Fat Cat, by Robin Brande

Cat is a brilliant science student. She's just completed an internship on insects and is hoping to spin that work into an science fair award-winning project for Mr Fizer's honors class. But instead she gets assigned a topic in pre-historic hominins (early humans). She has no idea what to do with the topic until she gets an inspiration. Musing that prehistoric women are never depicted as fat (and as she's grown tired of her weight and body shape), she decides to copy their diet (or, at the very least, an organic diet) and see what effect it has on her.

The physical impact of switching to such a diet can certainly be expected to be major and over several months, she loses a good deal of weight. But what this does for her social life is completely unexpected by her. Boys are coming out of the woodwork and noticing her. Now, if she could only get her ex-friend (and now sworn enemy) Matt to leave her alone. After betraying her cruelly four years ago, he keeps acting as if they were friends!

In many ways, this is a charming story about how a concerted effort to change your life can be empowering. Cat is a mostly endearing character (see below) and her self-discovery is interesting to read about. No one is particularly deep, but Brande understands good dialog and realistic staging.

So, why my reticence and restraint in reviewing this book? Well, there are simply major issues with the characters. Cat's hatred towards Matt is so painfully and stubbornly adhered to that even a preschooler would recognize its unhealthy stupidity. It's hard to feel sympathy for a character who you know is behaving like an idiot. And a mean one to boot!

My Name Is Memory, by Ann Brashares

Best known for the Sisterhood of the Traveling Pants series, Ann Brashares ventures into strikingly different territory with this broadly-scoped story of reincarnation, revenge, and undying love.

In her final year of high school, Lucy feels strongly drawn to a loner named Daniel. But she never works up the nerve to even speak to him, until in a very awkward moment, they get the opportunity to confess their feelings. This potentially romantic moment goes very wrong when Daniel insists on calling her "Sophia" and doing so, for some reason not quite understood by her, scares her off. He flees away and Lucy, while initially relieved, becomes obsessed with finding him again.

There is a reason to this madness. They are both reincarnated souls. As it turns out, many people are, but Daniel is special: he remembers all of his previous lives. And he knows that he and Lucy have repeatedly been lovers in the past. Lucy, for her part, has no such memory but is open to the idea. Lucy slowly learns the truth and puts the pieces together. Will they be able to be together in this life and end a millennium of searching and loneliness?

Brashares is a good writer and her rather lengthy story manages to keep the reader's interest throughout. But I'd still have been happier with some more judicious editing (there is only so much angst and ponderous statements of endless love that one can take!). The tropes (love at first sight, love never dies, etc.) that fill the book are pretty traditional old material. But for lovers of romance novels, this pretty much has everything, including a little bit of action. And it hangs together well as Brashares paces everything beautifully. The book is pitched in such a way to appeal to all ages. The characters are young enough to make this YA, but old and mature enough to bring in adult readers.

The beautifully open ending (and a significant number of unresolved questions) invites the inevitable sequel. With its supernatural themes, this is Brashare's answer to the Twilight franchise. Who needs vampires, when you can be reincarnated instead?

I Now Pronounce You Someone Else, by Erin McCahan

Bronwen has always had trouble feeling wanted. She can't manage to communicate with her mother. Her stepfather, while nicer, has never wanted her (proof: when Bronwen was 13 years old, he promised that he would adopt her but then failed to do so without ever bothering to explain why). She's just about convinced that she was switched at birth and really belongs to another family.

In her senior year, she starts to date Jared and falls in love with both him and his warm family. Overwhelmed by their kindness, she doesn't hesitate a minute to accept when Jared proposes marriage to her. But as time passes and the wedding day approaches, Bronwen finds that marriage -- far from giving her a new family in which to develop -- will actually mean sublimating her individuality. She begins to wonder if it is really the right decision for her.

This book, which is really about identity and finding oneself, seems oddly packaged. The book's title suggests a humorous book, while the blurb stresses her sense of being a changeling. Neither is really the point of the story. The tale is in fact rather sad and the ending almost tragic (although a lengthy prologue forces an eventual happy ending on to the story). The overall effect is cloying and difficult to follow. I spent the first half of the story trying to figure out where we were going with this girl. It is only after the proposal occurs that we figure out the point and by then it is pretty obvious where we will end up. Even with what should be a fairly interesting material, McCahan doesn't spin a very interesting tale. My sense is that the book is at least partly biographical, which may make it a cautionary tale, but the writing is very factual and lacks the lyricism that Bronwen's struggles call out for.

Every Little Thing in the World, by Nina de Gramont

After screwing up one time too many, Sydney's mother gives up on trying to control the girl and ships her off to her father. Dad has his own idea of what Sydney needs and decides to send her to Northern Ontario for a month-long Outward Bound canoe trip.

Sydney, however, has deeper problems: she's pregnant and doesn't know what to do about it. There are practical issues (where to find the money to pay for an abortion, whether to tell her parents, etc.) but she also simply doesn't know what she wants. In those weeks on the water, Sydney gains perspective about her life so far and about her relationships with others.

The story follows mostly familiar plotting and presents few surprises, but it is pleasing to read and well-written. Sydney's voice is far too mature for her age and sounds more as if she were writing the story in her adulthood with the wisdom of hindsight. This makes her thoughts insightful but unrealistically sober and clear-headed. Also, for allegedly being such a screw-up before the story begins, she makes almost no bad choices in the course of the novel, so that her bad-girl reputation seems unearned. This also makes the story a bit unbelievable.

Putting these concerns aside, the book makes fine summer reading. The characters are complex and interesting. I particularly like the youth-at-risk Mick, who proves both sympathetic and repulsive at the same time. Romantic relationships form and break with a stunningly realistic ease that rings true and also serves to underscore the plot of self-discovery.

The Extraordinary Secrets of April, May, & June, by Robin Benway

In this mixture of YA angst and supernatural powers, April, May, and June are three sisters (named after the months in which they were born - exactly 13 months apart) who are struggling with a new school after their forced move after their parents divorce. What makes them unusual are the powers that they have acquired (April can see the future, May can make herself invisible, and June can read other peoples' thoughts). At first these powers are simply useful tools for coping with school, but when April forsees a tragedy coming, the girls must band together to prevent it. Can they bond as sisters or will their jealousies and distrust doom them?

Of the two components, this book is much bigger on the YA angst (boy trouble, sister trouble, BF trouble, etc.) than it is about the supernatural. There are hints that the powers may be hereditary and there is some discussion about trying to tame the powers, but for the most part this book is really about boys and about sibling bonding. It would even be a bit fair to say that the entire supernatural powers thing probably could have been removed altogether and the story would still hang together. That doesn't mean that it's bad, but that it was unnecessary to add the magic. Perhaps, Benway left it undeveloped so there would be room for a sequel?

In any case, I'm always far more interested in human interaction than magic and I think that the relationship that these girls have is more interesting that the rest of their talents.

The Heart Is Not a Size, by Beth Kephart

One day Georgia finds a flyer posted on the wall calling for teen volunteers to go down to Anapra (a squatter's village outside of Juarez) to help build a bathhouse. For a reason that she cannot explain, Georgia feels strongly drawn to the opportunity and she talks her friend Riley into joining her. Living fairly privileged Main Line lives, neither girl knows truly what to expect. But while there is plenty of culture shock and the work is far more difficult than either one of them imagined, it is what the trip does to their friendship that is the most surprising.

Kephart writes beautiful dream-like prose. Her novels work best when there is a strong story to provide the framework for it. But in this book, she struggles with finding that story.

As she explains in her acknowledgments at the end of the book, she wrote this book as a response to her own actual trip to Anapra. It is thus no surprise that the parts of the story that describe the location and the people are particularly moving. Similarly, the emotions that Georgia feels are heartfelt and come across clearly. But the story upon which these sections are framed is sketchy and underdeveloped.

The Kind of Friends We Used To Be, by Frances O'Roark Dowell

This sequel to The Secret Language of Girls picks up pretty much where the former left off. Kate and Marilyn are entering seventh grade. They've learned from the past year to not take their friendship for granted, but they still struggle with maintaining it. AS the girls slip further and further away from each other, they find their friendship based more upon nostalgia. Simultaneously, they find themselves drawn into new friendships with both girls and boys as they struggle to make the transition into adolescence.

Along with trying to keep the flame of their friendship burning, they also are carving out they sense of identity. Marilyn is sure that cheerleading and becoming popular are what she wants from life while Kate is drawn to a riot-grrl persona. But they find themselves constantly questioning their choices.

As before, the story is told in first-person alternating points of view, which allows us to get inside the girls' heads clearly. This brings the necessary immediacy, but it also exposes a flaw: the author's voice frequently imposes a level of self-realization that seems out of keeping with any person (let alone a typical tween). This is necessary to provide the poignant angst that the author is shooting for, but it also makes the story a bit less realistic.

The prior book was groundbreaking for its insights into the troubles of tweenhood, for the dexterous way of navigating the choppy seas of tween friendships, and for so respectfully tackling the painful transitions. For the target audience, it probably provided some consoling empathy. For older readers, it gave a painful reminder of a past best forgotten. The sequel doesn't really try to do more. With the exception of introducing the volatile territory of girl-boy friendships/jealousies into the mix, the sequel is basically more of the same. To many readers that is probably more than sufficient.

The draw of both books is the clear-eyed way that the author shows how very decent children, with capable moral compasses, can still hurt each other. That they are such good kids makes us sympathetic to them, and makes the hurting all that more difficult to observe.

Numbers, by Rachel Ward

In this unusual mixture of supernatural and hard gritty urban reality, Jem is the daughter of a heroine addict whose been kicked around her share of foster homes. Her biggest problem is not her difficult homelife but the fact that whenever she looks a person in the eye, she sees a date -- the date when that person will die. This terrible piece of knowledge has prevented her from making friends until she meets Spider - a trouble youth with his own baggage (not least of which is the date which Jemma sees when she looks at him -- only a few weeks away!). But everything skews dramatically off course when Jemma and Spider find themselves in the wrong place at the wrong time (a fact that Jemma knows because every person she sees has the same date hanging over them -- today's date!).

This book is many things: a taut suspenseful story, supernaturalism with some nice religious commentary, and a story of two troubled youths who battle with themselves, with each other, and with a system that has given up on them. It's not an easy book to read. Given the high stakes that are riding on them, you'd rather they were more valiant, more mature, and more together, but that would not be realistic. Instead, Jemma and Spider are every bit the screw-ups that society has ordained them to be. The irony that society has already determined their future when it is Jemma who can actually predict the future is just one of the nice subtleties of this story. Refreshingly original!

For Keeps, by Natasha Friend

Sixteen years ago, Paul (the boy who got Josie's mother pregnant) moved away without a second thought. It was hard on her mother to raise Josie on her own, but it also brought mother and daughter very close together. All of that is thrown into jeapardy when they spot Paul's parents (Josie's grandparents) in a local grocery store and Josie learns that they have moved back into the area. This discovery sets off a chain of events that irrevocably changes their world and challenges everything Josie thought she understood about her mother, her father, and the nature of love itself.

On its face, this is fairly predictable YA fare and will not offer any major surprises, but Friend has a particularly strong talent with depicting complex familial interaction (as seen in her previous novels like Perfect). It's easy to find parallels to Gilmore Girls here but Josie and her mother Kate's relationship is far more realistic and nuanced. In a similar vein, Josie's relationship with her BFF Liv (and with Liv's Dads) is also refreshingly honest.

I randomly picked this up off the shelf at my local library, but I think it deserves a good buzz, so I'd recommend it to others.

Nuts, by Kacy Cook

One day, Nell and her brothers find a baby squirrel lying in their back yard. Its mother has abandoned it and the kids decide to rescue it and adopt the squirrel as a pet. Pretty soon thereafter, they find a second baby and the work of raising two baby squirrels goes into full swing. Nell does some research on the internet and finds out that she is supposed to hand them over to a professional wildlife rehabilitator. But instead, she lies to her parents and claims that she knows how to take care of the animals. Against the odds (and basic common sense) she succeeds in raising the animals but then suffers from the difficulties of breaking her bond and letting the animals go free.

This is an educational middle reader in several senses of the word. For one thing, you can learn a lot about squirrels by reading it, but there is also plenty here about wildlife conservation and various moral lessons about the costs of deceit. It is a very easy book to use in pointing out to young readers what they should not do when they find a baby wild animal.

The moral compass though is a bit skewed. In the end, everyone regrets the bad choices they have made (and the author reiterates that message in her acknowledgments), but since the consequences of these decisions are so minor, it doesn't really seem like the typical reader would take home that message. Instead, it seems more likely that reading a book like this would make you want to raise a baby wild animal of your own.

The Life of Glass, by Jillian Cantor

Glass may be very fragile (forming cracks at an incredibly high speed if dropped), but it is also very durable (taking a million years to break down). Glass is a metaphor for the changes in Melissa's freshman year (whee friendships shatter easily but the basic roots are nearly impossible to dissolve). Her father has recently died from cancer, but the focus of this story is on Melissa's friendships and romances (and those of her friends and her sister). There isn't much of a plot to this story, but rather a series of dramatic events that exist to illustrate and highlight her growth.

Cantor's earlier book September Sisters bothered me for its lack of plot and its general formlessness. This novel is written in much the same style, but is more successful. Melissa is an interesting character and her relationships have a complexity to them (based as much upon acceptance and forgiveness, as they do about attraction). The friendships have the transience and insecurity of adolescence. Cantor understands the psychology of human interaction and depicts it well. One suspects that she would just prefer to write about those relationships than be burdened with a plot and a story. In this case, it works out.

Saving Maddie, by Varian Johnson

Years ago, when they were kids, Josh and Maddie were close friends. When Maddie moved away, she promised that she would stay in touch. The promise was easily broken, but Josh never forgot her. When she returns five years later, showing up at church in a scandalous dress, it is clear that she has changed. Josh's parents, fearing for his reputation, forbid him from seeing her, but Josh can see beyond her appearance. He is convinced that he can rescue her and bring her back to the church. But are his motives pure or does his own stirred-up feelings play a role in his desire to help?

The story is a bit hard to describe as it is about as much about what is not said as it is about what is. Overall, the pacing is a bit slow, but Johnson's focus is more on characters than storytelling. And he has created a pair of vivid characters, struggling to find their place. Maddie wants to regain her self-respect (and escape the label of being a slut) while Josh is trying to grasp at who he really is (and move beyond his reputation for being the goody goody minister's son). Neither of them knows where their search will lead and that exploration is really the point of the story.

In sum, this is a very basic example of a coming-of-age story (in the grand tradition of many classics) and deals with those issue of finding oneself and defining one's role in the community in the most basic sense. The story has a timelessness to it that promises the book long legs.

Love, Aubrey, by Suzanne LaFleur

It is rare for a book to shine new light on a tired topic. And what could be more tired in kidlit than death and grieving?

Aubrey loses her father and little sister in a car accident. A few weeks after that, her mother abandons her. After coping at home alone for a week, Aubrey's grandmother rescues her and takes her to live in Vermont at her home. In that new home, Aubrey befriends the girl next door and established a quirky friendship with an emotionally-troubled boy at school. All along, she copes with her losses and slowly recovers.

It's such a cliche plotline with my least favorite subplot (child abandonment) as an opener, that I didn't have a lot of hope for the book when I started. I expected to be able to predict every plot turn as it came and I was prepared to groan my way through it all to the tearful confrontation and life-affirming ending. I was only half right. Yes, the plot followed the predictable direction and LaFleur made no attempt to throw up any surprises in the action of the story. However, she managed to catch me off-guard with her totally original handling of how Aubrey (and her friends) actually handled the challenges.

There's a surprising clarity to Aubrey's behavior. One might even accuse it of not being age appropriate, but I think that would do a disservice to kids. And it isn't so much that Aubrey doesn't act her age as it is that she refuses to let herself be dragged down into melodrama. She certainly has her down moments and she doesn't always act calmly, but she is able to reason through things. She doesn't fight, but she stands up for herself. Through her difficulties, she is able to reach insights that are inspiring. I found that refreshing.

Far too often, authors create obvious flaws in their characters for the sole purpose of "solving" their problems by the end of the book. Aubrey is an eloquent and capable problem solver from the beginning, but she has plenty of problems to work through. In creating a more complex and vibrant heroine, the story is raised far above any sort of manipulative tear-jerking formula into something much more interesting.

If You Live Like Me, by Lori Weber

After three years of traipsing around economically-depressed sections of Canada, Cheryl is fed up. She misses her home and friends in Montreal, but instead of heading home this year, her father is dragging them to Newfoundland! She can't imagine a more forlorn place on earth. It doesn't help that their purpose in going (so her father can write yet another chapter for his book on dying cultures) is downright embarrassing. Cheryl is determined to find a way back home, even if it means stowing away on a ship. But then she meets Jim (the literal boy next door) and leaving becomes more complicated.

Too much effort is expended in this book on two things: providing a breathless tour of the Rock and making sure we know how frustrated Cheryl is to be dragged out there. Of course, we all understand that she'll be seduced by its charms (with some help by the right boy) and Cheryl's protestations to the contrary are weak and fairly pointless. So, the first 150 or so pages drag on. Weber obviously loves Newfoundland but her praise of its scenery and beauty gets tiresome. The romance, while inevitable, is not all that interesting and the similarly predictable parental confrontation doesn't thrill either. In sum, the drama never builds and neither did my investment in the characters.

Leftovers, by Heather Waldorf

After a lifetime of sexual abuse from her father, Sarah hates having her picture taken. When Sarah's mother's boyfriend tries to take her picture, not realizing what it will trigger, Sarah freaks out. She smashes the camera and flees in his car. She can't really drive (she doesn't even have a license) and her ride is quickly cut short when she crashes the car. In the aftermath, she is sentenced to do community service at a summer rehab camp for dogs. It is there that she befriends a young cancer survivor and a big sloppy dog. With them (and all of their combined emotional baggage) she is able to face her fear of photographs and of the sexual abuse that caused it.

The idea of the story is pretty compelling and the narrative sucks you in pretty quickly. The writing is functional and flows well enough. However, I found myself feeling detached from the characters and simply wishing that the story would end as soon as possible (perhaps because having exposed the sexual abuse Sarah experienced right up front, I wanted it resolved as an issue as soon as possible). In a story like this, you start flipping the pages simply to get on with it. And, while there is a twist or two, the story essentially delivers what you expect in the end. That's not a fatal flaw but leaving so little else in the story makes the journey seem less worthwhile.

Split, by Swati Avasthi

After years of watching his father beat up his mother, Jace finally stands up and hits him back. As a result, his Dad throws him out of the house and Jaces goes off to find his older brother Christian who fled many years before. Reunited, Jace and Christian face their horrifying past together. It's a rocky road as the brothers find that the years of witnessing the abuse have left them far more damaged that either of them realized. Initially, they have the help of a few friends, but it becomes very clear that the two young men have to battle their demons for themselves.

This is a truly outstanding book, albeit with a harrowing narrative. You'll need a strong stomach to get through the abuse scenes as well as to witness the realistic portrayal of what being witnesses to such acts has done to the boys. The book is an extremely strong character study. Nothing about Jace or Christian is simple. Their personalities and problems unravel slowly through the story, revealing only a little at a time (not so much for suspense as simply to help the reader digest the complexity of the issues. I like that complexity a great deal and in my mind Avasthi accurately displayed the impact of abuse within families.

In sum, this is not an enjoyable book to read, but it is a necessary one. To better understand the horrors of abuse and its long-term impact on children, this is a superb place to start. I wouldn't necessarily recommend this book for light summer reading, but I feel it is a great book nonetheless.

And Then Everything Unraveled, by Jennifer Sturman

When Delia's mother disappears in Antarctica and is presumed dead, Delia is sent to live with her eccentric aunt Charley in New York City. But rather than grieve about her loss, Delia attempts to figure out what happened to her mother. It quickly becomes apparent that things don't add up and Delia grows convinced that her mother is still alive and being kept against her will. In the midst of her sleuthing, there's a bit of romance as well with a boy from school who is also the son of a man apparently tied to Delia's mother's disappearance.

It's a nice fast-paced read with a bevy of memorable characters. Not very realistic, but the humor keeps things moving along. I'm also not a big fan of the ending (or the lack thereof) but it will lead well to the inevitable sequel (which hit store shelves on July 1st). I'll also note my usual protest against gratuitous references to 80s teen movies.

The Carbon Diaries 2017, by Saci Lloyd

In this sequel, two years have passed since the flooding of London from global warming. Laura's parents have moved to the country but Laura has stayed in London, occasionally attending art school classes and trying to get her band Dirty Angels off the ground. The times are definitely unusual: climate change has destroyed most people's livelihoods, the government has turned authoritarian, drought in Africa has triggered a mass exodus northwards and set up massive anti-immigrant sensibilities. When Laura isn't jamming, she and her friends are protesting the government and just trying to stay alive.

The first book was an uneasy balance between science-fiction and YA, but the second installment is even more untenable. When one considers the true horror of the political situation described in the book, it's really hard to figure out why Laura puts so much effort into her band. She may simply be obsessed, but for the reader it is hard to know where to throw one's focus: massacres of dozens of people or canceled gig? The writing is wooden and the characters are largely forgettable. Since I didn't find the people worth paying attention to, I turned to the unfolding events, but everything is told so flippantly (albeit a bit like a teen would process things so I'll give it points for realism) it is really hard to figure things out and the violence just seems arbitrary.

Alice in Charge, by Phyllis Reynolds Naylor

In this twenty-fifth installment of the Alice series (Wow! It's hard to believe the sheer stamina of this project!), Alice is finally entering her senior year. She's struggling with her intense workload and applying to colleges. She's missing Patrick (who's now at Chicago in his freshman year). There's a new student from the Sudan for her to help acclimate, a developmentally-challenged girl named Amy for her to support, and a club of neo-Nazis to shake things up.

One of the interesting things about Alice and her development is observing how her priorities have changed. While friends were very important in the earlier books, so much of her life now is spent doing things. Relationships have become a much lower priority for Alice (or at least for Naylor). The chief casualty is the relationship with Patrick (which is a poorly maintained plot thread now) but there is also surprisingly little in this book on her relationship with her best friends like Pamela.

Beyond that, there is a certain tiredness with the story these days, as if we are just going through the motions of a contractual obligation. Naylor has promised us that she'll continue to follow Alice's life until at least she graduates and that puts us one or two books away from the end. That achievement is certainly worthy of notice as no other YA writer has documented so minutely every developmental moment in the life of their heroine. However, Naylor's abandonment of tracing the nature of Alice's friendships in these later books (in favor of highlighting as many actions as possible) is a sign that things are truly wrapping up.

The Secret Language of Girls, by Frances O'Roark Dowell

I'll be reviewing Dowell's latest book in a few weeks and thought I should go back and read some earlier ones. This particular one is something of a minor classic in tween reads.

Kate and Marylin have been best friends since they were in nursery school, but when they enter sixth grade things start to change between them. At first it is the influence of Flannery, a girl who moves into the neighborhood, who seduces Marylin away from Kate. But in the end, Marylin and Kate find that they just want different things from life: Marylin wants to become popular and Kate wants to just enjoy life and her friends. Strangely, no matter how apart they drift, they both come to realize that they will always share a bond.

Each chapter in the book stands on its own as a short story exploring the strains and pulls on the friendship between Kate and Marylin. Told in a passive first person voice (usually from the point of view of one of the girls, but sometimes through the eyes of Marylin's little brother), each chapter takes on a different theme (friendship, kissing, divorce, marriage, etc.). The writing is fairly basic and the tone fairly preachy (there are obvious morals to draw from each story). Dowell is clear to avoid any language that would lose the younger reader. This could have made the book unreadable, but there is a basic sweetness to the stories that redeems them.