Overnight, by Adele Griffin

Caitlin's birthday sleepover is the high social event of the year for the Lucky Seven -- the in-crowd at school. But when one of them gets abducted, the whole thing falls apart. By the end of the evening, the old alliances will be permanently broken.

Told from several viewpoints, Griffin captures the pettiness of sixth-graders well. Whether this makes for a good read is a matter of debate. If I was a sixth grader, I'd probably take offense at how shallow and cruel everyone is portrayed. But most of all, too many things were left unanswered, and that's frustrating. I like a few loose ends, but an awaful lot at the end is left unanswered.

The Nobodies, by Julianna Baggott [N. E. Bode]

In this sequel to The Anybodies, Fern and Howard go to summer camp, where the Mole (a.k.a. BORT -- sorry! no underlines!) has turned everything wrong. It is up to Fern, Howard, Corky Gorsky (secret agent!), and Good Old Bixie to thwart his plot. And with some help from everpresent empty bottle of diet lime fizzy drink, they will do it...that is, unless the author is killed by her ex writing teacher first!

More silly fun here, although of course not as striking the second time around. As sequels go, this isn't bad, but I don't imagine this story line has much left in it. Still, good for a silly chuckle. The storyline is so ridiculous that it really isn't worth following, but it will make for a fun bedtime read.

Ostrich Eye, by Beth Cooley

Ginger is initially distrustful of the stranger in the park who is watching her and her friends, but then she notices how much he looks like her biological father who left so many years ago. Now that she knows who she is, she opens her life to him and helps him figure out a way to confront her mother about her Dad's reappearance into her life. But everything is not quite what it seems.

A functional, but largely by-the-numbers story about family, trust, and a couple other things that I can't reveal because it would ruin the ending, this is a Delacorte prize winning story. I'm not quite sure it lives up to the hype, mostly because the ending is a bit too predictable, but it is a good read.

Contents Under Pressure, by Lara M. Zeises

Lucy's life takes a massive change when her older brother comes home (with his pregnant girlfriend) to live at home. Add to the mix a first kiss and a first boyfriend. Then finish it off with some heartfelt discussions about sex.

Zeises is a wonderful author for niot being prudish or talking down to her readers. Her characters are wonderfully multi-dimensional and realistic. She's not afraid to not only discuss sex honestly, but also discuss passion, lust, doubt, fear, and the whole emotional rollercoaster. Another strong work by a woman who is fast becoming a favorite author of mine.

Project Mulberry, by Linda Sue Park

Julia may be a Korean-American, but she wants to be as American as she can be (and forget about the Korean part). When her best friend Patrick suggests that they do a project raising silk worms, Julia resists the idea as too Korean, but she warms up to the project. Along the way, she deals with managing her annoying little brother, her mother's distrust of Blacks, and her frustration with the author.

The really clever part of this novel is the heroine's chats with the author that take place between chapters. It's an original and (unusually) entertaining concept to shed some light on the author's mind. Otherwise, the story is satisfactory with good writing and engaging characters, but nothing especially extraordinary.

Flipped, by Wendelin Van Draanen

In alternating chapters, Bryce and Julianna tell the story of how they met and how they've grown up together, but with drastically different points of view. And while Julianna has been chasing after Bryce from the very beginning, Bryce doesn't feel quite the same attraction until a series of events causes the two of them to flip their positions.

Very clever and insightful. I have a soft spot for stories where you get multiple perspectives on the same events. It's always so clever and fun to read. Van Draanen creates two very believable and sympathetic characters that you really want to see develop, making this a difficult book to put down. Recommended.

Criss Cross, by Lynne Rae Perkins

A series of overlapping and interrelated storylines about a group of kids in the small town of Seldom. Opportunities found and lost (mostly lost) and several clever asides and digressions.

Doesn't sound like much of a plot, does it? Well, it isn't. If this book had not just won the Newbery (and been written by a really great author), I'd probably just blow this one off as a bit of literary pretension. But instead I feel rather compelled to take it seriously, since others are as well.

There are a number of clever stories (the traveling necklace, the driving lesson, the guitar) and the writing is certainly excellent. There are also some really silly experiments (the sponge, the Japanese chapter). That said, I have a hard time seeing this as children's literature. Rather, it struck me as being as inaccessible as adult lit has become. Perhaps YAs would like it, but it is way too experimental and weird for younger readers and the vocab is a bit too advanced. Think The Little Prince with more SAT-level words. What you have here is a book written by adults for adults with the illusion of being a kid's book because the characters are children. But that doesn't make it a book for kids.

Now, if any young readers would like to weigh in and tell me I'm wrong, and that they really loved this book, I certainly wouldn't mind hearing from them, but my money is on the bet that this book isn't going to get read very much.

Jailbait, by Leslea Newman

Andi is almost 16 and as much of an outcast as she can be. But when an older man starts to pay her special attention and tells her how beautiful she is and how much he loves her, she finally feels appreciated. And as their relationship goes further and further, Andi begins only a little too late to realize how trapped she is.

Newman deftly avoids turning this cautionary tale into sensationalistic schlock. Instead, creating a very tender coming-of-age story set in the early 1970s. It all feels rather autobiographical, but that is its charm: the story is believable and touching. And it will make your stomach churn, but that's what good writing - and this story in particular - are all about.

Bird, by Angela Johnson

Bird has run away from Ohio, her dead father, and her family, seeking something else because of a dream she has had. She ends up in Alabama, taken in by the kindness of Jay, Ethan, and Mrs. Pritchard. And, in the summer she spends down there and the intertwined storylines of the people she meets, she learns a bit about why she is running and where her home is.

This is a well-written and sweet story about losses not fully comprehended and about self-discovery. I have to wonder if it wouldn't be a bit dull to a younger reader as very little actually goes on in this story, but I'll leave that conclusion to others (I certainly found it a bit dull!).

Killing Britney, by Sean Olin

Years ago, Britney's mother died and her body was never found. Now, friends and family are dropping like flies to a mysterious murderer. Is it the strange Adam who arrived recently from far away and has a past he is trying to hide? Or is it obsessive Bobby who is trying to "protect" her? Or someone else?

Gack! I will rate this as one of the worst books I have read so far, certainly the worst for 2006. Even if you like murder mysteries, this one lacks all sorts of plausibility or coherent writing. Oddly, the whole thing is set in Madison WI (where I live), with people and places changed to avoid slandering anyone, but it is patently obvious that Olin has never been here as he has no idea what the place is like. Some minor (but representative) examples: the action takes place in "northwestern Madison" (where? on Lake Mendota?). Worse, he talks about the Packer's green and white colors (Excuse me? You don't even have to be a native to know the green and gold). But skipping past that amazing sloppiness, this story is full of two-dimensional characters with ridiculous motivations and poor writing. Good descriptions of gorey deaths if that interests you, but there are better examples of the genre if that's what you want.

Wrecked, by E. R. Frank

A party, a drunken friend (and a few too many drinks perhaps of her own), a dark night, an old U2 song, and a big crash. A wave, a father, and scream that won't stop...until they all do. The friend in the cast, the SATs, therapy, the nightmares, and the attempt to rebuild and reconnect. Some stories come to happy conclusions for no particular reasons (like people bindly sending dollars to a PO Box), others remain unfinished, like the memorial website never visited or the brother who won't admit that he needs help, or a father who plays internet poker on his laptop. Sometimes you are just wrecked.

This multi-layered story (and yes, I didn't mention every subplot!) tells about how Anna recovers from the experience of driving the car that kills her brothers girlfriend, and along the way disocvers some of the mysteries of what makes her tick. It's a good story and well-written, and probably should have been another 100 pages. They say that you should always let then story tell itself. But when you get to the last ten pages and the story suddenly jumps ahead six months, you know that the author has tired of the story or an editor has forced her to shorten the manuscript, and you've been cheated of a part of the narrative. I'll give it a mixed review for that and some other narrative muddiness, but this is a very strong book and certainly worth reading!

Amy, by Mary Hooper

When Amy loses her best friends, she goes online to find new ones and meets the fabulous Zed, an older boy. Within a few weeks, he invites her to visit him. Knowing what she does about stalkers and the creeps that hang out online, she's wary but takes the leap anyway. Their meeting goes surprisingly well and she's thinking of doing it again, but something feels terribly wrong.

Readers should be able to see the ending being telegraphed from a mile away (not least of which is because the story begins as a police interrogation), but maybe it still has value as a story. At the least, there is a great deal of suspense in the story and that makes it a decent read.

Summer's End, by Audrey Couloumbis

When Grace's brother Collin burns his draft card, their father throws him out of the house. Grace's big birthday party is cancelled and Grace can't imagine a worse state of affairs, that is, until Collin runs away to Canada, and now grace has a set of secrets to hold inside as she and her cousins take sides in a war at home that the adults are playing with each other.

Set in the early 1970s, Couloumbis is attempting to capture the mood of the times as conservative families faced the reality of their own sons going off to war, and had their ideals tested by the experience. Intended to be more of a set of reflections on family, the book falters a bit there, and overall this is a thick and turgid read. I'll admit that I'm not a big fan of historical fiction, but it seems that this particular topic must seem pretty far removed from the minds of young readers today, since the characters of this story would be grandparents by now. And I don't think it helps that the story is so cerebral and not terribly event-filled.

Number the Stars, by Lois Lowry

In Nazi-occupied Denmark, Annemarie Johansen and her family, help their neighbors escape the Nazi's. At first an effort of only the parents, eventually Annemarie finds that she has a role to play as well in saving her friend Ellen's life.

Suspenseful and intriguing, this book represents the very best in historical fiction. An interesting period, with a fact-filled afterward that explains the history behind the story. This is a very well written, short book, and an unusual exception to my usual rule that Newbery winners tend to not live up to the hype. I'll withold one star simply because the story doesn't captivate me personally, but I'll do so reluctantly because this is really a very good story.

***

I promised in my last post that I would comment on the award announcements from the ALA on Monday. Mostly, I am glad about the results. I haven't read Criss Cross yet although I intend to do so soon. I love Looking for Alaska so I'm very glad it won the Printz. I don't know the Caledecott winner, but I liked Zen Shorts (one of the honor books). So, all in all, not a bad set of choices. I suppose I'm mostly glad about what didn't win also, but it's better to stay positive, eh?

The Fashion Disaster That Changed My Life, by Lauren Myracle

On the first day of seventh grade, Alli is hoping to make a big impression. And she does. Unfortunately, it involves static cling and the embarassing appearance of her mother's underwear at school. But what starts as a great humiliation opens doors to stardom that Alli has only dreamed of, and as she becomes popular she has to cope with whether that fame is really what she wants.

Myracle does a really good job with books about middle schoolers. This story doesn't break any new ground. It's the old chestnut about seeking to be popular, winning the chance to be one of the "in crowd," and then discovering that it isn't what it's cracked up to be. It's been done many times before. In fact, another novel of hers, Rhymes With Witches did it much more cleverly for an older audience. But the story is still fun and satisfying.

A special shout out to any authors who are having a restless night of sleep tonight, awaiting the announcements of the Newbery, Caldecott, Printz, Geisel, King, and all the other kid lit books. Tomorrow at 8am in San Antonio. My best wishes to all of you. I'll try to write more tomorrow when the results are announced.

What I Believe, by Norma Fox Mazer

When Vicki's father loses his job, a series of events ensues where she and her family must cope with a rapidly declining standard of living. They have to sell their house, move into the city, and then cope further when Dad leaves them. As things hit rock bottom, Vicki makes a horrible mistake of her own and has to cope with the consequences of that mistake, learning that even adults are not flawless and that, in the end, family is all we really have.

It has platitudes and it has some good writing, but free-verse novels always seem a bit of a cop-out to me. Sonya Sones writes some good ones, but this one is quite uneven - even if the verse structure is more ambitious. Good technique does not translate to a compelling story.

Luna, by Julie Anne Peters

Regan loves her sister Luna, even though Luna never reveals herself in the light of day, even though Regan can't tell anyone that Luna even exists. And Luna does exist, although their parents would like to ignore her existence. The world isn't ready for Luna, because Luna is also Regan's brother Liam.

As a groundbreaking novel about teenage transgender identity, this is a pretty original piece of work. And once again, Peters hits on a pretty good story idea and does a great job developing her characters to rise to the occasion. But once again, I find myself frustrated. Define "Normal" was a great book. So was Keeping You a Secret. But they always fall a bit flat. This time it is the sheer annoyingly selfishness of Luna which comes off as a barrier more than a character flaw. It's really hard to sympathize with so much co-dependency floating around in the story. A shame, though, because this is otherwise a very good book.

Trick of the Mind, by Judy Waite

Erin loves Matt and Matt loves Kirsty and Kirsty is going out with Billy, who has a mean temper. And since Erin and Matt are sort of losers anyway, and Kirsty and Billy are popular, neither of them have much of a chance, except maybe with each other, but the games that they will play (compounded by numerous misunderstandings) ensure that everything gets pretty messed up in the end.

The story is told in two voices, shifting back and forth between Matt and Erin, and that is a clever (although not-too-original) idea. However, it is also painfully distracting. And what on earth is with these morbid British YA books where people get killed? The homicide rate in these books rival an episode of 24! Anyway, a drudgery to get through. Not worth the effort in the end.

Sixth-Grade Glommers, Norks, and Me, by Lisa Papademetriou

Allie enters sixth-grade at an elite magnet school with her best friend Tam, but as these things have a way of doing, she and Tam start to drift apart. And as the year progresses, Allie struggles with her identity, as she starts playing offense in soccer (after being on defense all the time), becoming friendly with geeky Orren, and learning to do things because SHE enjoys them, rather than to be cool. Still, she struggles with what she really wants.

This is pretty much a by-the-numbers book about changing friendships. It's got a terribly clever thing going with made-up words like "glommers", "norks" and so on. You'll be able to predict where the story is going, but that doesn't diminish it's fun. So, a good book, but nothing outrageously original.

Girl, Nearly 16, Absolute Torture, by Sue Limb

In this sequel to Girl, 15, Charming But Insane, we get the further adventures of Jess a few months later. She and Fred are no a regular number and looking forward to a romantic summer together, when her Mum announces that they are going away on a surprise holiday for the whole summer. Will Jess survive? Will Fred still be waiting for her or will he be swept away by Flora? Will he text her everyday on his mobile? And, oh yeah, there's visiting her Dad and finding out what dark secret he's hiding from her.

It's clever, it's funny, and it's very very British stuff. Not just the slang or the heavy reliance on text messaging, but also the social interactions and the insecurities. While book starts off very clever and even stronger than the first, Jess comes off terribly insecure in this sequel, to a point where you start to lose sympathy for her. I found the book a bit tiresome and dull, and the ending a bit too tidy.