The Secret Year, by Jennifer R. Hubbard

After Julia is killed in a car accident, Colt has a need to grive. After all, the two of them were in a close intimate relationship for an entire year. But she was from the Mountain where the rich kids live and he is from the Flats, and their relationship was always a secret. They met only at night and she never led on in public that they were together (even keeping an official boyfriend from a well-to-do family).

In the year that follows Juliet's death, Colt learns to cope with and overcome his grief, while never being allowed to make it public. Along the way, he learns that there are plenty of other people with secrets. And he also begins to question not just the relationship he had with Julia but also the divisions between rich and poor and between the Mountain and the Flats.

A fairly brisk read which has some good depth to it. While I expected a book that dealt with grieving, this actually is more about class divisions and the difficulties that adolescents go through dealing with them. The writing is sharp and the story moves along. The characters are well developed and sympathetic.

Before I Fall, by Lauren Oliver

Samantha is part of a totally It clique -- four girls who rule the school and don't mind putting everyone else in their place. But after a party in their senior year, the girls are in an accident and Sam dies. When she wakes up in the morning, she's convinced that it was all a horrible nightmare, until she discovers that she's woken up on the previous day and now must live the last day of her life over again. It won't really surprise anyone that the point of this exercise is to learn to fix the wrongs of her life before she'll be free of the cycle. What is a surprise is how it all will work out -- with a conclusion that will keep you totally in suspense until the very end.

Now, my initial thought was: who on earth needs to take Groundhog Day (a totally sweet movie) and make a YA version of it? Especially since Wendy Mass wrote a similar book called Eleven Birthdays which had essentially the same premise. And why make the story an amazingly long 460-odd pages? But once you read this book, you realize that Oliver really has a much more ambitious agenda. Certainly, the story starts off as one YA-cliche after another (popular girls, unpopular girls, self-absorbed boys, parties, beer, feminine hygiene references, etc. etc.) but once that groundwork is laid out, the story takes some significant jumps forward.

The key, as always, is great characters. Sam is the epitome of great YA heroines. Getting to live through the same day again and again, we really get to see her grow as different choices in each day allow other events to happen. She's multifaceted and her growth has a great and natural progression to it. Supporting characters like Lindsay and Juliet are also quite moving. Neither is quite the villian or victim that would be shown in a typical novel. Instead, their particular "flaws" blur the edges of their characters. The result is depth everywhere you look.

For a first novel, this is truly a stunning work and I look forward to seeing more from Lauren Oliver!

Flightsend, by Linda Newbery

After the death of the baby who would have been Charlie's sister, her grieving Mom decides to make a full break of things, quit her job, break up with her lover, and move out to the country. Charlie is pretty messed up over the whole thing. While the death of her would-be sister is traumatizing, Charlie is most upset about the loss of her Mom's partner (even if he had no legal status as her stepfather). She is keen to get them to reconcile.

She doesn't have much success with getting them back together, but she does spend the summer in their new home (Flightsend) making new friends and discovering herself.

While the writing is strong and Newbery occasionally strikes gold, I found the book overall to be quite dull. Despite the book's subtitle ("a summer of discovery"), there really is surprisingly little of that in the novel. Charlie adopts a dog, takes a job, babysits for a child who reminds her of her dead sister, meets some people, addresses some feelings of infatuation, but not a whole lot of actual growth here. And given the slow pace and low energy of the story, I had trouble tracking all of the characters and/or their significance. In the end, I couldn't find much of a point to the book.

Tangled, by Carolyn Mackler

It starts in the Caribbean as four teens (Jena, Skye, Dakota, and Owen) meet at a resort. While Dakota and Owen are brothers, the four of them share almost nothing in common (except perhaps being all from New York). In the subsequent months, their stories overlap in unexpected ways. To drive home this overlap, the novel switches storytellers at key junctures giving us a fresh perspective on the events.

At its heart, this is a fairly pedestrian teen romance. While it has some of the Mackler-trademarked humor (more on that below), it does not especially break new ground. The big shtick in this one is the shifting viewpoints, which is done in entire sections of the book rather than in alternating chapters. Thus, a full quarter of the book is told by Jena and then the second quarter is passed to Dakota, and so on. Key revelations are doled out sparingly (and frequently much later in the book) to conserve the ah-ha! moments.

Mackler's made something of a name for herself with spunky and funny heroines. In comparison to her earlier books, this one is not terribly funny. That doesn't mean that she's trying her hand at drama, but rather more a mark of the low energy of the story. Part of the problem (and its true with any book that shifts POVs) is that, just as you are starting to get interested in one of the narrators, it shifts to the next and the story you were following (if character is what you are into) gets lost. It's more true in this case since once the story switches to a new character, the others get sidelined.

Some Girls Are, by Courtney Summers

Regina has enjoyed being part of Anna's top clique. Sure, it's involved plenty of dirty work -- helping Anna ruin the lives of other kids -- but it gave her a place to belong. Regina may have felt uncomfortable doing what she did, but she was always too afraid to challenge the order of things.

But when Regina is nearly raped at a party by Anna's boyfriend, Anna is convinced that it was really the other way around and she turns on Regina. Soon, Regina finds out what it is like to be on the receiving end of Anna's wrath. Pranks and taunts turn to abuse and violence, spinning very definitely out of control. Adults prove ineffectual and the situation escalates. In the midst of it all, Regina finds some solace with one of her former victims -- a loner named Michael.

Harrowing, disturbing, and mildly exploitative, the book sucks you in and leaves you madly digesting every page. In fact, I found it a bit sick just how interested I got. After all, what joy is there in reading a story about kids doing horrible things to each other? My guess would be that you would enjoy this if you had never been a victim of bullying before. But for the rest of us, this just hits a bit too close to home. So, I wouldn't decsribe the book as fun reading.

Very LeFreak, by Rachel Cohn

Essentially two separate stories loosely tied together, this is a novel about a freshman at Columbia named Very (short for Veronica) LeFreak who is a combination of a technophile and a party animal. She spends the first half of the book hosting parties, mooching off her peers, losing herself in emails, browsing, and texting her friends. In the process she fails her classes, alienates her friends, and generally loses touch with reality. In the second half of the book, she goes in to "rehab" trying to recover from her tech obsessions and come to grips with her real life (which she has been avoiding with all of the tech gadgets).

The first half of the book, which generally worked for me, is sort of an updated retelling of Party Girl. The Middle Eastern falafel seller is replaced by a mysterious South Asian online companion, but the obsession with hosting good parties and the conflct between wanting to do something real with her life and escaping into hedonism is pretty familiar territory. There's enough of a hint in those early chapters about why Very has trouble with reality and also about her own acknowledgement that the current situation cannot last. It has a good sense of tension and Very is an interesting character to watch.

However, the second part really falls apart in my opinion. Even the concept (a summer camp in Vermont where addicts recover from their tech obsessions) just seemed downright silly and impractical. Yes, I understand that obsessions come in all flavors, but the program laid out is goofy. Worse, the storytelling declines significantly. The timeline turns jumpy, plot points are lost and recapped later, romantic lines that were barely hinted at in the first half are sloppily developed. Worst of all is the two dimensional counselor Keisha who is an amalgam of every literary stereotype psychologist and less. Frankly, I just tried to plow through part two as fast as I could. I'd recommend that you skip it altogether.

Rachel Cohn the author has grown to disappoint me. Her first books (Gingerbread and - to a lesser extent - Shrimp) were outstanding original works with a great sense of humor. I loved them. But since then, her writer has weakened noticeably. Very could have been an interesting character, but it seems as if once she hits rehab, Cohn doesn't know what to do with her.

It's Raining Cupcakes, by Lisa Schroeder

When you're working 50-60 hrs/wk for your job and feeling the pressure, sometimes you really need to regress back to good middle reader, so for a little break from both work and the teen reads, we have this one...

Twelve-year-old Isabel has never been out of Oregon, let alone to all of the exotic places in the world she'd like to go to, but she hopes to change all that by winning a trip to New York City as a finalist in a baking contest. Before that, however, she's got to help her mother open up a cupcake shop called It's Raining Cupcakes. She'll have plenty of adventures along the way: a babysitting job from heck, eccentric neighbors, an ill-advised trip out on the fire escape, and some falling out with her best friend. She'll also discover that she's got a pretty decent head on her shoulders even if she doesn't always make the best decisions.

It's cute and fun. Not very substantial and probably fattening (just like the cupcakes!). The book has a nice whimsical tone to it and, although it drags a bit towards the end, it's light and quick reading. There are lots of cute touches, including (to name a few) a series of knock knock jokes, chapters named after cupcake flavors, recipes for cupcakes at the end, and Isabel's passport cover journal. Nice!

Broken Soup, by Jenny Valentine

After her older brother Jack died, Rowan had to step up to keep her family together. Her mother had retreated into herself in grief, her father had left them, and her little sister Stroma was too little to manage without someone to help. But it's been hard going.

Then one day a stranger (an American boy named Harper) hands her an old photographic negative in a shop. She's never seen it before but he claims it fell out of her bag. When she discovers that the negative is actually a picture of Jack, the mystery deepens. But that mystery is only the beginning of a series of revelations that help Rowan come to terms with Jack's legacy.

While this sounds like a lovely book and it's gotten several rave reviews on other sites, I couldn't get past how deadly dull the story was to me. The characters were not interesting and their struggles were meaningless to me. It seemed like every time Valentine ran out of things to write, she'd just introduce a new crisis. The book lacked direction.

The Summer of Skinny Dipping, by Amanda Howells

Rebounding from getting dumped by her boyfriend, 16 year-old Mia is looking forward to spending the summer in the Hamptons with her aunt, uncle, and two cousins (the youngest of whom - Corine - Mia has always been close with in the past). But this summer, things have changed. Corine has grown more worldly and the two girls find that they have little in common. In Corine's mind, Mia hasn't grown up, but Corine's drugs and alcohol lifestyle repulses Mia.

When Corine dumps Mia at a party, it provides an opportunity for Mia to meet the boy next door (Simon) and the two of them hit it off. Meeting late at night on the beach, Mia finds herself being drawn into a romance that she never expected and didn't even think she wanted. Meanwhile, family relationships are being sorely tested as just about everyone is confronting each other. By the end of the summer, Mia realizes that many of her impressions of herself and of her family need to be corrected.

On its face, this novel follows a pretty familiar trajectory and thus provides nice summer comfort reading. In that respect, it reminded me for the most part of the Au Pairs series. However, this novel runs deeper than that sort of mindless fluff. Both the romance and the relationships between the other characters are fairly thickly drawn. There's plenty of character flaw lying around and both adults and children behave in a fairly realistic fashion.

The real difference with this story is the ending and I'm less thrilled about that. Without giving away the specifics, the book takes a sudden and serious shift into tragedy in the final chapters. I'm never a fan of last minute twists, but it does provide a heavier sense of pathos to the story and provides some good emotional weight. The danger is that it also drowns the other plot lines. When tragedy strikes, the seemingly important spats and conflicts seem insignificant. And the rushed ending sweeps most of them under the carpet.

Bad Girls Don't Die, by Katie Alender

Alexis is a bit of a high school misfit with a reputation for causing trouble with her peers. Alexis's little sister Kasey is no better. She has hardly any friends and is attached to her dolls, risking ridicule at the age of 13 for doing so. With all of this outsider vibe going on, Alexis is surprised when a popular boy named Carter starts to show an interest in her. Before she has much time to worry about that change of fortune, Alexis begins to notice strange things going on around the house (doors closing on their own, strange noises, etc.) and odd behavior from her sister that seems to suggest that Kasey is either developing multiple personalities or is becoming possessed. These disturbances take on an increasingly sinister character.

This is a strange novel with a split personality of its own. One angle is the story of an outcast learning to accept that she too could be popular. On the other side, it is a ghost story (part mystery and part horror) -- consider it like Sixteen Candles meets Poltergeist. And I'm not convinced that it really works. The ghost story is the strongest part, as the romance with Carter and the friendship with cheerleader Megan end up becoming annoying distractions far removed in tone from the rest (and are a less developed part of the story).

Not My Daughter, by Barbara Delinsky

Note: Sometimes books hit my reading list as much because teens are reading them as that they are YA. This is one of those books. I would guess that it is actually mothers that are reading the book and their daughters are curious about what Mom is reading. As I am neither of the above, I have no idea what that makes me!

Susan is dismayed enough to learn that her 17 year-old daughter is pregnant. It doesn't reflect well on her as a mother or as the principal of the high school. It also hits close to home because she herself was a teen mother. The far worse news appears soon enough, though, when two of her daughter's friends reveal that they too are pregnant. This can hardly be a coincidence.

As Susan attempts to control the rumors and protect her family's privacy, the issue quickly escalates into a battle between the town's traditionalists who have found the excuse that they have been looking for to dislodge Susan from her job, and Susan's supporters who are determined to keep the focus on the issues at hand.

The novel is a good read and the characters are well-developed. If you are looking for a book that describes what a mother would go through in this circumstance, I would think this is a good book for that. Delinsky does an excellent job of balancing Susan's disapproval for her daughter's decisions with her need to support the girl. The relationships in this story are drawn maturely and respectfully. Only a few of the bad guys fall into flat stereotypes.

If I have a complaint, it is really for what the book is not. I regret that the story never explored the girls' point of view. That wasn't really the point of the story so it is hardly a valid criticism, but it is a lack I felt profoundly. The decision of the daughter and her friends to form a pregnancy pact would have been interesting to explore (the motives are hinted at but hardly developed). Also, it is obvious that the girls' perspective about their decision to have babies changes throughout the story. That would have been interesting to develop more fully.

Dirty Little Secrets, by C. J. Omololu

Lucy's Mom has been collecting and saving stuff over the past couple of years. What began as an aversion to throwing away stuff needlessly has turned into a full-blown psychosis. The house has become so cluttered with garbage that one can barely move around it. Living conditions have deteriorated. For Lucy, the biggest struggle is to appear normal so that the other kids don't notice the problem. That's a challenge: she never invites anyone over, she makes up lies to keep her friends at a distance, and she is constantly in fear of someone discovering her family secret.

Just when she thinks she is getting ahead, she comes home to find her mother dead. Now she is faced with the reality that her mother's death will bring her unwanted attention and guarantee that she will never be "normal" again.

On the one hand, I like a story that introduces me to a new world. I had read about "hoarders" before but liked getting to understand the phenomenon in more depth. I also liked the way that Lucy's attempts to dig through the layers of garbage in their house served as a means to sift through the years of her mother's decline. Those parts of the story worked quite well.

I'm not a big fan of the child-in-peril plot line though. This is so obviously a case of a child in over her head that it is hardly something I could enjoy. I'm also not a big fan of the moral ambiguity in the decision to leave the dead mother just lying there for a day (a la Weekend at Bernie's). But mostly I didn't like the way that the story drifted. Exploring the relationship with Mom (and even with the siblings) was interesting, but the romance, Lucy's friendships, and the little boy next door were all plot lines that were so far removed from the story that they mostly distracted me from the dread of what was to come. Finally, the ending is something of a complete cop out as it comes completely out of left field, and doesn't provide emotional pay off.

Flash Burnout, by L. K. Madigan

The book's title refers to what happens when you misuse a flash, causing a photograph to be overexposed and washed out. It's the perfect metaphor for what happens to 15 year-old Blake's life when he gets sucked in to helping a friend (Marissa) cope with her troubled home life. There's also a difficult juggling act with his girlfriend (Shannon) and plenty of trouble with his peers and various adults (his parents, his girlfriend's parents, and his teachers).

It's pretty much required that any book about teen-aged boys focus on their raging hormones. I'd never be a fool enough to deny that 15 year-old boys are obsessed, but it doesn't make for interesting reading. So, kudos to Madigan for understanding that lust is not an end in itself, but rather a low-key roar in the background of everything else. Blake and his buddies may spend a lot of time talking about sex and posturing for each other, but he comes off as sympathetic and interesting at the same time. Sure, he'd like to get his girlfriend into the sack, but he's got plenty of other things going on in his head.

Just about every character in this book has a bit of depth in them: Blake's parents are embarrassingly geeky while still being clued-in and responsible parents, Blake's older brother is a wonderful foil, and both the boys and the girls act in a realistic and believable fashion. The only part that didn't work for me was the DJ girl (Cappie) who seems more like she is supposed to be symbolic of something than that she really exists in the story. And Shannon's parents are probably intended more for comedic value than anything else.

The story is funny, moves swiftly, and keeps you interested. It's also the sort of "boy book" that is targeted as much at female readers as male ones.

The Indigo Notebook, by Laura Resau

Zeeta and her mother are wanderers. Just when Zeeta gets settled in one place, her Mom decides to pull up stakes and take them someplace else. This time, they've come to South America.

In the town of Otavalo, Zeeta meets an American boy named Wendell who is looking for his birth parents. Zeeta (whose Spanish is much better than Wendell's) helps him in his search, which ends up in a remote village with a series of dark secrets. Meanwhile, back at home, Zeeta's mother Layla has found a new boyfriend who has finally convinced her to settle down. But after wishing for this for so long, Zeeta gets cold feet when the reality of returning to a "normal" life appears to be becoming a reality.

Like Resau's other books, this one is filled with loads of beautiful cultural details. However, I found the story itself more disjointed and muddy than her previous books. There are a lot of characters and having the narrative split in two (between the Wendell story and the Layla story) didn't help. Subplots (like the romance between Wendell and Zeeta, and Faustino's relationship with his family) remain sketchy and underdeveloped. It's simply a case of trying to do too much.

And as for the meaning of that blue notebook? Forget it! That never really gets any decent explanation.

The Girl With the Mermaid Hair, by Delia Ephron

Sukie has a serious problem with narcissism. When she can't see her reflection, she will use her phone's camera to take a "selfie" (a picture of herself) just to make sure she looks OK. Her mother's present of an antique full-length mirror is thus very welcome. But weird things start to happen: at a tennis match, a strange man man attacks her father, her mother disappears to a "spa" and returns with a nose job, and the mirror itself mysteriously develops holes and cracks. Only the family dog Senor seems to know what is going on.

Erroneously billed as YA, there really isn't much in this story (aside from the age of the heroine) that is teen. Instead, this is one of those bizarre "modern novels" of which I am such a fan (not!). The mirror is probably symbolic, but I didn't get it. The characters are numerous and largely forgettable, and thus hard to track. And, in the end, I couldn't figure out what the point was. Read at your own risk.

The Lonely Hearts Club, by Elizabeth Eulberg

When Penny's lifelong crush crushes her heart, Penny swears that she is done with boys...at least until after high school is over. Curiously, she begins to notice that so many of the girls around her (friends and non-friends) have had similarly bad experiences with boys and an idea is born: the Lonely Hearts Club. The mission of the Club is to provide each other support as its members swear to be true to each other and forgo romantic attachments. Pretty soon, it's a movement. Penny can hardly believe the transformations that the young women around her undergo and could never have predicted where it all will lead.

You won't have much trouble seeing where the story is going to go (no one ever said that a romance is supposed to be suspenseful), but this novel takes an unusually interesting trip to its destination. Now, with the wisdom of age, I could easily point out to these young women that they would all be much happier focusing on their friendships and spending less time in messy romances (and given the selfishness and inexperience of your typical adolescent, does anyone expect the romances to be anything other than messy?), but it's fun to see a group of girls figure this out for themselves. And if the story inspires some real-life teens to take charge of their lives and empower themselves, so much the better!

As for the story itself, it's hard to dislike a book with such a winning heroine. Penny is strong and opinionated, but she backs up her convictions. She can be shy and occasionally have a lapse of judgment, but she really is the kind of person that you would want as a best friend. My one grievance with the book is the unevenness of the story telling. For every strong section (some of the more caustic observations about boys had me rolling in laughter from pain self-recognition) there are painfully weak sections (the Principal, for example, is a throwaway and a pointless addition to the story, as in fact are all the bad guys). Eulberg has a terrible problem creating realistic motivations for her characters, instead making every villain a bad guy simply on the basis of being shallow. Every kind person is just doing the decent thing. And Eulberg quickly runs out of original ways for her characters to express emotions (affectionate or combative). To compensate for this problem, I coped by glossing over the more embarrassingly poorly-written sections. Thankfully these are few!

Overall, this is great fun. It's grl power stuff and obviously intended to be secretly shared by female readers, but I think boys could read it without getting cooties or having their manhood excised. And maybe they could learn a bit about how to avoid being such creeps!

By the Time You Read This, I'll Be Dead, by Julie Anne Peters

Daelyn has decided that it's time to stop being a failure. This time she is determined that she will actually succeed...at killing herself. She discovers a website called Through The Light that encourages her to plan it right and actually "complete" the plan. The website assigns her 23 days to wrap things up.

This book then traces those next 23 days. Daelyn recounts the traumas and losses that have brought her to this desperate point. We learn about a history of bullying, physical and sexual assault, and near-constant harassment and humiliation from her peers (and indifference from the adults). We also get introduced to two of her peers (Santana and Emily) who reach out to her and we get a hint that there might be something for her that is worth living for.

This short book is a quick paced read and, like so many of Peters's other books, is thought-provoking and well-written. Peters has a knack for picking out interesting troubled teens (Luna, Define "Normal", etc.) and I tend to like her books. The themes of bullying, abuse, and suicide will resound with a lot of young readers. I suspect that this book is going to be one of her more popular books and get a wide and positive reception. It's easy to sympathize with the fear of being bullied (we've all gone through it) and the ending will provide plenty of room for discussion (whether informal chatter or a classroom group).

While it is a good book and I totally get why people will like it and recommend it, I'm not going to join that chorus. I didn't like the book and most of all I didn't like Daelyn. That may sound like a cruel and heartless thing to say, but I just found it hard to stomach the constant woe-is-me whine that permeates the entire book. As Daelyn herself acknowledges in the end, that sort of self-pity is probably her worst enemy. I'm not convinced that readers will pick up on that subtlety. Now that I'm grown up, I realize that the melodrama that she relishes so much just isn't going to solve anything. And enduring it for 190 pages really grated on me like nails on a chalkboard (sorry folks, it's a dated analogy!). Now, that feeling is totally personal. It in no way reflects on the fact that the book is well-written and thought-provoking and 99% of folks who read it will love it and find it moving. All of that is true as well. So, I'm going to praise it as an excellent book that you may or may not like (but which I personally didn't enjoy).

Oh, yeah, one thing I think we can ALL agree to criticize this book for is its cover. Daelyn is allegedly this totally overweight girl. Do not even pretend to tell me that the girl on the cover of this book is fat. Julie Anne Peters should SHOOT her publisher for the ironic decision to put Little Miss Twiggy on the cover of a book about body image. And yes, technically, Daelyn does mention that she's recently lost weight, but you KNOW that isn't why the art department made the decisions they made about this cover.

Solace of the Road, by Siobhan Dowd

The late Siobhan Dowd's final novel features Holly, a girl who decides to run away on her 15th birthday from her foster parents to find her mother. In logic that makes more sense to a lonely teen, Holly is convinced that her mother, who abandoned her years ago, is waiting for her in Ireland. Emboldened by a blonde wig she has stolen from her foster mother, Holly christens herself as "Solace" -- an older and wiser version of herself. She hitchhikes across western England and Wales, managing to reach the coast, but not without struggles (both material and mental, in both present and past).

As an adventure story, the young girl's mishaps will annoy some readers, but come across true to her age. She is both very brave and very foolish, weak but ultimately strong enough to pull herself back from the brink. While she makes her fair share of mistakes, she makes enough good decisions to survive the trip. Far more important, however, is the emotional journey that Holly takes as Solace. While ultimately predictable, the story is affirming and rewarding, and delivers a proper emotional payoff. In my opinion, a bit more ambitious than The London Eye Mystery and more interesting than A Swift Pure Cry. Worthy reading.

Crossing, by Andrew Xia Fukuda

Xing Xu is one of only two Chinese kids at his high school in Upstate New York. Unlike the other one (the bright and popular Naomi Lee), he's never been able to fit in. Instead, he tries to stay unobserved in the shadows. But when boys in his class start to disappear, Xing realizes that he -- on the sheer basis of being different -- is going to be eyed as a suspect. Ironically, as a careful observer of his peers, he proves to be the most adept at identifying the real culprit.

A chilling and scary book about psychopathic killing, prejudice, and paranoia -- in sum, not really my thing. For me, a simpler story about prejudice and how it makes its victims self-doubting would have been a compelling story, but Fukuda wanted to amp up the story with the murders (it does tend to expand the appeal of the book). While I didn't care for that particular decision, I can still acknowledge the strength of the book. It works on many levels. If you want a suspense/mystery novel, this will work for you.

The key to the book's success lies, as always in a decent book, with a great protagonist. Xing's character is particularly vibrant and interesting. His observations about the town's prejudice are damning and spot on. But Xing's real appeal lies in his ability to be an honest judge and he is equally critical of himself, which makes the misunderstandings in this story all the more poignant (and makes the ending just that much more haunting).

All Unquiet Things, by Anna Jarzab

Neily is the guy who found his ex-girlfriend Carly shot dead on an abandoned bridge over a year ago. Audrey is Carly's cousin and it was her father that was accused of the crime and sent to jail. But a year later, Audrey convinces Neily that the cops got the wrong man. Soon, there is a story of drugs, kidnapping, rape, and disappearances to add to the mix. Very quickly, both young people realize that they are getting in over their heads as the plot thickens.

This is extremely well-paced and Jarzab does a nice job of unraveling the story -- through a combination of narrative shift and flashbacks -- in such a way to keep things very interesting. Even the ending, which is predictable, keeps you beholden to the page. If story is what you're after, this is a good one.

The writing, however, is not nearly as good. First of all, despite being told by two separate narrators, there is no effective difference between the voices of Neily and Audrey. They both just sound old (what teenager would ever describe a room as being like "an English garden" or write such convoluted prose as "free to pace the winding corridors of our minds in search of answers to questions we had just started to learn how to ask"). Jarzab also has a rather odd notion of the generation she is writing about. At one point, she notes that the kids remember 9/11 like their parents remember where they were when JFK was shot. Excuse me? Whose parents?! (Let's do the math -- most HS seniors today were about nine years old during 9/11 which is not really an age where that sort of thing sinks in and their parents were probably 1 or 2 years old when Kennedy was shot!) Yes, it's small stuff, but it piles up after a while and it bugged me. I wanted to like the book because of its great story, but the lack of attention to detail distracted me.