by Christine Hurley Deriso

Elsa could really use her mother around, especially now that she has transferred to a new school in the middle of seventh grade, but her mother is dead. Then, in an act of supernatural magic, her mother visits her one evening and gives her a special locket that allows her to rewind time 10 seconds and redo the moment. Elsa learns to take advantage of this to deal with a popular bully and change her social status. And she also tries to correct the wrongs she sees around her. But in the end she learns that this magic is not what she really needs.

Mildly predictable, but a satisfying and quick read. A bit of a YA-version of Groundhog Day with all of that feel-good factor thrown in. The characters are engaging, if a bit too perfect, but there is plenty to relate to. Recommended for middle school readers.

Just Ask, by Melody Carlson

In the first book of a new series, we are introduced to Kim, adopted Korean daughter. And while she flirts briefly with the idea of practicing Buddhism, she finds the Lord after watching The Passion of Christ at a friend's church. But the story is also framed around a teen advice column that Kim writes for her dad's newspaper, handing out rather mature advice (much of it advocating prayer) for addressing teen issues.

Somehow (and you may find this hard to believe) I did not quite clue in on the Fundamentalist agenda of the writer until I was halfway through the book. Mostly, I was annoyed at the meandering plot and the sanctimonious advice column (let's just say that Kim's perspective on things is a bit unrealistic). By the end, I had pretty much had enough of the character and the writer. I'm sure the series is popular with the converted, but otherwise give this a pass. If you want to read a more honest examination of faith (and other important topics), go back to classics like Judy Blume.

My Lost and Found Life, by Melodie Bowsher

Ashley is a rich, beautiful, and shallow high school senior when her mother disappears, accused of embezzling millions from her employers. Suddenly, Ashley's life is turned upside down and she loses everything and everyone around her. And for the first time in her life, she has to learn how to survive on her own, starting off with finding a job and a place to live.

A promising dramatic beginning gets bogged down mid-way as Bowsher runs out of story to tell. Various subplots and twists get muddled with rambling conversations that seem unrelated to the story. And by the end, Bowsher resorts to melodrama to create a climax. As a result, I found myself tempted to flip forward to the end for some payoff. It comes, but it's awfully rushed. The author shows promise, but she ran out of steam after the first 100 odd pages.

Skin, by Adrienne Maria Vrettos

As his parents separate and the family disintegrates, Donnie's sister slips into anorexia. Donnie focuses his energy on trying to keep the peace and keep his sister alive as she grows thinner. But the pressure of it all is eating away at him and his ability to keep things together.

This is a heartrending story, as you can imagine, since it opens with the sister dying and then backs up to trace the events that lead up to his death. The writing is sharp but the plot is strangely undeveloped. As much as this is intended to be a story about Donnie, we never quite get that story, and the pressure he is experiencing is something we can only surmise (rather than see). That's surprising as there is certainly enough pain in here. Overall, this is not a pleasant read, but a decent illustration of what it is like to have an anorexic sibling.

My Almost Epic Summer, by Adele Griffin

The summer starts off badly for Irene as her own Mom fires her from a job at the beauty salon, crushing Irene's plans to create a hair stylist business that specializes in reproducing the fashions of famous literary heroines. But Irene's new job (babysitting) gives her the opportunity to meet the obsessive and gorgeous lifeguard Starla and Starla's jealousy-guarded ex-boyfriend.

A fairly light and entertaining read. You could fault it for skipping blithely from one scene to another, but Griffin creates strong fun characters and the overall theme of the book is sufficiently fun. No great depth, but a pleasant read.

Evolution, Me & Other Freaks of Nature, by Robin Brande

Mena has gotten in a lot of trouble. Because of her whistle-blowing, her church and its members have been sued and she fears that her parents will lose their business. None of her old friends are speaking to her. But a new lab partner in her biology and her ex-friends' campaign against the teaching of Evolution in that class, trigger a series of changes and a crisis as she struggles with questions of faith and values.

The story makes very clear who the good guys and the bad guys are and never really lets up. The mean kids are just mean and the good ones good. The parents are not just annoying, they are as abusive and mean as the Evil Stepmother of a Grimms Tale. In sum, the story may be a breezy read, but you don't really buy any of it. I found that in itself annoying enough to not recommend this. There was plenty of conflict to make good drama here without painting the bad guys as cruel as Brande felt the need to do.

Polly, by Amy Bryant

Polly tells her romantic and sexual biography from early teen years through early college, detailing her eight most significant relationships (some good, some not) and her parallel interest in music and art. Her relationship with her mother and step-father play a minor role, but the focus is definitely on Polly's development as a person as she struggles through the minefields of teen romance.

Strikingly realistic, one suspects that this is autobiography. It certainly rings true for the era (which I can say with some authority as I am nearly the same age as Polly the character and I grew up in the same area). And the details of the relationships and what she goes through will also ring true.

I understand that writers should write about what they know, but I have to take Bryant to task for not attempting to pull her story out of its era. Even with the strong interest in 80s hardcore punk, a more enterprising writer could have pulled the story into a more contemporary context. To really measure if Bryant is a good writer, I'd like to see her tackle less familiar territory (and with her bio saying that she now is writing short stories about life in NYC -- where she happens to live now -- I don't get the sense that she can grow). As a result, I'll give this novel a mixed review (realistic, interesting, but ultimately a lazy autobiographic exercise).

How It's Done, by Christine Kole MacLean

Grace grew up in a state of awe and fear of her father, but at 18 she is not so willing to follow his commands anymore. When she falls in love with a young college professor, her father disapproves. But rather than obey his order to break off the relationship, she decides to marry the man instead. As much as she hopes this is a good decision to spite her father, she slowly begins to realize that getting married is just transferring one prison for another. If she is going to find out what makes her special, she needs to start thinking - and desiring - for herself.

In this fairly catchy story, Grace's search for self has a realistic tone. Still, while it may be a comfort to the reader to always be a few steps ahead of the heroine, it's hard not to notice how terribly naive she is. This is hardly a feel-good novel, but it is affirming and portrays both decency and flaws.

I haven't yet mentioned the religious thread at all (Grace's family is Fundamentalist Christian). It's far from subtle (there's a great deal of Scripture-quoting in the book), but it also makes sense and fits in the story quite seamlessly. The family's faith is drawn with very little sensationalism - its just another factor of who they are. Given how easy it would have been to demonize the family's religious beliefs, MacLean has definitely taken the high road.

A Swift Pure Cry, by Siobhan Dowd

In a quiet Irish village, Shell tries to keep her family together -- younger brother and sister and alcoholic father. It's been hard since her mother died, but they have managed. But then things go horribly wrong and rumor, ambition, and pride make them worse. To make things right again, Shell must confess truths to her family and the people she has grown up with -- a terrifying prospect that she cannot face.

Written more as an adult novel with its elliptical style, thi is a hard slog for an allegedly YA story. The characters grow on you as you read, but it is still a maddening read (I'm not a big fan of dramatic tension that is based upon human stupidity). I'd suggest giving this one a miss.

Ruby Parker Hits the Small Time, by Rowan Coleman

Ruby has been on the popular soap Kensington Heights since she was six. But now that she's 13 and "frumpy" and "awkward," she fears that they may jettison her from the show. But far worse, her parents have announced that they are getting divorced. But when it seems that things are really headed downward, suddenly they take a turn up.

This rather strange and unpredictable novel promises us from the start that things will go bad, making us expect a tragedy. Instead, it never does so you end up wondering what all of the fuss was about. What we do get is a lot of uptight people breaking through their insecurities and talking to each other (the nasty girl turns out to simply be misunderstood and once that is established everyone becomes close friends!). But in the end, there is no dramatic payoff to match the hype. Manipulative and ultimately dull.

Parrotfish, by Ellen Wittlinger

Angela has always been struck by the obsession that the world has about dividing everyone into boys and girls. And even more trouble understanding why it bothers her and why she has always wanted to join the boys. When she figures out that she is really a boy and changes names to Grady, a brave voyage begins. While Grady realizes that he will face resistance and misunderstanding, his new friends and enemies show up in surprising places. But in the end, it is really all about discovering yourself.

It is no coincidence that the jacket bears an endorsement from Julie Anne Peters, whose Luna covered the TG world (much better!) from the other direction. This book is a bit preachy, relying on author intervention rather than a strong narrative to tell its story. That makes it a bit more ungainly than Wittlinger's other books. I also found the ending overly convenient and corny, but I'll admit that a book with such a heavy topic probably needs some lightening up. I'll give this a qualified recommendation -- good topic, good characters, but it needed a tighter story.

Twelve, by Lauren Myracle

In this sequel to Eleven, Winnie has turned twelve and twelve turns out to be an eventful year, ranging from getting her first bra and period to overnight camp and bee stings. A good boy and some fall-out with her best friend add more adventure.

I wrote that Eleven was good but boring because not too much of interest happens at that age. Holding aside the predictable menarche-inspired anecdotes (which, as important and dramatic as they are can be something of a predictable plot development in a book like this), the book simply is not very engaging. Part of the problem is that it is written as thirteen disconnected vignettes, as if Winnie was writing in a diary and only managed to do one entry a month. The anecdotes are well-written, but I never felt that interested in the character.

And as for the gratuitous name-dropping of Judy Blume in the November chapter, let's say that it was about as blatant as most of Blume's writing. Subtle it isn't. So, in case there is a young reader out there not familiar with Judy Blume, I'm sure that this will inpire them to pick up her ouevre. Or maybe not....sigh, I need to go back to teen books...

Alpha Dog, by Jennifer Ziegler

Spending the summer taking college classes in Austin couldn't have come at a better time for Katie as her boyfriend has just dumped her. But spending the sumer away from the kids at school and her overbearing mother isn't quite working out the way she planned. Her roommate is throwing wild parties. As a whim, Katie has adopted a dog who has turned into a holy terror. All of this has made Katie realize that the only way that she can ever truly be happy is if she learns to become the alpha dog.

Satisfying, but utterly predictable. The story has decent pacing and some good humor. Ultimately, it is an entertaining read, but no great literature. For a summer read, that is probably sufficient.

Rock My World, by Liza Conrad

In the summer before her senior year, Livi and her best friend Cam get dragged around with Livi's Dad. But it's not what you think: Dad is the lead singer of the legendary Baby Dolls and the summer is a whirl-wind trip of the world through a series of money-making nostagic gigs. As Livi interviews the band members for a journalism internship she has snagged, she also struggles with her growing attraction for the lead singer of the supporting act.

The book didn't do much for me on so many levels: crass materialism, flat characters, a rushed plot, cheap sentimental and contrived ending....I could go on. It also suffers from a major pet peeve of mine: Livi's taste in music is conveniently 10 years out of date, allowing the author to insert her music sensibilities into the story. Would it really kill a YA writer to do some research on what teens listen to now? OK, I'll withdraw my fangs but you should really give this one a miss....

Better Than Yesterday, by Robyn Schneider

Charley and Skylar have been in academic competition during their years at Hilliard Prep, but the quest for academic excellence has not made them happy. Charley is trying to convince his ambitious parents to let him pursue his dream of music, rather than theirs (medicine). Skylar is living down a reputation acquired in freshman year. Both of them (against their preconceptions) are fighting their attraction for each other. In the background are Marissa and the troubled Blake.

The book is engaging but suffers from what I call the first-novel syndrome. Schneider has a lot of good ideas and want to cram them all into the same book. That leaves a lot of plot undeveloped and also subjects the reader to a bunch of random thoughts and musings. These ideas are frequently clever but they strain the narrative. Finally, skip the last chapter. While the book is enjoyable, Schneider feels an unnecessary obligation to tie everything up at the end with a rushed afterward. You'll be happier if you skip it and use your imagination instead.

True to Form, by Elizabeth Berg

In the summer of 1961, Katie is thirteen and in the throes of a series of changes. By good fortune, she wins a radio contest that allows her to visit an old friend in Texas and she makes some wonderful new friends back home. But a series of tragedies (some of which she causes, while others are out of her control) leave her struggling to re-evaluate herself and her priorities.

Historical fictional memoirs don't tend to appeal to me and non-YA books about teens tend to score low as well, but I'll give this a qualified endorsement for rising a bit above the genre. The story rambles a bit and never develops a plot, but it is warm and well-meaning. Also, ditch the insipid discussion guide at the back of the book (you can save those for your unimaginative teachers!). Instead, enjoy this timeless (despite its repeated mention of contemporary miscellanea) story about priorities, friendship, and setting yourself right.

The Two Princesses of Bamarre, by Gail Carson Levine

Of the two princesses, Adele is the shy one and it is Meryl who is brave. But when the Gray Death strikes Meryl, it is Addie who must rise to the challenge of finding a cure for the dreaded disease. In the space of a few weeks, Adele will have to battle ogres, specters, gryphons, and dragons to rescue her sister. But first, she must overcome her fear of spiders!

A fairly typical offering for Levin in a world not that much unlike Ella Enchanted or Fairest, but without much of the magic of those books. IT's an entertaining read, but never quite captures the imagination. Addie is more reliant on others for help and grows less than Ella did. So, while those other books explored the development of magic within, this one never quite goes there. More of an action adventure than human development story.

The Diary of a Teenage Girl, by Phoebe Gloeckner

In this highly original story of growing up in San Francisco in the 1970s, Phoebe tells the (presumably autobiographical) story of Minnie, the daughter of an alcoholic and abusive mother who sleeps with one of her Mom's boyfriends, takes lots of drugs, and fails her way through her junior year of high school. It's a disturbing and dark story with some very believable moments and motivations (especially Minnie's misguided search for affection through having sex with older guys). As such, the work is groundbreaking for its honesty.

It is also so gross and removed from most adolescents' experiences that it is a hard sell. Sure, we've all experimented, but the sheer depth to which Minnie falls to will turn off many readers. And the explicitness of the story (and its drawings) certainly turned me off. Still, if cult comix are your thing and you like some pervo graphic novel stuff, there may be something here for you. A strange combination of exploitation and empowerment by an author who couldn't quite decide which she was more interested in. Complex like life.