Parrotfish, by Ellen Wittlinger

Angela has always been struck by the obsession that the world has about dividing everyone into boys and girls. And even more trouble understanding why it bothers her and why she has always wanted to join the boys. When she figures out that she is really a boy and changes names to Grady, a brave voyage begins. While Grady realizes that he will face resistance and misunderstanding, his new friends and enemies show up in surprising places. But in the end, it is really all about discovering yourself.

It is no coincidence that the jacket bears an endorsement from Julie Anne Peters, whose Luna covered the TG world (much better!) from the other direction. This book is a bit preachy, relying on author intervention rather than a strong narrative to tell its story. That makes it a bit more ungainly than Wittlinger's other books. I also found the ending overly convenient and corny, but I'll admit that a book with such a heavy topic probably needs some lightening up. I'll give this a qualified recommendation -- good topic, good characters, but it needed a tighter story.

Twelve, by Lauren Myracle

In this sequel to Eleven, Winnie has turned twelve and twelve turns out to be an eventful year, ranging from getting her first bra and period to overnight camp and bee stings. A good boy and some fall-out with her best friend add more adventure.

I wrote that Eleven was good but boring because not too much of interest happens at that age. Holding aside the predictable menarche-inspired anecdotes (which, as important and dramatic as they are can be something of a predictable plot development in a book like this), the book simply is not very engaging. Part of the problem is that it is written as thirteen disconnected vignettes, as if Winnie was writing in a diary and only managed to do one entry a month. The anecdotes are well-written, but I never felt that interested in the character.

And as for the gratuitous name-dropping of Judy Blume in the November chapter, let's say that it was about as blatant as most of Blume's writing. Subtle it isn't. So, in case there is a young reader out there not familiar with Judy Blume, I'm sure that this will inpire them to pick up her ouevre. Or maybe not....sigh, I need to go back to teen books...

Alpha Dog, by Jennifer Ziegler

Spending the summer taking college classes in Austin couldn't have come at a better time for Katie as her boyfriend has just dumped her. But spending the sumer away from the kids at school and her overbearing mother isn't quite working out the way she planned. Her roommate is throwing wild parties. As a whim, Katie has adopted a dog who has turned into a holy terror. All of this has made Katie realize that the only way that she can ever truly be happy is if she learns to become the alpha dog.

Satisfying, but utterly predictable. The story has decent pacing and some good humor. Ultimately, it is an entertaining read, but no great literature. For a summer read, that is probably sufficient.

Rock My World, by Liza Conrad

In the summer before her senior year, Livi and her best friend Cam get dragged around with Livi's Dad. But it's not what you think: Dad is the lead singer of the legendary Baby Dolls and the summer is a whirl-wind trip of the world through a series of money-making nostagic gigs. As Livi interviews the band members for a journalism internship she has snagged, she also struggles with her growing attraction for the lead singer of the supporting act.

The book didn't do much for me on so many levels: crass materialism, flat characters, a rushed plot, cheap sentimental and contrived ending....I could go on. It also suffers from a major pet peeve of mine: Livi's taste in music is conveniently 10 years out of date, allowing the author to insert her music sensibilities into the story. Would it really kill a YA writer to do some research on what teens listen to now? OK, I'll withdraw my fangs but you should really give this one a miss....

Better Than Yesterday, by Robyn Schneider

Charley and Skylar have been in academic competition during their years at Hilliard Prep, but the quest for academic excellence has not made them happy. Charley is trying to convince his ambitious parents to let him pursue his dream of music, rather than theirs (medicine). Skylar is living down a reputation acquired in freshman year. Both of them (against their preconceptions) are fighting their attraction for each other. In the background are Marissa and the troubled Blake.

The book is engaging but suffers from what I call the first-novel syndrome. Schneider has a lot of good ideas and want to cram them all into the same book. That leaves a lot of plot undeveloped and also subjects the reader to a bunch of random thoughts and musings. These ideas are frequently clever but they strain the narrative. Finally, skip the last chapter. While the book is enjoyable, Schneider feels an unnecessary obligation to tie everything up at the end with a rushed afterward. You'll be happier if you skip it and use your imagination instead.

True to Form, by Elizabeth Berg

In the summer of 1961, Katie is thirteen and in the throes of a series of changes. By good fortune, she wins a radio contest that allows her to visit an old friend in Texas and she makes some wonderful new friends back home. But a series of tragedies (some of which she causes, while others are out of her control) leave her struggling to re-evaluate herself and her priorities.

Historical fictional memoirs don't tend to appeal to me and non-YA books about teens tend to score low as well, but I'll give this a qualified endorsement for rising a bit above the genre. The story rambles a bit and never develops a plot, but it is warm and well-meaning. Also, ditch the insipid discussion guide at the back of the book (you can save those for your unimaginative teachers!). Instead, enjoy this timeless (despite its repeated mention of contemporary miscellanea) story about priorities, friendship, and setting yourself right.

The Two Princesses of Bamarre, by Gail Carson Levine

Of the two princesses, Adele is the shy one and it is Meryl who is brave. But when the Gray Death strikes Meryl, it is Addie who must rise to the challenge of finding a cure for the dreaded disease. In the space of a few weeks, Adele will have to battle ogres, specters, gryphons, and dragons to rescue her sister. But first, she must overcome her fear of spiders!

A fairly typical offering for Levin in a world not that much unlike Ella Enchanted or Fairest, but without much of the magic of those books. IT's an entertaining read, but never quite captures the imagination. Addie is more reliant on others for help and grows less than Ella did. So, while those other books explored the development of magic within, this one never quite goes there. More of an action adventure than human development story.

The Diary of a Teenage Girl, by Phoebe Gloeckner

In this highly original story of growing up in San Francisco in the 1970s, Phoebe tells the (presumably autobiographical) story of Minnie, the daughter of an alcoholic and abusive mother who sleeps with one of her Mom's boyfriends, takes lots of drugs, and fails her way through her junior year of high school. It's a disturbing and dark story with some very believable moments and motivations (especially Minnie's misguided search for affection through having sex with older guys). As such, the work is groundbreaking for its honesty.

It is also so gross and removed from most adolescents' experiences that it is a hard sell. Sure, we've all experimented, but the sheer depth to which Minnie falls to will turn off many readers. And the explicitness of the story (and its drawings) certainly turned me off. Still, if cult comix are your thing and you like some pervo graphic novel stuff, there may be something here for you. A strange combination of exploitation and empowerment by an author who couldn't quite decide which she was more interested in. Complex like life.

Converting Kate, by Beckie Weinheimer

Kate's mother is a devout follower of the Church of the Holy Divine and Kate herself always tried to do what her mother told her to do, that is, until her father died and Mom refused to have a funeral for him because he had not embraced the Church. This event an a move from Arizona to Maine prompts Kate with an opportunity to break free of her Mother's grasp and strike out on her own. And with the help of a kindly Aunt, a friendly pastor, a lobster fisherman's grandson, and some friends that she doesn't even know she has, she begins her own emotional and spiritual journey.

This book is as much about growing up and breaking free as it is about the decisions we make about faith and beliefs -- and thus touches deeply on many of the issues of coming of age. And while the endless bickering with Mom gets a bit wearing, especially since Kate seems to have already made her break with the Church from the start, there is much more to this story than simply breaking free. In this way, Weinheimer has created a story which goes the extra mile -- showing us Kate's journey to a place as well as where she is coming from. A tear-jerking and deeply moving story. Highly recommended.

Zig Zag, by Ellen Wittlinger

When Robin's boyfriend announces that he is going away for the summer - to Italy - she doesn't know what she will do with herself. But then her aunt proposes that she join them (aunt and two cousinlets) on a road trip across the country. And while things do not start off well (and do not get much better!) everyone learns a thing or three during their adventure.

This is actually one of Wittlinger's better books. It starts off slow but grows on you by the end. You will like the characters (even when they are messing up pretty bad) and Wittlinger understands psychological motivation pretty well so she does pretty realistic angst. I'd ding this novel for some unrealistic dialog, but overall it is pretty good.

What Mr. Mattero Did, by Priscilla Cummings

Mr. Mattero the music teacher is generous and kind to his students and the community. The worst that can be said is that he is a bit forgetful and absent-minded. So when three girls accuse him of sexual abuse, it comes as a shock to everyone, especially to his daughter Melody. As accusations and rumors spread, Melody must face revelations about her father and the conclusion that no matter how it turns out, things will never be the same.

Treading on the same ground as Harmless (right down to the shifting narrative), this is a paler and more shallow work. It is entertaining, but there are few original observations here and (compared with Cummings's other works like A Face First) this is a disappointment.

The Breakup Bible, by Melissa Kantor

When Max dumbs Jen, she finally understands why those 19th century heroines are always dying from heartbreak. She wishes that she too could die. But when her grandmother gets her a copy of Dr. Emory Emerson's Breakup Bible, Jen still thinks its the silliest thing in the universe. None of this realization saves her from the moping that nearly causes her to miss the opportunity to dig up real dirt on the school district while researching an article on race relations for her school newspaper. No, all she can think about is Max!

A fairly lightweight, but entertaining girl-loses-boy story. The first half drags on as it pulls out the usual romantic angst stuff, but the novel picks up speed in the second half and reaches a satisfactory conclusion.

Stargirl, by Jerry Spinelli

In the town of Mica AZ, kids are pretty normal and Leo is a normal kid. But Stargirl is different. She dresses strange, plays a ukelele in the cafeteria at lunch, cheers for the opposing team at basketball games. In short, she simply doesn't fit in. But somehow in being so very different from everyone else, she brings special magic to Mica and to Leo's life as well. And now he must choose whether he would rather be with her or be a part of the crowd.

This is a hard book to describe or to convey just how deeply moving and inspiring it is. It is more of a fable than a novel, addressing peer pressure, love, and the meaning of popularity. Stargirl is not specific to any particular era and may well remain a relevant book for years to come. Thus, I'll risk calling it a timeless classic.

Bloom, by Elizabeth Scott

Lauren and Dave are the perfect couple and everyday that Lauren walks down the hall at high school, she can tell that all the freshman girls would kill to be in her place. But from the inside, all is not so wonderful. Dave is boring and Lauren longs for something more, for someone she can share her feelings with, for someone she can truly love. And in Lauren's life, there isn't much room for real emotions or for sharing what you truly feel (her friends are distant, her father is distracted, and her mother abandoned her when she was little. And then she meets Evan...

OK, so you can probably guess where the story is going to go and it will win no prizes for originality. Worse still, the plot is full of old tired YA tripes (absent mother, distant clueless Dad, friends who just don't get you, etc.). But there is something to be said for decent writing and a sympathetic complex character. And while you know that reading a book like this is not good for you, it's still a pleasant Saturday summer read.

Listening for Lions, by Gloria Whelan

Rachel was born in Africa near the turn of the century to a missionary family running a hospital in the bush. When both of her parents succumb to the flu, she is taken in by the shady Pritchard family who scheme to have her impersonate their late daughter to get their family back in the good graces of the rich elder Pritchard. Rachel (now Valerie Pritchard) must embark of a trip to England to visit her "grandfather" for the Pritchards and leave behind her beloved Africa.

Combining some of the classic cliches of the orphan genre with some warm dialog and cultural detail, this is a charming book. The book is broken into three parts and, of these, the first two are the most interesting. The third suffers from a drastic telescoping of the narrative as Whelan rushes to the end of her story. One imagines that the third part probably needed another 100 pages or so to tell adequately and one wonders why she chopped it down so brutally, undercutting a fascinating character. A beautiful start but a flawed ended.

Lost in the Labyrinth, by Patrice Kindl

In this retelling (and combination) of several Greek myths, we get the story of the ancient Manoans, the Minotaur and the "hero" Theseus, Daedalus and Icarus, and an obscure princess Xenodice -- who unites all the threads together through her love for her half-brother (the Minotaur) and the young clever Icarus.

The myths are well-enough known, so no real surprises on the story, but much like the way that the novel Orphelia expands on a well-known story, Kindl riffs on Greek mythology in new ways, breathing life into the story and creating an engaging story about the brave princess Xenodice. It's a fun read, albeit neither suspenseful nor nourishing to the mind -- a good summer read (especially if you like Greek myths).

Dangerously Alice, by Phyllis Reynolds Naylor

In this latest (and 22nd) installment, Alice is doing the first half of her junior year. She has a new boyfriend and takes a few more risks (some of them major errors). But most of all, she tries to break free of her Miss Goody Two-Shoes (MGT) image and prove that she's a bit more nuanced as a person (even if she isn't quite sure what that will mean). More concretely, she rides a motorcycle, gets busted at a party by the cops, and goes just a bit further than her girlfriends have gone with a boy.

I've always been a fan of the Alice series (and it's the only series that I read religiously), but what worked well when Alice was 12 or 13 gets a bit old as she becomes an adult. No matter how old she gets, Alice remains terribly sheltered and innocent, more prone to mischief than real trouble. Naylor appears to understand this and has made an effort to create an edgier episode, but (like an overprotective parent) she really isn't willing to let go of her character. Alice makes errors in judgment which are quickly corrected for before even the reader can identify the mistake. In the end, she really is an MGT -- far too prim and proper to be believable. The truth about Alice is that she's always worked better as a character for middle school readers. While there is some pretty explicit sex in here, this book (like the others) will really appeal to the 12-14 year olds (as long as their parents don't find out what they are reading!).

In the Name of God, by Paula Jolin

In contemporary Syria, Nadia seems like the perfect daughter -- kind and generous to beggars, pious and respectful of her elders, but very very angry. Her anger is directed towards the way that the US treats Muslims, the way the leaders of her country treat the common people, and about the way her cousin Fowzi has been arrested. And one day when she is angry enough, she encounters a persuasive young man named Walid who gives her the opportunity to make a real difference in the world -- as a suicide bomber.

The extremely unusual YA story explores a part of the world that is certainly on people's minds but is largely misunderstood. I'm sure that purists could find flaws with it, but the descriptions of Arab culture ring true. So, as a glimpse of an alien world, the book is groundbreaking. As a novel, it is a bit thin at points, but the ending is immensely satisfying and dramatically gripping. A fine example of the potential of YA literature to transcend both the inane and the politically correct. Stunning!

Beige, by Cecil Castellucci

Katy and her mother have always been a close team and done everything together, but this Summer, Mom has to go do research on her own and Katy is being sent from her home in Montreal to her Dad in LA. Katy's Dad isn't your typical geeky Dad. He's the drummer for the legendary punk rock band Suck. Katy knows very little about music, so the culture shock is immense. But Katy's bigger problem is finding her inner strength to stand up for what she believes in and what she wants.

Castellucci writes good books about young women finding themselves and finding their inner strength. The characters of her books tend to be engaging and quirky and a bit off-beat. Katy is no exception to the mold and there are strong similarities between this book and her previous novels. As such, there is not a lot of novelty here. The book also suffers from a pretty lame ending which won't really surprise anyone. Those two drawbacks make the book a bit disappointing, but for decent strong characters who are admirable and do cool things, this is a decent book.

When It Happens, by Susane Colasanti

Sara spends the Summer before her senior year waiting for Dave to call her, while Tobey spends the Summer trying to build up the guts to ask Sara out. So, things get complicated in the Fall when Dave asks Sara out before Tobey can make his move. But things will work out in the end, because when it happens you just know that it is right...and Sara and Tobey are soul mates. Misunderstandings ensue and the young couple work through applying to colleges and deciding whether to have sex.

And that basically sums up this story. It has a nice realistic quality to it (and Colasanti does a fairly decent job of portraying her male characters -- a real challenge as the novel is told in alternating narration from Sara and Tobey), but the story has very little in the way of surprises or drama. You basically know where the story is going. In fact, the story is so predictable that even Colasanti decides to drop most of the plot lines before she concludes them. That makes for a brisk read, but not for anything you can get your teeth into. Good characterization, but really thin story.

Oh, and please save me from another YA novel where the kids have unusually ancient tastes in music. In this one, they swoon over The Cure, Bob Seeger, REM, Chicago, and even James Taylor! I can understand a few retro tastes, but give me a break! Those are my favorite bands, but I'm old enough to be a Dad in this book! I'll cast my vote right now for fictional pop music. Either that or we require all authors to actually learn some current pop culture before they publish (and a few gratuitous references to the White Stripes or Coldplay - so yesteryear! - does not qualify).