Paper Covers Rock, by Jenny Hubbard

In 1982, at a boy's boarding school in the South, a terrible accident occurs. A boy drowns in the river after a drunken diving stunt gone awry. One of his friends, Alex, spends the next weeks trying to come to grips with what he saw and what he admits to others about the incident. To cope, he confides to his journal, for which he liberally borrows from Herman ("Her-man") Melville's Moby Dick, calling himself "Is-male." Because of fears that a young English professor may have witnessed the accident and thus be a threat to its secrets, Alex gets embroiled in a plot to discredit her and destroy her reputation. But at the same time, he struggles with admiration and infatuation for her, leading to a great deal of confusion about what to do.

An eloquent and well-written novel about fear and self-loathing among teen males, with plenty more implied than actually said. The high style of the writing and the large quantity of unanswered questions will provide ample material for classroom debate. Furthermore, the plentiful classical allusions are guaranteed to bring High School English faculty to orgasm (never mind the tragic English professor!). I can see now the study guides and forced class discussions of "what the author intended" and "why she chose to use certain words." No one could say that it is a bad book (it's superbly executed and beautifully done), but it isn't written to appeal to young readers. In sum, the book reeks of assigned high school reading, more than YA pleasure read.

It isn't so much that I hate literary novels, but books like this are not written for anyone to enjoy and the author doesn't have anything to say to young readers. She's neither interested in entertaining nor enlightening them. She written a clever book that critics will love, but it is a lifeless and joyless thing.

Warp Speed, by Lisa Yee

Marley's the kind of boy who likes to maintain a low profile. Choosing the word to describe himself at the start of the school year, he picks "invisible." It's the best way to be, especially if you are a magnet for every bully in the school. Hardly a day goes by when kids aren't punching, kicking, or otherwise taunting Marley.

To cope, Marley has a Star Trek obsession, burying himself in trivia and trying to guide his life through the characters of the show (WWSD? -- what would Spock do?). His friends in the AV club seem to cope similarly: Ramen loves Star Wars and the new kid Max loves Batman. Yet, it's Marley who gets singled out for special attention in the halls and after school. And it's Marley who will surprise the others (and himself most of all) by revealing particular talents no one imagined he has.

It's cute, it's feel good, and it's a quick read, but it's terribly pedantic. Consider this the polar opposite of the book The Misfits that I reviewed earlier this week: The anti-bullying message here is muddled and confused, and in the end ultimately dictated by the author since the characters are too weak to figure it out on their own. Marley, we learn, is too dumb to figure this stuff out for 280 pages, despite the help he gets from several adults and from her current and former friends. Instead, the reader is led by the nose to the correct conclusion in the last 30 odd pages: bullying is best dealt with by confronting it. That's simply not very interesting.

One also wishes that Yee hadn't tried to make her characters fans of real science-fiction shows as it quickly reveals her own ignorance of the genre. Better to have made something up altogether. As is, we're faced with multiple references to Star Trek that sounded about as authentic as the history teacher's "rap" songs. And I found myself cringing as much as the students in that class.

Ten Miles Past Normal, by Frances O'Roark Dowell

When Janie was nine years old, she dreamed of living on a farm. To her surprise, her parents decided that it was just the thing they all needed and decided to take the plunge. But what seemed like so much fun as a young child becomes a major source of embarassment as a teen. Fourteen year-old Janie desperately wants to hide the fact that she's a farm girl. She'd like to be more "normal," but High School doesn't seem to be an easy place at which to do that. She can't find a clique or a club to join. She hides out in the library during lunch. It doesn't help that her schedule's separated her from her Middle School friends.

The only extracurricular activity that attracts her is band jam, where she discovers an affinity with the bass guitar. It is the patience and attentiveness of a boy with the unfortunate name of Monster who teaches her the intricacies of the instrument, but this isn't really a romance (although a few potential romances fizzle out). Instead, goats and civil rights activists play a significant role in the story.

O'Roark Dowell has a tendency to write about young teens in transition and she carries on the theme here. Some of the strongest passages deal with Janie and her best friend Sarah's changing relationship. There's also some nice realistic stuff about the awkwardness of romantic feelings at this age. And in general, the tone is authentic and age appropriate.

However, the story itself is so random and across the board that it's hard to know how to read it. Neither the Civil Rights stuff nor the references to the farm seem related (more of an add-on than an essential part of the story). It seemed like an attempt to dump in a lot of cool ideas and then try to form a story around them as an afterthought.

The Misfits, by James Howe

Bobby is a member of the "Gang of Five," a group of four (!) kids who don't fit in and have been subjected to a great deal of teasing because of it. Addie is the outspoken activist, Jim the fey guy who used to wear dresses when he was little, Skeezie needs to work on his personal hygiene, and Bobby is overweight. Outcasts at school because of their quirks, the four friends meet in the afternoons at a diner to plot against the injustices of their world. At first, their target is the student council elections, but when their plans go awry, Bobby makes a suggestion that will change all of their lives, and potentially change things in their school for everyone else as well.

While a cynic might consider the premise of this story to be idealistic (sort of a pay-it-forward for tweens), there is no denying the actual impact of this story in the real world. Thanks to it and the efforts of the author, an anti-bullying message has been promoted across the country, inspiring anti-bullying days and no-names weeks in a number of middle schools.

But beyond the impact of the story in young peoples' lives, the book itself deserves special praise. My usual complaint about books written for middle readers (and I include some of the real classics like Judy Blume in my criticism) is that the authors of books for this age group don't seem to have much respect for their readers, talking down to them and lecturing, connecting dots that a kindergartener could probably figure out on their own. Somehow, no matter how bright the young protagonists of these books, the pearls of wisdom always have to come from adults. Not so here. The adults are far from stupid or cluelessness, but the good ideas and insights come from the kids themselves (and in words that seem authentic and believable). This makes the story so much more effective, because who wants to be preached to by adults when you are thirteen years old?

The Rites and Wrongs of Janice Wills, by Joanna Pearson

Janice thinks of herself as an anthropologist of adolescence in her small North Carolina town. In some ways, this is a coping mechanism, giving her the opportunity to observe, with detachment, the behavior of her peers (and thus ignore her own shyness and social awkwardness). However, as she discovers when she attracts the attention of a moody heartthrob, it also creates the impression that she is a snob and an elitist. Realizing in the end that her attitude is the cause of many of her problems, she manages to salvage much of her life with some mental readjustment. A beauty pageant also plays a role in the transformation.

The book tries hard to win you over, but it fails on nearly all fronts. The "anthropological" observations try to be clever and witty, but we've seen this done better (for example, see the Popularity Papers, reviewed in July, or re-read a classic like Speak). The relationships (whether between Janice and her best friend, between Janice and her mother, or between Janice and either of the two boys in her life) are underdeveloped and fall flat. Janice herself is contradictory, frequently switching directions in mid-stream. At first, she resists participating in the beauty pageant yet seems to adapt to it easily enough in the end. This leaves us wondering what Janice wants (or, more to the point, what Pearson wants us to surmise about Janice's desires). In the end, the book doesn't have much to say (and what it does say, we've heard before).

Entwined, by Heather Dixon

After their mother dies, Azalea and her eleven sisters are forced to spend a year in mourning, locked up in the castle, forced to wear black, and (worst of all) forbidden from dancing. But then the children find a secret passage to a magical land where beautiful people dance the night away. Managed by "Mr. Keeper," the girls are told that they can return to dance every night. They do so and it relieves the sadness that they feel at the loss of their mother. But Azalea becomes suspicious of Mr. Keeper. It all seems too good to be true. And before it is too late, she must figure out what is up!

Based on a fairy tale called the "Twelve Dancing Princesses (with which I am not familiar), this retelling fleshes out the story to nearly 500 pages. It moves quickly enough, but isn't all that well-written. Handicapped by my lack of knowledge of the original source material (or, apparently, the "classic" Barbie version!), I relied on the storytelling to lead me through the story. And I found that it just didn't hold up. Instead, I was continuously having to double back and re-read passages to figure out what was going on. This grew frustrating and, as a result, I found the writing tiresome. As a tribute, it might be a formidable work, but as an original story, it is lacking.

We'll Always Have Summer, by Jenny Han

In the third (and probably last) installment of the series, Belly is now in college and she and Jeremiah are dating. As the story opens, there is trouble in paradise: Belly finds out that Jeremiah cheated on her during Spring Break. She confronts him and the incident threatens to sever their relationship. Instead, they reconcile and Jeremiah proposes to Belly. She accepts.

Their families are aghast. Sure, they have always been close, but just about everyone else agrees that they are far too young. Belly and Jeremiah decide stubbornly that they will go ahead, with or without the approval of their families.

Jeremiah's older brother Conrad has his own reasons to object: he's never gotten over his own relationship with Belly. As the days to the wedding approach, Belly herself realizes that she still has feelings for Conrad. The resulting love triangle plays out much as expected, but is no less poignant in its predictability.

While I am not a big fan of series literature and romances usually fall flat (more because I am old and jaded, and less so because of the usual excuse of my gender), Han's trilogy is an outstanding exception. She has a beautiful way of plucking heartstrings and she does so through honest observations. All three of the books in this series are mature, well-written studies of feelings and emotions that ring true for all ages (both the adolescents and the adults seem real and vibrant). Yes, it may be easy to write a nostalgic piece about young love on the beach, but there is an unusual amount of substance and honesty here about what love really does to us. For anyone who has loved another enough to consider marriage, there are moments here that feel familiar.

If I have a complaint, it is a minor one: the epilogue seemed unnecessary and more like a desperate bid to have a happy ending, when a melancholy conclusion would have done just fine.

Choker, by Elizabeth Woods

Back when she was little, Cara had a best friend named Zoe to hang out with. The girls got into trouble a few times and Cara's parents never approved of Zoe, but at least Cara had someone.

When Cara and her family moved away, Cara was all alone. It was hard resettling and Cara's general nervous disposition didn't help (an accident in the lunchroom earns her the nickname "choker" and the mockery of her peers). But just when Cara feels it can't get any worse, Zoe appears on her doorstep and begs Cara to let her secretly stay over. Zoe has run away from home and needs her old friend to take her in.

Zoe's obviously hiding something and not telling the whole truth, but at first Cara could care less. Her friend is back and she is no longer alone. Having Zoe back, Cara again feels some degree of self-confidence. But when Cara's tormentors start to disappear and show up dead, Cara becomes suspicious of Zoe's behavior. Too late, she realizes that her old friend may be a danger to her.

Full of frightening imagery, this psychological thriller will make your skin crawl. I found the pacing a bit too slow and drawn out, but I was definitely glued to the book and wanted to know how it would end. A shocking twist towards the end threw me sufficiently off-balance that it was worth while. Kudos to Woods for creating the creepiest book of 2011!

The Summer I Learned To Fly, by Dana Reinhardt

Drew (or "Birdie" as her mother calls her) is burdened with a boy's name, an obsessed and entrepreneurial mother, and an unusual pet -- a rat named Hum. She doesn't really have any friends, so Hum is most of her life and working at her Mom's cheese shop with Swoozie (an ex-pat Wisconsinite) and Nick (surfer dude and mechanic extraordinaire) is the rest. Enter Emmett, the boy with a mysterious scar on his face, an evasive response to most questions, a strikingly deep knowledge of rats, and a plan that will take Drew away on the most amazing trip in her thirteenth summer.

The result is a charming and quirky romance about a moment when a shy girl left her comfort zone and made tentative steps to adulthood. Birdie, speaking as an eighteen year-old narrator of this story of her childhood, is endearing and insightful and imbues her story in a warm nostalgic glow. This is tear-jerking stuff and a perfect example of the types of things for which I am a complete sucker. In this respect, it is very much YA-for-adults (not just in topic, but also in its no-BS tone about human relationships between adults, children, and one another), but it is also a pretty story about a strong girl who learns how to unfold her wings. I can't say whether young readers will appreciate the beauty and honesty of the moment that Reinhardt captures, but I certainly did!

Hidden, by Helen Frost

When she was eight years old, Wren was kidnapped by a car thief who didn't notice that she was in the back seat of the car he was stealing. Scared, she hid and survived for several days before escaping. And while her feat required a lot of quick thinking, she was helped at the time by a girl of her age named Darra (who was also the thief's daughter). Darra secretly slipped her food and kept her existence a secret from her Dad. But when Wren escaped, the police came and arrested Darra's father, for which she blamed Wren.

The two girls never met up again, until five years later, when they end up - by chance - at the same summer camp. At first, they ignore each other, suppressing memories of what happened and pretending that they don't know each other. But the pain of it all is too much, and unsettled scores rise to the surface. Once aired, the two girls find common ground for an unusual friendship.

Told in alternating viewpoints through two distinct styles of free verse, this is a short but ambitious literary project. There are instructions on the end of the book for how to read the verses for hidden meaning and it is well-worth reading the book twice (once straight through and the second time following the author's instructions). It's clever but not the sort of thing that a lot of young readers will really care about. The verse itself is fairly bland and lacks intrinsic value. The idea for the story is interesting, but the end product is not so impressive.

Small Town Sinners, by Melissa Walker

As the youth pastor's daughter in her town's major church, Lacey is a fervent believer in it and her congregation's good works. The highlight of which has always been the annual "Hell House" (a melodramatic morality play used to acquire converts) that her church's teen group puts on to show the downfalls of sin. And while Lacey has come to see its flaws as she has grown older, she still longs to be a star and help save souls.

However, things are starting to change. A childhood friend named Ty moves back to town. He has secrets and hides his past but still makes her question her faith, with his ideas and statements. And around Lacey, things are happening that challenge her assumptions about moral questions being so cut and dried. Turning to her parents doesn't help. They don't have answers and even try to dissuade her from asking her questions. So she finds herself striking out on her own.

When it comes to teens and religion in YA, this theme of independent youth challenging rigid paternalistic faith structures is a common approach. And the idea of using an outsider bad boy to trigger the crisis of faith is a similarly familiar approach (think Footloose for example). The problem that most of these stories have is that the heroine's faith is usually a paper tiger -- easily challenged with a bit of common sense and then summarily vanquished. That's an easy out and certainly an issue in this book. Walker is obviously not a fellow-traveler of Evangelicals and shows that she can't accept that people would actually believe this stuff. But she also has the good sense to respect that her characters' faith would be difficult to dislodge. And so, while Lacey is shown questioning her faith, she does not simply toss it aside. That makes this story stronger than most.

However, I'm still seeking a book abnout teens and religion that does not walk us through the process of how the characters reach the conclusion which the author has already decided that they should have. In my mind, Walker's antipathy to Evangelicals is almost as bad as the Christian Inpirational novels that I occasionally pick up. It's a disservice to readers to portray religious faith as something so easy to resolve. So, you can put this in my want-to-read category: a book about a young person seeking faith who finds it in the end, but where the particular direction the book will take is not a foregone conclusion from page one. (My other big literary wish, of course, is the warrior princess who enjoys embroidery and slaughtering her enemies with a kick-ass sword!)

Sean Griswold's Head, by Lindsey Leavitt

When Payton discovers that her father has MS, the shock that he is sick isn't nearly as great as her surprise at learning that she's been kept in the dark about this for the past six months. Even her older brothers have known about it the whole time. However, her family has kept it a secret because they felt she was overly sensitive and wouldn't be able to handle the truth.

In shock and in anger, she gives her family the silent treatment. Her reward for this is getting sent to her High School guidance counselor for talk therapy. There, it is her counselor's idea that she needs to find something to focus on to journal about and sort out her feelings about her father's illness. But Payton finds it difficult to choose a worthy subject to center upon. In desperation, she chooses to focus on the back of the head of Sean Griswold, a boy who sits in front of her in biology class. Her first entries are silly and frivolous, but gradually she starts learning more and more about her subject until Payton realizes that she is falling in love.

An above average romance for younger teens. It gets some gravity from its topics of death, dying, and grief, but at its heart there's the romance, which doesn't have a lot of steam (the younger target audience probably doesn't need much -- it's all in the anticipation!). The subject of Payton leaning to cope with her father's illness is also handled pedantically (but again that's probably a requirement of the target audience). So where the story really shines is in Payton's appealing personality and some funny situations.

Shine, by Lauren Myracle

Over the past couple of years, Cal has shut herself off from her friends and become a loner. However, when an old friend Patrick is found badly beaten, bound to a gas pump, and with the nozzle shoved down his throat, Cal finds she can't continue to be shut down. The brutality of the crime (far too easily blamed by the police on out-of-towners) drives her to try to uncover the culprit. But as she starts to poke around, she quickly learns how far people will go to hide the truth and how much the people of her town have to fear. Rather than discourage her, the search emboldens Cal to dredge up the facts of what happened, even as it threatens to reveal her own truths to the world.

A surprisingly complex story of rural America. This isn't the simpleton hillbilly America of so many novels, nor is it an innocent and sweet place. Myracle's country, instead, is a world where meth production and consumption has invaded, driven by the despair of a world without jobs or future. It's a place where people cover up the truth because they realize that there is no point in knowing it. It's a grim world with its own sense of justice and reciprocity.

The book is impressive. The explanation for what happened to Patrick (and why it happened) is only arrived at through an honest (and painfully slow) unraveling of layer upon layer of smaller hidden truths. The pacer is pitch perfect. On only on a few occasions did I find myself ahead of the narrator in figuring things out. That kept me hooked and made the reading (aside from a fairly slow start) into an addiction.

If there is a fault, it is the nature of the story. I found myself disliking the characters so intensely that I began to not care what happened to them. That again is actually a credit to Myracle's writing. The characters are so well-formed that my dislike came because of who they were not because of how they were drawn up. So, while the story and its characters disgusted me, I still found myself drawn in.

Miss Peregrine's Home for Peculiar Children, by Ransom Riggs

When Jacob's grandfather is killed, Jacob seems to be the only person who realizes the truth that grandpa was killed by monsters. Jacob himself doesn't want to believe it. He had always been skeptical about his grandfather's stories about evil creatures.

Grandfather was always telling stories. About the boy made up of bees, or the girl who floated in the air, or the invisible boy, or the large bird who took care of all the "peculiar" children when grandpa was still a child himself. But Jacob's own experience convinces him that these stories, which always seemed like fairy tales, must have an element of truth. And now Jacob wants to figure out what that truth was.

Along with his father, he travels to an isolated Welsh island and finds the ruins of the orphanage where grandfather lived. And, while the initial search is fruitless, Jacob eventually finds clues of what happened to the peculiar children, and what dangers lie ahead.

The most striking thing about this book is not so much the story, as its presentation. Through some friends who collect antique photos, Riggs has found several dozen unusual anonymous photographs and created a story that links all of them together. Spread throughout the book, these reproduced images are creepy and yet also beautiful. As a collector myself, this was an innately appealing concept and I enjoyed the design immensely.

Beyond the artistry and the sheer great look of this book, the story is also fun. More time could have been spent describing and developing the peculiar children themselves (who remind me a bit of the teen X-Men), but Riggs has a story to tell and he moves that along quite well. There isn't tremendous emotional depth here, but it's still a decent fantasy-adventure read.

The Mermaid's Mirror, by L. K. Madigan

Lena loves to be by the ocean and dreams of learning to surf. However, for some reason, her father (a legendarily good ex-surfer himself) won't let her try it. But that is just the beginning of the mysteries. There's also the disappearance of her mother when she was younger (which neither her father nor step mother will discuss), a deranged man who wanders the beach looking for someone, and sightings out in the water of strange creatures that look surprisingly human. But as Lena finds out the answers to these mysteries, it forces her to make decisions about her future that have no good solution.

A surprisingly limp telling of the typical YA mermaid tale. It lacks the humor of Real Mermaids Don't Wear Toe Rings or the warm appeal of The Tail of Emily Windsnap. Instead, we get a familiar story of a half-human, half-mer child who seeks out her absent mother. As if that wasn't uninspiring enough, dramatic points bob up to the surface in this story and then sink to the bottom with little notice. At least two separate romances are introduced but left undeveloped. The end result is a story that covers the bases, but never really engages any particular theme.

Through Her Eyes, by Jennifer Archer

Tansy, her mother, and her grandfather move every year or two, so that Mom can live amidst the setting for her next novel. Mom claims that she needs to be immersed in order to write, but Tansy suspects that Mom is afraid of setting down roots. Regardless of the reason, they have lived in many different places, including Nashville, Seattle, and Boston. This time, they end up in small Cedar Canyon, Texas, which happens to also be her grandfather's hometown. While that ought to please grandpa, senility has made him largely uncommunicative. Still, it certainly seems like he isn't too happy to be back home.

For Tansy, small-town Texas certainly isn't a terribly friendly place to live. Most of the kids ignore her, except for a strange but precocious girl several years too young for her grade. But Tansy's social life is only peripheral to this story, because there are strange things afoot! The house they are living in is rumored to be haunted and Tansy has noticed a fair share of unexplained phenomena (seeing people from the past through the viewfinder of her camera, hearing a nightingale's call (even though they are not native to North America), and eventually finding a way to actually enter the world of old photographs). It all points to a horrible event in the past that must be resolved if the hauntings are to cease.

This is a busy supernatural thriller, and poorly paced. While it takes a while to sort everything out, the story meanders so slowly that you find yourself well ahead of the characters. The result of this is that I found myself getting bored waiting for them to figure out what had already become clear to me. More pruning to make the story taut would have helped. The conclusion gets pretty muddy as well, but here it seems intended to leave the ending ambiguous. That didn't work for me either. Overall, I found this a pretty average read.

I Am J, by Cris Beam

J has always known he was a boy, even if his body didn't agree with him. When his mother wanted him to wear dresses, he knew something just felt wrong. And as he hit adolescence, those feelings grew stronger and more complex, even as his body changed in the wrong way.

Now, in his senior year, J reaches a crisis point where he has become tired of being accused of being a dyke by his classmates. He can no longer hide his feelings from his parents. So, he learns how to bind his breasts to hide them, and attempts to strike out on his own as a boy. He practices talking and walking like a boy. He picks up a girl, but finds that the fear of revealing the truth about himself drives a wedge between them. And he dreams of starting hormone treatment to start the physical transition. Along the way, he is confronted by confused and angry friends and family, and realizes that if he's going to actually do this, he may need to do it on his own.

In touching and insightful detail, Beam shows us the inside of an adolescent transgender mind and gives us a taste of the trans community. It's complicated and, while the plot itself hardly moves, the complex mix of frustration, anger, hurt, hope, and naivete that make up J's world is unique enough to make the path interesting. Beam is able to draw effectively on her experience working with trans teens and acknowledges that J's character contains numerous pieces of her clients and friends. In fact, the true love and devotion that the author feels for the trans community shines through on every page of this sympathetic portrait.

At the same time that I was impressed at the groundbreaking nature of this work (that goes far beyond existing novels like Luna or Debbie Harry Sings In French) I was frustrated by Beam's decision to tell this very personal story in the third person. By doing so, the reader is constantly kept at arm's length away from J, and we are forced to learn about his world in only maddeningly brief glances. I suspect that she chose to write the book that way because she lacked the confidence to truly immerse herself in J's mind, but the effort could have paid off so well!

Divergent, by Veronica Roth

Another dystopia (what is the fascination with these things?).

In this one, Chicago has been turned into a camp of competing factions -- Abnegation (self-sacrificing), Candor (honest), Erudite (intellectual), Amity (peaceful), and Dauntless (warring). At the age of 16, each child must choose where they want to live. Beatrice, raised in an Abnegation home, has never felt worthy enough to stay and struggles with her decision. She chooses to become Dauntless. The initiation process is far from easy and a bulk of this book is devoted to that difficult process.

However, there are other forces at play and far more serious stakes. The factions are restless and struggling for control. Beatrice (renaming herself as "Tris") has an important role to play. Her rootless feelings are actually a result of her status as an outsider to all of the factions -- a "divergent" one -- a position that she must keep secret. It may well be the key to saving her people but could easily get her killed.

This is a fairly creative set-up. While one could complain about the simplistic nature of carving out such absolute "factions," it's well-implemented. The book itself doesn't break much new ground though. There's the high degree of brutality and violence that has become a trademark of the genre (e.g., Hunger Games or Ship Breaker). There's the appealing but ultimately egocentric idea that adults are worthless for saving the world and that only a team of adolescents can pull it off. In other words, stuff we've seen before. The novel does have some interesting things to say about violence, parents, and fear, but in the end, it's mostly a gorefest. This is seen most clearly in the token romances in the story, which are never allowed to interfere too much with the action. Once the troops fall under mind control (in a sequence lifted shamelessly from the movie I Robot), we just sit back and watch the body count climb. Movie options and the sequel (due in May 2012) are a foregone conclusion.

She Loves You, She Loves You Not, by Julie Anne Peters

When Alyssa's father discovers that she is a lesbian, he throws her out of the house and she has to go live with her estranged mother in a small town in Colorado. Traumatized by the events that have led up to her exile (which include a powerful and ultimately obsessional relationship with a girl two years younger) and feeling alone and abandoned by family and friends, she tries to adapt to her new surroundings. In doing so, she discovers that her understandings of her own family and herself are not nearly as clear as she once thought, and that the path to recovery will take her to very different places.

Peters has made a great career out of writing insightful books about adolescent LGBTs. While they share that theme in common, each novel is strikingly unique. Her characters are thoughtful and introspective, but believably immature. Sexual orientation is core to the stories and she does a great job of illustrating both universal truths about all teens as well as the unique issues that young people face if they are gay. And so, this story shows us how the interference of adults (and the homophobia of society itself) complicates the already volatile nature of adolescent romance. How young gays struggle with their identity, not yet certain of which way they want to be (and thus mess with each other's heads as a result) becomes a story which is neither superficial nor didactic polemic. Instead, homosexuality is essential to the story that is ultimately not about sexual orientation at all.

The book does have some rough spots. We have numerous subplots (Alyssa's relationship with her parents and her step-mother, romantic betrayals both between children and between adults, some natural disasters, several road accidents, and a little workplace drama). As usual, these seem distracting from the story, as if Peters wasn't too sure where any of them were going when she wrote them in, and then couldn't bring herself to prune them out later. The stylistic device of doing flashbacks in second-person narration is awkward as well. Still, the overall sensitivity and sympathy of the story make this a great book for readers, regardless of which way they swing.

Flip, by Martyn Bedford

When Alex wakes up one morning, he notices that things are definitely wrong (wrong bed, wrong room) and when he looks in the mirror he has the biggest shock of all -- he's in the wrong body! Somehow, he's become another boy altogether -- Philip "Flip" Garamond. And the two of them couldn't be any more different: Flip is apparently a rap-loving jock with a lot of friends and a way with the women, while Alex is a shy nerd. Trying to maintain the pretense of being Flip on the outside while still being Alex inside is difficult to do, but no one will believe Alex that he isn't Flip. To them, their old chum Flip is just acting a bit peculiar.

Time is running out. As Alex learns more about what has happened to him (and Flip), it becomes clear that if it is ever going to be possible to switch back, it will have to be soon. However, the process is anything but clear (and maybe even impossible?). So Alex must hurry to figure it out or risk being trapped forever in the wrong body.

There's no major emotional lesson here, but plenty of good mind-twisting suspense and adventure. Bedford has excellent pacing and the story keeps you entertained and enthralled. I was definitely sucked in and found it to be a good read.