From where did they come and how did they survive for so many years? The girls believe that they are enchanted princesses, who have been raised by a man named Mother, in an old collapsed tree that they call a "castle." Mother's magic protected them, helped them find food, and healed them when they grew sick. It was Mother who explained to them that they were four of five and when they met the fifth princess they would be ready to fight to free the people of a kingdom in another dimension. Through all their hardships, the girls believed in Mother. But when he died, the magic went away and the girls sought out help.
Who was Mother? Was he magical or some sort of psychopath who kidnapped the girls. Are the girls princesses or victims? Finding the answer to that question will tell the girls as much about themselves as it will explain about the man. Now thrust into the modern world, they are pressured by the authorities, the media, and the people who are caring for them to define themselves so they can be properly categorized.
For Rhi, their struggle to understand and explain themselves feels like her own and it soon becomes apparent that she might share their destiny. But what is the fate for young women raised in the woods and totally unprepared for the brutal wilderness of the larger world? Their instincts are to fight for their survival and they are unversed in the subtleties and duplicities now around them. They don't understand the behaviors that are expected of them as young women and, while they desire to integrate into society and uncertain that they can compromise themselves to do so.
This complex and multi-layered novel explores female friendship and companionship. While Franklin brings in some pretty horrific abuse and violence (including a brief scene of cannibalism), the story is less about pointing out the brutality of the world for women and more about the way women connect and communicate in the face of such abuse and violence. This can occasionally grow preachy for the benefit of young readers who may struggle with the nuanced reading of feminine negotiations with patriarchy that Franklin employs, but this is all good Feminism 101 stuff.
Written in more of the style of a legend or an extended parable, as if Franklin is recounting an epic journey, there's not a lot of depth to the characters or examinations of their personal feelings. Instead, the girls are largely symbolic from their backstories (which are a catalog of sexual, physical, and emotional abuse). Even their names (Verity, Sunder, Oblivienne, Grace, and Eden)`suggest meaning.
Overall, the writing is gorgeous, the thoughts profound, and the story memorable. Definitely one of the best YA books of 2024.
No comments:
Post a Comment