I Love You So Mochi, by Sarah Kuhn

There is a subgenre of YA and NA literature that I like to call "tour guide romance" which basically consists of a story about a young woman who travels somewhere (usually overseas), meets a foreign boy, and tours the exotic scenery.  Most of the time, one suspects that the author has herself been to the milieu in question and started planning the novel during their trip.  Such stories usually consist of key tourist must-sees being used as a backdrops for a trans-continental romance.  Local culture is studied, kissing occurs, and occasionally cultural differences cause complications.  Eventually, the girl and boy come face to face with the reality that, in a few short days, their special romance will become long-distance.  Cinematic versions of this include Karate Kid 2 and Before Sunrise, but there are far more numerous examples that have never made it to the silver screen.  The key to the success of any new contribution is the ability of the author to capture what makes the chosen locale interesting and finding some way to imbue the local culture seamlessly into the story.

I Love You So Mochi follows Kimi's trip to Kyoto, ostensibly to meet her maternal grandparents and get some distance from her mother, with whom she is currently fighting.  The love interest is Akira, a young man helping his uncle sell mochi balls, but who dreams of studying to become a doctor.  Kimi doesn't know what she wants to do with her life, but she does know that she doesn't want to be a painter, even though she's been accepted to an art school.  That decision, with surprised both her and her mother, is why things have grown so tense between them.  But what else could she do when it was clear that art did not bring her joy?

As far as her actual desires are concerned, the only thing that Kimi really likes doing is designing outfits for herself and her friends.  Why this doesn't occur to her as a career choice until half-way through the book is a mystery, but it at least provides a pretext over which Kimi and Akira can bond.

The story is full of lots of cultural detail and given some emotional punch by the strained dynamics between Kimi, her mother, and her grandparents, but one can't escape a sense that this is playing safely by a formula.  Family conflict, romance, and the requisite cultural detail are all inserted at the right spots and worked through appropriately.  Grandparents are charming, boy is amazingly supportive, and BFFs at home are peripheral.  It's a charming read, but there are no surprises and, aside from the local flavor, not much value imparted.

Genesis Begins Again, by Alicia D. Williams

When Genesis and her family get evicted, it's just the latest in a series of hardships she and her mother have had to endure.  Neither of them can believe it when her father takes them to a fancy suburban house in a nice neighborhood.  No way they can afford it but Dad promises that things are going to change.  But as much as Genesis wants to believe it, she knows that Daddy loves the bottle more than her and Mama.  And she can even tell you why:  her skin is too dark. Mama has lighter skin, but Genesis's is as black as Daddy (or, as her maternal grandmother informs her, darker than a grocery bag!).  And by that measure and other things like her nappy hair, she knows that she's not worth much.  She's even developed a long list of things that are wrong with her to keep track of all of the reasons that she dislikes herself. But when the kids at her new school start acting friendly and her attempts to "fix" her problems just make things worse, Genesis has to reevaluate her explanations and consider the possibility that there's nothing wrong with herself at all.

A poignant and often painful novel of a young girl with a serious self-esteem problem.  While I'm hardly an expert in African-American YA, Colorism is a delicate and uncommon subject and I liked the treatment here.  For me, it opened a window on a world I have never seen.  For young readers of color, it could possibly mean even more.

Genesis can be a bit hard to take.  She often is her own worst enemy in her harsh self-judgements.  She's makes poor decisions and has trouble accepting responsibility (a trait that she insightfully realizes is learned from her father).  She's often not as kind or as loyal as she ought to be.  But she has a great sense of inner strength and stands up for herself.  Her journey from self-loathing to qualified acceptance is realistically portrayed and fulfilling to share.

Diana and the Island of No Return, by Aisha Saeed

Diana is fierce and brave.  She loves her home on Themyscira and is immensely proud of the work the women of the island perform guarding the entrance to the Underworld.  She begs her mother to let her learn more about fighting, but for now she is largely stuck watching the older women train.  

On the eve of an important festival, a spell is cast that puts the adults to sleep.  At around the same time, Diana and her best friend Princess Sakina discover a stowaway boy.  He has cast the spell and begs Diana and Sakina to come with him to his island in order to save his people from a demon who has taken over.  In exchange, he'll reverse the spell. It's a dirty trick, but Diana and Sakina don't see any alternative:  not only because it is the only way to wake the grownups, but also because even little Diana knows that it is her people's duty to fight evil.

And so begins the first in a series of middle grade readers for young fans of Wonder Woman.  It goes without saying that being familiar with the source material will make this a more enjoyable read.  I have not seen the recent films, but I imagine that there are plenty of Easter eggs in the story for fans.  Saeed certainly assumes we know a little about the locale and the characters.  But even so, the book on its own has several things in its favor:  it's fast paced and packed with action.  It also carries on the themes of female empowerment for which the originals are famous.  Even at twelve, Diana is no shrinking violet and makes quite a role model.  She bravely launches forth, even when the odds seem impossibly against her.  She's kind to others and loyal to friends and family.  The story is not terribly deep and my hopes that Saeed would imbue the formula with some deeper meaning are largely disappointed, but it's still a good book.

We Dream of Space, by Erin Entrada Kelly

In January 1986, Bird and her classmates are infected with space fever.  The Challenger is about to send the first teacher into space and schoolchildren across the country are studying space and the space program in preparation for the launch.  Bird's science class has split into teams of seven to match each member of the crew so the kids can be prepared to watch every step of the mission and write about it.  Most of the kids are bored, but Brid is in heaven!

Bird loves space, science, and taking things apart and drawing their innards.  She's endlessly fascinated by what makes things work.  And like she does with complicated machinery, she's dissected her family and noticed how her parents are always fighting, how her older brother Cash can't seem to find any enthusiasm for studying, and how her other brother Fitch is prone to sudden angry fits and spasms.  In sum, how her complicated dysfunctional family operates.  She'd like to feel she can control things by drawing their schematics, but when she watches her dreams literally explode in front of her, she faces a choice between giving up and change.  In doing so, she discovers unexpected allies.

A promising story with a strong and poignant ending suffers from a slow moving and poorly constructed plot.  While the book certainly made me flash back to where I was in 1986 (sophomore in college, hanging out in my dorm's kitchen when I heard the news), the story really didn't live up to its hype or its promise.  And there is a deeper frustration at how little is resolved in the story and its general downer conclusion.  There are so many things hinted at in the story, but none of them are really followed up on.

Chirp, by Kate Messner

Mia is spending the summer helping her grandmother manage a new venture growing crickets as a food source.  It's an uphill battle trying to convince people to try them, but they taste delicious and folks eventually warm to them.  Plus Mia is creative and motivated to help her grandmother's success, enlisting her friends and some fellow campers at a summer program she's in for young entrepreneurs.  

However, things keep going wrong with the equipment and with pests.  So many things, in fact, that Mia grows suspicious that someone is actively sabotaging the business.  Can Mia and her friends figure out who is causing the damage and stop them before its too late?

That would have been a straightforward story and made this middle grade reader less of an attention grabber, but Messner has a second storyline:  Mia used to be an aspiring gymnast, but then she got injured and now she just doesn't feel like doing it.  At least that is what she tells others.  In truth, she's lost her confidence and become afraid.  Something happened to her and she isn't really sure to whom she can turn to express her fears.

They are both good stories, but being unrelated they pull at each other for attention.  And given that the second is far more sensationalistic (and is basically why the book has endorsements from a collection of big name writers) it feels a exploitative, like Messner didn't feel that a detective book could sell and so threw in the heavier themes of her second topic.  I honestly think it wasn't necessary:  there's so much about Mia that is inspirational and positive that her story is a winner without any big message attached.

Either way, I enjoyed Mia and I liked her creative ideas and the way she interacted with the other kids.  There's lots of great positive energy here about following your dreams.  The ending gets a bit too perfect and rosy, but not everything works out in Mia's favor and that has lessons as well.  The fact that she is genuinely happy for the success of people other than herself though makes her a real winner in my mind.  And of course watching her seize the day and regain her confidence in the end is the pay off that brings the book to a rewarding close.

Time of Our Lives, by Emily Wibberley and Austin Siegemund-Broka

Fitz is a reluctant prospective student.  It's not that he doesn't want to go to college, but rather that he knows that looking at other schools is a waste of time.  He's got the grades to attend pretty much anywhere he wants, but with his mother's failing health, he'll have to stick close to home.  Still, to make his mother happy, he's embarked on a week-long college visit tour of the northeast.

Juniper longs to go away to school.  She too has the grades and she's determined to go as far away as she can.  Being the eldest child in a large family however means that she's constantly in demand and that her family is reluctant to have her go away.  They are less-than-thrilled that she is considering schools that are not nearby and vocally unsupportive of her desire to move away.  But, in spite of her family's pressure, Juniper is set to find the school of her dreams and to do so with or without her family's help.

Fitz and Juniper cross paths in Boston at the beginning of their respective trips and then subsequently continue running into each other as they wind up visiting the same schools.  By the time they've worked their way to New York, they are basically traveling together.  Predictably enough, a romance develops, but its overshadowed by the emotional baggage that they each bring to their college search.

There are strikingly few YA books that deal with adolescent apprehensions about going away to college.  There are plenty of melancholy memories of final summers and lots of impatient longings for moving away, but the more quieter meditations on the end of childhood are surprisingly few.  And this is a surprisingly good contribution to the topic.  The characters are interesting and their well-researched roadtrip of Ivies and well-known state schools is fun and familiar to anyone who has attended such schools.  Personally, I was most drawn to the kids' apprehensions of the future, but there's plenty of other things going on here.

Moreover, the co-writing team of Wibberley and Siegemund-Broka has surprising chemistry.  Co-authored novels are inevitably battles of egos and styles.  You usually can tell who is writing what and there's usually some tension as the writers force each other into places that you can tell they don't want to go.  I didn't get that sense here.  As the authors pass the baton, there is instead a warmth, as if the other can't wait to continue what has been written so far. It makes the reading all the more joyful.

Thirty Sunsets, by Christine Hurley Deriso

Everyone is shocked that Brian, Forrest's brother, has turned down his acceptance at Vanderbilt to attend community college.  She would have never thought that her brother would throw everything away for a girlfriend, particularly one as dopey as cheerleader Olivia.  Forrest doesn't get that sort of thing.  She's yet to date anyone (or even be kissed) as she's focused on getting her education and not planning on any distractions.

Then her mother invites Olivia to join the family for a month on the beach.  Forrest is stunned.  How on earth is she going to be able to tolerate having her brother's bimbo with them for a month?  But something more is going on here and as the reveals occur, the summer becomes one for the books.

The reveals, in fact, keep coming and coming so fast that you may have trouble keeping up with the story, and that is really the problem with this book.  Based on the tired foundation of a summer beach story, Deriso does a decent job developing her characters.  Forrest and Olivia develop a charming chemistry which makes their friendship the real highlight of this book.  However, the author really struggles with the storytelling.  Not satisfied to have one big shock, she quickly follows it with a second, a third, and a fourth.  By that point, the story becomes muddled and the resolutions for each of the four dramas becomes less and less satisfactory.  To me, this is a sign that Deriso started with a great idea but couldn't figure out what to do with it.  Fumbling for resolution, she just threw up a new one and, when that didn't work, she just hit it up a notch higher.  So, rather than tell a story, we simply end up with a lot of action at the end.  It's a quick read, but unrewarding.

The List of Things That Will Not Change, by Rebecca Stead

When Bea's father announces that he and his partner Jesse are going to get married, she gives no thought to her Dad marrying another man.  She's known he was gay since her parents separated.  She's just happy that he and Jesse are happy together.  She also has little concern for the fact that he and Mom will never get back together.  That doesn't matter because her parents have promised her that there are things in this world that will not change and they have written them down (in a special green notebook in green ink!):  Mom loves her, Dad loves her, Mom and Dad still love each other (but in a different way), and so on.  With this list to give her strength, Bea knows she can face the world.

So, what is the most important part of her father's wedding plans?  Bea is going to get a sister out of the deal!  Sonia is the same age (10) as Bea and Bea knows that they are going to be great friends.  But when Sonia shows up, things don't go quite as smooth as Bea had hoped.  Sonia seems lonely and sad and doesn't want to share feelings and talk about everything the way Bea does.  For Bea, not having things go her way is hard.  When people don't act the way she expects, she gets angry and then she gets very sad.

With so many changes going on around her, it's hard to control her anger and frustration.  But controlling her feelings is what Bea learns to do.  And as two families come to together to celebrate the creation of a new family, Bea learns some lessons about how hard it is even for adults to get beyond their surprise and hurt.

This story of growth, acceptance, and love is all softly dealt by the author.  Even serious topics like homophobia and divorce are pitched in a gentle age-appropriate way for a middle grade audience.  The book is largely a string of anecdotes and recollections.  Ostensibly they lead up to the wedding and Bea's confrontation of some suppressed feelings, but it is really just catching up with Bea, hearing her stories, and sharing her feelings.

Thorn, by Intisar Khanani

Princess Alyrra has never known how to wield power in court.  Instead, she has found herself the pawn in other people's games. Her mother writes her off as useless and her brother physically abuses her at will.  She is a non-entity, a nobody, and everyone -- including herself -- knows it.  So, why has the most powerful king in the land come to Alyrra's tiny little corner to ask for her betrothal to his son, the crown prince?  She doesn't even know the prince and he, as far as she knows, knows nothing of her.  Something is going on here and neither she nor her mother can figure it out.  Alyrra's mother is anxious that things go well and that the family benefits from it.  Her decision on how to maintain control over her daughter is cruel.  Alyrra is sent to her betrothed with a companion -- her arch nemesis Valka -- who conspires against her but will do a better job at defending the family name, in her mother's opinion.

So, it was always going to be a difficult task (traveling to a foreign kingdom, becoming queen of unfamiliar people, and winning their loyalty), but it keeps getting harder.  Even before Alyrra and her party arrive at their new home, she is attacked by a sorceress who body swaps her with Valka.  Her enemy becomes her mistress, with predictable results.  Valka, now in the guise of the princess, quickly manipulates events to her favor, willfully ignorant that she is herself being played for some greater end.  Alyrra, sent in disgrace to the lowly job of goose girl, finds she is strangely at peace with her new role.  She embraces the simpler life and the ability to be free of the cruelties of court life.  But with a plot afoot and a sorceress with an unknown agenda, Alyrra is pressed involuntarily to a calling -- one that will take more bravery and strength than she ever knew she possessed.

An extremely rewarding fantasy, with a combination of a strong dramatic arc, complex characters, and a byzantine plot.  What makes it work is the character of Alyrra, who maintains a fine sense of decency and goodness while she grows from idealistically well-meaning but weak girl to become driven and strong young woman.  This is what fantasy is for, after all, showing us the core good and bad that humans can do in a world that is less fettered by mundane reality.  The climax takes it to an extreme: pitting the conflict in its starkest terms.  If you were suddenly given the opportunity to exact revenge for all the wrongs inflicted on you, would you seize the opportunity or would you voluntarily relinquish that power in the name of maintaining your decency?  And is the temptation to exact revenge in the first place a sin?

If those deep thoughts are too much for you to stomach, don't worry!  There is enough action and adventure going on here to reward a surface read.  With an internal power struggle, a family curse, political corruption, magic, crime, and deeply rooted social injustice, there is a little bit of everything for everyone in this one!

A subject matter warning.  There are several scenes of sexual (and sexualized) violence in this novel.  If rape, sexual assault, and domestic violence are triggers for you, you may want to approach this novel with caution.  None of the events are explicitly described, but they are prominent and central to the story.  The author uses them to make a strong statement against sexual violence directed at women so one may argue that the prominent place is appropriate, but some readers may prefer to avoid the book altogether on this account.

A Totally Awkward Love Story, by Tom Ellen and Lucy Ivison

Hannah believes that lobsters mate for life and she wonders when she'll meet her "lobster." She really starts to think she has done so when she stumbles across Sam at a party.  Awkwardly, they meet in a bathroom and therefore her friends nickname him "Toilet Boy." But sadly, fate works against them and Sam mistakenly believes that Hannah has a boyfriend and isn't interested in him.

What follows is a summer of missed opportunities and miscommunications that cause Hannah and Sam to keep not getting together.  Toilet Boy may in fact truly be Hannah's "lobster" but through the haze of young people clubbing and hooking up, the two of them never seem to be able to catch a break. 

It's a convoluted comedy of errors that shows much more about British dating customs and binge drinking than anything else.  The striking characteristic of the story is how protagonists are so terribly shallow (admittedly, they are also terribly 18!) so there's not much to bond with here.  Hannah has little self-esteem and blindly assumes that even the slightest hesitation from Sam is lack of interest.  Meanwhile, she lies and sends mixed signals purposely sabotaging the relationship. Sam is only marginally more sympathetic, lashing out easily and he doesn't show much fidelity or common sense.

The story, co-written by two former sweethearts who met when they were 18, is "inspired" by their own relationship but it does the authors no kindness.  Perhaps the story is meant to be funny, but it is as "awkward" as its title promises it to be.  The appeal of the story is its realism, but real is neither heroic nor interesting and that makes this novel a hard sell.  In sum, two immature young people who probably are not ready for a serious relationship try to have one.  Extra bonus final chapter gives us a TMI account of the consummation of the relationship.

When Elephants Fly, by Nancy Richardson Fischer

Lily is haunted by her family's history of mental illness.  When she was seven, her mother's schizophrenia drove her to nearly kill her daughter and to eventually kill herself.  Schizophrenia runs in families and.  Ever since then, Lily has been obsessed with the idea that schizophrenia usually manifests itself between the ages of 18 and 30.  She has worked out a "twelve year plan" with her best friend Sawyer.  All she has to do, she believes, is get through those twelve years without stress or trauma and she will be clear. 

Her eighteenth year has been going well so far.  She has an internship at the local newspaper.  Her assignment covering the birth of a baby elephant in captivity at the local zoo seems harmless enough. But when Lily witnesses the mother elephant turning hostile and attacking the baby, Lily is reminded of her own trauma. Rather than drive her away, the experience makes her resolute about defending the baby.  Lily gets drawn into a legal struggle to rescue the baby elephant that eventually sends her on a desperate flight to save it and definitely does not fit in her twelve year plan!

An ambitious and mostly successful coming of age story.  A number of great ideas (like Lily's constant questioning of her sanity, potential romantic sparks with Sawyer and co-conspirator Otis, and finally her reconciliation with her father)  never quite go anywhere, but the story is really about the baby elephant and Lily's bond with it.  The writer has an obsession with gross bodily fluids, but that serves to impart a lot of information about what it takes to keep an abandoned infant elephants alive in captivity.  And Fischer takes both zoos and circuses to task for their treatment of wild animals.  In sum, the adventure is satisfyingly dramatic and keeps you engaged.  It is a decent read, but falls short of living up to its ambitions of being a multithreaded psychological drama.

Amal Unbound, by Aisha Saeed

Twelve year-old Amal has big dreams for a schoolgirl in rural Pakistan:  she wants to become a school teacher.  But fate seems to have other plans.  First, as the eldest daughter, she has to spend considerable time at home helping out.  And while her mother is recovering from a difficult childbirth, she is unable to attend school at all.  

Then a much bigger tragedy strikes.  For the crime of talking back to the local landlord and refusing to let him have her pomegranate, she is taken from her family and forced to become then man's indentured servant, effectively ending any of Amal's dreams.  But as desperate as Amal's situation seems, she is determined to fight back.

A simply-written but powerful story of one girl's fight for freedom and respect is both full of joyous local color and insightful in explaining how injustices like the one described can occur.  As middle grade reading is concerned, this one packs considerable punch.  The plain writing in no way takes away from its powerful message which simultaneously attacks misogyny, economic injustice, and slavery.

Dragon Slippers, by Jessica Day George

As everyone knows, knights like to rescue maidens from nasty dragons.  And when you're an orphan and your aunt is desperate to get rid of you (and perhaps marry you off to an adventuresome knight in the process), becoming dragon bait is something of a career decision.  But Creel is no ordinary maiden and the dragon (whose name is Theodorus) is no ordinary dragon.  Theodorus would honestly rather not be bothered by pesky knights and has little use for maids.  And, no, unlike all the dragons you've heard spoken of, he doesn't horde gold -- his passion is shoes!

And nowhere else have you ever seen the collection of shoes that this dragon has!  Creel is astounded and quickly reasons that a nice pair of shoes might be the capital she needs to make it on her own in the world.  If she can't be rescued by a prince then maybe relocating to the capital and starting up a dressmaking business would be more practical.  With some negotiation she convinces Theodorus that, given a nice pair of shoes of her choice, she would be happy to leave him in peace.  He agrees but regrets the deal when he sees which pair she has chosen.

And thus a series of events are triggered that will lead to two kingdoms coming to war, the revisiting and settling of ancient scores between humans and dragons, and a young woman finding her place in the world.

The first of a beloved series, this entertaining and well-written middle grade fantasy novel combines a resourceful heroine, some good friends, a love and respect for animals, and just the right amount of action to create a great page-turner.  There are no great moral lessons, beyond the basic lesson that sometimes one has to make brave and bold choices to make one's dreams come true.  It's a fun way to spend a Saturday!

Mañanaland, by Pam Muñoz Ryan

Max loves fairy tales and the stories that Buelo tells about a dragon and the abandoned tower near their village are his favorite.  Max loves soccer and, along with his friends, hopes to be picked by a trainer and get to attend a clinic, leading to a professional career.  But most of all, Max wonders why his mother left and where she went.  Neither Papa nor Buelo will tell him anything about it.  But they know something!  Max can tell that there are secrets in his family.

Then one night a priest comes to their home with a request and Max suddenly knows what he must do.  Embarking on a dangerous mission he realizes he's been preparing for his entire short life, he finally comes to understand his family's secret and his family's debt to society.  Along the way, he also realizes that there are things far more important than soccer and far more fantastic than fairy tales.

A sweet novel that continues Ryan's amazing track record for producing culturally rich and authentic Hispanic novels.  Mixing a bit of magic, a lot of local flavor, and appealing characters, the book is a rewarding read.  This one bites off a bit more than Ryan's previous books, introducing the mature themes of political asylum-seeking and immigration in a gentle age-appropriate way.  This never becomes preachy but instead addresses the way political unrest and involuntary migration have affected Central American communities as much as fútbol.  The beautiful simple writing, cultural depth, and ultimate message about doing good turns for each other makes this short novel a winner!

The Girl Who Drank the Moon, by Kelly Barnhill

Fear of the evil witch in the woods who would destroy them, drives the inhabitants of the Protectorate to sacrifice a baby each year.  The parents grieve their loss, but no one questions and no one resists.  That is, until the year that the mother refuses to cooperate and is thrown into the tower as a prisoner and goes mad.  But this seems only a minor hiccup in the process of law and order as, like all the other children, her daughter is left in the woods to be devoured by the witch.

But Xan, who lives peacefully in the woods with a verse-loving bog monster named Glerk and a tiny dragon with a big heart named Fyrian, doesn't eat the abandoned babies.  Instead, she rescues them and carries through through the woods to cities on the other side, finding suitable homes for the children.  This time, however, Xan accidentally feeds the baby girl moonlight, imbuing her with magic.  Such a baby can't be handed over to mere mortals and must remain with Xan, who names her Luna.

Luna, a magicked baby with omnipotent powers is a danger to herself and others.  When Xan finds that she cannot control Luna and keep her safe, she makes a fateful decision to suppress Luna's powers until her thirteenth birthday when everything must burst forth of its own accord and Luna will discover her full potential.  That potentially heavy handed way to approach puberty and coming of age is handled in a restrained fashion, in a story which has much more to say about the power of kindness and love and its ability to overcome grief and sadness.

For the real story here is about the Protectorate and its reliance upon fear and the importance it puts on the oppressive ritual of annual sacrifice.  About how a community that willingly submits to such rituals, reinforced by myths that are never questioned, creates a false sense of security and ossifies a power structure.  While Luna, her development to adulthood, and her magic have a role to play in this story, it is really the people of her home (and in particular the mothers who have sacrificed their children) that ultimately become the tipping point that changes the status quo and literally destroys the barriers that have fogged people's views.

The politics implicit in this less subtle and more important message are tragically likely to have timeless appeal.  The complexity of the story probably won't turn this into a classic anytime soon, but it did win the 2017 Newberry which will guarantee it some longevity on public library bookshelves.  It's entertaining and heartfelt, but restrained when it might be exuberant.  Whether its Luna's apprehension of adolescence, playing down the antics of Glerk and Flyrian (who would in any Disney adaptation become comic sidekicks), or having a male protagonist who turns out to be neither romantic interest nor hero, Barnhill surprises not by what she brings to the story, but what she doesn't do with it.  Instead, her focus lies on the less commented parts of a fairy tale (the power of helpers, the regrets of the elderly, and the cowardice of power) that make her story unique and memorable.

Again Again, by e. Lockhart

Adelaide is spending the summer walking dogs and trying to finish a set design project to fulfill an incomplete.  Otherwise, she stands to fail out of Alabaster, the private school which she attends.  When she transferred in she found the work much harder than at her old school, but the real reason she failed most of her classes was that she didn't do any of the work, choosing instead to spend her time with Mikey Double L, her boyfriend (who has now -- at the start of the summer -- dumped her).  But it quickly becomes apparent that there are deeper issues at play than teen romance.

Adelaide's brother Toby is an addict, stealing from his family and hurting them.  His failed stints in rehab have largely bankrupted them and is the reason that Adelaide changed schools.  Adelaide, unable to admit that Toby's struggle affects her, hides away in a world of what ifs, which is what the novel becomes.

What if you could play out every action and choose amongst them based on the different outcomes?  In a way, that is what this novel does by taking us through a "multiverse" where periodically the narrative splits into two or three parallel stories.  We walk through a scene of a page or two and then back up and do the scene all over again with a different outcome, and then once more.  Each time, Lockhart then picks one of them and moves forward.  The gimmick, combined with a less intuitive habit of switching into verse at random moments, makes for a tricky read.  It's an interesting writer's exercise (creating a scene and then rewriting it with a different outcome) and the sort of thing that writers do in their work.  The difference is that writers usually pick one and throw out the others.  The intention of including the different variants in the novel is supposed to give us more insight in the characters.  It does this, but it forces you to stop and re-read passages and compare variants, disrupting the pace of the story.  

As with her more recent novels, I found the characters uninteresting, elitist, distant, and painfully self-absorbed.  There's only superficial interaction between characters and no interest in exploring the world around them. Other readers compare this book with her more recent novels We Were Liars and The Disreputable History of Frankie-Banks (both of which I despised for pretty much the same reason of having unbearable characters) but the closest relative of this book is really Mister Posterior and the Genius Child, written under Lockhart's real name (Emily Jenkins) in 2002 and as suspiciously autobiographical as this one is.  Both are written in the same stilted passive narration and both describe a privileged community, seemingly in a vacuum from popular culture or modern technology.

Coo, by Kaela Noel

Raised from birth by pigeons, Coo is only indirectly aware of humans and how they live.  They don't live in dovecotes and they don't scavenge for food like her flock does, they don't fly, and they talk strangely.  Aside from a curiosity about humans and that pesky lack of ability to fly, Coo is perfectly happy living with her flock.  But when a retired postal worker named Tully notices that there is a girl living with the birds, Coo's life starts to change.

Tully rescues Coo and takes Coo back to her apartment.  There are certainly advantages like running water, heat, and a plentiful supply of food, but for Coo, the ways of humans are strange and scary. There are many strange things like money, police, and rules that prevent Coo from staying with Tully forever.  Most scary of all, someone in the city is trying to poison the pigeons. Coo is determined to use her position as both a human and a member of a flock to save the birds.

A curious middle reader. Noel struggles a lot to explain away the more implausible parts of the story (like how a child could survive for years being cared for by birds) and that can grow distracting.  But setting skepticism aside, there is an enjoyable story here about Coo's discovery of how she fits within a community (whether it is pigeon or human).  Coo wants to be independent and struggles against restrictions on her independence, but gradually she learns to accept help from others and to understand that even if people and pigeons seem largely selfish, there is an instinct to look out for each other to solve our shared challenges.

Every Moment After, by Joseph Moldover

Eleven years ago, a shooter came to school and left seventeen first graders and their principal dead.  Now, it's time for the survivors to graduate and for the town to say their final goodbyes.  Many families have moved on but enough of the living remain to turn this graduation ceremony into a memorial.  The news will pick up this grim milestone as just another story, but for the survivors there is no real moving on.

This novel picks up at that commencement exercise and traces two young men who survived the incident and how they spend the summer after school:  Cole (who became a poster child, with the picture of the police chief carrying his body out of the school as the primary image of the tragedy) and Matt (who survived by luck, being home sick that day).  For them, this final summer is also their goodbye and time to actually move on.  It finds them revisiting things that they have dwelled on for the past eleven years, but now finally have to let go.

I liked the idea of doing a survivor story like this.  Few books on the subject have taken such a long-term view and it is a meaty subject in need of a proper treatment.  The school at which I spent my freshman year (Simon's Rock) went through a shooting incident itself, so I know something firsthand about the subject.  On that basis, I felt that Moldover handled the combination of guilt, fear, and anger particularly well.  And he explores the subject from so many different angles:  local townspeople, first responders, civic leaders, as well as the children and their families.  This is done so seamlessly that you never really become aware of how thorough Moldover's sociological exercise is until you put down the book and reflect back on what you've learned.

I also liked the novelty of an authentic boy's YA book.  The vast majority of YA is written for girls and the few writers attempt a straight masculine perspective.  When you do find a book about boys, it usually wallows in gross-out and horn-dog stereotypes.  Deep, introspective novels about adolescent males are very very rare.  Thus, it is rewarding to find that Cole and Matt are emotionally complicated and authentic male protagonists.  I related to them in a way that I rarely relate to YA characters.

With all that said, it may surprise that I don't actually recommend the book.  I found the story a hard slog and the ending mystifying and frustrating.  There are amazing moment of brilliance in here, with much of it coming from the adult supporting characters, but the boys themselves never seem to pull themselves up or grow in the way I needed them to do.  That made the ending ultimately unfulfilling.

Finding Mr. Better-Than-You, by Shani Petroff

Camryn gets a rude shock at the start of her senior year when her guidance counselor informs her that her lack of extracurriculars is probably going to doom her chances of getting into Columbia.  This is followed by a very public dumping by her boyfriend Marc at a local hangout.  All of which leads to a lot of re-examination of priorities as Cam realizes that she has defined much of her life by trying to be there for Marc, instead of for herself.  While this reflection has some positive effect and sends her out to try trying new things, including joining yearbook, writing for the school paper, and becoming a school mascot, too much of the old ways persist.

Cam is a fan of rom-coms and believes that there is a "Mr. Right" out there for her.  At first, she's convinced that it's still Marc and so she tries dating friends of his to make him jealous.  When that doesn't work she tries finding a new boyfriend on her own, and eventually her friends try to set her up.  None of it really works and she eventually figures out that she is just trying too hard.  Through it all, her friends are loyally there for her and by the end of the novel she finds that Mr. Right actually isn't anywhere nearby, but since this is high school anyway, maybe it's just fine to stick to having friends.

Why this takes her an entire novel to come to terms with is anyone's guess.  She's pretty bright and intelligent and keeps on reminding herself that she has great friends, but her stubborn determination to find a boyfriend at least gives us a story to track, even if it doesn't always make much sense.  None of it is particularly dramatic and the story really doesn't have much of a point to make beyond the fact that high school dating pool is pretty shallow,.  The book is readable and mostly enjoyable, like the rom-coms that Camryn enjoys so much.

Girl Gone Viral, by Arvin Ahmadi

Opal Hopper is a senior at an elite computer science-centered high school in Palo Alto.  But her life, like that of most young people, centers around WAVE, a world-wide virtual reality platform, created by Palo Alto Labs (which also happens to bankroll her school).  Her presence in VR takes on a new meaning when she and her friends hack into PAL's data stream and start crunching through users' biometric monitoring (data that PAL has taken from users on WAVE).  Realizing how much power resides in such personal data, they turn that data around back on the users.  The epiphany that this unleashes on WAVE causes Opal and her channel to go viral, launching them into an elite world with millions of followers.  It also brings them to the attention of the greedy and the powerful, from the wealth of venture capitalists to the subversive political wrath of the emerging Luddites.

Opal, however, is not interested in influence and power.  She wants answers.  Seven years ago, her father, a brilliant computer scientist, went missing.  And no one will tell her the truth about his disappearance.  But one of the last people to see him was Howie Mendelsohn, the founder of PAL.  Mendelsohn is a hermit and won't meet with just anyone, but if Opal becomes the biggest thing on WAVE, there is no way that she'll be refused an audience.

Original and innovative, the book is tricky and tedious to read but rewards the effort with striking observations about technology.  I found myself alternately annoyed by the technological gibberish that fills Ahmadi's prose and astounded by his insights on tech.  With the reactionary "Luddites" serving as a surrogate from Trumpism, Ahmadi sends us into a deep exploration of how tech brings us both a better society and simultaneously weakens us for a populist backlash.  For Opal and her peers, there is no reasonable alternative than to move forward into a world of virtual reality, but her elders (and many readers) will achingly find themselves hanging on to some elements of the Luddite manifesto.  It's very subversive and the ideas raised will stick with you a long long time.

Good ideas do not however an excellent novel make.  Ahmadi is trying to be clever and he's also trying to describe a world that does not have a physical existence and which does not behave in the way we expect it to.  And, while it is easy to get swept away by the magic, he also has a human story (the final human touch, as he'll put it later, that must always be in charge) to tell.  That's a lot to bite off and it makes the book hard to create and (wherever he falls down) hard to digest.  There are numerous places where the story doesn't track, where action scenes and/or dialog make no sense, and where the logic of the story simply collapses.  In many ways, that is part of the experience, but for readers like me that search for human connections and human truths (and are more than a bit Luddite!) this isn't a story we enjoy.  The end result is a mediocre novel with terribly important things to say about the future.