If I Stay, by Gayle Forman

When Mia is tossed into a ditch from her parent's car during an accident, she initially thinks that she has miraculously survived without a scratch, but as she wanders around, she realizes that somehow she has left her comatose body and is now a passive observer of events. And the events are horrendous: both of her parents have died, her little brother is in unknown condition, and her her own body is badly mangled. So, while her physical body lies in a Portland ICU, Mia finds herself replaying her life and trying to decide if it is worth staying alive.

This is familiar enough territory and the author is good enough the acknowledge the usual suspects like Ghost, but also a bit different. For one thing, Mia is less concerned with the present than she is with the past. That makes for awkward storytelling as we are naturally far more interested in whether she will live or die than her out-of-order flashbacks over her life. And it does not help that the flashbacks themselves sometimes fail to contribute to the story in an obvious fashion. I found it hard to connect with Mia and parts of the story dragged for me. So, in the end, it never quite worked: being not as poignant as Forman intended nor enlightening or inspiring.

Alis, by Naomi Rich

At the age of 14, Alis is informed by her parents that she must marry the 40 year-old minister of their church. Determined to avoid this fate, she finds an excuse to travel to a nearby village to delay the nuptial and to put herself in a better position to run away. But the new village is far more dangerous and Alis's trouble quickly multiply until she is forced to flee for her life to the strange and hostile City, where she hopes to find a new life. The dangers continue to appear and by the end of the story, Alis's life is in danger.

While evocative of Shaker, Puritan, and Amish cultures, Rich has created a evocative world of faith and suspicion that is at once both familiar and different from our own. The customs are beautifully laid out and the story unfolds in a believable and compelling fashion. Yet Rich is wise to never quite specify that this is a real historical past, because it allows her greater freedom to develop events in her own way and leave the reader always a bit off-balance. Also, Alis's fierce self-determination would have seemed anachronistic in an "real" setting. So, while the story reminded me of The Shakeress and even a bit of The Return of Martin Guerre, Rich was free to take her heroine in far more interesting directions than either of those stories. The result is a hybrid of fantasy and historical fiction that is rewarding.

Anything But Typical, by Nora Raleigh Baskin

This unusual book attempts to put us inside the mind of a 12 year-old autistic boy named Jason Blake. The story is predictably sad as Jason recounts his struggles to be understood in the "neurotypical" world of mainstream society. Amidst the teasing of his peers and their rejection of his differences, Jason's joy is writing and he shows great talent in written language skills. And while is does well enough in school, he shines brightest on an online writer's group, where he meets a girl named Rebecca with whom he shares his stories. It's a wonderful relationship for Jason and helps him build confidence, until Jason's parents innocently reward him by offering to take him to a writers' convention (where, as it happens, Rebecca will also be). Now, Jason is terrified of how Rebecca will react when she sees what he is really like in the flesh.

For its target audience (10-14 year olds), it is a bit hard to see how this book will appeal. Autism is a tricky condition to understand for adults and young readers (unless they are familiar with autism) will find this a challenging story to follow. Still, this is something to be commended in stories like this that at least attempt to make such a character accessible. Baskin certainly does this, never glorifying Jason's struggles or flaws. Rather, we get a nicely nuanced story which allows the reader to both sympathize with Jason and with the people he deals with. There are no good guys or bad guys here, but simply people being themselves for better or worse. And the story wraps without recourse to either any feel good or tragic endings.

Something, Maybe, by Elizabeth Scott

Hannah has a Mom who spends the evening doing live chat with (paying) customers on the internet. And her estranged Dad is the star of a celebrity reality show which mostly features him cavorting with young bimbos not much older than his daughter. With that much notoriety, Hannah does her best to keep a low profile at school. But she would still like to get noticed by sensitive socially-conscious Josh while avoiding the wisecracks of annoying Finn -- both of whom work with her at a call center for BurgerTown. So when she finds herself thinking about Finn more than Josh, she'll be the last one to realize why.

Like meatloaf, this is a story that is as comforting as it is predictable. But like a good rom com, it has a great sense of humor, good pacing, and a sweet heart. Things will work out in the end when girl finds boy and parents live up to (or exceed) expectations. I had several good laugh out loud moments so I can definitely attest that it is funny. There are even some deep truths buried in the book for those who seek substance. But most of all, you will simply enjoy it -- and that's what a good summer read is all about.

The funny thing is that I haven't been all that taken by Scott's previous books. Neither Bloom or Perfect You did that much for me (although they were admittedly good mind candy) and Living Dead Girl creeped me out too much. I think, at last, the author has found a perfect balance or wit, romance, and serious observation. A winner!

Everything Beautiful in the World, by Lisa Levchuk

With Edna's mother in the hospital fighting cancer, she gets excused from pretty much everything she doesn't want to do (going to class, visiting her sick mother, etc.) and is indulged by her father (who gives her a sports car). And when her art teacher (for whom she's always had a crush) starts to flirt with her, she thinks things are pretty good. The relationship, however, leaves her more unsettled and the lack of boundaries (or attention from responsible adults) makes things worse.

A strange story with a poorly developed ending. Levchuk is probably producing an autobiographical confessional here (the story is placed in the early 1980s), but aside from confronting her childhood traumas, it is not clear what purpose the story serves. Edna's behavior appears largely random. Her impulses, while natural enough for her age, are exaggerated and irrational. This suggests some form of mental illness, but left unexplained, they basically confuse the reader. For me, this made the story disjointed to the point of being plain annoying. I'd suggest giving it a miss.

For those who do read the book, I have a question: why did Levchuk choose "Roxanne" as the book's theme song rather than the far more obvious "Don't Stand So Close To Me"?

Graceling, by Kristin Cashore

Katsa is a graceling -- a person endowed with a particular skill that makes them stand out from others. Katsa's skill gives her the ability to defeat just about anyone she comes in conflict with. It's a skill that has made her very useful to King Randa, her uncle. But she has tired of being sent out to do randa's dirty work and longs for a higher calling. When she gets involved in saving the grandfather of a prince in another kingdom, she and the prince (named Po) forge a strong friendship based on their mutually compatible graces (Po is also an expert at combat) and their strong feelings for each other. However, the struggle they now undertake will stretch their talents and their loyalty to the outer limits.

Placed in a mythical land of seven kingdoms, this fantasy novel is surprisingly down-to-earth. On its face, it is a well-paced and exciting action tale with a satisfying conclusion. But Cashore has much higher ambitions for the work. Katsa and Po's struggle with both their graces and with their feelings for each other, are wonderfully familiar to anyone who has/is struggling with adolescence and much of the story works as a parable. The strong female characters are also a joy and show that Cashore (while she is happy to celebrate womanhood) feels no qualms about making her women and girls tough as nails when they need to be. The overall result is a surprisingly fast read and great summer escapism, but with substance and relevance not often found in fantasy books. Hooray!

Along for the Ride, by Sarah Dessen

On the spur of the moment, Auden decides to flee her demanding overachieving mother and spend her last Summer before college at the beach, with her father, stepmother, and their new baby. However, all is not peace and tranquility there either as her Dad (a paragon of passive-aggressive self-centeredness) is fleeing fatherhood and avoiding Auden as well. Auden copes with all of this as she usually does -- through avoidance (sense a theme to the dysfunction in this family?) and nocturnal exploration of the town. Along the way, she meets Eli, a loner with a past and a bike shop. Through their budding friendship, Auden learns to confront her bad habits, accept the faults of her parents, and conquer her fear of failure. She also learns how to ride a bike.

The arrival of a new Sarah Dessen novel is a Major Event and it took some will power to not devour this book the moment it came out (or, for that matter, to not offer abnormal sacrifices to the publicists at Viking to get an ARC). Dessen is, without a doubt, one of the very best YA writers alive and most of her books get my highest ratings. This one, unfortunately, is not one of them.

Sarah's had a baby recently. You'd know that if you read her BLOG, but you'd also know that simply by reading this book. The character of Thisbe (Auden's infant half-sister) plays a major role in the book. The reason is obvious: Dessen's own life is centered now around her own child so it is natural enough to want to share all of that with her readers. Fine and fair, but it makes for an odd focus in a YA story. And the frequency of the child-raising observations (how many times does Dessen remind us what Thisbe smells like? How many child raising tips somehow find their way into the novel?) suggests a high degree of distraction. Dessen would obviously prefer to be writing a story about the joys of motherhood. Also fine. But that is not the world of an 18-year girl and Auden (the book's alleged center) is frequently lost in the shuffle.

But moving on....the book is plagued with problems. Auden's relationship with Eli is strangely without spark, supporting characters lack either the draw or the humor of her previous novels, and the plot meanders around. The story itself is recycled, basically Auden and Eli are Annabel and Owen from Just Listen (but with a far less interesting dynamic). The ol' closed-suppressed- girl-learns-to-open-up-through-the-mysterious (but patient and kind)-boy plot is a winner and makes for lots of aw-shucks reading, but it is not original. Dessen can do a lot better.

All that said, Dessen on a bad day is pretty spectacular compared to the other writers out there. I may think Dreamland and Someone Like You are much better books, but none of that should detract from the fact that Dessen writes well, has a great ear for teens (Mid-Atlantic and Southern ones at least!), and creates some of the most beautiful literature out there.

Finally, for anyone who read the book: was anyone else bothered by the cover? Auden makes a big point of explaining how she is not a pink-wearing girly-girl, yet the young woman on the cover is decked out in a dress that Auden would not be caught dead in. What's with that?!

Ten Things I Hate About Me, by Randa Abdel-Fattah

Jamie is a normal 10th grader in a suburb of Sidney. But she's actually Jamilah, an Arab-Australian. Jamie dies her hair blonde and wears blue contact lenses to hide her true ethnic identity and avoid the brutal racist teasing of her peers. But she has a hard time denying that she's happiest when she's at home and can just be herself, even if she has an overprotective father and a dorky older brother.

The age of the protagonist suggests that this book is being targetted at the YA demographic but the rather pedantic portrayal of racism seems to indicate a middle-reader audience. Or perhaps racism is much more obvious in Australia? Or perhaps Abdel-Fattah simply does not expect her readers to be able to handle subtle? In any case, the whole thing seems a bit artificially constructed and manipulative. It's nice to have a story that explores Arab identity, but it could have been a lot more sophisticated.

1001 Cranes, by Naomi Hirahara

Twelve year-old Angie spends the Summer in Los Angeles with her grandparents, as her parents go through a separation. During her stay, she learns more about her Japanese heritage, helps her grandparents with their florist business, learns to fold 1001 origami cranes, gives comfort to an ailing neighbor, falls in love, and spends a lot of time observing adults not acting their best. An appendix even offers instruction to the curious about how to fold paper cranes.

The culture lessons come on a bit too fast and thick for me and I enjoyed this book best when it was just telling a story, rather than trying to introduce the reader to Japanese-American culture. Angie makes for an interesting and sympathetic heroine. She makes enough mistakes to believable and has flaws that a reader can relate to, yet her heart is in the right place. That's a strong sell for a book intended for middle readers. I also appreciated the ambiguous ending that didn't attempt to tie up all fo her struggles.

Absolutely Maybe, by Lisa Yee

Maybelline (or "Maybe" as her friends call her) has plenty of trouble relating to her beauty pageant mother, but the final straw happens when her Mom's boyfriend tries to rape her. Tossed out of the house by her suspicious mother, Maybe runs away to California with her two friends Ted (a flamboyant Thai-American) and Daniel (aka "Hollywood"). Hollywood is heading to LA anyway to pursue his dream of making award-winning documentary film and Tim quickly lands a job taking care of an aging movie actress. Maybe wants to find her biological father, who she believes is living somewhere in Southern California now. Along the way, she has to find herself as well.

The publisher claims this book is intended for 9-12 year olds. I don't buy that. Maybe 9th-12th graders, but the themes of this story (rape, homosexuality, abandonment, etc.) are pretty dark, no matter how comedic the story overall is. And that is my overall problem with this book. It has some very funny parts, but it mostly glances over the issues and ignores the ramifications of the actions it portrays. Other reviewers have accused the book of being unrealistic, but that doesn't quite capture the problem. At points, the book is quite realistic, but it's just as if Yee doesn't really want us to take the issues seriously (and if so, why bring them up?).

The story moves along at a good clip, but I found the characters a bit annoying and grating. Maybe and her friends (Ted and Hollywood) are extremely self-centered. Its supposed to add to the comedy, but mostly it fell flat for me -- I just wanted them to shut up. Jess, the girl who runs her own taco truck, is the most interesting character but mostly seemed borrowed from America Ferrera's character in Real Women Have Curves.

11 Birthdays, by Wendy Mass

It's been a year since Amanda stopped speaking to Leo. The two of them have shared a birthday (and birthday parties) since they were born, but at last year's party, Leo humiliated Amanda. This year, they are having separate parties and Amanda's day is horrible. But the worst part is that the day is never-ending. She wakes up the next morning to discover that the day is repeating itself. Every painful moment is happening all over again! And it will keep on repeating until Amanda (and Leo) can figure out how to make it stop.

Now, Groundhog Day is one of my favorite movies, so one has to have a soft spot for this particular niche genre. And since the target audience of this book probably hasn't (and won't) see Bill Murray doing this shtick, it's worth reading. But, even if the storyline isn't very original (and yes, the ending is pretty much the same as the movie), Mass does lovely work with these sort of supernatural stories (Jeremy Fink is a lovely example). She does great characters too and understands the tween mind well. Finally, the book passes the entertainment requirement: I started this while I was waiting in the dentist's office and completely forgot where I was and what I was doing. Later on, I found it irresistible and managed to finish it on the same day I started it. I recommend it for fun reading!

Twelve Long Months, by Brian Malloy

As the title suggests, this book tracks a year in the life of Molly Swain as she graduates from high school in rural Minnesota and starts her first year of college at Columbia University in NYC. Through this time, she has the companionship of Mark (her senior-year lab partner and then co-Minnesotan in NYC) who she has a crush on from the beginning. She also has two girls on her hall that she goes out drinking with a lot, and a boyfriend of sorts. Much girl-meets-boy, girl-loses-boy occurs, with the occasional dash of boy-meets-boy to keep things interesting.

In sum, this book contains interesting people who don't do very much that could be considered interesting. The purpose of the book is probably to teach us that friendship is forever, but it takes so long to get there that it really cannot be the reason to read all 300+ pages of this book. I wouldn't exactly call the book boring (because the characters are interesting and you'll want to find out what happens to them), but I wanted there to be a story in all this - in other words, something valuable that happens over those twelve long months!

Chalice, by Robin McKinley

Seven years of corrupt leadership in their demesne has left the people of the Willowlands with a broken land and without a ruler. Both their Master and his Chalice have perished. Without either a heir for the Master or an apprentice for the Chalice, the choice for a new leader is awkward. The late Master's brother, returned from the priesthood of the flame, is a poor match but at least continues the bloodline. Mirasol, a common woodswoman, is far more at home tending her bees, but when the divinations dictate that she is to be the new Chalice, she has no choice but to accept. With no knowledge of the craft of being a Chalice and the ways of uniting a land and its people behind their new Master, Mirasol feels particularly hopeless. But when outside forces threaten the demesne, she and the new Master must unite to save their people.

A richly drawn fantasy novel, with strong environmentalist undertones. McKinley's delight in building suspense through gravely-intoned (and mildly pompous) narration grated on me quite a bit (although I recognize that others might feel that it simply builds suspense better). That aside, I enjoyed the growth of the characters and have a special place in my heart for the heroics of the bees.

Same Difference, by Siobhan Vivian

When Emily gets the opportunity to attend a Summer program at the Philadelphia College of Fine Art, she goes from excitement to terror as the reality of attending classes in the city (only 30 miles -- but an entire culture -- away from her life in suburban Jersey) and being in classes with students who are seemingly much more talented than she is. She is quickly captivated by a rogue outsider named Fiona who has a flare for unorthodox guerrilla art, and Emily finds herself emulating her new heroine. But as she tried to be more and more like Fiona, she also is drawn away from who she was (and especially from her hometown friend Meg). In the end, Emily feels that she has to choose between the two worlds.

A comfortably predictable storyline, but combined with characters who are interesting enough to care about and follow. This is a stronger book than Vivian's previous A Little Friendly Advice, so if you liked that one, you're bound to like this one. I enjoyed the artsy environment and detailed tour of the Philly arts scene. Vivian is at her strongest though when she just lets her characters interact, so I generally preferred the parts of the book where we weren't traveling about or doing things. Overall, there's not a lot of surprise here, but it's a competent and enjoyable read.

The one thing that really bothered me about this book was the cover. For a reason I find hard to explain, I can't picture the girl on the cover as being Emily (or Fiona). She just doesn't look the part (at best, maybe like Claire - Emily's younger sister). I admit that it's a totally irrational conclusion though!

Twenty Boy Summer, by Sarah Ockler

Anna was always inseparable from her next-door neighbors Matt and Frankie (they were brother and sister she never had), but at her birthday thirteen months ago Matt became something much more. For the next month, Matt and Anna would sneak out of their houses for late-night rendezvous, always hiding their growing feelings from their parents and (especially) from Matt's sister Frankie. Even though Anna and Frankie were best of friends, Matt convinced Anna that it would be best if they waited until Summer vacation to tell Frankie. But then, a car accident leaves Matt dead, Frankie injured and grieving, and Anna unable to ever tell the truth. Bound by her promise to Matt to not tell Frankie, Anna now finds herself supporting her friend grieve.

Now, one year after the accident, Frankie and her family have invited Anna to join them for a summer on the beach (the same vacation that they planned for a year ago and never took). It promises to be a memorable trip -- full of secrets revealed, grief laid bare, and the pursuit of "20 boys."

From that description, this book looks like light schlock, and on its surface this book is a bit formulaic and predictable. It also has a habit of pulling on your heart strings in a way that left me a bit suspicious. But there is a lot going on in this story and it resists easy solutions. Ockler is respectful of her characters and plays them well, allowing no one to escape blame yet never finding fault completely in any court. Each one is flawed in their own way. The result is a story that feels surprisingly real and has something meaningful to say about friendship and grief (in a way that all ages can appreciate). The plot may sound a bit melodramatic, but the characters never are. For a first novel, it is an extraordinary accomplishment. This is a book that is well worth seeking out.

The Noah Confessions, by Barbara Hall

When Lynne turns 16,she is shocked to find out that her father has not gotten her a car (everyone at her high school gets a car when they turn 16!). But the bigger shock comes when her Dad hands her a letter that her Mom (dead now for the past 8 years or so) wrote when she was 16 herself. In this letter, her Mom confesses to being an accomplice in a terrible crime committed in the past -- a crime which led directly to meeting her father and having her. Lynne tries to cope with this shocking news and deal with the news that her mother may not have been as perfect as she imagined. And meanwhile struggle to learn how to surf and date her first boyfriend.

There's a complexity to this story that is good, in that it keeps things interesting. However, it also overwhelms the reader. There are too many timelines at play here and few of them really matter (despite the claims of the narrator that we need to understand everything). Secondly, I grew tired of being told by the narrator what was important (I prefer to figure that stuff out for myself). Too much build-up guarantees that the story never quite pays off fully. The secret is supposed to be so shocking and Lynne (over)reacts so strongly to the news, while we're left spinning trying to figure out what the big deal is. I'll admit that the story did not drag, but I did find myself wanting to skim over the exposition to get to the real story.

What Would Emma Do? by Eileen Cook

The town of Wheaton IN is a pretty small place, and a tight community where everyone knows each other. So, when Emma makes the mistake of kissing her best friend Joann's boyfriend (and gets caught in the act by Joann's Mom), life is pretty much at an end. At first, Emma could officially not care less. She's dying to get out of town and, thanks to her running times, she may just get a scholarship at Northwestern that will take her away. But everything gets thrown into chaos when the pastor's daughter and her friend fall ill and accusations of "terrorism" and "Satanism" start to spread around the school. As people start to get falsely accused, Emma (who unwittingly knows the truth) must decide whether to stand up and bear witness or take the easier path and escape.

Surprisingly engaging and exciting, by the point I was half way through, I found it hard to put this book down. Cook takes a lot of cheap shots at organized religion and small towns, but this serves the purpose of ratcheting up the drama and making the story interesting. While the blurb compares the Cook to Judy Blume, I think the fairer comparison is Joan Bauer and this book reminds me strongly of one of my faves (Hope Was Here) in the way it rights the wrongs in a very empowering way. Emma is a funny and insightful character -- a bit too wise for her years and environs to be believable, but still quite enjoyable. Also, while the stars align a bit too neatly at the end, you really want a story like this to have a feel good ending and the payoff is welcome. A fun read for the beginning of summer!

Ghostgirl: Homecoming, by Tonya Hurley

In this sequel to Ghostgirl, Charlotte and her friends from Dead Ed have passed over, but to what? The Afterlife, it seems, is a huge call center where people in this world call in seeking help from the next. The problem, though, is that Charlotte isn't getting any calls and her so-called friends seem to be abandoning her as well (except for a new girl named Maddie). Charlotte doesn't entirely trust Maddie at first but she's all that Charlotte has, until her old friends from the living world Damen and Scarlet call out to her for help again. This time, it's Scarlet's vain sister Petula who's in desperate trouble -- on the verge of death with little chance of making it to Homecoming queendom -- truly a fate worse than death!

The original was clever and funny, which gave the sequel a lot to live up to, although Hurley more or less manages. The death jokes have worn a bit thin by now and Hurley wisely avoids them, in favor of telling a more complicated story about both Homecoming and coming home. This provides the story with a bit more depth than the original novel (which is a Good Thing). The plot itself was a bit hard to follow and I would recommend re-reading the first book again before tackling this one, but this installment is a pleasing continuation of a truly original and exciting franchise.

Bird, by Rita Murphy

Miranda is a small girl. So small that she is easily picked up by the wind and blown around. How she came to be at Bourne Manor, under the guardianship of the widow Wysteria Barrows, is a mystery to her as she can't quite remember how she got here. But the mysteries just keep getting bigger: there's the fact that Wysteria locks all the rooms at night, or the protective dogs who prowl the house, and the secret rooms on the third floor filled with books and beautiful kites that Miranda discovers. It is only when Miranda befriends a young sailor and Wysteria is sent to a hospital for a month that Miranda begins to unwind the mysteries.

A fascinating blend of fantasy, ghost story, and self-discovery novel, Bird operates as something of an extended metaphor. Miranda's search for herself and her "wings" to fly away from her nest plays out very nicely and the story twists and turns enough to keep thuings interesting. The ending gets a bit rushed and might have benefitted from some fleshing out, but this does not distract from the charm and originality of the novel.

The Year the Swallows Came Early, by Kathryn Fitzmaurice

Eleanor (or "Groovy," as her Dad calls her) lives in San Juan Capistrano (a part of California where large flocks of swallows nest each year) and loves to cook. All of which would make for an unremarkable story except for the fact that her father gets arrested on page two. At first, Eleanor is convinced that it is all a mistake, but when she finds out that it isn't, she struggles with accepting the situation and forgiving her father for his errors. Her friend Frankie struggles similarly with forgiving his own mother for abandoning him.

A gentle middle reader. The pacing is glacial, making the story a bit dull (it takes 100 pages just to find out why the father got arrested!), but the overall message of forgiveness and the corrosive effect of carrying anger is a winner. What the book does need is more of a hook -- if not more story, then at least more character and more humor.