Alienated, by Melissa Landers

Earth has been contacted by an alien race called the L'eihr.  The aliens propose an exchange between the two worlds:  three outstanding young people from each planet will visit the other world for a year.  Cara has been chosen as one of the three representatives and is looking forward to the opportunity.  But first, her family will serve as hosts to a young man from the other world named Aelyx.

As you can probably predict, initial distrust and cultural misunderstandings will dissolve into friedship and more.  But will the distrust between the two cultures and violent xenophobia being fomented by human extremists destroy any chance of an  alliance?

When I picked this up, I initially thought it would give us a glimpse of an alien high school as we got to experience Cara's year abroad.  Instead, this story tells of Aelyx's stay on Earth (a place we already know pretty well) at a stereotypical American high school.  Thus, what we end up with is just the sexy-foreign-exchange-student story.  The social dynamics among these aliens are also so human-like that the science fiction stuff seemed unnecessary in the end (perhaps it will be more pronounced in the sequel?).  I'd have probably cut it all out and made this a story about a sexy Arab exchange student coming to stay with Cara's family.

The weakest part is the ending.  It's a rushed affair as lots of loose ends are tied together and the settings are placed for the next installment.  Basically, once we're off Earth, Landers is pretty much out of her comfort zone.  The strength was actually the relationship between Cara and Aelyx and the book works pretty well as a romance, even if Aelyx just seemed like a typical YA boy and not a clone from an alien planet.

In sum, a pretty typical YA romance, but only mediocre Sci Fi and action.

Edda: A Little Valkyrie's First Day of School, by Adam Auerbach

Edda is bored and lonely.  Sure, life in Asgard is pretty cool with dragons and giants, and she has lots of older sisters.  But she would like to have a friend her own age.  Her one-eyed Dad is very wise and suggests that she should attend school on Earth.  Edda isn't sure how she feels about leaving Asgard, but her father assures her that Valkyries (even little Valkyries) are very brave, so she goes forth.

School is very scary. There are lots of new faces and she has to learn to take turns on the slide and to do things she doesn't want to do.  But in the end, she makes friends and even invites her friends to come visit her in Asgard and see the dragons.

I don't really review many picture books, but occasionally something just jumps out at me like this.  Little kids won't get the jokes (in fact, most adults probably won't either!), but I loved the humor and sly references to Norse mythology.  The story itself is very sweet and addresses children's fears and apprehensions about leaving home and attending school for the first time.

Signed, Skye Harper, by Carol Lynch Williams

It's the summer of 1972 and fifteen-year-old Winston is fantasizing about one day being a great Olympian swimmer, just like Mark Spitz.  She's also got a thing for the son of her grandmother's business partner (a man with whom grandmother herself had a relationship with - giving birth to Winston's mother).  Speaking of which, at the time the story kicks off, said mother has suddenly written home begging her mother to come and bring her home.  Lacking a reliable vehicle for a cross-country road trip, grandma "borrows" her business partner's RV for the trip.  The owner's son is found on board as a stowaway and we have the makings of a quirky road story about Winston,  her grandmother, her half-uncle (and potential boyfriend - ew!), a dog, and a rooster on their way from Florida to Las Vegas.

Quirky and choppy best describe this story (183 chapters over 292 pages - many of them mostly blank).  It doesn't take a long time to read, but it can be hard to follow.  Winston is supposed to be some sort of trailer trash from the way she talks and the way she misspells certain words, but at the same point we are expected to admire her strong will and her self-determination (mostly to avoid becoming a pregnant teen like her mother and grandmother).  She wasn't badly portrayed, but I never warmed to her.  I did appreciate that the period details are kept low key and non-distracting (sharp-eyed youngsters may notice that Led Zeppelin is not playing on an oldies station but out of an eight-track player or that the Big Mac is served in a Styrofoam container).  However, the novel seemed mostly just functional.

#scandal, by Sarah Ockler

Lucy's best friend Ellie is sick and home with the flu, so she begs Lucy to be her boyfriend Cole's date for the Prom.  They are all good friends, so it will be doing Ellie a favor and she trusts Lucy.  Lucy however has been harboring a crush on Cole for some time and, at an after-Prom party, she makes the fatal mistake to act on her impulse.

The next morning, Lucy learns of a much bigger scandal:  someone has stolen her phone and uploaded all of the pictures she took at the party (including a number of highly compromising ones) on Facebook using Lucy's own account (apparently, she doesn't password-protect her phone or have auto-wipe enabled on it either).  Now, everyone hates Lucy for getting them in trouble and publicizing their secrets (amongst which is a picture of Lucy and Cole kissing). What then unfolds is a crazy ride through the politics and gossip of high school, as Lucy joins forces with zombie fighters, her famous movie star sister, a stoner named 420, a foreign exchange student, and an anti-technology student club called (e)VIL to figure out who set Lucy up and why.

The story itself is absurd (in an artistic sense).  Ockler is making some critical observations about technology and the evils of social media, but mostly she is trying to depict how hyper-kinetic adolescent life is in a high tech world.  It's not intended to be a realistic portrayal, but rather exaggerates aspects that will otherwise feel real to young readers.  For me, I found the whole thing as grating as fingernails on a chalkboard (remember those?).  Unlike a book like Libba Bray's Beauty Queens, which was just full-out satire, this one can't really decide if it's going for crazy fun or making a serious point.  Falling somewhere in between it just seemed silly. 

This is particularly illustrated by the characters.  Except for Lucy, none of them felt real.  Many, like 420, Jayla, or the principal were just there for satirical value.  Their contribution is to serve as a foil for the story, but not really to advance it.  And the romance?  Forgetaboutit!  Cole switches between hot and cold as often as my shower while the washing machine is going.  By the end, no one really cares if Lucy and Cole ever manage to get their romance going.

Tape, by Steven Camden

One day, Ameliya finds her late mother's old boom box and tape collection.  Intrigued by them, she decides to listen to all of the tapes.  She finds that one of them contains voices.  For a brief period of time, she feels like she is actually holding a conversation with the voice on the tape.   Later, a stranger coming to the home seems to share the same voice and he has answers for Ameliya.

Thirty years before, Nathan and Ryan have an uneasy relationship as stepbrothers.  They don't like each other but are forced to get along.  What they share is a love for the same girl -- a girl who Ryan hopes to win over with the ultimate mix tape.

It's a confusing story and full of so many non-sequiturs that I won't pretend to understand it.  It took a while to figure out what was going on, but that's fine because the real story doesn't begin until after the first hundred pages.  There's a small bit of a pay-off at the end, but it wasn't nearly enough to make the slog through the rest of it worthwhile.  Allegedly, you can get more out of a re-reading, but I don't want to work that hard to "enjoy" a story.  An interesting experiment, but I simply didn't get it.

The Year of the Rat, by Clare Furniss

After Pearl's mother dies while giving birth to her sister, Pearl tries to cope with her grief and anger.  She blames her stepfather for selfishly demanding that Mom go through with a risky pregnancy (presumably so he could have his "own" child).  She blames the baby (whom she nicknames "the rat").  Mostly, however, she is angry with herself.  Her schoolwork and her friendships are suffering.  And the constant appearance of her mother's ghost provides little comfort.

It's a slow and deliberate story, tracing a year of grieving and recovery (and it doesn't even completely resolve).  The scenes with the dead mother have the potential to drift into supernatural territory but they are played straight and the story, for the most part, leans towards realism.  It is, however, more of reflective tone poem than a story.  Not much happens and the story simply jumps forward from time to time and seemingly random points.

Lying Out Loud, by Kody Keplinger

Sonny has a problem telling the truth.  She's hiding out in her best friend's room -- for months -- allegedly because she was kicked out of the house.  She has trouble holding down an after school job because she keeps lying to her boss.  Despite the fact that her loose relationship with the truth is hurting her, she allegedly can't stop herself.

One night she finds herself texting for the entire night with a guy she thought she hated.  She's discovered that she really likes him.  But as they are signing off he calls her by her BFF's name and she realizes that she's been using her best friend's phone for the entire conversation.  She's afraid to correct him in case he should change his mind about her, and her biggest lie commences.

As any child knows, the more you lie, the more you have to keep on lying (although apparently Sonny's never figured this out and she continues to make her life worse and worse with her lies).  This goes on in painful layer or layer until, inevitably, it all blows up in her face.

I honestly hated this character.  It's pretty much de rigeur to have a character make a few mistakes, but Sonny keeps doing it again and again.  I also don't like liars (who does?) and Sonny's actions come across as selfish and mean -- not that there is any real cost to these failings.  At the end, we get the complete turnaround and the predictable forgiveness from all parties.

It's written well enough and, since it's based on the universe of the popular Duff, I'm sure there is an audience for this, but know what you are getting yourself in for.  For myself, I couldn't stir up any enthusiasm for a young woman with such a profound character flaw.


[Disclosure:  I received an unsolicited ARC of this book in return for my impartial review.  My copy will be recycled.  The book is slated for release on April 28th.]

Backlash, by Sarah Darer Littman

Lara has suffered from self-image problems since she was relentlessly bullied for her weight in middle school.  But now she's shaped up, earned a place on the cheerleading team, picked up a hot boyfriend who's a senior, and gained a lot of confidence.  All of that comes to a screeching halt though when the boyfriend cruelly dumps her on Facebook.  In the face of relentless bullying from her peers and the humiliation she is enduring, Lara tries to take her life.

The attempted suicide fails, but the trauma is just beginning for Lara as she discovers that the boyfriend was fake (she had yet to meet him in person) and in fact the whole thing was a set-up to hurt her.  Just as that realization sets in, another even bigger shocker occurs when she learns the identity of the people who were behind the scam.  The resulting backlash threatens to destroy two formerly-close families and an entire community.

Littman has set out to show how fast and out-of-control little cruelties can go, especially when amplified by social media and the internet.  And in this fast-paced novel, she's done a pretty good job of doing so.  Cyber bullying has featured in a couple other recent novels, but I found this one better than the others I've read so far.  It goes into far more detail about the impact of bullying on the entire family and also explores the roots of it beyond simple petty jealousies.

I cared less for the characters and the ending.  The people in this story are not terribly interesting in themselves (beyond the fledgling romance of Lara's young sister and the boy next door).  Rather, they are mostly a means to the end.  I found the mothers in this book particularly distasteful.  Part of that was for dramatic convenience (making them both self-centered and bitchy provided a convenient excuse for the out-of-control behavior of the families), but there was an overall message that successful working women care more for their careers than for their children.  That message -- intentional or not -- bothered me.  The ending was also a bit rushed.  Lara's recovery is very sudden and not really foreshadowed (as prior to a sudden turnaround she just seemed locked in endless repeat).  Those complaints aside, I still enjoyed the book and recommend it.


[Disclosure:  I requested and received a free copy of the book for the purpose of writing an impartial review.  I'll be donating this copy to my local public library.]

Love & Other Theories, by Alexis Bass

Aubrey and her friends used to suffer from jealousies and snarky cat fights with other girls.  This was all before they evolved and figured out that guys in high school just don’t matter.  The relationships are too short and it’s not like the guys felt any particular loyalty, so why should they?  So, the girls developed the “theories” and learned to take hooking up and “detaching” with a grain of salt.

But when Aubrey meets Nathan, things change for her.  The relationship matters and her feelings are real.  Realizing that that means calling into question the theories, she initially hides and denies the feelings.  But ultimately, she comes to realize what a poor defense the theories have been for her and her friends.

It’s easy to marginalize this story as chick-lit.  It’s just another relationship book about girls angsting about guys.  And there is certainly nothing new about a girl who thinks she’s figured out everything there is to know about love and then being proved wrong by the Right Guy.  Yet, there is something quite enticing about the depth and detail of the relationships depicted here.  The dramas, while adolescent and petty, are real and authentic.  Bass handles her subjects with respect and does a good job of showing why so much of this is actually inevitable.  In a word, she understands the girls and is sympathetic to their plight.

What Waits in the Woods, by Kieran Scott

Four teens go on a multi-day hike in the woods.  The first night, the three experienced hikers decide to scare new girl Callie with ghost stories.  But as things on the trip start to go wrong (they lose their food and get lost) the scary stuff becomes real.  They are being followed and taunted by someone and, even with the help of a stranger they come across, it seems like they may never escape.  That's when the kids start turning up dead.

I'm not a fan of the horror/mystery genre and that probably is preventing me from liking this book, which is otherwise a decent specimen.  But if I step back, it had pretty good pacing and more than enough shocks and screams along the way (although I got a bit tired of having almost every chapter end with a false alarm).  The kids were sufficiently diverse and had a complex set of petty jealousies to put them at each other's necks (even before they started to get broken).  This provided the requisite reasonable doubt and suspicion to keep stuff interesting, and kept me off the scent of the real guilty party.  The key confusion for me was that the book is played like a horror story (teens in the woods getting knocked off by a lone psycho), but turns out in the end to be a simply mystery whodunnit.


[Disclosure:  I received a copy of the book from the publisher in exchange for an unbiased review.  I'll be donating this to my local public library where I hope it will find a fan of scary reads.]

Gracefully Grayson, by Ami Polonsky

There have been a number of decent YA books on transgendered teens, but the offerings for younger readers have been a bit thin, which makes this recent arrival for middle readers particularly interesting.

Sixth-grader Grayson has a secret daydream where he's wearing a dress.  I simply visualizes the clothes he's wearing and transforms them in his mind into pretty girls' clothes.  He doesn't really know why he likes doing this, he just knows that it's something he longs for.  He also longs to hang out with the girls as one of them and join them in their pastimes.  But he also knows, of course, that this isn't done.

Being uncomfortable with boys (and generally excluded from the girls' social circles), he's kept to himself.  But on a whim, he decides to try out for the school play (an adaptation of the myth of Persephone).  And at the last minute during the auditions, he announces that he wants to try out for the part of Persephone herself.  An understanding drama teacher not only lets him try out, but goes on to cast him in the role.  At long last, Grayson will have the opportunity to wear a beautiful dress onstage in front of everyone!

Grayson discovers just how polarizing gender identification can be.  Friends and family stake out clear positions and Grayson has to deal with the painful realization that not everyone will accept who he is and what he wants to be.  His mother, in particular, blames the (gay) drama teacher for allowing this to happen. Through it all, Grayson continues to explore his identity, experimenting with clothing, socializing with girls, and even the dreaded topic of which restroom to use.

It's a revolutionary portrayal of a transgender pre-adolescent.  The book stands out both for its intended target audience and for its frank discussion of the issues involved.  Some reviewers have pointed out that no character ever comes out and says that Grayson's feelings are okay, but there is a good mix of supportive responses from adults and peers.  Readers may be surprised at the cruelty of some of the adults (the homophobic bullying won't surprise much, but is thankfully kept to a minimum), but it provides a good dramatic edge.

Another thing I liked about the book was its sensitivity to gender dysphoria.  Grayson, it is clearly laid out, is no flamboyant drag queen.  He wants to explore what it is like to be a normal girl.  And he is torn by his joy at the welcoming he receives from some of the girls at school and his ongoing fear that he is being mocked and patronized by them at the same time.  His longing to simply be accepted as a girl is portrayed with an honesty that will touch open-minded readers. 

And as for the close minded folks (well-represented by Grayson's principal and his own mother), they can start plotting their book banning plans!

Oblivion, by Sasha Dawn

Callie suffers from graphomania (a condition which causes her to experience an irresistible urge to write).  A year ago, around the same time that her father (an abusive fallen priest) and a young woman in the parish went missing, she was found writing "I killed him" endlessly on the walls of an abandoned attic.  While she seemed an unlikely culprit, the authorities did suspect that her condition was brought on by having borne witness to what  happened.  So they have her working with a counselor to try to regain her memories.  That work and the help of a guy at school trigger more episodes that begin linking her writing (while seeming nonsense and gibberish) to solving the mystery.

It's a complicated story and a hard one at first to latch on to.  There's a lot of violence as well as disturbing imagery.  While almost everything gets tied up in the end, it's hard in the first read to see how this will all gel together.  As always, I tend to favor simpler and more direct stories.  Pushed to streamline things, I'd point to the needless conflict between Callie and Lindsay (the daughter of Callie's foster parents) -- it never really came together and didn't have much purpose.  However, this is well-crafted and you may prefer the complexity.

Complicit, by Stephanie Kuehn

The social worker considered it a miracle when she was able to place Jamie and his sister Cate together in the same home, and even more so that the adopting family was a rich couple.  The children’s mother had been murdered and the children themselves were hardly the babies preferred by most adopting parents.  From the start, Jamie was the difficult one (nightmares, painfully shy, etc.) while Cate easily adapted to the new family. But as they grew older, Cate’s behavior became anti-social and violent until the day she confessed to an arson and was sent away to a juvenile facility.  Jamie, meanwhile, grew out of his behavior issues, but was haunted by Cate’s misadventures and her threats.

After years of being bullied by his sister, Jamie was relieved when she was sent away.  The news that she has now been released terrifies him.  And when she starts making threatening phone calls, his own behavior problems begin to reemerge.

A dark psychological thriller.  The plot twist in the story is fairly strongly telegraphed so it is not a major surprise.  However, the ending is definitely a shocker.  In this respect, the story seemed well-plotted.  However, there are a lot of loose end and unanswered questions (What are his adoptive parents up to? What does his therapist actually know?  What’s up with his girlfriend?).  These are not major plot points and it leaves you wondering why they were present at all? Eliminating and tightening up the parts of the story that mattered would have improved my impressions of the novel, yet there’s no denying that the story kept me on the edge of my seat and had a suitably creepy and haunting ending that made it all worthwhile.

The Edge of Falling, by Rebecca Serle

Caggie lives in the lap of New York luxury, in a world where everything is possible and costs don't matter.  But her picture perfect family is shattered when her younger sister dies in a drowning accident.  Caggie blames herself for the accident and it is obvious that her family doesn't entirely disagree.  Her life has become flat and the things that used to matter to her (her boyfriend, her position on the school paper, her friends) no longer do.  Even the attention given to her for saving another girl's life last year (after her sister's accident) feels hollow.

Then she meets Astor, a boy unencumbered by a past and willing to leave hers alone.  He's the only one who doesn't force her to confront her grief, and instead just lets her live in the moment.  However, what is he hiding from?  And is it even more dangerous than what haunts Caggie?

A story ostensibly about grief, but with so little to say about it that it instead relies on other themes to fill its pages.  For the first half, that theme is life in Manhattan as a super rich and famous teenager.  Serle delights in name-dropping places showing us in great detail what it is like to live without a financial worry in the world.  That type of voyeurism never did much for me, but will appeal to the Teen Vogue crowd.  The latter part of the book (and it's quite late!) sees the story shift into a weak psychological thriller.  Astor gets creepy (but not too creepy) and we worry for a bit about Caggie's safety.  There's also some attempt to have her break through her grief, but I didn't really buy it.  Serle does a great job of creating a setting and building the scenery but doesn't do as good work with directing her actors.

The Break-Up Artist, by Philip Siegel

Becca is a cynic about love.  While most of the school swoons over the perfect couple of Steve and Huxley, Becca knows that love is an illusion and nothing ever lasts.  Witness how her older sister got stood up on the altar or the boring love-less union of her parents.  At the same time, there is no denying the destructive impact on friendships caused by these romances or the bitter rivalries that they set off.  Becca has an answer for that:  for $100 she offers clandestinely to break up any couple.  And she's been successful so far.  So, when she is contracted to break up Steve and Huxley, it's just another job, right?

I hated the story and loved the author.  The premise (and Becca's behavior) were a big turn-off.  As becomes apparent pretty quickly, she's got serious underlying motivations for her bitterness, yet doesn't really come clean about them.  The business itself, while intended to be biting satire, is mostly mean spirited (as is weakly brought up in the end).  However, the writing is another matter.  Siegel is, to me, a heroic author: completely busting the stereotype that boys can't write chick-lit.  This isn't just a story where all the major characters are girls, but also a story about girls' relationships first and foremost.  If anything, Siegel could be accused of poorly portraying his male characters (who are creeps at best, and overwhelmingly two dimensional).  I want to read much more from this guy!

No One Needs To Know, by Amanda Grace

Olivia is a rich snooty girl from Point Ruston.  Zoey is the scholarship student from Hilltop with the slutty reputation.  As far as the social circles go at Annie Wright, they couldn't be further apart.  But a shared school project and the fact that Olivia's twin brother Liam has started to date Zoey brings them together. 

When Liam starts getting serious about Zoey, Olivia is startled.  Liam never gets serious about girls!  And when Olivia starts to really look at Zoey, she discovers that she shockingly actually likes her too.  And the two opposites find that they have more in common than they ever could have guessed.  But how will they break the fact that they like each other to Liam?

It's the love triangle that the blurb harps on, but the love triangle isn't even introduced until the last seventy pages.  For me, the real story is about the social chasm between these two girls (and a lot more could have been done with it!).  In fact, the underlying problem with the book is that a lot more could have been done with all of this.  Too many interesting sources of conflict (Zoey's family life, her relationship with Liam, Olivia's best friend Ava, the two girls coming out, Olivia's failing gymnastics career, the absence of Liam/Olivia's parents, etc.) are introduced but neither developed nor exploited for their dramatic potential.  What we get is a great sketch of a story.

Now, even if I found the story a bit too brisk, I have to give a special shout out to the effort put into the setting.  I've spent two years in Tacoma WA and the attention to the local detail in this book is great.  Grace knows her town and she isn't afraid to use accurate local geography to tell her story.  I loved that I could picture the settings and not be distracted by inaccuracies.  Take note authors:  if you're going to place your novel in a real place, be sure to get your facts correct.

Echo, by Pam Munoz Ryan

Years ago, three sisters were abandoned in the woods and cursed by a witch.  The harmonica in which they were entombed would carry them far away, but would itself be a magical instrument that would bring both good luck and misfortune to its owners.  First, to a boy lost in those woods and then on to a young man in Hitlerite Germany, passed to an orphan boy in Pennsylvania, sent to a young Mexican girl in California, and finally into the pocket of a soldier deployed back in Germany.  Through happenstance or destiny, the people who carried the harmonica become bound together in the end.

Depending on how you look at it, the ending is either overly convenient or sweetly poetic, but regardless the story is epic and gripping.  Ryan writes beautiful fairy tale-like novels that I have enjoyed in the past.  I did once make the criticism that she had painted herself into a creative corner of always writing novels that seemed like they were trying to recreate Gabriel Garcia Marquez-style "magical realism" novels -- setting every story in Latin America with earthy half fantasy/half realistic storylines.  Here, she proved me wrong.  The beauty and fun of her story telling remains, but she places the bulk of this story in unfamiliar territory. 

Recommended audience is a different matter.  The majority of the story is fairly grim and perhaps not so appropriate for younger readers, but it's lively and rewarding for older ones.  The book may be thick (587 pages), but the type is large and the lines are spaced wide apart.  It doesn't take very long to read!

We Can Work It Out, by Elizabeth Eulberg

In this sequel to Eulberg's The Lonely Hearts Club, Penny Lane is still heading the club that gave her and her friends a fresh perspective on the importance of friendship over romance, but there's trouble afoot:  mostly, as the girls try to balance their priorities.  It was relatively easy to make a principled stand for girl bonding, but harder when you're also trying to make a relationship work.  And, for Penny, the Club is a far too easy excuse for avoiding her fears about committing herself to another person (even if he is hot!).  Old enemies from the first book (Todd and the principal) make a reappearance and a few new friends pop up, but mostly this is more of the same.

I went back and read my review of the first book (from May 2010!) to see how I received it, and it reminded me of how fresh that first book was.  I enjoyed the strong young women and the liberating message of girls being friends instead of competitors.  Sequels always suffer from the lack of novelty and this one rather more so.  Many of the flaws I noted in the first book (uneven pacing and inconsistent character development) are found her as well.  Constantly plot activity stifles the character development and things get toss in left and right.  Eliminating pointless subplots like Penny Lane's sister's wedding might have provided the space to tighten up a good story.

Eulberg doesn't seem to have much to offer for variety -- as even Penny Lane notes, there are only so many times one can say "sorry!" The pitfalls of Penny Lane and Ryan, in particular seem like an emotional hamster wheel, endlessly cycling over the same landscape of neglect and jealousy until they basically give in to each other -- which feels less like love winning out and more like mutual surrender.

In contrast, there were so many things that could have benefited from further development.  For example, I wish there had been more of two side characters:  Missy (the insecure girl who throws away her self-respect to put herself behind a guy) and Morgan (the only girl with a stable committed relationship in the book).  They each represented important alternative paths and deserved more than the cursory attention they received.

[Disclosure:  I received a solicited reviewer's copy of the book without charge and without any promise beyond providing an unbiased review.  I will donate the book to my local public library.]

Your Constant Star, by Brenda Hasiuk

Three young people search for meaning in their lives.  Faye is the adopted Chinese girl who is dutiful to her parents and lives up to expectations.  Bev is the wild child who doesn't care about anyone or anything, but is forced to deal with reality when she gets pregnant.  Mannie is the father of the child, lost in a drug-induced stupor, yet aware (barely) that something great and meaningful is passing him by, and that he should be a part of it.

Rather than telling the story through alternating chapters, Hasiuk devotes entire sections of the book to each of them.  By far, the most interesting character is Faye and she gets the first third of the book.  As the Good Girl, it is fascinating to watch her flirt with danger and rekindle her friendship with Bev at such a pivotal moment.  Bev's section is a bit harder to stomach, simply because she is such a less appealing person.  As she blithely blows off the people around her and professes not to care about anyone, it's really hard to be sympathetic with her plight.  And Mannie, the stoner, is really a bit of a waste to the story.  I get that Hasiuk wants to show that he has depth, but his anger and self-destructive behavior is a huge turn off.  I just didn't care if he messed up his life or not!  And what a whiner!  Give me a story about Faye (and throw Bev in for some danger and drama), but the rest of it drove me nuts!

That said, a book where the characters drive you this nuts can't really be that bad, can it?

Even in Paradise, by Chelsey Philpot

When Julia Buchanan arrives at St Anne's, a New England boarding school, in her junior year, rumors fly around. Everyone knows the Buchanans -- a powerful Yankee dynasty with both money and political connections. And everyone knows about the tragic death of Julia's older sister.

Charlotte couldn't be any more different -- a scholarship student, who also has considerable artistic talent. Much to Charlotte's surprise, Julia takes a fancy to Charlotte and adopts her into the family. Intoxicated by the family's power and generosity, Charlotte does not realize until it's far too late that there is a dark side to the beautiful world of the Buchanans.

In setting, the story reminded me a lot of E. Lockhart's We Were Liars, with its patrician family and dark family secrets (there must be a thing about Vassar girls writing about rich New Englanders!). But the story itself is quite different. And while it is interesting, it is not so compelling or as shocking as Lockhart's novel. The characters are interesting but the story doesn't have a good flow. The dynamics of Charlotte and Julia's relationship, complicated as they are, are hard to track. The romance between Charlotte and Sebastian is abridged. Everything felt sketchy and superficial, much like the Buchanans themselves.