All Rivers Flow to the Sea, by Alison McGhee

Rose and Ivy were in a car accident and Rose survived. Ivy ended up nearly brain dead and kept alive with ventilators -- not quite dead and not quite alive. In the months after the accident, Rose tries to piece together her life, but all she can find is a textbook about wars, a series of boys who she tries to use to take her pain away, and an older man who has also suffered loss, and teaches her to drive.

Beautifully written, but largely pointless. My synopsis does more credit to the plot than it deserves as this is largely an exercise is writing pretty prose, not really in telling a story. Be prepared to snoooooooooooooooze.

The Queen of Second Place, by Laura Peyton Roberts

Cassie believes everyone has a talent. Whether it's Quentin's ability to find parking places, Fitz's ability to find the longest line, or Casiie's own talent at always coming in second place. But those ideas are all about to come under serious fire when Cassie meets Kevin and decides that she will be his girlfriend, even so uber-sexy Stirling has already set her eyes on the guy.

All of which makes this novel sound like a vacuous boy-crazy book, which it really isn't. Roberts's writing is great and witty and Cassie is so much the best friend that you wish you had in school. That makes her trials and tribulations really fun to follow her through and the payoff in the end when things end up...well, end up pretty much as you have to expect them to (enough said!). It's a pretty long read, but it's a good one!

Half and Half, by Lensey Namioka

When Fiona Cheng has to indicate her race on a class registration form, she doesn't know which box to check. She's half Chinese and half Scottish. And as the Folk Festival comes up, Fiona gets an opportunity to explore her notions of her own identity and those of her friends as well.

Fairly basic by-the-numbers middle reader about racial identity. No major crises, Fiona solves all of her family's problems, and everyone is very happy in the end. It's warm, it's caring, it may even teach a valuable lesson or two, but it doesn't really have much substance behind it and the clunkiness of the prose will keep this out of the limelight.

Light Years, by Tammar Stein

Maya leaves Israel to come study in Virginia, but she is leaving more than her homeland, she is leaving behind the place where her first love, Dov, was murdered by a suicide bomber. Unable to cope with the grief from that loss (and her role in causing it), she retreats into nightly runs and her love of astronomy.

An almost certainly autobiographical look at being a foreign student in the US and coming to terms with a homeland that offers both beauty and pain (whether the dead boyfriend actually happened or not is irrelevant), Stein creates a world that is probably unknown to most Americans. The chapters that take place in Israel, in particular, portray a world that will be fascinating to anyone who has never been there.

My major reservation is that I don't think this is really a YA book. It will probably be most of interest to younger adults, but most likely in the 18 and up category. That doesn't mean that kids shouldn't read it (and won't enjoy it), but as a story that begins when Maya is already 18 and out of school, people will enjoy this book as an adult book.

Bittersweet, by Drew Lamm

Taylor has always had plenty of ideas for pictures, but after her grandmother is taken to a nursing home, Taylor can't deal. She loses all inspiration and falls into a slump where she can't manage to draw a thing, and where she loses interest in life itself, casually accepting whatever comes her way, whether it is her friends or a guy hitting on her.

This is a soul wrenching rumination on loss and how we cope with it. It starts off very strong and ends on a predictable sad note. But in between, the story meanders, not that much unlike Taylor's own depression. The problem is that a meandering plot just isn't all that interesting to read. There's very little dramatic arch and characters wander in and out without sparking much interest. A distant father suddenly becomes less distant and then just fades away from the story, as if life going well isn't worth living or talking about. Aimless and in need of serious editing.

Missing Abby, by Lee Weatherly

When Abby goes missing and Emma realizes that she's the last one who's seen her, it triggers a torrent of memories -- about the fun they used to have together, and about how Emma ran away from their friendship because Abby got too embarassing to be with (with her Goth fantasies and other non-trendy stuff). As days turn to weeks, and the chances of finding Abby diminish, Emma comes to the realization that she's lost a real friend.

Moderately predictable, but satisfying story with an edge of suspense (about as much danger as Brit YA Lit ever seems to allow -- have you ever noticed that the kids in UK children's lit are on such tighter leashes than the Yanks?). Some nice unorthodox friendships (where things don't necessarily work out) and less unusual parents (who go rather abruptly from being unreasonable to being totally cool). A mixed bag, but not a wasted read.

Peaches, by Jodi Lynn Anderson

Reluctantly, three girls (Birdie, Leeda, and Murphy) find themselves spending Spring Break and then the entire summer together at the darlington peach orchard, where they learn a lot about boys, peaches, and friendship.

The novels reads like a movie treatment and perhaps it would make a good one, but it's all a bit too distant and I never found myself getting inside any of the main characters. I kept being told what they were feeling or deciding, but never quite understanding it for myself, and so I found myself cut off. It might be the multitude of characters or the third-person style, but in any case, not really so much fun to read. Great ideas, occasionally funny bits (especially all the cute random asides), but ultimately unfulfilling.

If We Kiss, by Rachel Vail

Charlie starts the year off with her first kiss. That ought to be a good thing except that the boy (Kevin) then starts to date her best friend Tess. And Kevin's father starts to date Charlie's Mom. And when it couldn't get any more confusing and complicated, it seems that Kevin still wants to kiss her...and she wants to kiss him too.

Both predictable and cliche, yet fun and original, Vail does a wonderful job at producing a realistic story. It doesn't break new ground, it won't teach you life's lessons, and it won't shock the schoolboard, but it is entertaining and fun to read. The literary equivalent of comfort food.

Locked Inside, by Nancy Werlin

Marnie has learned to be very careful how she opens up. It was an important survival technique as soons as she was old enough to realize the way that people would try to use her because of her famous mother. But when she is kidnapped, she must confront that decision to stay closed up, and learn to trust the right people in order to survive.

A thriller. Not my usual choice of genre, but I'm trying to branch out. The whole thing was a bit too long and rambling for my taste, with very little long-term redeeming quality to it, but it was entertaining. The characters never quite sucked me in but the novel wasn't a bad experience. If you like thrillers and mysteries, this one is not bad.

Just Like That, by Marsha Qualey

Hanna breaks up with her boyfriend, blows off her friends' party invite and takes a walk out to the lake during a bitterly cold Minnesota night. What happens next triggers a series of event that compound with others to create a story of sorts as Hanna separates herself from her friends, finds new ones, and seeks out lost family relations for herself and others.

This is an odd book. On its face, it's very poorly organized. Plot twists show up out of the blue, usually with only a few pages foreshadowing (important character information is presented after the fact to justify these twists). It all reeks of bad writer. Yet, this is well-written and one suspects that the poorly announced plot twists are something of a style. That particular style may or may not appeal. I'll give it points for originality, but I'm not so sure it works for me.

Splintering, by Eireann Corrigan

In the aftermath of a random act of violence against a family, the individual members of the family must recover and rebuild. Each one struggles with their own demons and none of them can quite figure out a way to reconnect. Through a series of prose poems which are alternating visions of what brother and sister feel, Corrigan brings to life their conflicting feelings.

Some poetry collections work, while others become excuses for fragmented writing. This is an example of the latter. It doesn't help that the poetry isn't really that good. Long rambling free verse, the language is basically prose written in snippets. That's really an abuse of the form, as if Corrigan can't connect the dots between the various scenes or find a way to connect her characters. Yes, as the title implies, being splintered and disconnected might be the point here, but this is pretty turgid reading. The characters mostly mope around, not really realizing anything about themselves or others, and end up pretty much where they started. Very little payoff here.

Sandpiper, by Ellen Wittlinger

Sandpiper Hollow has a confused relationship with boys. She picks up a new boyfriend, stays with him for a few days, and drops him when she tires of him. But then she meets Walker and his secrets and her life changes. But not before her past catches up with her. Each chapter is interspersed with poetry that expands upon the themes that the chpater before has just introduced.

A fairly explicit and violent story about teenage sex, jealousy, and love, placed in a very realistic and believable setting. When the heroine starts describing giving her boyfriends blowjobs within the first twenty pages, you know you aren't reading Catcher in the Rye anymore! This is thoughtful and respectful fiction, just the type of thing that narrow-minded people like to ban. But while it will give the adults gray hairs, I think YAs will like it.

Overnight, by Adele Griffin

Caitlin's birthday sleepover is the high social event of the year for the Lucky Seven -- the in-crowd at school. But when one of them gets abducted, the whole thing falls apart. By the end of the evening, the old alliances will be permanently broken.

Told from several viewpoints, Griffin captures the pettiness of sixth-graders well. Whether this makes for a good read is a matter of debate. If I was a sixth grader, I'd probably take offense at how shallow and cruel everyone is portrayed. But most of all, too many things were left unanswered, and that's frustrating. I like a few loose ends, but an awaful lot at the end is left unanswered.

The Nobodies, by Julianna Baggott [N. E. Bode]

In this sequel to The Anybodies, Fern and Howard go to summer camp, where the Mole (a.k.a. BORT -- sorry! no underlines!) has turned everything wrong. It is up to Fern, Howard, Corky Gorsky (secret agent!), and Good Old Bixie to thwart his plot. And with some help from everpresent empty bottle of diet lime fizzy drink, they will do it...that is, unless the author is killed by her ex writing teacher first!

More silly fun here, although of course not as striking the second time around. As sequels go, this isn't bad, but I don't imagine this story line has much left in it. Still, good for a silly chuckle. The storyline is so ridiculous that it really isn't worth following, but it will make for a fun bedtime read.

Ostrich Eye, by Beth Cooley

Ginger is initially distrustful of the stranger in the park who is watching her and her friends, but then she notices how much he looks like her biological father who left so many years ago. Now that she knows who she is, she opens her life to him and helps him figure out a way to confront her mother about her Dad's reappearance into her life. But everything is not quite what it seems.

A functional, but largely by-the-numbers story about family, trust, and a couple other things that I can't reveal because it would ruin the ending, this is a Delacorte prize winning story. I'm not quite sure it lives up to the hype, mostly because the ending is a bit too predictable, but it is a good read.

Contents Under Pressure, by Lara M. Zeises

Lucy's life takes a massive change when her older brother comes home (with his pregnant girlfriend) to live at home. Add to the mix a first kiss and a first boyfriend. Then finish it off with some heartfelt discussions about sex.

Zeises is a wonderful author for niot being prudish or talking down to her readers. Her characters are wonderfully multi-dimensional and realistic. She's not afraid to not only discuss sex honestly, but also discuss passion, lust, doubt, fear, and the whole emotional rollercoaster. Another strong work by a woman who is fast becoming a favorite author of mine.

Project Mulberry, by Linda Sue Park

Julia may be a Korean-American, but she wants to be as American as she can be (and forget about the Korean part). When her best friend Patrick suggests that they do a project raising silk worms, Julia resists the idea as too Korean, but she warms up to the project. Along the way, she deals with managing her annoying little brother, her mother's distrust of Blacks, and her frustration with the author.

The really clever part of this novel is the heroine's chats with the author that take place between chapters. It's an original and (unusually) entertaining concept to shed some light on the author's mind. Otherwise, the story is satisfactory with good writing and engaging characters, but nothing especially extraordinary.

Flipped, by Wendelin Van Draanen

In alternating chapters, Bryce and Julianna tell the story of how they met and how they've grown up together, but with drastically different points of view. And while Julianna has been chasing after Bryce from the very beginning, Bryce doesn't feel quite the same attraction until a series of events causes the two of them to flip their positions.

Very clever and insightful. I have a soft spot for stories where you get multiple perspectives on the same events. It's always so clever and fun to read. Van Draanen creates two very believable and sympathetic characters that you really want to see develop, making this a difficult book to put down. Recommended.

Criss Cross, by Lynne Rae Perkins

A series of overlapping and interrelated storylines about a group of kids in the small town of Seldom. Opportunities found and lost (mostly lost) and several clever asides and digressions.

Doesn't sound like much of a plot, does it? Well, it isn't. If this book had not just won the Newbery (and been written by a really great author), I'd probably just blow this one off as a bit of literary pretension. But instead I feel rather compelled to take it seriously, since others are as well.

There are a number of clever stories (the traveling necklace, the driving lesson, the guitar) and the writing is certainly excellent. There are also some really silly experiments (the sponge, the Japanese chapter). That said, I have a hard time seeing this as children's literature. Rather, it struck me as being as inaccessible as adult lit has become. Perhaps YAs would like it, but it is way too experimental and weird for younger readers and the vocab is a bit too advanced. Think The Little Prince with more SAT-level words. What you have here is a book written by adults for adults with the illusion of being a kid's book because the characters are children. But that doesn't make it a book for kids.

Now, if any young readers would like to weigh in and tell me I'm wrong, and that they really loved this book, I certainly wouldn't mind hearing from them, but my money is on the bet that this book isn't going to get read very much.

Jailbait, by Leslea Newman

Andi is almost 16 and as much of an outcast as she can be. But when an older man starts to pay her special attention and tells her how beautiful she is and how much he loves her, she finally feels appreciated. And as their relationship goes further and further, Andi begins only a little too late to realize how trapped she is.

Newman deftly avoids turning this cautionary tale into sensationalistic schlock. Instead, creating a very tender coming-of-age story set in the early 1970s. It all feels rather autobiographical, but that is its charm: the story is believable and touching. And it will make your stomach churn, but that's what good writing - and this story in particular - are all about.

Bird, by Angela Johnson

Bird has run away from Ohio, her dead father, and her family, seeking something else because of a dream she has had. She ends up in Alabama, taken in by the kindness of Jay, Ethan, and Mrs. Pritchard. And, in the summer she spends down there and the intertwined storylines of the people she meets, she learns a bit about why she is running and where her home is.

This is a well-written and sweet story about losses not fully comprehended and about self-discovery. I have to wonder if it wouldn't be a bit dull to a younger reader as very little actually goes on in this story, but I'll leave that conclusion to others (I certainly found it a bit dull!).

Killing Britney, by Sean Olin

Years ago, Britney's mother died and her body was never found. Now, friends and family are dropping like flies to a mysterious murderer. Is it the strange Adam who arrived recently from far away and has a past he is trying to hide? Or is it obsessive Bobby who is trying to "protect" her? Or someone else?

Gack! I will rate this as one of the worst books I have read so far, certainly the worst for 2006. Even if you like murder mysteries, this one lacks all sorts of plausibility or coherent writing. Oddly, the whole thing is set in Madison WI (where I live), with people and places changed to avoid slandering anyone, but it is patently obvious that Olin has never been here as he has no idea what the place is like. Some minor (but representative) examples: the action takes place in "northwestern Madison" (where? on Lake Mendota?). Worse, he talks about the Packer's green and white colors (Excuse me? You don't even have to be a native to know the green and gold). But skipping past that amazing sloppiness, this story is full of two-dimensional characters with ridiculous motivations and poor writing. Good descriptions of gorey deaths if that interests you, but there are better examples of the genre if that's what you want.

Wrecked, by E. R. Frank

A party, a drunken friend (and a few too many drinks perhaps of her own), a dark night, an old U2 song, and a big crash. A wave, a father, and scream that won't stop...until they all do. The friend in the cast, the SATs, therapy, the nightmares, and the attempt to rebuild and reconnect. Some stories come to happy conclusions for no particular reasons (like people bindly sending dollars to a PO Box), others remain unfinished, like the memorial website never visited or the brother who won't admit that he needs help, or a father who plays internet poker on his laptop. Sometimes you are just wrecked.

This multi-layered story (and yes, I didn't mention every subplot!) tells about how Anna recovers from the experience of driving the car that kills her brothers girlfriend, and along the way disocvers some of the mysteries of what makes her tick. It's a good story and well-written, and probably should have been another 100 pages. They say that you should always let then story tell itself. But when you get to the last ten pages and the story suddenly jumps ahead six months, you know that the author has tired of the story or an editor has forced her to shorten the manuscript, and you've been cheated of a part of the narrative. I'll give it a mixed review for that and some other narrative muddiness, but this is a very strong book and certainly worth reading!

Amy, by Mary Hooper

When Amy loses her best friends, she goes online to find new ones and meets the fabulous Zed, an older boy. Within a few weeks, he invites her to visit him. Knowing what she does about stalkers and the creeps that hang out online, she's wary but takes the leap anyway. Their meeting goes surprisingly well and she's thinking of doing it again, but something feels terribly wrong.

Readers should be able to see the ending being telegraphed from a mile away (not least of which is because the story begins as a police interrogation), but maybe it still has value as a story. At the least, there is a great deal of suspense in the story and that makes it a decent read.

Summer's End, by Audrey Couloumbis

When Grace's brother Collin burns his draft card, their father throws him out of the house. Grace's big birthday party is cancelled and Grace can't imagine a worse state of affairs, that is, until Collin runs away to Canada, and now grace has a set of secrets to hold inside as she and her cousins take sides in a war at home that the adults are playing with each other.

Set in the early 1970s, Couloumbis is attempting to capture the mood of the times as conservative families faced the reality of their own sons going off to war, and had their ideals tested by the experience. Intended to be more of a set of reflections on family, the book falters a bit there, and overall this is a thick and turgid read. I'll admit that I'm not a big fan of historical fiction, but it seems that this particular topic must seem pretty far removed from the minds of young readers today, since the characters of this story would be grandparents by now. And I don't think it helps that the story is so cerebral and not terribly event-filled.

Number the Stars, by Lois Lowry

In Nazi-occupied Denmark, Annemarie Johansen and her family, help their neighbors escape the Nazi's. At first an effort of only the parents, eventually Annemarie finds that she has a role to play as well in saving her friend Ellen's life.

Suspenseful and intriguing, this book represents the very best in historical fiction. An interesting period, with a fact-filled afterward that explains the history behind the story. This is a very well written, short book, and an unusual exception to my usual rule that Newbery winners tend to not live up to the hype. I'll withold one star simply because the story doesn't captivate me personally, but I'll do so reluctantly because this is really a very good story.

***

I promised in my last post that I would comment on the award announcements from the ALA on Monday. Mostly, I am glad about the results. I haven't read Criss Cross yet although I intend to do so soon. I love Looking for Alaska so I'm very glad it won the Printz. I don't know the Caledecott winner, but I liked Zen Shorts (one of the honor books). So, all in all, not a bad set of choices. I suppose I'm mostly glad about what didn't win also, but it's better to stay positive, eh?

The Fashion Disaster That Changed My Life, by Lauren Myracle

On the first day of seventh grade, Alli is hoping to make a big impression. And she does. Unfortunately, it involves static cling and the embarassing appearance of her mother's underwear at school. But what starts as a great humiliation opens doors to stardom that Alli has only dreamed of, and as she becomes popular she has to cope with whether that fame is really what she wants.

Myracle does a really good job with books about middle schoolers. This story doesn't break any new ground. It's the old chestnut about seeking to be popular, winning the chance to be one of the "in crowd," and then discovering that it isn't what it's cracked up to be. It's been done many times before. In fact, another novel of hers, Rhymes With Witches did it much more cleverly for an older audience. But the story is still fun and satisfying.

A special shout out to any authors who are having a restless night of sleep tonight, awaiting the announcements of the Newbery, Caldecott, Printz, Geisel, King, and all the other kid lit books. Tomorrow at 8am in San Antonio. My best wishes to all of you. I'll try to write more tomorrow when the results are announced.

What I Believe, by Norma Fox Mazer

When Vicki's father loses his job, a series of events ensues where she and her family must cope with a rapidly declining standard of living. They have to sell their house, move into the city, and then cope further when Dad leaves them. As things hit rock bottom, Vicki makes a horrible mistake of her own and has to cope with the consequences of that mistake, learning that even adults are not flawless and that, in the end, family is all we really have.

It has platitudes and it has some good writing, but free-verse novels always seem a bit of a cop-out to me. Sonya Sones writes some good ones, but this one is quite uneven - even if the verse structure is more ambitious. Good technique does not translate to a compelling story.

Luna, by Julie Anne Peters

Regan loves her sister Luna, even though Luna never reveals herself in the light of day, even though Regan can't tell anyone that Luna even exists. And Luna does exist, although their parents would like to ignore her existence. The world isn't ready for Luna, because Luna is also Regan's brother Liam.

As a groundbreaking novel about teenage transgender identity, this is a pretty original piece of work. And once again, Peters hits on a pretty good story idea and does a great job developing her characters to rise to the occasion. But once again, I find myself frustrated. Define "Normal" was a great book. So was Keeping You a Secret. But they always fall a bit flat. This time it is the sheer annoyingly selfishness of Luna which comes off as a barrier more than a character flaw. It's really hard to sympathize with so much co-dependency floating around in the story. A shame, though, because this is otherwise a very good book.

Trick of the Mind, by Judy Waite

Erin loves Matt and Matt loves Kirsty and Kirsty is going out with Billy, who has a mean temper. And since Erin and Matt are sort of losers anyway, and Kirsty and Billy are popular, neither of them have much of a chance, except maybe with each other, but the games that they will play (compounded by numerous misunderstandings) ensure that everything gets pretty messed up in the end.

The story is told in two voices, shifting back and forth between Matt and Erin, and that is a clever (although not-too-original) idea. However, it is also painfully distracting. And what on earth is with these morbid British YA books where people get killed? The homicide rate in these books rival an episode of 24! Anyway, a drudgery to get through. Not worth the effort in the end.

Sixth-Grade Glommers, Norks, and Me, by Lisa Papademetriou

Allie enters sixth-grade at an elite magnet school with her best friend Tam, but as these things have a way of doing, she and Tam start to drift apart. And as the year progresses, Allie struggles with her identity, as she starts playing offense in soccer (after being on defense all the time), becoming friendly with geeky Orren, and learning to do things because SHE enjoys them, rather than to be cool. Still, she struggles with what she really wants.

This is pretty much a by-the-numbers book about changing friendships. It's got a terribly clever thing going with made-up words like "glommers", "norks" and so on. You'll be able to predict where the story is going, but that doesn't diminish it's fun. So, a good book, but nothing outrageously original.

Girl, Nearly 16, Absolute Torture, by Sue Limb

In this sequel to Girl, 15, Charming But Insane, we get the further adventures of Jess a few months later. She and Fred are no a regular number and looking forward to a romantic summer together, when her Mum announces that they are going away on a surprise holiday for the whole summer. Will Jess survive? Will Fred still be waiting for her or will he be swept away by Flora? Will he text her everyday on his mobile? And, oh yeah, there's visiting her Dad and finding out what dark secret he's hiding from her.

It's clever, it's funny, and it's very very British stuff. Not just the slang or the heavy reliance on text messaging, but also the social interactions and the insecurities. While book starts off very clever and even stronger than the first, Jess comes off terribly insecure in this sequel, to a point where you start to lose sympathy for her. I found the book a bit tiresome and dull, and the ending a bit too tidy.

Inexcusable, by Chris Lynch

Keir "the Killer" is a senior, football player, and all round "good guy." He's popular, has lots of friends, a great relationship with his Dad, and two wonderful sisters. So, why is Gigi accusing him of raping her? Doesn't she understand that "good guys" can't be rapists? It doesn't make any sense, and Keir now has to prove to her, us, and himself that he really is a good guy.

This is apparently Newbery material this year, so I had pretty high expectations, but I'm going to nix it the same way I did A Room on Lorelei Street. I wanted a story about a sympathetic guy who makes a terrible mistake. I wanted a novel that would show that people who are "good" people can do horrible things to each other. But this isn't that novel. Instead, we get a creep and a jerk who does a horrible thing, we can pat ourselves on the back and say, "See! Only creeps are rapists!" That isn't the message we need repeated in this day and age. And with all the hype this book is getting, that is the message that is going to come out.

The story has plausibility and it had a good sense of what makes Keir tick and why he did what he did, but it was way too obvious and way too convenient. And since he was the only mind we ever got a chance to look at, we get a pretty simple story. And I wanted the story to be more complex, more subtle, and more nuanced. For example, give me a story where the reader - even for a moment - believes that the guy is in the right. Create that moment. And then let the reader be as crushed with guilt as the guy when they realize what they've done. I didn't for a minute sympathize with Keir and I held him (and the book) at arm's length.

A lot to say: but if you've read my other entries, you know that I care a great deal about how sexual violence is portrayed.

The Doll People, by Ann M Martin and Laura Godwin

Annabelle is a doll, a real one, and she and her family live in a doll house in Kate's bedroom. While Kate isn't there, they come out and act like a real family, trying to avoid the traumas of the family cat and Kate's little sister. The adventure begins when two events occur: a new family of dolls moves in next door and Annabelle goes to search for her long-lost Aunt.

Obviously with a debt to Toy Story, this is the "girls" version of that same story. There are a few clever commentaries (Barbies, we learn, are the one consistently literally lifeless dolls!) but mostly this is pleasant bedtime reading. Instead of the adventures of Buzz Lightyear, we get a pleasant story about friendship and family (how stereotypical!). Amusing, but nothing spectacular.

Riding Freedom, by Pam Munoz Ryan

Based on a true story, orphan Charlotte Parkhurst can ride horses better than any of the boys at the orphanage she grew up in, but the simple fact that she is a girl in the mid-1800s means that she will never be allowed to. When her best friend Haywood gets adopted and she is told that she will never be allowed to ride again, she runs away and takes on a new identity as "Charley." Charley becomes a legendary coach driver who eventually moves out to California, realizing her dreams and becoming one of the first women to vote.

This engaging and true story is a fascinating piece of history. The stuff that Hollywood movies are made of (and it would make a spectacular movie), it's hard not to root for everything that Charlotte overcomes in her life. If the story had been written for adults, the author might have spent more time on what Charlotte had to forgo to live her life as she did, but Ryan wisely sticks to just a few episodes that hint at this, providing instead a heart-warming and inspirational tale for middle readers. Strongly recommended.

Gathering Blue, by Lois Lowry

Somewhere in the distant future, Kira (who has always been an outcast in her village because of a bad leg) must find a new future when her mother suddenly dies. Miraculously, not only does she find a means to support herself, but it as as the honored embroiderer of the Singer's gown that he wears each year to sing the history of the people. But as Kira becomes more familiar with the new world she is in, she also begins to suspect that things are not quite as they seem.

This interesting piece of fantasy, deep with metaphors, is a companion to Lowry's The Giver. It's an original and fully-developed world that we get to see, so fans of fantasy literature will like it. I'm not much of a fan myself, but moreover, I tend to find the style (which is written in a rather distant 1st-person narrative) hard to relate to. There are characters and they do interesting things, but you never quite end up caring what they are doing.

When Jeff Comes Home, by Catherine Atkins

At the age of 14, Jeff is a rising baseball star, revered older brother, and the jewel in his father's eyes, but then he is kidnapped and held captive for two and a half years. When he returns "home" to his family, he has to learn to come to grips with what he lost and what he has become. And his family must also learn that his return is only the beginning of a long recovery.

A gripping and unusual story. Not as strong as Atkins's later writing, but original and compelling. There are no simple solutions and no punches pulled (although I am personally a bit maddened that the family never seeks professional counseling!). In some ways, the lack of easy answers makes the story a bit harder (and more mature) than even YA lit usually is. Definitely for older readers, but a book for everyone to talk about.

A Heart Divided, by Cherrie Bennett and Jeff Gottesfeld

When Kate's family moves from New Jersey to a suburb of NAshville TN and tears her away from her fledgling playwright training, Kate is sure that she will hate it. At first every stereotype of the South seems to come true -- from her rich antebellum boyfriend to the Confederate flag flying overhead. But as Kate tries to understand her new ome well enough to write a play about it, she discovers that the more she learns, the less she knows.

I'm inherently distrustful of books about the South. They are either written by Southerners and depict romantic views, or they are written by Yankees, explaining either the superiority or inferiority of the South. Neither approach really gets at the truth and I leave dissatisfied. But this novel gets at the greater complexity of things (and deals with the whole Confederate flag issue to boot!). It tosses in a nice romance story as well. Surprisingly good and recommended.

Homeroom Exercise, by Jana Striegel

Regan is a dancer and a good one. In seventh grade, she wins an audition to host a morning aerobics class broadcast on closed-circuit TV. The program is a success and catapaults her into city-wide fame, and gets her noticed by the in-crowd. But then her joints start to hurt and she starts to suffer from fevers. As her pain brings on a nightmare of tests, hospital visits, misdiagnosesm, and uncertainty, Regan has to face a possibility that she might not be able to dance again.

Much better than My Brother Made Me Do It, Striegel creates a nice middle reader book on Juvenile Rheumatoid Arthritis. It gets a bit preachy towards the end and just starts downloading facts about the disease (a common occurrence in these illness-books where the author feels rushed to tell the story) but there is a nice introduction to JRA here and young readers will like that. The subplots make the story interesting and believable but don't distract.

Amalee, by Dar Williams

Amelee doesn't have any friends at school that she's comfortable with, and she has a pretty unusual life at home. Her father and his friends are raising her and she spends much of her time with them. Things change when her father gets sick and she has to rely on others for help, discovering unusual and unexpected allies, and making a new friend or two.

Being a big Dar fan, I'm trying (with some difficulty) to ignore who the author is, but you can certainly see the similiarity between the book and her songs. Full of optimism about the strength of kindness, and full of complicated thoughts about human nature and seeing the world through other people's eyes, this is a warm story. However, it is also a bit preachy for many of the same reasons, and more about the adults than the kids. There are nice lessons here but it will be a bit hard for younger readers to relate to them. Amalee never quite comes alive and things pop out of her mouth that just don't seem in character. So, I guess this was something of a disappointment.

Bras & Broomsticks, by Sarah Mlynowski

When Rachel finds out that her little sister Miri is a witch (and that her Mom is too), her first thought is how amazingly unfair it is that she didn't get the same powers, but then she realizes that magic could do wonders for her popularity and maybe even help her keep her Dad from marrying Jennifer (the STB). But quickly, Rachel learns that popularity and magic can have some pretty harsh consequences.

Part recycled Grimms Tale (and what good story isn't?) but with some modern cred behind it, Rachel will remind readers a lot of Cyd Charisse (the heroine of Gingerbread and Shrimp) but a bit younger. She's as boy crazy but maybe not as boy lucky. And the writing is snappy and fast paced. I'm not too bonkers for the story which seems a bit predictable and well-trod, but it's a fun read.

The Truth About Sparrows, by Marian Hale

When Sadie's family is forced to sell their home and travel in search of a new life at the height of the Depression, Sadie hopes the change will be temporary. She hopes that soon they'll be able to return home to Missouri and to her best friend Wilma. But as time goes by, Sadie realizes that there is no going back, and that she must make a new home on the Texas coast, with new friends and a new life.

Hale's story of coming of age in the midst of economic dispair has all the makings of assigned reading. It's a good story if you're into historical fiction, but one can't help but wonder how many readers end up reading it because they have to write a book report for school. The strengths are the crisp writing and tone that never misses a beat, but there isn't much that will grab and hold you.

My own reading experience was interrupted as I started reading this book a month ago and had to stop because the copy I was reading was missing pages -- so there was a gap in my experience. That said, I didn't find myself gripped with suspense at what I was missing, so while this is a good book, it's no page turner.

Harley Like A Person, by Cat Bauer

Harley think she may be adopted [didn't we just read that two books back?] and it would explain how her eye color differs from the rest of her family, and why her parents have lost her birth certificate and get all weird when she brings up her suspicions. But mostly Harley needs it to be true, to help her cope with the spiraling nightmare of her life which is causing her to lose touch with who she is. Instead, she tries alcohol, smoking, and drugs, climaxing is a last ditch effort to sort everything out which takes her to New York.

This is a pretty dark and melodramatic book. It's not bad. The writing is good, the characters are believable. I bought the motives and all, but the payoff at the end will disappoint as you just hoped for so much more, and the plotlines developed early just seem to die in the end. As far as "mystery of where I came from" stories, this is lightyears ahead of the Face on the Milk Carton.

Keeping You A Secret, by Julie Anne Peters

Holland Jaeger is the senior class president, on her way to majoring in pre-law at Stanford, and the apple in the eye of her mother. She dates Seth (also on Student Council) and has a great set of friends. But then she meets Cece, a very out-of-the-closet teen lesbian, and Holland begins to have feelings that she has a hard time explaining to her mother, her friends, or herself.

Peters scores again with a touching book about coming out in high school, and the difficulties of being gay, when you're still trying to figure out what you want to major in in college, let alone what your sexual orientation is. It's not instant classic material, but it's a good book. I'll have to fault it slightly for dragging a bit at parts and then speeding to catch up. Maybe some editorial assistance? But these are the type of quibbles that shouldn't lead anyone to not read this book. Peters hasn't really expanded herself very much from Define "Normal" but she's in a very good place.

The Anybodies, by Julianna Baggott [N.E. Bode]

Fern has been convinced for most of her life that she was raised by the wrong parents. They are dull and boring while Fern is certainly not. They talk endlessly about lawn care, while she is able to make crickets emerge from books, witness a nun turn into a lamppost and an umbrella, and sees evil clouds and watchful birds. Then, much to her delight, her suspicions are revealed to be true when her long lost real father Bone shows up and swaps her for the Summer with the boy who is supposed to be living where Fern is. And she acquires a mission: to find a powerful book called The Art of Being Anyone, before it falls into the devious hands of The Miser. There are angry fairies, dinosaurs, and all of your favorite children's book characters to deal with before Fern is done.

Julianna Baggott (writing as N. E. Bode) has obviously had a great deal of fun with this book, telling a story that will amuse children and put a smile on the face of lovers of kid lit. It's full of references to all sorts of classics (and more than a few knowing jibes at pretentious MFA creative writing programs as well!). Ine wonders if the whole thing isn't a bit too precious, but it's a quick read. Nice if you like fantasy, and a welcome break from so much of the other much-less-clever stuff out there.

Looking for Alaska, by John Green

Miles Halter comes to Culver Creek, a boarding school in Alabama with few friends and fewer regrets. His great accomplishment so far is his obsession with people's last words. But his life changes as first he meets his new roommate (the colonel) and then he meets the enigmatic and emotionally volatile Alaska -- the young woman who would be the Love of His Life if only she would stop making fun of him for it. In this very touching and insightful look at growing up from a boy's point of view, everything is about Alaska. Everything, that is, until After.

I remain very very torn about this book. I hate boy books, especially books about boys written by boys. So, I really want to hate this book, but I now understand why this book is getting all the buzz this year from the librarians. John Green is truly an outstanding writer and I can see this winning the Printz (at least, it SHOULD win it). You will laugh and you will cry -- I rarely do when I read, but this was a major exception. I'd ding it if I could, but it deserves all four stars. stunning!

Ola's Wake, by B. J. Stone

Josie and her Mom travel to the Ozarks to attend Great-Grandma Ola's funeral. Josie never met Ola when she was alive, but now she wants to get to know her. Through listening to other people's stories and learning about live in the Ozarks, Josie is able to do so.

It cute and quaint and a fast read. It's also disjointed and never really develops into a real story.

Belle Teal, by Ann M. Martin

Belle Teal is growing up in the South in the late Fifties. Her grandmother is going senile and her mother is studying at secretarial school while trying to support them all, so there's really no one at home for Belle Teal to tell about the new colored boy at school or snooty new rich girl. As she confronts her classmate's blatant racism with the help of her friend and a sympathetic young teacher, Belle Teal does a lot of growing up.

Probably one of Martin's better novels, this one still has some rough spots, almost as if it was rushed and underedited. It is enjoyable enough as a read for middle readers, but gets a bit scrappy at parts. Like other novels about racism in the past, this novel seems suspciously like one of those books you get assigned to read, rather than choose to. Might make a good book report subject but for enjoyment I'd go for something more contemporary and relevant.

Tae's Sonata, by Haemi Balgassi

Taeyoung is a very self-conscious eighth-grader, but she has reason to be so, as one of only two Korean-Americans in her school. She copes with discrimination (some real, some imagined) and with a sense of isolation and loneliness, struggles with friendship and shifting loyalties, and a growing sense of herself.

A nice, charming, and short book about growing up Asian in America. Nothing terribly deep, but not a shallow book either. A good read.

See You Down the Road, by Kim Ablon Whitney

Bridget is a Traveller, a group of modern day nomads who travle in trailers, making a living largely by ripping people off and then moving on before they can get caught. But 16 year old Bridget isn't sure that this life is for her. The stealing is part of her concern but it's also her upcoming marriage to Patrick that makes her question who she is and what she wants to do with her life.

Based on a real subculture, Whitney carves out an amazingly fresh landscape to tell her story. And being such an unusual background, the characters operate in ways we aren't accustomed to. How many teens worry about engagements, bride prices, and stealing to make their parents proud of them? I'll give the book high marks for originality and presenting a compelling set of characters.

But I think my reservations come mostly from personal problems with the story. It's hard to care about Bridget's fretting about getting married when she's defrauding and outright robbing people right and left and lives with such a distorted moral compass that this is OK. When you think of how these people live, this is a very difficult group to feel sympathy for.

Quiver, by Stephanie Spinner

Atalanta is a divinely-blessed huntress and athlete, accompanying Jason and his Argonauts on hunts and a favored mortal of the Goddess Artemis. When Atalanta's father, the king, comes to claim her from the woods where she was abandoned, he demands that she marry. And she replies by setting up a contest, a race which every suitor must run (and win) if he wishes to stay alive. Many suitors dies until Atalanta meets her match.

The story is classic Greek myth, with Spinner's psychological interpretation superimposed on the story. The result is uneven. Some scenes (like the boar's hunt) are nicely drawn, but the characters are sketchy and undeveloped. The most interesting parts end up being the squabbles of the gods themselves.

My Father's Summers, by Kathi Appelt

In a series of short, poetic passages, Appelt tells the story of her childhood, growing up in Houston with a father who went to Arabia to escape his family, returning only to divorce her mother and marry another woman.

This really is not a YA book, but rather a book for adults about looking back on a childhood. The passages are all quite bittersweet, but it is not a tough task to make a brief segment come off that way. And it doesn't really create a story per se, just a collection of ideas. Nice writing, but not really storytelling either.

Lucas, by Kevin Brooks

Caitlin's life on the island is fairly quiet. She goes out drinking with her friend Bill and she dreads the return of her older brother Dom from university. But then a strange and cryptic vagrant boy named Lucas shows up and changes everything, threatening the stability and peace of life.

This is a very dark and violent story (and a long one!) -- one of my very infrequent outings into stories written by male writers. There's a reason for that: they tend to be dark and violent. The sheer amount of rapes, assaults, and so on in this book is enough to just disgust. I'll take my mushy heart stories anytime. Is Brooks a good writer? Yes, but you need a strong stomach.

Anastasia Krupnik, by Lois Lowry

Anastasia loves lists and she's creating a list of things she loves and things she hates. There are lots of things to classify: her soon-to-be-born baby brother, her ailing gradmother, the nutty and seductive Washburn Cummings, and her parents. For a fourth-grader, there's a lot to say.

A little odd to go back to middle reader material again, when I've been doing so much teen reading lately. Weirder to read a book that is actually contemporary with my childhood. The book dates itself in numerous places (teachers and students smoke in Anastasia's father's college classroom), but it has tremendous heart. A contemporary equivalent would be the Judy Moody series and that probably accounts for some of the enduring popularly of Lowry's writing. A nice diversion.

Joyride, by Amy Ehrlich

Nina and her mother Joyce never seem to spend very much time in the same place. That was fun when Nina was younger, but lately she's begun to yearn for some time to just make friends and have a life. But the more she yearns for that, the harder it becomes, it it all goes very very badly.

In what is ultimately a very sad book, Ehrlich does a wonderful job of creating characters and situations that we really care about. It's a challenge to generate a place full of memorable and believable characters, and she does so several times in such convincing detail that you feel as much wrenched from the setting as Nina does when they are forced to move again. The ending is a bit weaker, but still quite haunting.

Bringing Up the Bones, by Lara M. Zeises

When Benji dies, Bridget doesn't know how to rebuild her life. They weren't even dating by the time he was killed, but that hardly mattered to Benji's parents who always treated her like a member of the family. And it didn't bring her closer to her distant mother or her doting stepfather. As Bridget tries to make some sense of her life, a new boyfriend Jasper enters the scene as now she tries to balance her ties for the old with her hopes for the future, and comes to realize some strong powerful truths that have more to do with herself and less to do with everyone else in her life.

This is categorically one of the best books I have read this year. I question a little whether it is truly a YA book (the jacket says 14+, but I suspect it's really shooting for an older audience based on its R-rated material at the very least). Yet as a novel in itself, it is a fantastic accomplishment. Zeises hits two major topics: (1) coping with grief; and (2) learning that strength comes from within and not from the people we are with. Two very powerful themes, dealt with realistically and with great heart. Unforgettable and highly recommended.

John Riley's Daughter, by Kezi Matthews

When Clover runs off and disappears, Memphis becomes something of a suspect. And it is true that Memphis and Clover had a fight in which Mephis said some terrible things that she regrets, but over the next three days, a lot of tensions simmering in the family come to the forefront and Memphis has a lot of discovering about where her friends lie and what a home really is.

This is a warm yet heartbreaking story of lost innocence and sufferings that never get quite resolved. It has some rough spots that keep it from being a true classic, but I still consider it a really good book. Some of the scenes don't play very well (Memphis's romance never quite pans out and an encounter with a crazy old woman is an unexplained jumble) but there's great lyrical narrative going on her.

Love Me, Love My Broccoli, by Julie Anne Peters

Chloe is a teenage animal rights activist. And when she meets jock football-playing Brett, it's a case of opposites attract. But eventually, her idealism and Brett's desire to have Chloe be less of a political frebrand come into conflict and Chloe has to choose what is really important to her.

This one had some great promise with observations about the difficulties of being a teen vegetarian and a strong-willed and likeable character, but the plot is all over the place with so many subplots (distant mother, senile grandmother, best friend's crush on teacher, and raids on animal-sacrificing churches!) that you just lose interest after a while. Peters can write good stuff, but this is not one of her best.

Esperanza Rising, by Pam Munoz Ryan

Esperanza has a beautiful life as the privileged daughter of a wealthy Patron in Aguascalientes Mexico in the 1920s. But then her father is killed and her mother and her are forced to flee to the United States. Settling in the San Joaquin Valley, they become farm workers, harvesting vegetables and fruits for the companies there is back breaking poverty. But despite dealing with her mother's illness and the threat of strikes, Esperanza learns that wealth comes in many forms.

A heartwarming and exciting read. Unfortunately, because of its hispanic themes, it seems to be one of those books that schools use to prove they are multicultural by forcing the kids to read. I suspect that that makes a generation of middle school readers HATE this book. That is sad, because it is a beautiful book, like Gabriel Garcia Marquez for kids. I personally enjoyed all the references to Bakersfield and Kern County Hospital, since I worked there for 14 months. Highly recommended.

A Door Near Here, by Heather Quarles

When Mom gets sick (drinking bottles of vodka after bottles of vodka) and no longer takes care of the kids, eldest daughter Katherine tries to take charge and protect her three siblings. But she must struggle with a nosy teacher and the foibles of her brother and two sisters, the youngest of which is convinced that she can find the door to Narnia and get help from the great lion Aslan.

I am so tired of reading YA books about alcholic parents who let their children fend for themselves and the terribly dreary disintegration of life as these kids attempt to manage on their own. It becomes the same tired exercise as the author cooks up one crisis after another as life gets worse and worse. In this case, half of the crises end up just being non-events (in one case, the youngest disappears in a grocery store - presumably lost - then suddenly reappears as if the author forgot her own story -- continuity, anyone??). *sigh* Perhaps I would have enjoyed this book if it had been the first child-abandonment piece I had read. But it wasn't and I'm tired of them...

The Tail of Emily Windsnap, by Liz Kessler

Emily's fear of her first swimming lesson take a backseat when she discovers that her body transforms into a mermaid's when she enters the pool. And that's just the beginning of the fun as she discovers the alternate world of merfolk in the sea and attempts to see her father, and confronts Neptune.

This is no Little Mermaid, but rather a quirky and unusual story about an uncommon teenager. The book is at its best (and funniest) when it compares mer-teens and human teens. It drags a bit towards the end as Kessler seems to struggle with how to wrap up the story, but it has enough charm to make it an overall good read.

A Corner of the Universe, by Ann M Martin

When Hattie's summer begins, it seems like it will be just like any other: hot and quiet. Her best friend has left for the summer and she is free to hang out with her adult friends. But then two things happen: the carnival comes to town and her uncle Adam comes home for the summer. She's never met Adam, and in fact never even heard that she had an uncle Adam, but that's because Adam is special and of course he has some lessons to teach Hattie.

I was initially sceptical about this book. I don't like period pieces much and the character just didn't seem interesting, but the book grows on you and by the time I reached the end, I had a much better feeling about the book. No major life lessons learned, no major sob fests when you get to the end, but a pretty good book overall.

Don't You Dare Read This, Mrs. Dunphrey, by Margaret Peterson Haddix

When Tish's Englishteacher, Mrs. Dunphrey assigns a journel, Tish knows it is a bogus assignment, especially since the teacher has said that they can write whatever they want and put "Don't Read This" on the entry and she'll respect their privacy. But when Tish starts to test that promise by writing about what is really going on at home, she acquires a mirror that shows her just how much her life is falling apart.

This is another of those stories about a teen trying to survive with disfunctional parents (See Room on Lorelei Street for example). They are harrowing stories of neglect and abuse and make for good melodrama, but I'm not sure what purpose they serve otherwise. The plot certainly sucks you in and the conclusion is a tear jerker, but in the end, what have we learned?

ttyl, by Lauren Myracle

Three ten graders (Maddie, Angela, and Zoe) struggle through the first half of tenth grade, dealing with crushes, flirty teachers, parties, and the usual misadventures of a YA novel, with the twist that the entire story is told through their IMs.

It's a cute concept, but hard to read. It took me about 40 pages to really get comfortable with the format, and then get somewhat familiar with the three characters, who have a tendency to merge together in the mind until they start really doing different things. The trouble with IM is that it establishes a lot of distance from the characters so that you really don't establish much of a connection with any of them. Basically, you're reading a long conversation, without ever really getting inside their hearts and heads.

Risky Friends, by Julie Anne Peters

Kacie notices that Skye, a new girl, is having trouble during their Algebra test. In a fateful moment, she sneaks Skye the answers and sets in motion a "friendship" that turns sinister as Skye reveals a deceitful and manipulative side. Kacie has to make the right decision and re-gain control over her life, before Skye destroys all of her former friendships.

How's that for a melodramatic synopsis? Well, it isn't quite that bad, but it isn't good either. This is pretty weak formula stuff, with dialog that sounds way too grown up. I'm not even sure anymore how I found this book, so perhaps we'll just this one slip by.

After Fifth Grade, the World!, by Claudia Mills

Heidi (or HP as she likes to be called) has the meanest fifth grade teacher in the world, a friend who won't talk to her own parents, and parents herself that are the biggest slobs. But HP won't falter at a challenge. Instead, she develops schemes to change the world and learns some lessons about change and working with people.

A charming and functional middle school read. Very dated, but enjoyable. Like many of Mills's books, the adults seem a bit overly mean (ironic since exaggerated adults are more a trademark of teen reads) and that can be a bit distracting. But HP is a typical Mills heroine -- strong willed and brave.

My Brother Made Me Do It, by Peg Kehret

Julie Welsh gets an assignment to write to an elderly pen pal in a nursing home. We never see any of the replies she gets, but we get plenty of news about Julie, her nine year-old brother who's always getting her in trouble and has an obsessive fascination with memorization, and Julie's struggle with rheumatoid arthritis.

I suppose I was hoping for a book that would really help readers understand rheumatoid arthritis, but we never quite get that. Instead, the story is a bit broken up, as one would expect from a storyline driven by letters. I'm just not sure that it works in this case. A weak book on an important topic.

A Room on Lorelei Street, by Mary E Pearson

Just when living with her alcoholic mother is becoming too much for Zoe, she discovers a room on Lorelei St that she can rent. And while she has very little money, and must fend off unsupportive teachers and family members, she manages to get through.

This is a very dreary and long book. I suppose all the train of consciousness writing is supposed to be artistic, but I just found it tedious and PAINFUL. Ugh! A heroine who suffers throughout, never manages to solve her problems, and runs away at the end of the book does not make me feel uplifted or enlightned or entertained or educated. It just leaves me feeling tired and exhausted. I'm not saying a story has to be light and airy, but somehow something needs to be learned in 266 pages. Or else, why did we bother???

Myrtle of Willendorf, by Rebecca O'Connell

Myrtle is an overweight sophomore in college with artistic talents, a largely unsympathetic roommate, and memories of a coven that she used to share with her weird high school friend Margie. Now that high school's over, she avoids Margie, but somehow thoughts of what they shared together stick with her.

This is a very witty and fast read (I made it through the 106 pages in under 40 minutes!). The descriptions are wonderful (although her graphic descriptions of needing a new pad, biting her fingers until they bleed, and barfing might be a bit much for those with gentler dispositions) and there's a bunch to keep you chuckling. It also helps if you're familiar with Wicca. Fun!

A very appropriate read for Halloween.

Conditions of Love, by Ruth Pennebaker

Sarah loves her father unconditionally, because that's the way he loved her before he died. But as time has gone by, she is starting to learn things about him (and about herself) that make her question her beliefs. Her best friend Ellie is struggling with a mother who can't cope with her divorce and with a sister who is moody and trouble, but Sarah just wants to escape into a world of romance with Ben and dating tips from her new friend Stephanie. And then there is her opinionated and negative grandmother Nana who makes life a terror for Sarah's mother.

If you get a sense that there's a lot going on in this book, you're right. In fact, there are a number of storylines here, very few of which actually interrelate in any meaningful sense. That spells trouble. Editor?? Is there an editor in the house? Pennebaker has good material here and has an excelent sense of how teens talk (although not necessarily what they talk about), but really needed to find a focus for this novel, that is basically all over the map.

The narrative also suffers from a problem that I find often in YA books. Sarah is an odd mixture of highly-observent (much wiser than her years) yet unaware of her own feelings. She casually observes everyone else's body language, while remaining ignorant of her own needs. I suppose that one could argue that teens can get this way, but it seems to me far more likely the opposite is true: real teens are more likely to be self-aware than other aware. Basically, Pennebaker is putting her adult words into Sarah's mouth (although sometimes Sarah will credit her mother with an observation). That is rough, giving the novel the sort of preachy quality one finds in Judy Blume books. Again, an editor would have helped.

Empress of the World, by Sara Ryan

OK, the digested review: girl meets girl, girl loses girl, girls try boys and decide that girl friendship is better....

Nic comes to The Siegel Institute (a summer school for gifted teens) expecting to focus on learning archeology. Instead, she discovers romance with Battle, the oddly named but enchanting. The summer becomes a story of struggling with emotions and desires, and wondering whether she is gay, bi, or just experimenting. Along the way, she discovers some great friends and more than a few lessons about human attraction.

Obviously, this is a great concept for a book and Ryan does a wonderful job capturing angst and the difficulties of struggling with sexual identity. What chills my review is actually the rest of the book, which gets a bit dull. If this was an Issue Book that just stuck to the whole teenage homosexuality theme (which, by the way, is really nicely done!), it would be excellent, but every 20 pages or so, we plung into a couple pages of fairly unrelated and inane dialog that caused my attention to flag. I really want to like this book, but it really needed to tighten up a bit.

One of the reasons I really liked the book was because I could relate to it. I was pretty convinced of my bisexuality when I attended the PA Governor's School for the Arts, but I can relate both to the hot house atmosphere of a gifted summer program and to that search for sexual identity. Ryan hits both of those right on. The most intense memory of PGSA was how intense we felt everything was. We were convinced that this was IT. We were the cream of the crop, the true experts, the new generation. None of us had gone to college yet, but we spoke of things that summer like it was an end. Certainly, spending weeks with kids who are as good as you are (and no longer being the lone star in your classroom) really boosts a person. But there is something almost explosive in combining those feelings with that teenage hormones and emotions. Remembering all this makes me want to go out and read a book just about that!

P.S. Longer Letter Later, by Paula Danzinger and Ann Martin

When Tara moves away to Ohio, she and Elizabeth are forced to carry on a correspondence through letters, and this book reproduces the first year of those letters. With each author penning one of the girl's letters, the story of an exciting year with various family traumas comes out one letter at a time.

It's a pretty cheapo way to write a book: writing pretend letters back and forth, with one author not quite knowing where the other one will take the story. The trouble is that it's more of a writing exercise than a coherent book. And the story is a big yawn too -- coming out in letters, we never get too see much of what is going on in the character's hearts. Superficial fluff.

Falling Through Darkness, by Carolyn MacCullough

When Ginny loses Aidan, her life basically ends, and anything that was meaningful before isn't now. She rejects her friends and cuts herself off from her father. Her only source of comfort and communication is the new border Caleb, with whom she shares some painful common background, and feels that maybe she has found a replacement for Aidan or at least a soulmate. But the sceret that tears apart her life is that when Aidan died that night, it wasn't an accident....

MacCullough does a nice job of jumping around through the narrative timeline telling us just what we need to know when. This is good storytelling with some wonderful observations (about growing up, the nature of children of all ages, and grieving). It is a TERRIBLY depressing book though, so don't expect any happy ending or feel good moments.

The Steps, by Rachel Cohn

When Annabel is abandoned at Xmas by her Mom and Grandmother in NYC, she gets sent halfway around the planet to Melbourne to spend the holidays with her father and his new family. At first Annabel hates everything she sees there, but most especially the way her father is so happy with his new life. With time, however, she grows to like it more and even appreciate the joys of having an extended family of "Steps."

Rachel Cohn created a wonderful character with Gingerbread but it seems like she is in a rut. Annabel comes off as being a slightly younger version of the heroine of that other novel. In fact, for allegedly being about three years younger, Annabel doesn't sound all that different. Add to that the way this story treads through familiar ground and chug along to a far too sweet happy ending, and you have a pretty dreary story.

Cally's Enterprise, by Claudia Mills

When Cally breaks her leg, she starts to imagine melodramatically that she is going to die of the complications or be an invalid for life. Instead, the experience (with some help from a brave and energetic boy and a strong teacher) helps Cally to realize that she can do all sorts of things. It teaches her to stand up for what she wants, rather than doing what her parents or other people want her to do. And it teaches her to be brave in the face of adversity.

Mills write lovely concise books for tweens (probably why I've reviewed so many of them over the past months). This one touches on all sorts of subjects (self-expression, responsibility, believing in yourself) and it avoids getting too preachy about it. Cally is her own teacher, relying on adults from time to time for advice, but generally understanding that only she can change herself. That is a wonderful lesson to impart to children (whether they read this book on their own or have an adult to read it with).

The Color of Absence, Edited by James Howe

In this anthology, twelve different YA authors give their take on the meaning of loss, and how we cope with it. "Loss" is a loosely defined concept, so it ranges from a stolen bicycle to a dead father to a lost memory. Howe's own contribution "Enchanted Night" turns out to be the strongest of the pieces, as it retells a daughter's coping with the grieve of losing her father, her boyfriend, and her sense of accomplishment with the flute (all at the same time).

I know that short stories can often be quite good, but this anthology is overwhelmingly weak and shoddy. Howe is definitely a good writer, but his editing skills leave something to be desired as many of the contributors just seem to be going through the motions, with some chapters reading as unfinished chapters from something else. In one case (Myers's piece on baseball), the story isn't even a YA story! So, a great concept and Howe definitely had a good contribution to make, but he should have found 11 other people who could rise to the challenge. (In all fairness, Nye's "Shoofly Pie" was also a good piece, so they weren't all junk)

Alt Ed, by Catherine Atkins

Susan is fat, unpopular, and invisible. Invisible, yet she can hear the scorn of her peers at everything she does. When Susan has to attend a special after-school group therapy or be thrown out of school, though, life changes. And as life changes, she comes to terms with her grieving father, her jealous brother, a prank caller, and a life only half lived. Not all of the other kids in her group are so lucky to learn so much, but everyone takes a powerful journey towards learning self-respect.

I'm very torn about this book. It's probably one of the best books I've read recently, but not quite going to make my must-go-out-and-buy-it list. Atkins really gets at you in all angles. She explores shyness, eating disorders, anxiety, bullying, teenage homosexuality, and a whole lot more. The narrative is gripping and it is a hard book to put down. Maybe I just don't want to read it again, because it was so intense. Still, truly a heart warming book where people grow older and wiser and lessons are shared with the reader. Highly recommended.

Eleven, by Lauren Myracle

This is the story of Winnie's life at eleven, running from her birthday until the day before she turns twelve, each chapter recounted a memorable event in each month. It's a story about being between things, having some friends go boy crazy and try to act grown up, while other friends hold back and act "babyish."

Myracle certainly has a good feel for what being 11 is all about. The problem really is that not an awful lot of interesting stuff occurs when you're 11, and this is really a series of anecdotes about being a tween. Good anthopology, not terribly gripping fiction. In other words, adults who want to be reminded what it was like to be 11 might get a kick out of it, but I can't imagine that middle readers would find the stories all that interesting.

Dancing in Red Shoes Will Kill You, by Dorian Cirrone

Kayla has worked hard to become one of the best ballet dancers at FARTS (the Florida High School of the Arts) and so she is very surprised when she is passed over for the starring role in the Senior-year production of Cinderella. But the bigger surprise is when she finds out taht it is all because of the size of her chest! So, then she has to decide if she'll pursue breast reduction surgery or potentially give up her career dreams.

Cirrone occasionally gets a bit preachy (stuffing words into her teenage characters about self-empowerment that just don't sit well), but overall this is an enjoyable book with decent payoff. And the story stays a bit surprising, not taking the easy solutions.

The Sisterhood of the Traveling Pants, by Ann Brashares

Four girls, close since their birth, head off in separate directions for the Summer, but not before discovering the magic Pants and forming their Sisterhood. Now, they stay connected with letters and sharing the pants around, each one getting the pants for a week (and sharing them around as needed for special occasions). And so connected, their simultaneous adevnetures of their 15th summer unfold.

Since the movie came out, this first book of the series has become even more of a classic, so I am long overdue in reading it. I loved the Prologue. I loved the Epilogue. I loved each of the individual stories. But I found the constant jumping from one narrative to another quite jarring and frustrating. And, I think, that is basically the prime determinate of whether you'll like this novel or not. Because the rest is perfectly fine.

Who Needs Boys? by Stephie Davis

Rich princess spends summer on the farm and grows to love farmer boy who thinks she's stuck up at first. You can basically see Reese W playing the lead role (or maybe someone like her). Anyway, Allie is boy crazy and big into looking good, and has to come to terms with the facts that boys don't necessarily notice the same things that girls do. Meanwhile, she also has an absentee Mom to work through and some anger at her absent Dad.

It's an OK read, but terribly trite and predictable, and everything gets neatly wrapped up in the end. If you want a good feel-good book where you end up all happy that everyone got what they wanted (except the villian), then this is a book for you. No major literary value, but good entertainment.

The Amazon Papers, by Beverly Keller

When Iris's mother goes away on vacation, Iris (normally the perfect straight-A, top athlete, overachiever daughter) makes one uncharacteristic and fateful decision to go out on a date with Foster. And it's all downhill from there, as the house, the car, and the friendships all take a beating, and Iris striggles with huge dogs with agressive bladders, leaky diapers, and a babysitter who saves the day again and again, even though she's younger than Iris.

It's got wit and it's got funny moments. The writing is funny and the situations just keep piling up, but there isn't much character development going on here and that may leave folks a bit disappointed. It was a quick read, but I found myself getting lost and not quite understanding the motivations that drove Iris to make some of the decisions that she makes. She's a strong heroine but a not-all-that-believable one.

Bound, by Donna Jo Napoli

Set in ancient China, Bound is the story of Xing Xing, the stepdaughter of a sometimes cruel stepmother and half-sister. Called "lazy one," she tends for them but she is hardly the worst off. Instead, she gets to run errands to town, while her uglier half-sister must endure painful foot-bindings. But whether physically, emotionally, socially, or spiritually, all of them are truly bound in one way or another. That is, until the local prince announces a festival at which he will choose a bride, and Xing Xing discovers a wondrous secret left for her by her long-dead mother.

This retelling of Cinderella, in what turns out to be a more authentic source, actually works surprisingly well. So many of Napoli's books suffer from being great concepts but lousy applications. But this one works and works well. Napoli has captured a great understanding of Chinese culture and lifestyle, and meshed it to a familiar story, creating something quite original. I will continue to maintain that her stories are too dark and morbid (and full of very scary concepts) that make them a bit age-inappropriate for the middle reader audience she is shooting for, but this is a good book.

Rating the Books

I realized that after a while, it gets a bit overwhelming to find books that I've reviewed in this list. After all, as of now, there are like 83 books here! And that's only in six months....

So, I've created a separate webpage where I'll keep track of their rating using a five step scale. It's going to be a hard call and I'm not sure I'm entirely pleased with the results. But the top books and the bottom books are certainly on the money. We could probably all quibble about the ones with 2 or 3 stars on them.

Four stars, by the way, is the best!

The Secret Blog of Raisin Rodriguez, by Judy Goldschmidt

The gimmick of this book is that it is a BLOG written by seventh-grader Raisin Rodriguez (and a few comments from her readership), and basically recounts her days at a new school in a new town. There are some amusing events as Raisin tries out for soccer, has her first period, and deals with a boy dog named "Countess" who has strange dietary habits.

But this is a very boring novel. It is very rare that I run across an author that shares my last name (no relation, by the way), so I really wanted to like this book, but this was dull dull dull. When will YA authors realize that throwing in an account of your first period and other "girly" stuff does not make a story. There's no story arc, barely any character development, and nothing to keep you glued to the page. Sorry, this one's a big fat zero.

Makeovers By Marcia, by Claudia Mills

Another book is Mills's series about West Creek Middle School (see Lizzie At Last), this one centers on Marcia the fashion-conscious who struggles with two challenges -- getting Alex to invite her to the dance and learning to like the mandatory community service project she's been assigned at a nursing home. But, of course, what seems to be easy becomes difficult and what seemed onerous becomes a joy.

Not having a lot of sympathy for the rather vain and silly Marcia at the beginning of the story handicapped me in enjoying this particular novel. It has few surprises, but fulfills all the necessary prerequisites of Middle School reading. Nothing exceptional, but it is pleasant. Average.

Pop Princess, by Rachel Cohn

Wonder Blake has everything going for her. At 15, she gets a major recording contract and an opportunity to tour with pop diva Kayla. It's all success and fun, even as Wonder struggles with boys and parents and school and the memory of an older sister who died too young. But she's a witty thing and will figure out a way to survive.

Coming off as a cross between the movie Rock Star and Rachel Cohn's other books, this is a painful read. It has all of the blaring success and fairy tale quality of Meg Cabot, but without the wit or the suspense. Nothing seriously bad ever happens to Wonder in this story, and that makes for some PAINFULLY dull reading. I don't ask for continual pain and suffering (although it would have made for a better story than this!) but some sort of dramatic suspense to keep the story going would have helped.

Wonder is no Cyd and this story will never compete for Gingerbread for my affections. Instead, this is pop schmaltz creation about as interesting as the latest pop music star.

Kissing Kate, by Lauren Myracle

Lissa and Kate were inseparable best friends until the party where Kate got drunk and they kissed out in a gazebo, and Lissa (who wasn't drunk) realized that she liked it. Beyond the awkwardness of confronting what they did and what it meant, Lissa now comes to terms with who she is and who she wants to be, along with some help from her boss and a social outcast Ariel (who cares more about Lissa's "lucid dreams" than her sexual orientation).

It's a gentle teen story of awakening ideas, with only the slightest intimation of sex. Mostly, in fact, the story is the old chestnut about learning to be true to yourself, and what the real definition of friendship is (tossed in with some familiar cliches about obnoxious little sisters and clueless boys). I give the book high marks for its sensitive depiction of teen homosexuality, but only a moderate review for its otherwise fairly unoriginal storyline.

Becoming Naomi Leon, by Pam Munoz Ryan

Naomi lives in a trailer park with her mildly-handicapped brother and her great grandmother taking care of them. But things change when he long-absent mother reappears and wants to take Naomi away. Rather than be forced to leave her belovewd brother and Gram, they flee south to Mexico and search for her father. Along the way, Naomi discovers Mexico and a little bit of herself.

This is an absolutely charming book. I've been reading so many teen angst books that I've forgotten that children's books don't have to be about falling in love for the first time. And Ryan takes us to territory (not only in a physical sense of the state of Oaxaca, but in the emotional sense) that YA literature rarely goes. This is a deep exploration of the heart and family. It is also a gentle story with a good sense of wit (the chapter titles alone are wonderful), and a with good payoff in the end. Highly recommended.

Saint Jude, by Dawn Wilson

Too messed up for the outside world, but not sick enough for an institution, a groupf of misfit teens find a home at saint Jude -- a psychiatric half-way house. There taylor learns a little about love and a little about love, as one by one, each of them move on to the real world and graduate.

Looking beyond the shoddy production (rarely do I notice how badly typeset and edited a book is), Wilson has a lot of neat things to say. This is sort of a cross between One Flew Over the Cuckoo's Nest and The Breakfast Club, with much of the charm of both stories. There's a love story that never quite goes anywhere and teen pranks. No real story, but at least a satisfying conclusion. Not a classic, but a good read.

If You Come Softly, by Jacqueline Woodson

A story about true love between teens, with a twist: Jeremiah is Black and Elsie is Jewish. But they have a lot in common and this isn't a stereotypical Guess Who's Coming To Dinner story (although the novel includes a reference to that one).

A big warning: the book concludes with a massive whammy that is only faintly foreshadowed in the book. That will feel a lot like a cheat, as if Woodson couldn't bring herself to end the book in the way its dramatic arc was heading. But moreover, the characters are terribly mature for a pair of 15 year olds. And maybe just a bit too perfect. I really longed for some sign of self-centeredness or some mistake or something to go wrong, but that never happens in books where the message is political rather than literary.

And I guess that brings me to a side comment about race books. I find that I don't tend to enjoy them and, in fact, try to avoid them. At first I figured that is because of an affluent white who can barely relate to the milieu. But I think it is more than that. When a book becomes an issue book (be it race, sexual orientation, disease, etc), it loses something. When characters get sacrificed for the sake of an issue, the story suffers. Why couldn't Elsie or Miah be a bit imperfect? Because that would have suggested that interracial dating was imperfect and Woodson couldn't risk that. Too much riding on the issue to allow for some human imperfection here. Or maybe Woodson can't imagine the world of a living teen, but she seems like a better writer than that.

Unexpected Development, by Marlene Perez

Megan lusts after Jake Darrow, but unfortunately Jake has a serious girlfriend. That is, until they break up and now Jake is available. But that is the least of Megan's worries as she struggles with learning to trust Jake's interested in her, and not just in her ample bosom.

Perhaps I've read too many of these, but this novel is terribly dull, basically an account of boring life in nowhere Iowa in the summer as teens drink and party and hook up. There are lecherous adults and lecherous teenagers. There are a lot of dialog scenes that don't amount to much, and characters who we're kept terribly distant from. Perez has some great ideas, but I'd have found Megan to be a much more interesting character for a Middle School book (the flashbacks to her coping with the attention her breasts get her as she was growing up are lightyears more interesting than her Junior year in high school). A disappointment.

Define "Normal," by Julie Anne Peters

Antonia the straight-A good girl volunteers to be a peer counselor and gets saddled with Jazz the troublemaker and punk rocker. But as the two girls try to stumble through peer counseling together, they discover that their lives are strikingly similar, and that the counselor might be in just as much need of counseling.

A good read and a heart-warming story, without any sacharine bits to ruin the fun. This isn't deep reading, but it is a good book and enjoyable. The characters surprise us, but in ways that are believable, and that makes turning the pages so enjoyable.

The Blue Mirror, by Kathe Koja

Maggy doesn't really "do" school, and living with her alcoholic "mother" is not much of a life, but at least down at the Blue Mirror she can express herself with her drawing, especially with the fantasy of Cole, a charismatic street child. But when Cole steps out of fantasy to become her boyfriend, Maggy discovers the dangerous side of the streets and has to grapple her way back to reality.

For the first third of this book, I was pretty certain this was going to rank down at the very bottom of my list, but it slowly redeems itself...slightly. Koje writes in an annoying train-of-consciousness style where things are half-answered and storylines jump about chaotically. That makes for pretty tedious reading, and really makes it hard to relate to the characters.

At the Back of the Woods, by Claudia Mills

When Emily moves to the neighborhood, she astounds the other girls (and Clarisse in particular) by her fearlessness. Emily fears nothing, least of all crazy old Mrs Spinelli, who everyone else is convinced is a witch. But when Emily encounters something that is afraid of, Clarisse realizes that there is a big difference between Emily's fearlessness and true bravery.

I've now read a good number of Claudia Mills's books, and this may well be the very best of the bunch. Although pitched at middle readers, this charming little book creates a wonderful little world of 10 year olds and their shifting loyalties and friendships, and revels in the type of emotional growth that children go through before adolescence. And it rather sharply criticises adults who don't trust children enough to tell them the truth. A beautiful book.

The Rise and Fall of a 10th Grade Social Climber, by Lauren Machling and Laura Moser

When Mimi flees her Mother and her Mom's new lover in Houston for her easy-going Dad and a private school in NYC, she imagines her life is going to get more exciting. But she's not quite prepared for life in the fast lane with her rich and exotic new friends. And she learns the rules of the game in NYC are much more complicated than they are back in Texan 9th grade. Despite the odds, she takes off and rising to great social heights until the lies and deceptions that got her to the top come crashing down on her.

The story has its moments, but the book is entirely too long (at around 290 pages, it would have been better chopped down by a third) and overall covers fairly familiar territory. We have angst, we have friendships, we have finding out that the popular girls have faults too, we have the crush on the gay guy, we have the clueless parents, and we have the revealing moment of truth at the end. Let's go someplace interesting with this story, OK?

A Mango-Shaped Space, by Wendy Mass

For her entire life, Mia has seen colors when she reads and when she hears sounds. When she was little, she tried to explain his vision to others, but when she realized that she was alone and that admitting what she saw made her a "freak" in their eyes, she kept it to herself. By then things change and her condition comes out and she discovers that, while rare, that Synthesia is something that is not unique.

It's been a bit of a dry spell lately since I found a really good book. And it's a good thing to find. Mass's Leap Day was interesting and original, but this story is truly a much better read. The book appeals on all sorts of levels, not just as a story about Synthesia (which I knew nothing about before reading this book), but also as a coming-of-age story and a story about the bond between cats and their owners (an important part of the plot I sort of skipped above). This is truly an excellent book.

Here Today, by Ann M. Martin

It's 1963 and Ellie lives in the shadow of being an outcast Witch Tree Lane, and being the daughter of her flamboyant and restless mother Doris Day Dingman. When Doris decides to pursue her star in New York City and abandons her family to do so, Ellie has to take care of her siblings and find inner strength to be the adult her mother never quite managed to be.

Ann Martin is probably best known for her formula Babysitter Club books, and maybe somewhat less well-known for her A Corner of the Universe. This book turns out to be less of a YA book than an adult novel about being a child with a mother who is more of a child. It's an odd paradoxical book: fascinating and detailed, yet dull and plotless at the same time. I can honestly say that I've never been so bored by a book that was such a breeze to read. So, if you want a book that (at 308 pages) still took under 4 hours to read, I guess you could do worse.

Fat Chance, by Leslea Newman

When Judi's class gets an assignment to keep a diary for the semester, she is certain that she'll have nothing to write about. But as Judi's obsession with losing weight develops (alongside some up and down attempts at romance), her diary entries start to reveal a deadly problem.

At times, the narrative is a bit dull and there are some Judy-Blume-like moments of adult preachiness thrown in (if I were to improve the book, I'd try to let Judi tell her own story without all the extras tossed in). That said, there won't be a dry eye at the ending, so if you can manage your way that far, you will be rewarded. A bit rough and irregular then, but a great topic.

The Summer of the Swans, by Betsy Byars

Sara has trouble dealing with her older sister, her aunt, her absent father, and most of all, her retarded brother, whose needs always seem to outweigh her own. But then one night, her brother disappears and she must hunt for him.

It's a Newberry Award book, but it has aged badly. And beyond the references to a life long passed (operator assisted calls, anyone?), the whole psychology of 14 year olds has changed tremendously since this story was written. It's a pretty little book, but terribly trite and boring.