To Be Perfectly Honest, by Sonya Sones

Colette is planning on taking her friends along with her for a fun-filled summer in Paris, but then her mother announces that she's just signed on to do a film in San Luis Obisbo (if you're unfamiliar with the thriving metropolis of SLO, look for the empty space on the map between San Francisco and LA!) and Mom's decided that she's taking Colette and her little brother along for some quality time.  Colette can't imagine a worse fate, until she meets a sexy guy named Connor who makes the summer much more interesting.

Or does it?  The problem is that Colette is a compulsive liar, prone to making up half of her adventures.  And for every truth that she tells, there's usually also a whopper mixed in!  That makes her real life very complicated and it spins the reader around a bit as well.

Sones's trademark is writing in verse, so this 480-page tome goes down in under two hours.  That doesn't make it thin and lightweight though.  She is truly one of the best in this little niche and she can craft in a lot of impact out of a fading thought or an angst-ridden title.   As for the story, it is pure predictable romance, but the ever-present deceit is a nice twist.  And the story itself is really stolen by Colette's lisping and potty-mouthed little brother.

The Tragedy Paper, by Elizabeth Loban

No setting is as tired and trite in YA literature as the boarding school.  Traditionally single-sex (and usually just boys) but nowadays co-ed (and more casual about sexual exploration), the boarding school is always portrayed as a place where poorly-supervised teens spend their days committing petty infractions of the rules that build up to the point of tragedy and heartbreak.  At which point, students are usually dead and teachers' careers are ruined.  Growing up usually occurs.  The difference with this book is that it dispenses with the idea that there is any other purpose to the genre and instead starts us off from the beginning with the idea that tragedy is the central theme of the book.

The story is told a year after the facts through the artifice of a senior named Duncan, who moves into the former room of the tragic student and finds a series of CDs with the former inhabitant's confessions on them.  And it is the tragic figure, Tim who tells his story so that Duncan can both (a) avoid the same errors; and (b) get some juicy material for the "Tragedy Paper" (a senior thesis on the meaning of tragedy) that the students must write.

This is no Looking for Alaska or Dead Poets Society, but it is an interesting and sophisticated take.  Early on, we are introduced to Tim's and Duncan's love interests and it would be obvious to assume that they play a role in the tragedy, but the story is more ambitious than that.  Even Tim's unusual characteristic of being albino is a bit of a red herring.  Instead, the ending is a genuine (but well foreshadowed) surprise.

The story, with its series of CDs, reminded me of Jay Asher's Thirteen Reasons Why, but Tim is a much less whiny narrator.  I cared less for the other characters, who were thinly drawn.  And then, there's the matter of Tim's monomania -- a hallmark of tragedy, as the book points out -- which I found as annoying as I find it in Shakespeare (but that's my problem with the entire genre, not this book in particular).

Firecracker, by David Iserson

Astrid comes from a super rich family of not-very-nice people.  She isn't very nice either.  Her role model is her ornery grandfather, a politician and corporate big guy, who teaches her how to screw over people and get away with it.

After she is kicked out of her elite private school for cheating, her parents decide to teach her a lesson by sending her to public school.  Being used to buying whatever she wants, public school is a bit of a shock.  Worse is her new therapist who wants her to practice being nice.  At first she tries to buy nice deeds as well, but when that doesn't work, she eventually figures out a way to complete her odious assignment.  Meanwhile, she is hot in pursuit of the person who ratted on her in the first place and got her thrown out of private school.

The result is a story that is long on snarkiness (lots of "whatever" and "I stopped listening") and short on heart.  It's funny for the first 20-30 pages but quickly wears thin.  If it had been more rich girl finds her heart of gold by slumming it (instead of nasty person stays nasty for most of the book but eventually makes points sacrifice), I would have been more taken by the story.  Instead, I simply failed to engage with the characters.  What was intended to be humorous just seemed tacky by the end.

How I Lost You, by Janet Gurtler

"Buds before studs" has always been Grace and Kya's motto -- never let guys (or anything else) get in the way of your friendship.  Grace and Kya have made plans together.  As two of the best paintballers in the area, they want to join the women's collegiate team at Seattle University (unfortunately fictional, although Seattle U does have a good paintball program!).  They just need to impress the team and keep their grades up.

But as they are approach realizing their dreams, Kya starts to go off the rails -- ending up in risky situations involving alcohol, drugs, and boys.  Her behavior becomes more and more erratic and threatens not only her safety, but both of their plans.  People tell Grace that she needs to jettison her relationship with Kya, and that continuing to defend her friend is going to drag her down.  But it's hard for Grace to let go.  Grace believes in her heart that she has to have Kya's back - on and off the field - and she can't bear to break her pledge.

A satisfying story of friendship lost and the pain that goes along with letting go.  It's a little hard to truly understand the depth of Grace's loyalty from what we can witness in the book (some flashbacks on the girls' past would have helped to fill in why the girls are so bound to each other).  Also, the conflict between the girls in the present grows tiresome, and their fights become repetitive and fail to advance the plot.  But in terms of showing the complicated dynamics of a long-term friendship coming apart, the story achieves its mission.

The Chaos of Stars, by Kiersten White

It's really hard to be a kid when your mother is Isis and your father is the Lord of the Underworld.  Isadora's father is literally in a different world and Mom not only thinks she's the Mother of Mankind...she like actually is.  They have an annoying habit of wanting to be worshiped and, anyway, who needs to look at yet another statue of your Mom nursing a pharaoh?  So, when the chance presents itself, Isadora latches on the opportunity to join her older brother Sirus in San Diego.

Once out of Egypt, she makes some friends, meets a boy who looks good enough to be a god (but to the best of Isadora's knowledge is a mere mortal), and helps to supervise the set up of a small exhibit of some priceless odds and ends that her parents have lying around.  There's some danger afoot but Isadora is worried most of all about Mom finding out that her new boyfriend is Greek (for understandable reason, Ancient Egyptian deities don't like the Greeks!).

It is all beautifully absurd and hilarious, and has a nice undercurrent about intergenerational understanding.  The first half works spectacularly well as comedy (mostly based on the premise that modern dysfunctional families share a great deal in common with Egyptian gods) and is lively and fun.  The second half is a decent adventure and mystery, but lacks the originality of the first part.  That could be a mood killer, but overall there is that nice poignant familial reconciliation stuff that gets me all weepy.  It's funny and ultimately uplifting, with a pleasant romantic coating.  Overall, reminiscent of a better-than-average Meg Cabot novel like Avalon High.

The Reluctant Journal of Henry K. Larsen, by Susin Nielsen

As Henry starts at a new school, he's worried about making a good strong first impression.  He's reminded of the trouble his older brother got into when he didn't do so and he ended up being cruelly bulled.  That took a tragic turn last year when his brother brought a rifle into school and shot the bully, before turning the gun on himself.

Since that tragedy, Henry's family has fallen apart.  Mom has moved back in with her parents and been in and out of institutions.  Dad and Henry have moved to a new town and are struggling to rebuild their lives, come to grips with grief and anger, and keep their past a secret.  Why couldn't life be more like the professional wrestling matches that Henry loves -- where good and evil are well-defined and the good guys usually come out on top in the end?

In all, a pretty sweet book for a story that ought to be difficult and traumatic to tell.  It ends on a saccharine sweet note (which is probably demanded by the young target audience of the book), but Nielsen is restrained and avoids tying too many things up.  This leads me to the book's strongest suit:  the complexity of the characters.  From the non-romance of Henry and his classmate Alberta, to the strained relationship of his parents, the awkwardness of Henry and his best friend Farley, and the great lightening impact of the neighbors bickering, there are some wonderful characters and great interactions.  It's quirky, but very endearing.

Allegra, by Shelley Hrdlitschka

Allegra is the daughter of two professional musicians and, while musically talented, she longs to become a dancer.  When she enrolls at an arts high school, she even tries to place out of music theory.  However, the teacher, Mr. Rocchelli, won't let her withdraw.  He's young and handsome and turns out to be full of unorthodox ideas.  Recognizing that Allegra's knowledge of music really does cover the class's curriculum, he challenges her to compose an orchestral piece instead.  She accepts the alternative assignment and, with his help, produces a masterpiece.  But their close collaboration on the work sparks rumors and accusations of inappropriate behavior from their peers and Allegra finds herself defending their integrity as well as her talent.

It's a good story and I enjoyed reading it in spite of two systemic problems.  The first is the challenge of describing a musical composition in prose.  Without being able to hear the beauty of it, we are stuck with the author's descriptions (and there are only so many times one can read how incredible the music is before the assertions fall flat).  The other issue is the plotting of the story.  The core of the story (Allegra's relationship with her teacher) builds in tension but never resolves, ending in a bit of a literary whimper.  Similarly, the subplots (her dancing career, tensions with friends, a might-be romance with a classmate, and the pending separation of her parents) all peter out without resolution.  This left me at the end with a sense that the story was unfinished.

Pieces, by Chris Lynch

When Eric's brother dies, he is the only member of the family to resist the idea of allowing the doctors to harvest useful organs.  But after a year has passed and his parents have largely moved on, Eric becomes curious about the recipients of those pieces of his brother and reaches out to the people who received them.  Some of the recipients choose to remain anonymous, but three of them agree to meet.  The initial meeting surprises just about everyone and gradually a friendship develops between Eric and the people whose lives his brother's gifts changed.  It's an odd friendship.

The book starts out with an interesting premise but after a few moments of wonderment about what it means to have parts of your brother inside of strangers, the story starts to unravel.  By the end, it has become a disorganized mess of ideas and characters that largely failed to capture my interest.  I don't think Lynch really knew what to do with the story.  No character really develops and the original premise merely serves as an excuse for these disparate characters to interact.  The highlight of the book is actually a birthday party at Chuck E Cheese, but that could have been spun off as an amusing short story, as it has nothing to do with the story.

OCD Love Story, by Corey Ann Haydu

An unusual romance about what happens when two teens who both suffer from Obsessive Compulsive Disorder fall in love.  It's an easy mental disease to make fun of, but, while there are certainly some very funny parts of this book,  the overriding sense of this story is respect for what the condition puts its sufferers through.

Bea's illness manifests itself through obsessions with tracking other people.  Constantly afraid that the objects of her concern are in danger, she needs to "check up" on them.  Given the repetitive nature of her anxiety, the behavior is easily misconstrued as stalking, and it lands her in all sorts of legal problems.  Beck's obsession lies with hygiene and fitness.  He literally works out at the gym to the point of exhaustion and then rubs his skin clean off trying to wash up afterwards.

To the extent that it is possible between these two colorful young people, the romance follows the traditional pattern of acquaintance, misunderstanding, and forgiveness.  What is different is how their disorders affect their everyday lives and how they complicate each other's already-complex routines.

At times, this is a hard book to get through.  The nature of the disorder is exhausting in itself and one is tempted to simply wring some necks, but overall impression I found the book fascinating.  Haydu's accomplishment is creating a sympathetic and nuanced portrait of such unusual young people, and bringing them truly to life.  Mental illness is hard to get right in a book and she does an impressive job here.

Samphire Song, by Jill Hucklesby

Hit by the double blow of a father killed in action in the Middle East and a younger brother suffering from kidney disease, Jodie soothes herself by taking care of the horses at a local stable.  When she is offered the chance to buy her own horse, everyone thinks she'll find a nice gentle mare or pony to take care of.  Instead, she is drawn to a wild-eyed part-Arabian stallion.  Considered unmanageable by just about everyone, Jodie sees through his exterior and feels sympathy for an animal who needs as much TLC as she does.

It would be hard to find the justification for yet another horse book for girls as it's already a pretty crowded field.  Unfortunately, this one doesn't break new ground.  It has plenty of appealing elements and, if you like the genre, the authentic details, some adventure, a loving family, and a brave girl, then you can't really go wrong with it, but it doesn't stand out in any particularly unique way.

There is one super-distracting element of the book.  Originally published in the UK, someone made the editorial decision to Americanize the story.  This is a half-hearted affair where "Pounds" are changed to "Dollars" and "County" is (inconsistently) changed to "State." Even so, there are plenty of Anglicisms slipping in (for example, a "pub landlord") that seems sloppy.  Honestly, it would have been better to leave it alone.  Girls who love horses, also love horses in the UK just as much (if not more) than horses in the US.

If You Find Me, by Emily Murdoch

Carey and her little sister Janessa have eked out their survival in an old camper in the woods for years.  Their mother, usually strung out on meth, leaves them alone for weeks at a time.  The absences grow longer and longer until finally she doesn't return at all.  As their food is just about to run out, they are found by a social worker and their estranged father.  Brought back to civilization, the two girls struggle to adjust to their new life and move beyond the terrors of their past.

As you can imagine, it's a heartwrenching story with plenty of opportunity to shock the reader.  I'd be cold-hearted (and lying) to claim that it didn't move me.  However, a few days later as I write this review, the impact of the reading has faded surprisingly quickly.  The culprit in my mind is the roughness of the writing (a narrative that is paced irregularly - skipping forward and sometimes unnecessarily repeating).  The characters also are thinly drawn (with the adults either entirely evil or unbelievably virtuous and self-sacrificing).  Some attempt to draw out the mother and father (and even the step mother) a bit more would have made the situation more interesting.  As is, only the children have any sort of depth.  I get that Murdoch wants to keep the focus on the kids and they certainly have an interesting story to tell, but in the vacuum of capricious and mysterious adults, they are merely pawns for events that the reader wants to understand better.

Burning Blue, by Paul Griffin

Nicole is the most beautiful girl at school.  Therefore, jealousy seems like the most likely reason for the brutal assault in which half her face is burned with battery acid.  But Jay is convinced that there is more to the story.  Frustrated by the slow pace of the police investigation, Jay hacks into computer systems and pounds the pavement in classic sleuthing fashion, uncovering a truth that reaches far wider (and simultaneously far too intimately close to home) than is comfortable.

The book is billed as "a tender, haunting look at life after beauty." It isn't really.  Instead, it's really a very complicated whodunit with an extremely sloppy wrap-up (for about 240-odd pages, the story slowly rolls out, but something lit a fire under Griffin and the last fifty pages just become a messy unveiling of the real story with little-to-no effort to have it make sense).  Some heartstring-pulling at the end winds this mess up (probably that "tender" stuff in the blurb), but the characters feel neglected and unresolved.  It doesn't help that the cast of characters is vast and the story is unfocused.  Basically, it's a mess!

Midwinterblood, by Marcus Sedgwick

In seven short stories, told in reverse chronological order, we get the inter-related tales of Eric and Melle, and the isolated northern island of Blessed through the ages.  Some of the stories feature the rare Dragon Orchid, some an immense painting, and all a sense of historical destiny which we only learn the full truth of when we travel back to its source.  Not only does the era of the setting change (the first story takes place in the late 21st century, while the earliest is pre-historic), but the roles played by the characters change as well over time (adults become children, children adults, and even genders are switched).

It's a complicated and fascinating ghost story.  While slightly marred by an epilogue that makes an attempt for a happy ending, the seven stories within this book are rich and each stands on their own.  Together, they weave a compelling story that has been masterfully crafted:  elements of one story reappear in another - often to shocking effect.  The story is so complex and carefully designed that subtleties are undoubtedly missed on the first reading (and thus a re-reading is recommended).  The originality of the story captured me and I'll be thinking about it for some time to come.  I highly recommend this book if you like classic ghost stories and don't mind something that will stick in your head for days!

Hooked, by Liz Fichera

Out of the 1150 books that I've reviewed in this Blog so far, this is only the third Teen Harlequin I've read.  I've never expected much from them and have figured them to just be slightly less-explicit versions of the adult books (and with a cover like this one has, I was pretty much hiding it behind a paper bag on the plane!).  However, the three times I have read a Teen Harlequin have all been a pleasant surprise.  Far from being exploitative romantic fantasy, the stories have been stimulating and sophisticated.  Yes, it's a romance and it follows some of the basic conventions of the genre, but the writing is strong and the authors push the boundaries.

Fred is an avid golfer, even though she plays with second-hand equipment and can't afford the greens fees. When the high school team's coach recruits her to play, she's a bit reluctant:  it's a boy's team and she would be the only girl.  But there's another twist: she would also be the only Native American in the entire league.  But Fred manages to overcome these fears and prove to herself and her teammates that she can truly play, even as she faces hostility from both the white kids at school and from her friends back on the Rez.  Things get truly complicated though when she finds that she and her teammate Ryan share a love of each other as strong as their love of the game.

There's no major plot frontier being burst here (it's typical boy-meets-girl storyline), but the setting and the characters make this an unusual story.  Fichera doesn't move too far out of modern stereotypes of the Native American experience, but the idea of choosing such an unusual heroine for this story is remarkable.  And, for that matter, how many teen romances involve golf in the first place?  Somehow, I don't expect a Harlequin novel to tackle class and race conflict.  As for the romance, it's strictly G-rated (not at all like the cover!).

Better Off Friends, by Elizabeth Eulberg

Macallan and Levi have been friends since seventh grade and just that.  As a boy and a girl, they've endlessly been subjected to questions about their "relationship." No, they aren't dating; they are just friends and that is all they ever intend to be!  But being boy-girl friends is complicated in adolescence and this novel traces how, over the years, their friendship is tested by all the other relationships in their lives.

It's a sentimental (and sometimes manipulative) journey through years of a friendship.  However, it is also a surprisingly intelligent romance that avoids stereotypes and the usual hallmarks of teen romance novels (since it is really about friendship).  Eulberg has done a remarkable job depicting both Macallan and Levi's take on adolescence and each other -- no small feat when most authors specialize in either boys or girls but not both!  By the end of this deceivingly simple story, you'll find yourself terribly invested in both of these young people and in the deep and meaningful relationship they have developed.  The result, in sum, is a humble teen "romance" with depth, pathos, and poignancy.

The Caged Graves, by Dianne K Salerni

After a long absence, Verity Boone returns to her father's home in Catawissa Pennsylvania, in 1867.  She has been betrothed to a neighbor named Nate and she is returning to marry and settle in her parent's house.  But her return is marred by a sinister mystery -- the discovery that her mother and aunt (who died around the time that Verity was sent away) were buried in caged graves on unhallowed ground.  No one will explain why this was done, but the insinuation is that the two women were witches (and that the cages were intended to keep them in their graves).  An alternative explanation that is floating around is that their bodies were interred with a long-lost cache of Continental Army gold and the bars are intended to protect the loot!

The result of all this is a rich historical novel that, while flirting with supernatural ideas, stays pretty soundly within the realm of the possible in its historical context.  The story is multi-layered and also includes a complicated romantic triangle that I found compelling and mature.  If I have a complaint, it is that the book is being mis-marketed:   despite its seventeen year-old heroine, the story could only passably be considered a "young adult" novel.

I liked the richness of the characters and the complexity of their motivations.  While superstitions and fears at the beginning convince even the reader that higher forces are at play, by the end it is revealed that complex human passions can be far more mysterious than evil spirits.  The story's own mysteries are plausibly and satisfactorily resolved by the end, but still manage to surprise and startle.  Very good storytelling!

Return to Me, by Justina Chen

Rebecca is on the verge of starting her freshman year at Columbia, studying architecture.  She has a premonition that things are not going to go well.  And there are certainly issues:  her father has landed a new job in New York and the family is literally following her out east, leaving their beloved island home outside Seattle.  Meanwhile, Rebecca has to say goodbye to her boyfriend and ponder the viability of a long-distance relationship.

But then, her father drops a bombshell on the whole family:  he's leaving their mother and shacking up with a new woman.  Moreover, he's been carrying on a secret affair for the past several months.  His revelation and decision to dessert the family plunges all of them into crisis, as they deal with their grieving, anger, and eventual acceptance.  It also leads Rebecca to revisit her plans and reconsider what she really wants to do with her life.

Justina Chen writes novels full of lots of layers and meanings.  Here it seems a bit more aimless than previous books like North of Beautiful.  While some key concepts, like the meaning of architecture and Rebecca's love for tree houses, are integral to the story, there's a whole thread about Rebecca and her maternal relatives being clairvoyant which hangs awkwardly.  I have bigger issues with Chen's depiction of male characters, which are strikingly flat in comparison with the women.  The father is a glaring example, being at best shallow and seeming like a caricature.  For a story with so much insight on grieving and healing from a feminine perspective, Chen struggles with her male characters.  Rebecca's brother is a throwaway character and Rebecca's boyfriend seems to serve no further purpose than to be endlessly understanding.

Better Nate Than Ever, by Tim Federle

Thirteen year-old Nate dreams of making it big on Broadway.  Not just for the fame, but for the chance to escape his small town Western Pennsylvania existence.  He's tired of being mocked for being short and fat.  And he's tired of everyone assuming that he's gay (he's, in fact, decidedly undecided on the topic!).  So, on a weekend when his parents are away, he slips out of the house, buys a bus ticket, and makes his way to New York City to audition for a new musical based on the film ET.

It's quite an adventure for a small-town kid, and Nate's innocent and wide-eyed love for the Big Apple is a major part of the book's charm.  Nate learns in short order how to manage the chaos of the street as well as the ropes of the audition process, and he does both in his own unique way.  Through the intervention of his long estranged aunt, he also learns some family history and opens some doors.  And, while the subject of Nate's sexual orientation is addressed only fleetingly, it is obvious that he is beginning to have revelations on that front as well.

As with many books targeting middle readers, the frankness and sometimes "adult" nature of the story may make grownups squirm, but at a distance, it all seemed quite age appropriate.  For children too young to understand everything, the sympathetic Nate and the lack of serious harm that befalls him will make the book entertaining and enjoyable.  As a grownup, Nate's string of good luck seemed improbable, but it is in keeping with the spirit of this fun adventure, which promises a run of sequels.

A Tangle of Knots, by Lisa Graff

A wonderful middle reader fantasy about kids and grownups who have particular talents (whistling, disappearing, baking, etc.) and a surreal series of coincidences that bring them together in just the right way to fix everything.  It's a story that's so chaotic and jumbled that it's hard to explain, but it basically involves a bitter old man who steals away people's talents, and the efforts of a motley group to stop him.  Learning to break from past mistakes and forgiving oneself, finding a home, and a mysterious man riding a balloon in a well-pressed grey suit figure in as well.  Some homespun wisdom (e.g., "It's the way we deal with what fate hands us that defines who we are") and a series of interesting looking cake recipes fill out this fun offering.

Sometimes a book is just silly enough and a tale is just heartwarming enough that it captures that niche of children's literature that doesn't have to try to be loved.  This one fits in that special place.  Graff's story is reminiscent of Because of Winn Dixie and Savvy but the story is simpler and more direct. Like those stories, the characters are quirky and multi-generational (kids get to be kids, but adults have a role to play in the fun), and the plot isn't afraid of reaching for a little matter-of-fact magic when the real world can't be special enough.  It's a charming story that middle schoolers through young teens (and those with similar young hearts) will enjoy.

The Ruining, by Anna Collomore

Annie is excited about her new job as a nanny in San Francisco.  She'll be able to attend classes at SF State, live in a fabulous house on Belvedere Island with a great couple, take care of a sweet little girl, and (most importantly) finally escape her traumatic past.  It is a dream come true.

At first, things go well, but slowly circumstances change.  Her employers accuse her of doing things she cannot recall doing.  Strange things start to happen (Annie get mysteriously sick, things disappear, the walls get redecorated).  Annie begins to question her sanity.  In the end, her employers completely destroy Annie's life.

This very creepy story is at its best in the beginning when the freaky manipulative stuff is just starting to unfold.  But the pace picks up and eventually simply goes over the top.  At that point, since I no longer believed that the story was plausible, I stopped caring about the character.  And, since Collomore painted herself into a very tight corner, her solution has to be pretty drastic (and invoking a deus ex machina solution, it is dramatically disappointing).  The ending also completely sidesteps the issue of the evil that was done to Annie, so we're robbed the satisfaction of a final confrontation.  In all, I'll grant that the earlier parts of the book are engrossing psychological stuff, but I felt let down in the end.