If You Could Be Mine, by Sara Farizan

In modern-day Iran, homosexuality is a capital offense.  That makes the love that Nasrin and Sahar share a very dangerous situation.  Growing up, it's been easy for the two girls to hide the true nature of their feelings for each other.  But when Nasrin becomes engaged to the charming doctor Reza, it will all be over -- there is no way they can hide what they have been doing any longer.  Sahar becomes desperate to prevent the marriage and keep Nasrin for herself.  Thanks to her cousin Ali, who lives in the shady world of drugs, smuggling, and illicit sex, she discovers an unlikely and extreme solution:  a sex-change operation.  Because, while loving a person of the same sex is illegal, changing your sexual identity is not!

A truly remarkable story that shows a side of Iran that no one probably wants to see (or would believe even exists!).  I was fascinated by Farizan's accounts of gay bars, prostitutes, and illegal parties (keep in mind that consuming alcohol is illegal in Iran, so what does one make of opium!?).  But once we move beyond the titillation of these illicit scenes, there is a warm and authentic story of not just these two young women, but of their parents and friends as well.  The actual romance that forms the center of the story didn't have a lot of heat to it, but the honestly and depth of Sahar's feelings of loss, betrayal, and despair are heartbreaking and moving.  I was drawn to the book by the novelty of the story, but stayed for the appeal of the characters.

Mila 2.0, by Debra Driza

Since her father died in a fire, Mila has struggled with piecing back together her life.  She and her mother have moved to a horse ranch in rural Minnesota and Mila.  It hasn't been easy and the kids aren't very friendly.  When a new boy shows up and he and Mila bond over their newness, jealousy from the other girls turns things ugly.  That's when stuff starts to get weird.

An accident that should have been fatal to Mila proves to be just a minor scratch.  But the scratch itself reveals that Mila's innards are mechanical and she is something very different from the sixteen year-old girl she thought she was.  Soon, she and Mom are on the run, pursued by a wide variety of forces of evil.  Mila learns that she is an android built to be an ultimate fighting machine.  She proves to be a fierce fighter, but her fears and anxieties prove to be a handicap.  Can she overcome her reluctance to harm the people who want to kill her and save herself and her mother?

It's an odd story that starts as a basic teen romance but quickly moves into high speed chase and violence.  Comparing the first 100 pages and the last 100 pages are striking -- as if Meg Cabot met Tom Clancy.  I suppose it works in the sense that the beginning of the book gives us the background to appreciate Mila's human side, while her ability to drive a Camaro around downtown DC in a high speed chase comes much later.  I'm happier with the moody adolescent girl we begin with than the gradually dehumanized machine that she becomes (despite her struggles to the contrary).  But I guess I understand the appeal of the message that even a "normal" teenage girl can become a super deadly killing machine.

For those interested in the character, her struggles continue in the sequel that was just released last week.

Freakboy, by Kristin Elizabeth Clark

Brendan is a tough wrestler with a tough wrestling girlfriend, but he harbors a secret:  he's always been more comfortable around girls.  In fact, he's always been a bit jealous of them -- of the way they dress and how they act.  He even sometimes wishes he could be one.  But he's not gay!  He's just....awfully confused! 

Vanessa, his girlfriend, can tell that something is wrong but she can't quite figure out what.  Brendan is distant.  He no longer seems to care about her.  She suspects he must have fallen in love with someone else. 

And then there's Angel, a transsexual who's been on the streets for the past couple of years.  Early in the book, she randomly befriends Brendan, and she'll help direct him through his confusion, but her purpose to the story is really to show his future by telling the story of her past.

It's an ambitious original story exploring gender fluidity.  Told in verse through shifting points of view, it tries to capture not just the process of identifying with transexualism, but also the impact that such decisions have on others.  Clark's depiction is authentic, showing that a great deal of research went into this.  Her poetry is sophisticated and often quite good.

In my opinion, however, the story itself tries to bite off a bit too much.  While we get a great story about Brendan's acceptance of his identity, neither that story, nor in fact any of the subplots, truly wraps up.  Rather, this is an ongoing adventure, whether it is the relationship with Vanessa, Vanessa's own self-realizations, Angel's story and her own growth, or the overall future choices that Brendan will make.  That's realistic but frustrating for the reader.  It's an enticing story, but one which is left (for reasons of space or just ambition?) unfinished.  I wanted to learn more about Vanessa!

A tighter story with fewer subplots could have done more. For example, dropping the character of Angel altogether might have allowed the space to take the main narrative farther to a more satisfactory point of departure.

Formerly Shark Girl, by Kelly Bingham

A year has passed since Jane was attacked by the shark, losing her arm in the process.  While the immediate aftermath of that was told in Bingham's 2007 book, Shark Girl, the author returns to her subject now to tell about the continuing healing process.  Surprisingly, for a sequel built on the same structure and same premise, the continuation is actually a far more interesting novel than the original.

A year later, Jane is still struggling with the psychological and physical trauma but determined to move on with her life.  The question, though, is move on to where?  Should she pursue her original dream of being an artist?  Or should she follow the inspiration of all the people who helped her through the last year and pursue a career in nursing?  In truth, she's not a natural in either (her artistry suffers from a loss of her muse and the physical challenge of learning to draw with her left hand; meanwhile, nursing requires stronger science skills than Jane has ever possessed).

Other themes also play a part in the story.  There's romance in the air (both for her, as well as for her mother who has started to secretly date again).  And finally, there are the never-ending letters from her "fans" -- people who tell her what an inspiration she is, much to her complete and utter astonishment!

While I still find Bingham's verse underwhelming (it takes a lot of skill to write a novel in verse!), I really did find the story more compelling this time around.  There's a greater distance from the trauma and Jane is focused enough to lend a strong direction to this sequel.  It's a more compelling adventure (moving on, rather than just healing).  In sum, it just works better.  And where the non-verse parts of Shark Girl were distracting, the letters from the fans in Formerly Shark Girl are well grounded to the story and provide an well-integrated Greek Chorus to supplement Jane's own musing.

Revenge of the Flower Girls, by Jennifer Ziegler

When Lily announces that she's planning to get married to dorky nincompoop Burton, her three little sisters - Dawn, Darby, and Delaney - are aghast!  Under no circumstances can they allow this to happen!  They've always preferred Lily's prior boyfriend Alex and they know that Lily and Alex are still in love with each other!  So, with a month before the great day, the three girls start plotting how they will prevent the wedding from occurring, and also how to get Lily and Alex back together.  Many tricks and hi-jinx follow in what imagines is the beginning of many stories about these spunky eleven-year-old triplets.

While the story is lighthearted and cute, I found it a bit hard to enjoy a story about a group of children intending to sabotage their older sister's wedding.  Despite numerous warnings from all the grown-ups around them, they persist in their goal.  And their stubborn persistence made them seem more like selfish brats concerned with getting nice presents and having fun, than caring younger siblings.  Perhaps younger readers won't be bothered by the story's inherent mean streak (the title itself is a misnomer - there is no "revenge" going on here; but rather, simple plotting), but it interfered with my own enjoyment of the book.   And regardless of the happy ending, it was hard to not feel that a lesson in respecting people's choices and proper boundaries was called for.

A note on the cover:  in the book, the girls resist wearing dresses and end up attending the wedding in tuxedos.  Somehow, the marketing department at Scholastic didn't get that message!

[Disclaimer:  I received the book from the publisher in return for my consideration and review.  No other compensation was received.  As is usual, I'm donating the book to the public library.  This book will be released on May 25th.]

Storm, by Donna Jo Napoli

When the rain begins to fall, young Sebah just thinks that they have come early this year.  But as the rain turns to flood, she finds herself climbing higher and higher to find safe ground.  As that becomes harder and her situation grows more desperate, she is rescued and joined by a young man.  Eventually building a raft, they set out on the sea.  Still, the rains continue.  Tragedy strikes but as all seems lost, they suddenly come across a large mysterious ship, full of animals, messianic humans, and few new allies.

Napoli loves to explore legends and myths.  In this novel, she takes on the story of Noah.  Genesis doesn't actually provide much detail and since this story doesn't actually focus on any of the known participants, she has a great deal of license to imagine instead what stowing away on the Ark might have been like.  It's an interesting premise but surprisingly different than I imagined it would be.  Much of Napoli's interest is in imagining life for the animals and the book focuses on how hard spending a year in the Ark would have been for human and animal passengers alike.  It's a sort of brutal realism that doesn't quite work for a story like this (Genesis is not exactly the most realistic of books in the Bible!).  And some might argue that her literal interpretation sort of misses the point.

Towards the end, Napoli makes a belated exploration into the entire mindset of being Noah and what that experience might have been like.  It's an interesting digression and gets into territory that would have been much more interesting to explore.  Overall, the book seemed a bit of a lost opportunity.  Well-written, but simply not rising up to the glory of its source material.

The Remarkable Life and Times of Eliza Rose, by Mary Hooper

Eliza's arrival in London starts off badly: nearly immediately she is tossed in prison for theft.  Through a series of struggles and set-backs, Eliza gradually works her way up through the theater and gains the attentions of the nobility and the royalty in Charles II's Court.  Along the way, she holds a number of occupations as diverse as selling oranges at the theater to being an accomplice highway man.  Her quest throughout is to find her true family, having been cast out of the only family she knew, when she discovers that she is not the child of either of the parents that raised her.
No one writes as richly about seventeenth-century London as Mary Hooper.  Beautiful historical detail fills this story, which will serve mostly to impress upon readers just how terribly hard life was - especially for an unattached woman.  Hooper hasn't ventured far from the settings of her other books (and there is even a small cross-over to the heroines of her Petals in the Ashes and At the Sign of the Sugared Plum books), but this provides familiarity and lends her confidence to tell a slightly bolder story that mixes fiction and fact, and remains truly entertaining throughout.

Letting Ana Go, by Anonymous

She always thought that girls with eating disorders who starved themselves to death were dumb.  Yet, when she sees her father abandon her mildly overweight mother in favor of a more streamlined girlfriend, she learns the importance of watching what you eat!  Along with her friend Jill (and Jill's mother guilt-inducing cheerleading), she starts counting calories and losing weight - in search of a perfect body that is always just a few pound less than her current weight.

The author has drawn out a pretty classic text-book case of anorexia nervosa (perhaps a bit more eager to blame the grown-ups than the media that normally gets the nod).  It's a book with a mission (one that few of us would disagree with) but not much to sell it.  The characters and story exist to scare or warn the reader of the perils of eating disorders.  It seems unlikely that most young readers would be unfamiliar with the concept already.

If not original, is it still a story worth repeating?  If someone reading this book learns enough from doing so that a death is averted, than some good will have been done.  The problem, I fear, is that the book probably can't do that for the simple reason that the story illustrates so well:  the behavior is not rational.

The Rules for Disappearing, by Ashley Elston

Meg and her family are in Witness Protection and have been relocated six times in the past ten months.  Each time, they are forced to assume a new identity.  Meg doesn't know why they are hiding out - her parents won't tell her - but the strain is wearing everyone out.  Dad is continually on edge, skulking around, and having angry private conversations with strangers.  Mom has dived into the bottle and turned her social drinking into a major problem.  Meg's little sister is fleeing every time men in suits show up, afraid that they are about to be relocated again.

Meg is convinced that this most recent relocation needs to their last.  She wants answers to why they are hiding and has started sleuthing to figure out what is going on.  She has also decided that, after numerous hasty departures, that she won't get attached to anyone or anything this time - no clubs, no friends, nothing to miss if she has to leave again.  But that plan is thrown when she meets Ethan!

A little slow to start and periodically rough (the "rules for disappearing" at the beginning of each chapter are consistently silly and unnecessary), the story does pick up as it goes along.  Also, important for a story with lots of subplots, Elston does a great job of tying everything together into a satisfying conclusion.  Some of this gets a bit too neat and convenient, but it's a good piece of escapism (no idea, however, about whether the sequel coming out later this month can keep up the magic!).  The romance did less for me than the action, but thankfully Meg and Ethan's relationship is not a critical part of the story.

The Secret Tree, by Natalie Standiford

Minty and her friend Paz love to roller skate.  They dream of becoming roller derby stars together.  And while their older sisters warn them that starting sixth grade may bring changes that will challenge their friendship, they are sure that they will stay best friends.  However, as the summer progresses it seems like those warning may come true even before school starts!  Suddenly, everyone seems to have secrets!

But the real adventure occurs when Misty finds a strange boy spying on her and her friends.  Tracking him when he runs away, she finds that he is living alone in an abandoned house next door to the crazy "Witch Lady" who strikes terror in the local children.  But it is his pastime - collecting other people's secrets - and how he does it (pulling them out of the trunk of a tree in the woods) that interests Minty.

If that synopsis sounds a bit odd, it's because the story is a bit hard to summarize.  It's an odd mash-up of realistic middle school drama and junior supernatural lore.  It's a story where your best friend's sister can be casting voodoo spells on your friend, but the biggest problem is that that same friend has failed to invite you to a pool party!  As crazy as this all sounds, it actually works.  There's just enough fantasy to seem magical and enough realism to be grounded.

Tales from My Closet, by Jennifer Anne Moses

Five sophomores struggle through family difficulties.  While the specific details of their obstacles differ (and encompass some pretty heavy subjects like divorce, addiction, and parental neglect), each of these young women share a love of clothes.  And while it might sound a bit pathetic, each chapter (rotating narrators) ties in to a particular piece of clothing.  Rather than displaying vanity, the stories instead show us the importance of clothing and the varieties of ways it plays a role in our lives.

The writing itself is functional and the characters fairly stock items, but the novel benefits from its clever and ambitious concept.  When I cracked the book, I fully expected some tired fashionista agitprop and maybe a bunch of shallow clothes-obsessed girls gabbing about their fave brand names.  But I was pleasantly surprised to find that, while the story does indeed center around clothing, it isn't really about it at all.  There's plenty of wardrobe details here for the reader who craves that stuff, but the clothes are really just props (or maybe literary devices) here.  And, as much as I'd like to chide young readers for caring too much about style and fashion (being a crotchety middle age guy!) I found these stories about self and self-expression to be surprisingly deep.



[Disclosure:  The publisher supplied me with an unsolicited free copy of this book with the hope that I would review it.  Upon finishing the review, I will donate the book to my local public library.  No other compensation was received.]

Until It Hurts To Stop, by Jennifer R. Hubbard

Back in seventh and eighth grades, Maggie was the victim of a series of bullying incidents.  Years later, in high school, she is still terrified of being attacked.  In the intervening years, she has learned to use outdoor activities (hiking, in particular) to escape her anxieties and build confidence.  But this year, her former nemesis returns to the school, and Maggie's fears come back full-force.  Worse, her friend and hiking partner Nick is becoming interested in other girls - something which Maggie never expected to bother her.

The romantic subplot won't win any originality points, but the story stands out for its depiction of the PTSD-like qualities of recovering from adolescent bullying.  Hubbard does an excellent job of showing how the years of abuse cause Maggie to live in a state of constant anxiety, in which she in fact chooses to stay (ironically, for the comforting security it brings her!).  Two particularly remarkable scenes occur near the end where Maggie confronts her former enemies to find to her shock and surprise that they have moved on and forgotten everything (and that Maggie is no longer the center of their interest).  Other subplots (including the romance) are carefully tied in to the main theme and illustrate other aspects of bullying and of recovery.

The Vow, by Jessica Martinez

Mo and Annie have been friends (and only friends!) for years.  For different reasons (Annie's loss of her older sister and Mo's status as an Arab living in Kentucky) they have never bonded with anyone else.  So, when Mo finds out that he is about to be deported with his family back to Jordan, it is not that much of a stretch for Annie to propose a radical solution to let him stay: the two of them will get married.

But what seems like a perfect solution at first comes with complications and problems (some anticipated, others not).  In order to make their plan work, they must convince their family and friends that they are truly in love and serious about being a married couple.  This causes understandable turmoil between the two of them and their social circles and heightens the difficulty of living together (which they now must do in order to convince the INS that their marriage is legit).  Everything gets more complicated when Annie falls in love - for real - with another boy.

There are a number of missed or underdeveloped opportunities in this book (the racial dynamics of the relationship, Annie's fears of letting others down, the differences between Mo's and Annie's expectations of the relationship, and Mo's feelings for his homeland), but much of that is because of the story's ambitions.  Martinez does a good job of setting up a plausible motivation for the faux marriage and making the set-up all seem possible.  In the end, when their plans unravel quickly, that too seemed plausible given the circumstances.  What got lost was allowing us time to truly get inside the heads of these two characters, but I suspect that would have doubled the size of this already lengthy book.

Picture Me Gone, by Meg Rosoff

Mila, an unusually insightful teen, likens herself at the beginning of this novel to a terrier -- both in her ability to discern peoples thoughts and motives, and also because of her steadfast loyalty.  These traits prove useful when she and her father arrive in the States to visit her father's old friend Matthew.  When they arrive, they find that Matthew has disappeared.  No one know where he has gone or why he left, and the two of them set off into Upstate New York to find him.

The result is a gentle adventure (where the most danger they encounter is a little snow and some dodgy restaurants).  As is true in most literary road trips, the story is about self-discovery as much as finding they quarry. Spending the time with her father and learning more about his missing friend helps Mila understand her Dad better and also reveals things about herself.

The novel has potential, but never really delivers in the end.  The story is muddled.  While the blurb promises adventure, the plot is weighed down in ruminations and meditations.   The search itself - in many ways - is unsuccessful, even though some of its goals are achieved (being more specific would spoil what little suspense the book offers).  And once one reaches the end of the book, we are left (much like Mila herself) wondering why we started out in the first place.

Rosoff is fond of mood pieces. For her, the plot tends to seem like an annoyance that gets in the way of the emotion.  But the mood here -- a bit of lost hope and failed opportunity - is so melancholy and beige that it doesn't capture the heart.  It is all very pretty, but fails to engage.

Switched at Birthday, by Natalie Standiford

Lavender is a gawky nerd, comfortable in her skin, but still a magnet for abuse from her classmates.  She's the complete opposite of Scarlett -- popular and graceful, but cautiously walking a social high wire.  They share a longing for change and also a birthday.  And on the evening of their birthday, they each make a wish.

In the morning, they awake to find that they have somehow swapped bodies!  Now, Lavender (who has never before cared about appearances) must learn how to navigate Scarlett's complex social world.  Scarlett, meanwhile, who has built her life around being popular, finds herself an outcast and is stuck in the everyday humiliations of Lavender's life.

The initial process of adjustment provides by entertainment and education. But once they move beyond the process of working through the contrasts in their lives, the two girls realize that they can both benefit from the new perspective that their differences bring.  While they search for a way to reverse the process and return to their own bodies, they still manage to help the other make changes to improve eachother's lives.

It's cute and predictable, with an entirely too happy and sweet ending, but satisfying life lessons are learned and tweens will enjoy the story.  Some gentle and unobtrusive life lessons about dealing with bullies will appeal to parents and teachers.  So, the overall result is useful and entertaining, but not particularly unique.


[Disclosure:  I received a free copy of the book from the publisher for consideration and this review, and will be donating the copy to my local public library after I finish with it.  No other compensation was received.]

All I Need, by Susane Colasanti

One summer on the Jersey shore, when Skye is looking for something new, she meets Seth and a new love is born.  They have a variety of mishaps (amongst other things, they lose touch for a year because they failed to exchange contact information).  Throughout it all, they have friends to bond and break with, and a variety of family issues.  None of these themes are developed or explored.  The book simply drifts from one topic to the next.  In the end, they have the promise of living happily ever after.

In sum, nothing much happens.

Colasanti can be good when she wants to, but here she merely phones in her book.  It's a lazy affair and lacks a story, any meaningful character development, or the vaguest attempt to be contemporary (we're treated to yet another example of adolescents who worship 80s music, don't appear to own a smart phone, and have never heard of social media). And worst of all, it takes place on a beach.  Enough said!

Unthinkable, by Nancy Werlin

The curse of the Scarborough women was lifted in Werlin's earlier novel, Impossible, but Fenella Scarborough is still imprisoned.  When Padruig pronounced the original curse, he laid a second one on top of it: immortality.  And what might be considered a blessing by most people has simply meant eternal suffering from guilt for Fenella as she has been haunted by generations of her offspring whom she was unable to rescue from imprisonment during the past 400 years.

In order to end the second curse and be allowed to die and finally achieve peace, Fenella is informed that she must perform three acts of destruction against her own family.  Set free from Faerie with the company of the queen's brother in the disguise of a cat, Fenella must find a way to "destroy" her family (while causing the least amount of actual harm) and break the final hold that Padruig has over them.

While the backstory fleshes out how the original curse started, overall this novel lacks the depth of the original.  The original benefited from the rich source material of the "Elfin Knight" and is a hard act to follow - a perfect storm of a book that took a classic and fleshed it out in an exciting and original way.  This novel is a more average work and doesn't measure up. The companion novel is less rooted in anything of importance.

It also hurts the story to base the breaking of the new curse around acts of destruction, which seem much harder to justify.  One is immediately struck with the thought that Fenella's predicament is more of her her design.  Only later in the book does Werlin come up with a compelling justification for breaking the curse.

Dear Life, You Suck, by Scott Blagden

Cricket has had a pretty rough life.  Eight years in an orphanage in northern Maine have given him a home.  As the oldest resident, he takes care of the younger kids.  But his sense of responsibility also gets him into heaps of trouble, as he often lands in fights to protect the younger boys from bullies.  And, despite the pleas of the nuns who run the "prison" or the principal of the school, Cricket is convinced that violence is the only way to solve some problems.

The salient feature of this novel is Cricket's language, and a lot of the critical attention to this book has focused on Cricket's profane and rude banter.  It is a bit over the top and likely to offend many readers, but it makes a point:  Cricket doesn't really care what we (or anyone else) think of him.  Once you get used to it, the language fits the character.  And also, once Blagden has made his point and gets the story moving, the language gets dialed back a bit and the focus switches over to the action.  But beyond that, I appreciated the messiness of Cricket's life and Blagden's willingness to keep it messy.

Golden, by Jessi Kirby

Every year, the seniors in Mr. Kinney's class write a journal in which they describe their hopes for their future, seal their writings in an envelope, and leave it with the teacher.  Ten years later, he returns it to them so they can be reminded of what they thought and felt at that crossroads in their life.  This year, current senior Parker Frost is helping Mr Kinney send these journals back to their owners when she finds the journal of the late Julianna Farnetti.

Julianna and her boyfriend Shawn were the perfect couple - the school's golden pair - when they disappeared into the icy waters of Summit Lake on their graduation day and were lost forever.  Holding the doomed girl's journal, Parker makes a fateful decision to break the seal and learn more about Julianna's last days.  She find more than she bargains for.

A loving tribute to poet Robert Frost as well as a painful and tragic story, this novel pulls all the heartstrings.  The pace occasionally flags, but when Kirby is on a roll, the story hits hard.  There are my usual favorite themes of integenerational miscommunication, learning to make your own future (and breaking free of parental expectations), and the pain of growing up and leaving home, but the stakes are raised in this treatment of them as we see the tragedy of Julianna's disappearance intersect with Parker's own life.

I was less taken with the supporting characters.  Parker's friends (her BFF Kat and her persistent suitor Trevor) left me unmoved.  They seem largely wasted and unnecessary - which is reinforced by the fact that they are conveniently absent during every major scene in the book.

To Be Perfectly Honest, by Sonya Sones

Colette is planning on taking her friends along with her for a fun-filled summer in Paris, but then her mother announces that she's just signed on to do a film in San Luis Obisbo (if you're unfamiliar with the thriving metropolis of SLO, look for the empty space on the map between San Francisco and LA!) and Mom's decided that she's taking Colette and her little brother along for some quality time.  Colette can't imagine a worse fate, until she meets a sexy guy named Connor who makes the summer much more interesting.

Or does it?  The problem is that Colette is a compulsive liar, prone to making up half of her adventures.  And for every truth that she tells, there's usually also a whopper mixed in!  That makes her real life very complicated and it spins the reader around a bit as well.

Sones's trademark is writing in verse, so this 480-page tome goes down in under two hours.  That doesn't make it thin and lightweight though.  She is truly one of the best in this little niche and she can craft in a lot of impact out of a fading thought or an angst-ridden title.   As for the story, it is pure predictable romance, but the ever-present deceit is a nice twist.  And the story itself is really stolen by Colette's lisping and potty-mouthed little brother.