That's What Friends Do, by Cathleen Barnhart

Sammie and David have been friends for ages.  But when a new kid Luke moves to town, things start to get weird.  David, who's never really given much thought to the fact that Sammie is a girl, resents Luke's attempts to hit on Sammie. Up until that moment, he didn't realize that he had feelings for her.  And Sammie, who's never really thought it mattered if you were a boy or a girl, is shocked at how she is treated by the boys. The resulting jealousies and misunderstandings that develop between the three of them will remind the reader of just how painful it was to be twelve.  But then, in an incident that occurs innocently yet is anything but, things go too far and the friendship splinters.  Feeling they have each been betrayed by the other, Sammie and David are left confused and unable to figure out how to repair the rift.

Meanwhile, Sammie is considering switching from baseball to softball.  She's the only girl on the team, but she's a good player and her father wants her to continue playing on the team.  But as she watches the other girls playing on the softball team, she realizes that it would be much more fun to be on their team than trying to prove that she can play with the boys.  Convincing her father to let her do so, however, proves difficult as he feels that switching from a "real" sport to softball would waste her talent.

An unexpected surprise of a book about sexual harassment, sexism, and the nature of consent in seventh grade.  Barnhart spins a terrifyingly plausible chain of events that plunge its protagonists into social situations that they are entirely unprepared to deal with.  The target middle school audience can learn a great deal from reading the story (and perhaps discussing with an understanding adult), but actually the book seems more beneficial to adult readers who can watch events unfold and better understand why things go as wrong as they do.  The side story about Sammie's rediscovery of the need for feminine companionship is perhaps not so integral to the main story, but fits in nicely.  In sum, a great age-appropriate contribution to discussions about sexual harassment and consent.

Beau & Bett, by Kathryn Berla

"Lucky in love, never lucky in life," Beau's father likes to say about their family. He's laid up from a work injury and unable to work.  Bett's sister is about to get married and money is tight all round.  And so when Maman is involved in a fender bender with the spoiled rich daughter of the Diaz's, the last thing the family can afford is a big repair bill.  Beau goes to the Diaz ranch, on behalf of his mother, to plead for forgiveness.  Mr. Diaz agrees to let the matter go, but only if Beau will come work off the debt at the ranch for the next four weekends.

And it's while he's working there that he gets to meet this troublemaking daughter, Bettina. She's got a reputation at school of being this horrible person which has earned her the nickname "the Beast." Beau finds out, however, that she's not like that at all.  And the more he gets to know her, the closer he feels towards her.

Allegedly a modern retelling of Beauty and the Beast, the resemblance is slight.  Working off a debt, a misunderstood "beast," and eventually learning to love someone we found initially repulsive are three similarities, but they are hardly unique.  Trying to call that a retelling is a stretch and a distraction.   Rather, the book's strength is really the dynamic between its two characters. Earnest Beau is no match for Bett's social ineptitude, and the sparks that fly between them are unexpectedly hilarious.  The resulting love story is short and sweet.

Tell Me Everything, by Sarah Enni

VEIL is a new social media app that allows artists to upload their work and comment on other people's art.  It's completely anonymous, local, and temporal.  Nothing is attributed, users see only posts from people within a five-mile radius, and after a week the postings disappear forever.

Ivy is obsessed with the app.  She follows it closely and has developed strong feelings about the submissions.  She's even tried to ferret out who the posters really are and suspects that many of them go to her school.  However, in spite of being an artist herself, she's never posted anything to the app.  She's never felt that her own work was good enough.

Instead, she's been trying to pay back the artists whose work she's enjoyed by doing kind things for them.  That requires figuring out their identities, but she finds that is the easy part.  Once she has ascertained who they are, she determines what would make them happy.  This starts off innocently with small anonymous gifts, but gets messed up with a separate scandal involving hate speech on VEIL and soon Ivy is in over her head.

If you live in the Bay Area (as these characters do), the idea of VEIL probably sounded great, but one has to wonder how interesting an app that only showed posts within a five mile radius would be if you live in the Midwest?  Or West Texas?

Beyond the silly premise is a story with fantastic clever ideas ranging from quirky bookstores to igloos to Ivy's wildly funny parents.  The problem is that the ideas don't really gel into a story. Layer upon layer upon layer gets added.  The result is rich but confusing.  My hope as I read the book that everything would get tied up (or at least the importance of the disparate items would become clear) is crushed in the end when the story concludes and it becomes apparent that much of the detail don't contribute to the story.  Telling everything in this case may not actually be beneficial.

Just Like Jackie, by Lindsey Stoddard

Robinson (named after Jackie Robinson) is a tough girl.  When bully Alex Carter teases her, she decks him.  When Alex hurts her best friend Derek, she avenges the offense.  But as much of a fighter as Robbie is, she can't figure out how to fix her grandfather, who is slowly losing his faculties, and that feeling of powerlessness makes her very angry and scared.

Because of the incidents at school, Robbie gets assigned to group counseling, along with Alex and a number of other children in her class.  The experience is an eye-opener.  Being exposed to other people's problems helps her deal with her own anger and encourages her to open up about her fears and frustrations.

In sum, a sweet middle reader that explores extended families and the pain of watching a loved one succumb to Alzheimer's.  Robbie is certainly a strong enough heroine, but I found her anger and stubbornness a bit hard to take.  The behavior is age appropriate but doesn't make for a sympathetic character.  Being the only real character in the book, it is hard to get very deep into this story.

Fugly, by Claire Waller

At 18, Beth is an overweight outcast in a dysfunctional family.  In her own words, she's "fugly." Out in public she tries to be invisible.  She maintains an unhealthy relationship with bing eating and purging.

She's also a talented troll, able to dish out abuse and ruthlessly attacking and destroying people online whom she feels deserve her wrath because they are "too beautiful." Even she acknowledges that it may not be something to be proud of, but it gives her some comfort.  Then she meets another girl online named Tori, who turns out to be a kindred spirit in the trolling game.  However, Tori's much more brutal on line than Beth has ever considered being.  And while Tori's escapades seem initially thrilling, Beth has second thoughts when Tori starts attacking people closer to home.

The overall problem of this novel is the protagonist herself.  There's next to nothing to admire in the character.  She's self-pitying, self-centered, and mean.  I flat out hated her.  I felt no sympathy for her plight as it was largely self-inflicted and I didn't mind when it comes back to bite her on the ass.  A secondary problem is the utterly predictable outcome of the story.  There is no element of surprise beyond the idea that Beth could be unaware of what was going to happen to her. 

The originality of the story's idea saves this book from the trash bin, but I'd honestly give Beth and her story the treatment that all trolls deserve:  being ignored.

The Wrong Side of Right, by Jenn Marie Thorne

When Kate's mother died, Kate still had no idea of who her father was.  So when a New York Times reporter discloses that the leading Republican candidate for the presidency is actually her father, she is as surprised as the man is. Drawn by curiosity about her father, she gets swept into the whirlwind of his presidential campaign.

People warn her that she is being used, but she finds it hard to turn away from the father she yet to know.  A political neophyte,  she finds she has many friends and enemies and it is often hard to tell who is who.  So, when the incumbent president's son turns out to be an ally and then something more, she doesn't know whether to trust him with her confidence or to be wary of his motives.  Or maybe both?

A fast paced, delicious page turner.  Perfect for socially-distanced beach reading in the middle of a campaign year. The political details provide spice and plenty of opportunity for adventure, but it is the fancy clothes, the safe G-rated romance, and a lot of poorly supervised fun that makes this a great light read.

How far we've gone!  While probably meant to be cynical in 2016 when it was written. it's rather innocent ideas of political spin now sound shocking naive.  But never let a little suspension of reality get in the way of a fun read!  This is how we wish politics was:  where you can sneak off on a date with the cute boy (who happens to be the son of the president) and live to tell the tale!

All the Impossible Things, by Lindsay Lackey

Red has been passed around to quite a few foster homes, but she's counting down the days until her mother is released from jail and they can be reunited.  She knows it will be hard.  Her mother struggles with addiction and Red isn't always the best of kids, but Red believes that everything that seems impossible is simply a different degree of difficulty.  She's collecting a notebook of so-called "impossible" things to prove the point.

When she ends up with the Grooves family and their collection of exotic pets, Red feels that she's finally found a place she can call home temporarily. Dearest to her is their giant tortoise Tuck, with whom she bonds.  But when the tortoise goes missing, her foster mother gets sick, and Red discovers that her biological mother was actually released months ago and has been hiding out, Red becomes overwhelmed by the seemingly impossible nature of her situation.

While mostly a down-to-earth (and touching) story of a girl who wants to piece her family back together, Lackey has thrown in a hint of magic: Red has the seeming ability to summon up storms.  This is used mostly as metaphor up until almost the very end.  It's cute and restrained and adds a wonderful undercurrent that does not distract from the overall message of finding family where one may.  That is representative of this largely understated and modest story.

If Only, by Jennifer Gilmore

In 2000, sixteen year-old Bridget finds herself pregnant.  Unwilling to terminate the pregnancy and unable to keep the baby, she navigates the world of adoption, meeting prospective parents and trying to decide the best future for the child.  Sixteen years later, Ivy realizes that she is now the same age as her mother was when she was born.  While the adoption was open, Bridget has disappeared and now Ivy is determined to track her birth mother down.

Switching back and forth between Bridget and Ivy, the novel attempts to tell the story of the adoption and make several grander observations about the emotional impact of the process.  To assist that goal, there are several seemingly unrelated chapters inserted periodically into the narrative.  Each of these outline alternate realities (how things might have turned out if different decisions had been made). Some of these decisions involve Bridget (what Ivy's life with different adoptive parents might have been like) while others go back much further into the 1950s and 1970s to discuss alternative timelines involving grandparents and others.  The device doesn't particularly work as the ties are often not all that clear and are weakly written.

As a whole, I'm not a big fan of the regretful-birth-mother story line.  The assumption that something is lost when a child is adopted seems unkind and unfair to the many happy adoptive families. Furthermore, not every adopted child seeks their birth parents nor even has an interest in them.  Gilmore skirts that issue by making Ivy's adoption an open one, but her sympathies are clearly laid bare when she brings up a closed one in one of her alternate realities.  And while Gilmore acknowledges that reunions are not always happy, it's obvious where her bias lies.  But mostly, in the end, I didn't find the story all that well crafted.  It rambles and meanders, causing my interest to lag.

On reading the classics (thoughts on Little House in the Big Woods)

For all the reading I do in contemporary children's literature, I have plenty of big gaps in my knowledge of classic children's literature.  Lately, I've been participating in a small book discussion group which (for reasons of convenience and economy) has been focusing on classics (Adventures of Tom Sawyer, Peter Pan, and now the Little House series). One doesn't really review a classic, but I thought I would take a small diversion from my usual blogging activity and talk about my amateur observations about what makes a book like Little House in the Big Woods so different from my usual diet.

Little House in the Big Woods is the first book in Laura Ingalls Wilder's autobiographical stories about life on the frontier in the mid-19th century.  This book covers a full year of life in the Ingalls' homestead near Pepin, Wisconsin.

For the reader, whether young or old, the most striking thing in this story is how very hard everyone worked in those days for the barest form of survival.  Yet as exhausting as the endless tasks seem, the story always manages to fit in some warmth and fun, be it a special treat from Ma or Pa pulling out his fiddle and singing the girls to sleep.  For as hard as the family worked, there is never a doubt of how much Ma, Pa, Mary, Laura, and little Carrie love each other.  Danger comes mostly in the form of wild animals, but the family approaches the dangers quite pragmatically.  When Laura grows fearful of wolves, Pa shows her one so she can size the creature up for herself.  While the children misbehave and test limits, the no-nonsense discipline style of Ma and Pa leave no doubt that expectations are set and enforced.  Laura's childhood in the Big Woods is obviously a happy one.

There are probably many reasons for the book to appeal to young readers, but the key draw is the fine detail and Wilder's inexhaustible supply of historical facts.  Children delight in all the things that Laura's family did, the foods they ate, and the way that they lived.  Far more vivid than a history book, curious minds find plenty to mine in the book.


There are a number of striking contrasts with a modern book (the obvious contrast would be Linda Sue Park's Prairie Lotus, but I think we can speak more broadly about most contemporary children's books) that I would call out:

The unquestioned authority of the parent.  As adults today we live in a world where we are attuned to the complexity of ethics and morals.  We have seen power abused and question authority as a matter of course and live our lives as cynics.  And, for better or worse, we transmit that same doubt and skepticism to our children in the books we write for them.  Yet not once does Laura ever question the decisions of her parents.  The idea of such a rebellion is seemingly outside of her comprehension.  Nor, for that matter, do Ma and Pa ever really give her grounds for doing so as they are near-perfect in their judgments and actions.

Childhood on the periphery.  In your typical contemporary book, the focus is entirely on the child.  The parents (and adults in general) are either absent, ignored, or deceased.  Parents make at best brief appearances and the involvement is inconsequential to the story at best.  Frequently, they are a force to be defeated or outsmarted.  Little House though is really a story about Laura's parents.  For the first three chapters, Laura and Mary play virtually no role at all, except to be a task to which their parents  attend.

Focus on concrete tasks over emotions.  For readers who like to get inside of their protagonist's heads and feel their emotions, Little House in the Big Woods is a frustrating experience.  It's all about doing things and the other feelings or emotions we encounter are exhaustion and fatigue.  In the second half of the book, we learn how dreadfully dull Sundays are for Laura and we are introduced to her feelings of inadequacy in comparison with Mary over the color of their hair.  However, these matters are not key parts of the story but rather opportunities to learn lessons on (and over) Pa's lap.  The book is in fact one lesson after another, all rolling up to the big message:  life in the big woods was about working hard, being honest, and caring for each other.  It was not particularly concerned with your feelings and emotions.


Nothing I've said here is particularly original or earth shattering, but more thoughts spinning in my head as I leave Laura and return to my pregnant teens, runaways, and dystopian warriors in the modern world.

Birdie and Me, by J. M. M. Nuanez

Life wasn't particularly happy after the death of their mother, but Jack and her little brother Birdie found their Uncle Carl to be a sympathetic soul and living with him was pretty easy.  They ate a lot of Honey Bunny Buns and Uncle Carl didn't really care that Birdie liked to wear dresses and sparkly make-up to school.  But too many run-ins with the authorities caused their Uncle Patrick to step in.

Patrick isn't as much fun as Uncle Carl and insists on buying Birdie boy clothes.  He pressures both Jack and Birdie to make more of an effort to fit in.  And, as far as the kids can tell, he doesn't even like them!

Miserable, the children try running away.  When that doesn't work, they hatch a plan to get Uncle Carl to pull his life together (and become more reliable) so they can go back to live with him.  And when all of that fails, they try to win over Uncle Patrick.  Yet, in the end, Uncle Patrick turns out to be a better friend than they realized.

Quirky and full of potential, but the novel never quite grabbed me.  It was just too depressing!  Certainly, no one could accuse Nuanez of making life rose-tinted.  Each and every character here is flawed. As the story progresses, it becomes apparent that the adults in their life have pretty much all let them down.  Everyone has issues, the children chief among them.  That gets hard to take, sucking anything fun out of the funny parts and mostly making the reader angst over the fate of the kids.

What Kind of Girl, by Alyssa Sheinmel

Maya has been putting up with her boyfriend's violence for the past three months, but when he blackens her eye, something snaps. She's no longer willing to cover up the assaults and she reports him to the school principal.  Predictably, this triggers side-choosing by the other students as some believe her and some believe him.  The story grows more complex and nuanced as Maya reveals faults and failings of her own that make her narrative less clear.

Maya's friend Junie, suffering from anxiety issues and a breakup with her girlfriend, falters between supporting her friend and being unable to do so.  She wonders how Maya could ever have allowed it to go so far.  What kind of girl would do that?  If Maya was truly being abused, why didn't she speak out?  And the more she learns, the harder it becomes to understand her friend's choices. Maya has no answers of her own -- she also wonders what kind of girl puts up with the violence.  But as the narrative reaches a critical juncture in Maya's story, Julie reaches her own crisis and her own bad choices prove overwhelming.

This is hardly the best novel about dating violence (I still hold up Sara Dessen's Dreamland for that honor), but it is probably the most complicated.  There's certainly room for trimming.  The bulimia and cutting that parallel the dating violence are clutter in my mind, but Sheinmel does manage to tie them in.  The romantic relationship of Junie and Tess is largely throwaway and never really added much to the story.  But the novel has many things going for it.

Sheinmel avoids absolutes (beyond the totally unacceptable nature of domestic violence) by creating flaws and nuances in all of her characters.  We want Maya to be a perfect person, so it hurts to acknowledge the mistakes she has made.  Ultimately, there is more pay off from this approach when the story reminds us that none of the flaws really matter in the end -- nothing Maya could have done would ever make her deserve to be treated as she was.  But in causing the readers themselves to waver it does challenged us with how easy it is to victim blame.

One little literary trick Sheinmel uses is particularly effective.  At the beginning of the novel, she doesn't initially name the narrators.  Instead, she gives them generic names ("the activist," "the popular girl", etc.) and we naturally assume a fairly broad cast of characters.  But gradually, we figure out that several of these narrators are actually the same person (just different parts of their psyche).  This serves a useful purpose: illustrating that people are not so internally consistent or singyularly focused.  They have complex (and competing) needs and motives.

On the subject of narrators, I was a bit sad to never hear from the boyfriend.  I recognize that Sheinmel didn't really want to give him a voice (she says at several points that it really doesn't matter why he hit her), but I think that's a strategic mistake.

The House With Chicken Legs, by Sophie Anderson

Marinka would like to have a friend, a living friend for more than an evening.  But when you live with Baba Yaga and your line of business is guiding the dead to the Afterlife, you don't get too many living visitors.  Every night, Marinka helps her grandmother welcome the dead to their house (which does indeed have chicken legs!), get to know them, and then send them on their way.  But one night, Marinka decides to break the rules and waylays a dead girl, tricking the girl to stay on and become her playmate.  This act of disobedience triggers a cascade of events that quickly escalates out of Marinka's control and she must find a way to fix things.

An touching story with one of the most unusual likable characters (the house) you've ever read about.  Loosely based on Russian folk belief, the story is actually a true original and touches on the universal theme of trying to find one's way in the world, especially when the path expected of you is such an obviously poor fit.  The macabre setting (which in itself will appeal to Lemony Snicket fans) is ultimately incidental to a story that is about Marinka's search for warm friendship and a sense of meaning.

Ordinary Girls, by Blair Thornburgh

Young ladies may obsess now over to which college they will be accepted, instead of to whom they will marry, but in this modern send-up of Pride and Prejudice, the argument is made that little else has changed. Despite her best intentions, fifteen year-old outcast Plum has fallen for LSB (Loud Sophomore Boy) Tate.  Their old Victorian home is a death trap of peeling lead paint, thick walls that ensure that no one's cell phones have any reception, and bad plumbing.  When said plumbing fails altogether, Plum finds herself at Tate's house, borrowing use of his shower.

Her older sister Ginny anxiously awaits early acceptance at Penn  (but then, Ginny has a condition and is anxious about everything!).  Mother, who made her fortune illustrating a children's classic series about five country mice, is about to lose her source of income as her publisher decides to have all the illustrations redrawn by a new artist.  If Ginny cannot land a lucrative financial aid deal, what will happen to the family?

A clever mash up of Austen/Bronte tropes, modernized in a witty fashion, and guaranteed to appeal to the same gang that loved what Clueless did to Emma.  This is a more nuanced affair, maintaining more of the flavor and wit of the models, but does not necessarily break much new ground in the effort.  There is a point to be made here about the timelessness of Austen's books, but this is a rather peculiarly pedantic exercise in doing so.  Once made, the story itself is largely inconsequential and has much less to say about the world.

The Library of Ever, by Zeno Alexander

Lenora is bored out of her mind.  Dragged from one dull place to another by her inattentive nanny, she longs for an adventure.  So, when she is brought to the library she goes looking for the children's section.  She doesn't find it, but instead discovers a secret doorway that leads to the Library of Ever.  It's the place where all knowledge is stored and all questions are answered.  In order to stay she has to swear to the Librarian's Oath and accept an entry level position as the Fourth Assistant Apprentice Librarian.  Charged with answering people's questions about calendars, she proves adept and is quickly promoted.

Each step of the way, her challenges grow harder and harder, and she finds herself penguins and ant colonies, going into outer space, and rescuing lost kittens. Through it all, Lenora cleverly subdues her foes.  But the final challenge is the scariest of them all: facing off to the Forces of Darkness (as represented by the Board of Trustees) who are trying to remove books from libraries and promote "profitable" libraries. She must prove that she has what it takes to be a librarian and a defender of the library's motto, "Knowledge is a Light."

It is a fairly silly middle reader with a not-so-subtle message about the value of libraries and freedom of the press.  Things get a bit over-the-top at the climax but it all makes sense in the end, in a poignant way.  I enjoyed the book but it won't take you long to get through it.  I read it in just over two hours.

The Remarkable Journey of Coyote Sunrise, by Dan Gemeinhart

For the past five years, Coyote and her father have lived on the road, driving a converted school bus all over the country.  They live a free and casual lifestyle, going wherever they please.  But the one place they have never gone to is Poplin Springs WA -- their old home.  It was the death of Coyote's mother and her two sisters that drove them on to the road in the first place.

For Dad, going back is a definite "no-go," but now it seems that they need to do so.  When Coyote learns in a call from her grandmother that their old neighborhood park is about to be dug up, Coyote knows she has to return.  Five years ago, a few days before the tragic accident, Coyote, her mother, and her sisters assembled a box full of memories and buried it at that park, intending to return to it years later.  Now, it is perhaps the only physical remnant of that part of Coyote's life and it is about to be obliterated by the excavation.  So, Coyote launches a desperate plan to trick her father into driving across the country to rescue the box before it is gone forever.  It will take a lot of cunning, some dumb luck, and a huge cast of oddball characters to make it happen.

A road trip novel is made or broken by the adventures and the strength of the characters met along the way.  Part Room on the Broom and part Captain Fantastic, the adventures here can strain credulity, but the diversity of characters more than make up for it.  There's a gentle and plausible dramatic arc as Coyote and her father gradually reach the realm of acceptance and crawl out of the shell of denial that they have lived in for the past five years.  And, along the way, their fellow-travelers have their own revelations.

The novel pays back handsomely.  It's briskly paced and entertaining.  While not a deep read, there's enough emotional pay off to make this much more than some light middle reader.

Right as Rain, by Lindsey Stoddard

After the death of her older brother, Rain's parents decide to relocate to New York City from Vermont for a change of scenery and to start again.  For Rain, who is used to running through the woods with her best friend Izzy, life in the City is a challenging transition.  Everything is crowded and it is easy to get lost.  The people around her largely speak Spanish (which her two year's worth of study has hardly prepared her for).  And her mother warns her to be wary of dangers she has never worried about before.

She's not the only one having difficulties:  her father won't get dressed or leave his room and her parents are in fact splintering further apart.  And Rain comes to realize that her family are not the only ones suffering from changes and loss.  Frankie, a girl in their apartment, has lost her best friend.  Nestor, a homeless man in the neighborhood, has lost the job that gave him security.  The gentrification of their neighborhood has caused many people to lose their homes and their livelihoods. 

As the first anniversary of her brother's death approaches, though, Rain comes to realize that there are plenty of things to be gained.  Life is full of losses, but it also contains victories.

It's a good book with no particular surprises except for the unexpected philosophizing on the emotional impact of gentrification on a neighborhood, and the lack of much on death, leaving old friends, or depression.  All three of these latter topics come up, but Stoddard doesn't want to dwell on them (and surely enough has been written on them already to make that excusable!).  Instead, this is really about Rain's reset to living in a new home, making new friends, and finding her place in the community.  It's a joyful story full of kindness and affirmation.

Suggested Reading, by Dave Connis

Clara is horrified to find out from her school's librarian that there is a list of banned books.  Worse, the list has just been significantly expanded to include some of her favorites like Speak, The Chocolate War, and The Perks of Being a Wallflower; as well as the novels of her favorite author Lukas Gebhart.  The librarian explains that the books simply go missing from the shelves, so it is impossible to know that they have been removed.  Everything is restricted and no one will take ownership.  When she attempts to find out the reason, she is stonewalled by the Principal.

So, Clara decides to take action.  Leveraging off of a community service project she did that set up little community libraries around town, she sets up drop sites of banned books around the school in abandoned lockers, making them available to the students and encouraging them to be read.  The idea takes off explosively, as her classmates grow curious about what they are not supposed to be reading.  But when tragedy strikes and Clara's future is put in jeopardy, she must decide if her actions have been driven by the right motives.

Any book about free speech and libraries is going to be acquired by any decent public library (acquisitions librarians can't get enough of the things -- it's like cookie dough to them!).  That doesn't mean that it will necessarily be a good book in itself, so I approached this read with skepticism.  Some parts of it really annoyed me:  the tired repetition of the same four or five books (we DO realize that lots of YA classics are banned, right?), the same boring arguments pro and con, and the rather clueless way that Clara approaches her rebellion (how on earth could she be surprised that her actions would go unnoticed?).

But then, other parts of the book surprised me:  the changes of hearts in the educators, the recognition that even good acts can have bad motivations, and some nice insights about the power of act of reading (as opposed to tired cliches about the power of words).  As a result, I came out of this with a mixed review.  The book won't change your perspective about freedom of the press, but it might make you think harder about the importance of reading in and of itself.

All-American Muslim Girl, by Nadine Jolie Courtney

When Allie and her father are out and about, everyone can tell that her Dad is an Arab and suspect he is a Muslim, but Allie takes after her Caucasian mother and people frequently can't tell her heritage.  This gives her a unique ability to be privy to people's prejudices and hear the things people say about Muslims.

She's curious about that heritage:  what it means to be Muslim. Her father is largely lapsed and has discouraged Allie from practicing Islam, so she launches out on her own, finding a study circle of young Muslim women and learning more about the faith.  As she learns more, she struggles with what she believes and with wondering where Islam lies within contemporary American society.  Should she pray?  Should she continue to date?  Should she veil?  Should she fast during Ramadan?  And how can she explain to her atheist father why all of this appeals to her? Allie's clearly modern and open minded, but drawn to the traditions of the faith and the bonds it helps her form with her family (especially her grandmother).

It's a thoughtful exploration of spirituality and faith.  There are plenty of political dimensions to this story, but I'm drawn to it for its spiritual quest.  There are few Young Adult books that are respectful about religion, let alone embrace the pursuit of it, so the affirmation of Allie's search is a welcome addition (to put this in perspective, Converting Kate by Beckie Weinheimer -- published in 2007 -- is the most recent book in this subgenre I have read).

Courtney has a lot of ground to cover.  One particular agenda items (arguing that Islam is not necessarily a misogynistic faith) can lead to some stilted dialogue, but I think her point is well made.  The side plot about whether Allie should date or not is less developed.  It suffers from really being two questions:  how Allie should reconcile her relationship with her boyfriend when his father is a famous bigot and how Allie can justify dating of any sort when more conservative Muslims believe that dating is forbidden altogether.  It never really gets successfully sorted out, and perhaps cannot be.  Allies's reconciliation with her father (and perhaps her efforts to reconcile her father with his faith) is a final element of the story.  By this point, we're basically totally exhausted so I'm glad she doesn't spend a huge effort on this thread.  But it also reaches a satisfactory partial resolution.

It's a long book and not always as tight as it should be.  But life is messy and Courtney raises many thought-provoking questions in an entertaining story.

Unpregnant, by Jenni Hendriks and Ted Caplan

Veronica Clarke is a stone's throw away from graduating and being her class's Valedictorian.  She's popular and surrounded by similarly popular friends.  She's also pregnant and watching in desperation as her plans for the future vaporize around her.  She can't let her friends or family find out.

She knows from the start that she wants to terminate the pregnancy but the closest abortion clinic (that won't notify her parents) is in New Mexico -- a thousand miles away from her in Missouri.  She doesn't have a car and is loathe to confide in any of her friends.  But there is one person who could help: her nemesis and former best friend Bailey.  Bailey hates her just enough to be willing to help her get to Albuquerque.  A very funny road trip ensues.

Obviously, if you have strong feelings about abortion, this book's probably not for you.  While not quite a comedy, it certainly doesn't dwell for too long on the ethics of the procedure.  But while light-hearted and even funny at parts, the story is serious when it needs to be.  It succeeds largely by side-stepping the usual tropes (guilt, mourning, and anger) that usually feature.  Instead, we get treated to some spunky feel-good celebration of independence and liberation, and whole array of crazy guest appearances.

Overshadowing the story for me was the announcement on the cover that the book is already optioned for a cable movie (at this time, in post-production, with no release date announced).  That proved very distracting as I kept trying to imagine how all of this would look on film.  To be honest, the story really isn't strong enough to merit a film, but it probably won't suck either -- pretty much like the book.

This Is My Brain on Boys, by Sarah Strohmeyer

Addie Emerson plans to win the coveted Athenian Award so she can use the prize money to fund her attendance at Harvard.  To do so, she's developed a theory that attraction between the sexes is based upon sharing a common adversity.  And she's setting up a series of experiments where a boy and girl volunteer endure challenges together and then have their attraction for each other measured. It's the kind of understanding of attraction that Addie understands.  Because otherwise, she find most emotional reactions baffling.  If it's not all explainable through biochemical reaction, she's be hard pressed to describe it.

Last semester Kris and his friends vandalized Addie's lab, getting themselves thrown out of school. To make amends and potentially be allowed to re-enroll, Kris gets enrolled in Addie's experiment.  This has an unexpected (and unrelated) problem: every experiment where Kris and his partner get set up backfires in some spectacular way.  Where Kris is supposed to rescue the girl (and thus spark a romance) the person who ends up needing rescue turns out to be Addie.  And despite their torrid history and the test plan, Addie finds herself falling for Kris, which both proves her theory and invalidates the experiments.

This Emma-esque plot tries to liven up the rom-com with a bit of neuroscience.  It's cute, but a bit convoluted.  Addie's confusion about love seems more from being on the spectrum than from any confusion -- she just doesn't read people well.  That makes her eventual falling for Kris less plausible.  After all, she doesn't suddenly develop the cognitive skills to read faces.  Thus, where it tries to be different, it just gets muddy and hard to understand.  Cute title, but fairly predictable.