Leaving Jetty Road, by Rebecca Burton

The story of three girls (Nat, Lise, and Sofia) in their last year at an all-girl's school in Australia. Sofia is the one who's rebellious and sure, Lise is insecure and developing an eating disorder, while Nat just "drifts" through life, jealously watching the others "swim" off. Told from only the viewpoint of Lise and Nat, we never quite learn if Sofia really is together or if that's just the other girls' impressions, but it is clear that they all struggle a bit with relationships (boys, parents, and each other) trying to stumble their way through life. Along the way, there are jobs, parties, and school to deal with.

The story has no real plot per se, but it does have a number of nice observations about human nature. Each of the girls is flawed in painfully realistic ways. It doesn't do much to make any of them likeable, but you will sympathize with their plights and their feelings. It is a bit annoying that we never really hear Sofia's voice. I would have rather liked to have heard what she was thinking. But, all in all, given my incredibly poor luck with Aussie YA, this is a pretty outstanding book. Not as much fun as Sisterhood of the Traveling Pants (which it owes an obvious debt to), but more realistic and true to the heart.

Defining Dulcie, by Paul Acampora

When Dulcie's dad dies in a freak janitorial accident, Mom pulls up their roots and transports Dulcie to the other side of the country, but it's all too much for Dulcie and she runs away back home in her Dad's old red pick-up truck. Back in her old home, she goes to work for her granddad, fixing up the school over the Summer (he's a janitor too) and befriends another girl with a troubled homelife.

It's a story with a lot of promise and some amusing bits (certainly all the stories about cleaning and fixing bring to mind a bit of Joan Bauer's style). It has decent characters and lots of nice anecdotes, so what's the problem? Well, it just doesn't hang together very well. Some of the writing is excellent but other parts drag and the uneveness wears at you. Acampora has promise, but this book doesn't quite reveal it yet.

Kiss Me Tomorrow, by Susan Shreve

In this sequel to Blister, Alyssa (aka "Blister") has moved on to junior high and subsequent problems of both a romantic and legal nature. Her friendship with Jonah is threatened by his desire to hang out with cool boys, while her mother's decision to move in with her boyfriend Frank threatens her life at home. In short, things are changing and Blister hates change. But when Jonah is accused of shoplifting and runs away from home, Blister knows that some things do not change and she has to help her old friend.

I wasn't too taken by the original book. If I remember correctly, the heroine bothered me because she was stubborn to the point of utter stupidity so I lost sympathy for her. But the sequel suffers from muany more problems -- a plot that is all over the place and very sloppy writing. Even if I was sympathetic with Blister's character (and some folks apparently find her witty and funny), I think this story falls on its face.

Hill Hawk Hattie, by Clara Gillow Clark

In the late 1800s, Hattie and her father eke out a living in the mountains, chopping down trees and floating them down the Delaware to Philadelphia. It's a hard life, but one made much harder by Hattie's anger at her mother for dying, and her father's unwillingness to accept her (in an odd twist, he treats her as a boy, not allowing her to wear a dress).

An unusual historical novel (with way too much to tempt a teacher to assign it for a book report), this shows off a period and a way of life which is probably little known. It's actually a decent breezy read too, but a bit repetitive (the author's favorite metaphor is hawks and she pretty much brings it up every two-three pages or so).

Pandora of Athens: 339 BC, by Barry Denenberg

Pandora is 13, betrothed to a first cousin she does not love, and bored with her cloistered life in Ancient Greece. But then a chance meeting with Socrates and his servant Phoenix opens up options that may change her life.

On one hand, this book is full of marvelous detail (and the tie-in to a major historical character is clever). It is the type of book that will get kids interested in Ancient Greek history. On the other hand, the book is so tied up with its history lesson, that it really doesn't have much of a story to tell. What story there is quickly falls apart as Denenberg recreates some of Plato's more famous dialogs (Apology, Phaedo, etc.) -- fascinating for a reader like me with a PhD in Ancient Greek Philosophy (yeah, that's why I work in computers now!), but not likely to be so enthralling to a younger reader (yes, I loved the Republic when I was 16, but at 10??).

My Big Sister is So Bossy She Says You Can't Read This Book, by Mary Hershey

Effie Maloney tries to do the right thing, but that's hard when your older sister Maxie is always getting you in trouble. And when Maxie steals money from the Scouts fund (and pins the blame on Effie), she has to figure out a way to set things right. Add to all this mess a mother who is distant, a terrible secret or three, and a struggle to find a new best friend, and you have utter 4th grade hell all over the place (but don't say THAT around Mom if you know what's good for you!).

It is a bit painful getting through the book as Effie goes through a lot of unnecessary suffering, and then the whole thing wraps up a bit too neatly at the end. But moving beyond the torturous plot, there is a bit of charm to the characters. And perhaps what is hard for an adult to read, would actually be fun for a younger reader. There's certainly an honestu and authenticity to this book that makes it charming. And I especially like the portrayal of a religious household that was neither mocking or cloying. It's a book that would please more conservative families because of its stress on morality and godliness, but at the same time Hershey's worked in some good multiculturalism as well (something for everyone!).

The Music Thief, by Peni R. Griffin

Alma has had a tough time since her grandmother died, but the music of Jovita has helped her get through things. Then, Jovita is gunned down in a drive-by shooting and Alma's life seems to fall apart. She struggles with a family trying to stick together amidst an older brother falling into gang life and an older sister who dumps her own daughter on Alma to take care of. But Alma finds comfort next door at the neighbor's house, where she sneaks over while the neighbor is out and discovers a wide world of music.

An oddly amoral story of finding oneself in the midst of the barrio. Things both kind and criminal take place with little acknowledgement of either one. Instead, Griffin keeps the focus tight on this child realizing her own potential and her own failings. Even the ending is left open and ambiguous, as if there was a lot more of a story to tell. I ended up liking this story, but mostly for its originality and vision.

What Happened to Cass McBride? by Gail Giles

When Kyle's little brother commits suicide, he wants to get back at the girl who he believes pushed him to it: cruel mean Cass McBride. So, he kidnaps her and buries her alive in a box, slowly killing her from dehydration. But as she slowly dies, he extracts her confession and begins to wonder about his own culpability.

Creeping and upsetting, this is not a book for the faint of heart. In fact, it's a rather gross story, but it's also a page turning and if you like psychological thrillers, this is a good book for you. Excellent for its genre.

Evangeline Mudd and the Golden-Haired Apes of the Ikkinasti Jungle, by David Elliott

Evangeline Mudd is brave and strong and she loves to brachiate, but that is a perfectly natural thing to do when your parents are a pair of primatologists. And when the parents go off to the jungles of Ikkinasti to research the Golden Haired Apes and leave you with the CEO of Mudd's Marvelous Minks and his demented retired ballerina wife (who is not letting herself go!) and then all of a sudden they disappear and you have to call in the help of the world's leading expert on Golden Haired Apes to help you find them... well, then you know that you have an adventure!

Lots of fun times and comic adventures in this clever early reader. The illustrations are charming too, but the best part is the cheerful bouncy adventure that everyone is having. A wonderful delightful little story!

I Don't Want To Be Crazy, by Samantha Schutz

In verse form, Schutz tells her story of discovering that she has an anxiety disorder which goes through phases of being utterly uncontrollable. It isn't all bad, but when it is, it's pretty harrowing. In between, she has time to go to college, make friends, find love, lose love, and travel in France. But always, the story (and her life) comes back to her anxiety.

It's an interesting story, and made very direct through the verse form. But free verse writing is tricky business and this is a fairly weak example of it. Here it is used in many ways to avoid going into any great reflective depth. Instead, just as she is approaching a deep personal truth or a revealing moment, she just shuts off. So, instead, we are subjected to countless woes again and again and again. By the end of the story, we really are back where we started (a point that she acknowledges explicitly) but unlike what the jacket claims, we really don't get much of a sense of growth. And that really seems to be the point of the whole thing.

Returnable Girl, by Pamela Lowell

Ronnie has spent the last few years in foster homes, getting passed around as time after time she is rejected as unmanageable and unwanted. And with each rejection, she becomes worse and worse. Still, she is bright and intelligent and wants to make the right decisions. Meanwhile at school, she has an opportunity to join the popular clique, but it means rejecting her friend Cat. And the more she struggles with her decisions, the worse her choices seem to be.

An excellent novel about children in foster care and the various issues of neglectful parenting and child abuse. Lowell is a Clinical Social Worker so she has a bit of a cause here: to describe various aspects of the system. However, the book is not preachy and the material is presented subtly in a way that fits the story. It's not an entirely engaging book, but it is a good read with some substance behind it. Recommended.

It Only Looks Easy, by Pamela Curtis Swallow

On the day before 7th grade begins, Kat’s dog is struck by an old woman driver who suffers from Alzheimer’s Disease. And the following day, Kat makes a fateful decision to cut school and “borrow” a bicycle to see her injured pet. This snowballs into a far worse situation that Kat must dig herself out of.

A rather poorly-written novel that suffers from two problems – unrelated plot lines and unrealistic dialog (what 7th grader uses words like “horrendous” or psychoanalyzes one of her peers?). Add to the mess some sloppy proofreading (who was the editor?) and this appears to be a weak effort. The author’s intentions are admirable (describing Alzheimer’s, showing the bad consequences of stealing), but this is a mess!

Having said all that, I did want to compliment the author for not creating a happily-ever-after story. Unlike I’ll Sing You One-O (that I recently reviewed), we’re not getting any sense that stealing is ever OK or that Kat herself even feels it is justified. Instead, the acts is presented as a mistake from the beginning and it is never OK. Hooray for an author with a moral compass!

In the Company of Crazies, by Nora Raleigh Baskin

Mia has been a girl who gets good grades and makes her mother proud, but then things start to slip, and she starts acting up, eventually trumping it all by getting caught shoplifting. Her parents respond by sending her to a special boarding school for emotionally-disturbed teens. There she finds that she’s the sanest one of the bunch and that, in fact, she’s quite normal.

I’m a big fan of Baskin’s other novels, so I was holding out great hopes for this one, but it seemed either too subtle, or just too uninteresting, and by the time I finished it, I really wasn’t sure what it was about. There doesn’t seem to be much point to the story, except that we get to meet a number of characters who are suffering from various issues.

I'll Sing You One-O, by Nan Gregory

When Gemma is adopted by her absent mother's family out of a foster home she has lived in for the past couple years, she is devastated. Considering them to be complete strangers, she schemes of ways to return to her foster parents, eventually coming up with a plan to impress an angel with all of her suffering. Despite numerous attempts by both adults and peers to reach out to her, she stubbornly refuses all help, choosing instead to compound her woes by stealing, lying, and cheating her way to create a "great act" that will impress the angels and bring her a miracle.

From my last sentence there, you'll get the sense of how much this story line really pissed me off. I'll give the author credit for creating a set of characters and a story that I believed enough to feel that strongly about. But as I read this story I found myself getting angrier and angrier as a plot became more and more convoluted simply through the artifice of a heroine who is unwilling to get help. It's a cheap trick and easily resolved by having the heroine eventually accept help. And, frankly, by the time she is willing to get help, I had ceased to care about her. Instead, I felt that Gemma was a spoiled deceitful brat who cared only about herself and felt no qualms about hurting people around her for her own ends. I frankly didn't care if she was ever happy, and so I found myself absolutely hating this story.

After the Wreck, I Picked Myself Up, Spread My Wings, and Flew Away, by Joyce Carol Oates

In the aftermath of a car crash on the Tappan Zee that kills her mother, Jenna goes to live with her aunt. Haunted by survivor's guilt, she has a hard time adjusting to her post-wreck life. Instead, she becomes anti-social and withdrawn, experimenting with drugs and living an edgier life. The exception to her decline is her new found interest in a mysterious biker named Crow who seems to understand her in ways that no one else can manage.

It's a good story, but seems a bit rough at spots (few of the story lines are resolved, characters come and go fairly breezily). It's also a bit long and drawn out. All of which suggests the need for more vigorous editing. That said, this is a good read and worth your time. Oates is a good storytellers with skill at characterization and understanding human behavior.

An Abundance of Katherines, by John Green

Colin is a child prodigy who showed early on an immense ability to learn trivia and digest data, but he is no genius and at the age of 17 he realizes that he never will do anything that matters. Still, it doesn't take a genius to realize that being dumped by 19 girls named Katherine is a bit of a coincidence. In fact, it seems like something one ought to be able to mathematically predict. After the most recent dumping, he sets off on a road trip with his quirky friend Hassan in search of self, anagrams, and the perfect theorem to explain the relationship of dumper to dumpee.

John Green scores again with a lively and original novel. While the territory (boy dynamics, special lingo, and unusual idiosyncracies) is familiar from Looking for Alaska, it is still very good. Perhaps because it is such familiar territory, I won't quite give this the same glowing review as his first book, but I still have to admire his talent. He has once again created one of the very few "boy books" that I consider readable.

Amazing Grace, by Megan Shull

As the story opens, Grace Kincaid has reached utter burnout. She is a rich and successful tennis pro and at the top of her game, but she has had enough. No worries though as her mother has an escape plan all figured out and Grace is off to the Alaskan wilderness with a new look, new name, and a chance to have a new life -- one where she can be all the things she never got to be when she was rich and famous.

Where Meg Cabot's novels end, Megan Shull picks up. You won't find more than a few minor road blocks between Grace and her happiness, but dramatic tension isn't really the reason for this novel. Instead, this is a fun romance where people are generally nice and things work out pretty well, beyond a few tears and cheers. Good escapism and a quick breezy read. Fun!

The Ordinary Princess, by M. M. Kaye

Delightful story of the seventh daughter of King Huldebrand and Queen Rodehesia, who is given the "gift" of ordinariness by a grumpy fairy godmother. But the Princess Amy benefits from this gift and goes out to seek her fortune, discovering a joy and happiness that a thin, milky white, long blonde haired sister could never have found.

Magical and enchanting, with strong similiarities to another favorite of mine (Ella Enchanted) but shorter and less compliacted and probably targetted to a younger demographic. The drawings are particularly nice and I understand that the currently-available reprint mangles them badly, so you'll want to read this in its original edition. Fun and recommended.

The Geography of Girlhood, by Kirsten Smith

In a series of verses, we cover two years of Penny's life growing up, covering the usual topics of 14, 15, and 16, with a bit of drama thrown in for good measure. So, we get stories of sibling rivalry, dating, feminine hygiene, sleepovers, and loud drunken parties, along with death, running away, and a mental breakdowns. The verses don't really tell a story, but rather provide a series of snapshots of the Penny's life.

With positive blurbs on the jacket from Sarah Dessen, Sonya Sones, Ann Martin, Deb Caletti, E. Lockhart, and a bunch of others, Smith's publicist is working overtime to give this book the highest possible profile. Does it match the hype?

Verse novels is a dicey genre. Some of them transcend to become truly great works, but many more fall into predictable melancholy. As a rule, they are terribly uneven. This is a prime example of that uneveness. Several individual poems in this collection really stand out ("The Thing About Boats", "Going Together") but so many more as just wistful phrases. My favorite game is to read just the final line of each poem and move on. If it sounds like a Hallmark card, then you basically are dealing with tripe. Too often, Smith falls into that trap.

One of the reviewers wrote that "these are the poems that every teenage girl ... would love to write." I'd believe that, and I won't question the honesty of the writing. But what I have to wonder is whether you'd really want to read it? Too much of what I wrote in adolescence really wouldn't have interested anyone but myself.

Accidental Love, by Gary Soto

Marisa is quick to anger and not the type to waste her time on wimpy boys, so it comes as a surprise to her that she falls for the geeky Rene. But sometimes love is like that, Marisa is discovering. And meanwhile, she is losing weight and improving her grade, discovering self-confidence in the barrio. The writing is heavy with Spanglish for atmosphere and features a glossary at the end to guide the reader.

Middle readers are far too often written in an awkward 3rd person narrative style that drives me nuts. This is a prime example of the style. The author (either intentionally or not) copies the disconnected style that one would expect from a 6th grader where dramatic events just pop up and fade away with little or no significance to the story. There is some character development, but it is sort of accidental. As a result, you could basically pick up this book at any point and start reading and be basically set. That doesn't speak very highly of Soto's ability to create a dramatic arch. A weak novel.