Cicada Summer, by Andrea Beaty

Lily hasn't spoken a word in two years, since her older brother died. But in the summer when a girl named Tinny came to town and the cicadas came out of the 17 year hibernation, things will change. Lily will reveal some talents she's learned from Nancy Drew and confront both her past and the injustices that pervade her world.

A beautifully written and lyrical look at a summer of change. Perhaps too lyrical and abstract for the targeted tween audience, but a gorgeous and gentle read nonetheless. This short novel (almost a novella) has delightful descriptions and the type of bittersweet poignancy that I'm a sucker for. Recommended.

Vibes, by Amy Kathleen Ryan

Kristi makes outfits for herself out of random items she has found (tire inner tubes, old raincoats, etc.) and she listens to opera music on her iPod really loud to drown out the kids at her hippie alternative school. But what she really is trying to drown out is their thoughts (Kristi is cursed with the seeming ability to read minds) because what she hears isn't exactly nice stuff. She know full well that the girls think she is a bitch and the boys are all obsessed with her "ginormous" breasts. But things are changing. A new boy at school seems interested in her and the sexy older brother of her former BFF is sending out conflicting signals. Just to complicate matters, her absent Dad has returned and she is struggling to keep her secret pet cat hiddne from her allergic Mom.

This synopsis will probably make it seem like there is a lot of random stuff going on in this story, but Ryan has a good talent for making it all gel. Yes, some of the subplots could probably have been trimmed out, but I found the story quite readable. The whole psychic subplot, for example, is left beautifully vague and unresolved, which is just the way it needed to be. In so many ways, this book could have gone very badly, but it manages to skate through fine. As another example, a near-sentimental finale avoids the pitfalls and ends up with both a satisfactory sense of closure and enough open stuff to permit a sequel (although I hope that won't happen!). This book is worth reading for both its own enjoyment and as a lesson in how to keep readers nicely on their toes.

Boy Minus Girl, by Richard Uhlig

In the early 80s in Kansas, Les is dying to prove himself with a girl. When he isn't jerking off or begging God for forgiveness for doing so, he is studiously studying love-making technique as taught by the book The Seductive Man. He even knows the girl he wants to try it all out on -- if he could only get up the nerve to talk to her. To add to the mix, he's got a bully dogging his tail, a gym teacher on him to practice more, and a pair of overprotective parents. Enter his uncle Ray who makes a rare appearance and stays for a few weeks. Ray is destined to give Les the push he needs to change his life, but it won't really go the way either of them imagined.

A mixed result. Quirky-enough characters and lots of activity/action keeps the story interesting, but there is a lack of depth to everything that kept me cold. A good example would be the relationship of Les to the girl Charity which has shades of Hard Love but with so little dramatic tension that you almost forget it's there. The author may have captured the stereotypical shallowness of a horny teenage boy (and the similarly immature male adults), but that wouldn't excuse the female characters.

The book does itself no favors by claiming to be humorous. There are brief moments here and there but for the most part, this is actually a fairly serious story.

Skin Deep, by E M Crane

Andrea has spent her life so far observing the people around her, never getting actively involved in anything. But after her homeroom teacher commits suicide and she starts dog-sitting for an eccentric dying woman, her life begins to change. Eventually, she starts questioning her assumptions about high school cliques, her abusive Mom, and what she wants from life.

Well-written and occasionally engaging, this book is so busy being a "modern novel" that it never really tries to tell a story. I found it maddeningly difficult to get through. The usual culprits were at work: half-developed ideas scattered throughout the story (why do contemporary writers of adult fiction think this is a good style? And why do they think it will translate to YA?) and far too much noise. I give her high marks for busting the snobby cheerleader archetype, but beyond such good ideas, this story left me high and dry.

Cassie Was Here, by Caroline Hickey

When she was little, Bree had an imaginary friend named Joey. After her family moves to a new town, Bree turns back to Joey for companionship. Here parents are distressed to see their 11 year-old daughter retreating into fantasy, but soon they are even more worried about the real friends Bree is making in the neighborhood. However, initial impressions can be deceiving.

A fairly gentle middle reader about friendships -- both real and imaginary -- and the challenge of transitioning out of the world of make-believe. Hickey has a good sense of life at 11. This is a pleasing book with a lot of respect for its characters (both child and adult), but breaks no significant new ground.

Dear Julia, by Amy Bronwen Zemser

Elaine is a shy and withdrawn girl with an unusual penchant for haute cuisine. She's been cooking since she was little and has perfected and memorized every recipe in Julia Child's books (except the omelet!). She has four brothers (counting the one who keeps borrowing her clothes and wants to be a girl). She has a stay-at-home Dad who's big into yoga. A high-powered Mom who is a member of Congress and can't understand why her eldest daughter wants to make a career out of sweating over a hot stove. But Elaine doesn't have a friend, so she writes letters to Julia Child for help but never manages to mail them off.

Enter Lucida Sans (as in the type face). She's never been good at anything except for trying everything with the aim of becoming famous. She's not quite made it, often because of her weakness for the evil Croton (a rotten fig, a flower gone to seed). But while she doesn't really understand cooking (her two Mom's fry up cream cheese sandwiches!), she sees an opportunity to help Elaine and help both girls achieve their dreams.

A bizarre and strange rollercoaster of fun and mayhem. While the ending goes a bit over the top, you cannot fault the general fun of the story. The characters are hillarious and memorable, and the situations outrageous. This is a delightful book and tops off a run of really good books I've been reading lately (recent arrivals to this BLOG may not believe that I pan far more often than I praise as I'm beginning to sound like a softie)!

All We Know of Love, by Nora Raleigh Baskin

Four years ago, Natalie's mother walked out on her and her Dad. Now she has decided to go to Florida in hopes of finding her mother and sorting out why her Mom left. The 24 hour bus trip from Connecticut gives Natalie the opportunity to reflect upon the meaning of "love" and how it has affected her life. But more than an exercise in navel-gazing, Baskin shifts the narrative's POV and inserts anecdotes about love from incidental characters along the way. There are a number of odd plot twists and the story is only slowly revealed, but the overall result is an ode to the various meanings of love.

A thought-provoking novel with a lot to say. Baskin keeps the prose sparing and wraps the whole thing up in 200 pages, which is a blessing as an introspective book like this could have easily gotten tough to plow through. In fact, this is a novel that could easily have gone astray as Baskin trucks out more than the usual quota of YA cliches, but she is masterful at keeping things on track and focused. There has certainly been way too much written on the subject so one might wonder what Baskin could really add to the subject of love, but this story is repackaged in a way that makes it quite intriguing. A good read. If not perfect, it is at least well worth cracking open.

The Smile, by Donna Jo Napoli

At the end of the 15th century in Florence, Elisabetta dreams of a beautiful life at her country villa, wedded to the kind but hesitant Giuliano. But these girlish fantasies are not to be as Giuliano is a Medici and events are about to overtake her beloved republic. The years pass, tragedies strike, and her world changes around her, but every opportunity that disappears creates new ones to replace it. And while she keeps her friends and stays true to the things that are important to her, Elisabetta finds her life taking her places she had never imagined. Life is truly much more complicated than she ever imagined. By the time that a decade has passed and the book is closing, culminating in "Mona Lisa" posing for the world's most famous portrait, Napoli has created a parallel literary study to rival the complexity of Lisa's smile.

While the material Napoli has to work with is formidable and fruitful, it in no way diminishes the stunning achievement that this novel truly is. Napoli has written several previous works placed in medieval Italy, but this is easily the best. It underscores her striking command of the historical novel. The historical detail is lovely but never crowds out the narrative or the characters (who are delightful). One could nit pick and note how she grows impatient with her story and rushes it forward towards the end (a problem she also had in Hush) but overall the work is well-developed. Elisabetta is an interesting heroine who stays within the cultural bounds of her time while being vibrant to a modern mind. This is easily one of the best books I have read in the last year. Highly recommended.

The Luxe, by Anna Godbersen

In 1899 high society New York, reputation and discretion were paramount. And a family's destiny was driven by the right friends and the right marriage. Add to this exotic and luxurious environ the jealousies and unpredictable hormones of adolescents where everyone (in true classic romance style everyone is in love with the wrong person) and you get the world of The Luxe.

On so many levels I was certain I would despise this historical cum Gossip Girls derivative. And it started off badly enough with all the materialistic bodice ripping that I expected. But somewhere in its quick-reading 400+ pages, I got sucked in. Maybe not enough to want to read the sequels, but enough to understand -- and appreciate -- the appeal. Yes, it's an overblown Harlequin for teens. Yes, it lacks much in the way of redeeming aesthetic value. But it was also captivating and just plain fun!

Matilda Bone, by Karen Cushman

In the midst of medieval England, Matilda is left with Peg the bonesetter to learn the ways of medicine. She hates it. She would much rather be studying the lives of the saint with her beloved tutor Father Leufredus, but he has gone away. To Matilda, Peg and her colleagues (a doctor, a leech, and a barber) are barbarous folk -- not so much for their profession, but for being illiterate and uneducated. In her mind, only the learned Master Theobald is a worthy practititioner, although even Matilda acknowledges that he seems less successful at curing his patients. Matilda struggles with this contradiction and others.

Less funny than Catherine, and a bit more bookish (Cushman admits in the afterword that she fought the temptation to make this a textbook instead of a novel), Matilda Bone is an interesting read but a disappointment. You can't quite escape the feeling we're being taught here rather than entertained. And while the characters are interesting enough, one loses sympathy for Matilda's attitude and arrogance amidst such kindness and generosity.

Shelter, by Beth Cooley

When Lucy's father is killed in a car accident, she and her family lose everything, moving from place to place until they end up at a homeless shelter. Things have gotten as low as they can get. But as life hits rock bottom for Lucy, she discovers there is hope. And while she, her mother, and her little brother struggle to rebuild their lives, they also discover new talents and skills.

A light and fast read, but superficial and predictable at the same time. Cooley is an uneven writer. The setting was fresh and the characters engaging, but the dialogue and the narration gets very clunky and artificial at times. Fun enough to read, but don't expect much from it if you do.

Almost Alice, by Phyllis Reynolds Naylor

In the latest installment of the Alice series, Alice is now finishing up her junior year. As usual, there are plenty of adventures (a Sadie Hawkins dance, working for the Gay Student Alliance and the school newspaper, a production of Guys and Dolls, a friend from work choosing to become a priest, etc.) and a few deep issues (mostly dealing with sex and forgiveness). But for the most part, the rather frantic pace of Alice's just continues forward. Long-time readers will be excited that she goes to the prom with Patrick.

In my mind the franchise is mostly treading water at this point. She's a fun character to catch up with and I get the appeal, but aside from chronicling what Alice eats for dinner and the latest goofy adventure she has, Naylor seems to have run out of things to actually say in these books. Some of the installments (Alice In-Between and Alice the Brave, for example) were beautiful stories that just happened to be snapshots of her life. Now, it seems more like we are cramming in a lot of activity, skimping on the reflection, and full speed ahead. Alice seems shallow in comparison to her younger days.

I'll probably get savaged by the multitude of Alice fans out there, but I think it is fair to say that something has truly been lost. I've always been taken by the idea of the project (documenting a single person's life from childhood to adulthood) but I want it to be an emotional journey where I can see the insides of the person, not just a diary account of all her nutty adventures. Let's slow down a little and smell the roses!

Undone, by Brooke Taylor

Serena has always been drawn to the mysterious Kori and tried to emulate her. But Kori has always lived her life just a bit closer to the edge, being sexier, sluttier, and darker than Serena would ever dare. But when Kori dies in an accident, Serena must try to rebuild her life and identity without Kori. In fulfilling five of Kori's last wishes, she learns as much about Kori as she does about herself.

A striking surprise. I really wanted to hate this book. It combines the worst of YA (death and gloom) with characters who seem terribly stock (outcast goth, snotty cheerleaders, etc.) but Taylor is always one step ahead of you keeping things interesting. The book has a very nasty habit of throwing in unexpected curve balls (some of which seem artificially created just to generate surprise), but there is just so much originality in this book that you have to cheer it on. The plot still annoys me and the characters did not engage me, but the story is just too damned good! Read this book to read one of the truly most original treatments of a tired theme you will ever find. Brooke Taylor is a powerhouse of a good writer.

Call Me Hope, by Gretchen Olson

Hardly a day goes by where Hope's mother isn't yelling at her, calling Hope "stupid" or a "dumb shit." As Hope turns 12, she has grown so tense that she grinds her teeth at night and throws up her food. Despite her attempts to please her Mom, nothing seems to work and Hope wonders if she can get by. Taking inspiration from The Diary of Anne Frank and from Life Is Beautiful, she draws parallels between her life and the lives of Jews in the Holocaust.

Written more as an advocacy piece for alerting children to the dangers of verbal abuse, there isn't much room for subtlety in this story. Hope herself is well-developed but most of the other characters (Mom, the school counselor, friends, etc.) are basically just talking heads for the cause. That's a bit of a shame because a more nuanced story would have been more compelling. But the target audience appears to be younger middle school readers and Olson probably wanted to spell things out in black and white.

The Life and Crimes of Bernetta Wallflower, by Lisa Graff

When Bernetta's alleged best friend frames her and gets her suspended from school (as well as grounded for the Summer), Bernie is devastated. However, it gets worse. Because of her alleged cheating on a test, she is also going to lose her scholarship at Mount Olive and her parents can't afford to send her there in the Fall without the financial help. How, she must figure out a way to earn $9000 in the Summer to pay for the bills. But how do you do that when you are only 12 years old? Her surprising answer is to become a con artist.

It took me a major act of will to overcome the morally questionable premise (you can undo a wrong by committing many more) and a flimsy righting of those wrongs at the very end. But if you can put those scruples on hold, the book is breezy and fun to read. This is one of those stories that you can pretty much tell what the pay off will be, but it's entertaining.

Lobster Land, by Susan Carlton

Life on an island off the coast of Portland ME is fairly bleak (pun intended) but Charlotte has plans to escape to boarding school. However, there's her boyfriend, hapless (but potentially fugitive and definitely Scrabble-obsessed) Dad, and her siblings with whom to negotiate. And there's the small matter of getting the applications done as well!

A book which scores more from its witty writing than its story. The constant sarcasm gets a bit tired by page 90, but it has appeal (reminding me a bit of Cyd from Gingerbread). I really wanted to like this girl. But the story treads water.

I'll have to also admit that my opinion was impacted more than a little by the liberal use of profanity in the writing. This is a source of intense debate in YA (whether to swear or not). I see how it can add authenticity and emotion to a story (and I'm certainly no prude in my own life) but the rather heavy use of F-bombs and A-words by Carlton dilutes their utility. I think less is more in this case.

Santa Claus in Baghdad, by Elsa Marston

This collection of eight short stories profile a different young person in a different Middle Eastern country, focusing predominantly on areas which have been beset by violence (Iraq, Lebanon, Syria, etc.). While some of the struggles are familiar YA themes, the setting i scertainly not. So, like last year's In the Name of God, Marston illustrates both what is similiar and what is different.

Marston is a bit overly conscious of her role as an introducer of a culture to the West and some of the stories can get preachy (and politically slanted as well). Moreover, as a collection of stories, there is a wide variety of strength in the work. The first story (which lends its title to the book) is a particularly beautiful retelling of O Henry's Gift of the Magi and is one of the most haunting stories in the collection. Other stories, like "The Olive Grove" (about the Intifada) or "Honor" (about honor killing in Syria), falter under the weight of their political agendas. Politics of course has its place (and novels like the aforementioned In the Name of God or the haunting Tasting the Sky have successfully melded politics and teen angst) but Marston is at her best when she keeps her focus on the kids. And Marston does succeed at times. "In Line" manages to tell a story about friendship while still highlighting class tensions in modern Egypt.

Walking Naked, by Alyssa Brugman

When Megan lands up in detention with the "Freak" (as Megan and her friends call outcast Perdita), she realizes that she has never given Perdita much thought. And as she gets to know Perdita better a la Breakfast Club, she realizes that she actually likes the girl. But now, Megan must try to juggle her position as an It Girl with the social suicide of her new friendship. The effort that this balancing act takes makes her realize that her own perfect world may not be so great after all.

Fairly predictable and tame YA fare from Australia. (Wouldn't it be cool if we had a YA book where the popular snooty girl actually turned out to have a better life than the outcast? Yes, snooty A-List girls don't generally read YA so there wouldn't be much call for such a shake-up in the convention, but wouldn't it be fun to see something a little different?) No major revelations in this one. But if you are looking for a pleasant tale about the importance of being true to yourself and the perils of popularity, this will fit the bill.

Would You, by Marthe Jocelyn

One night during the Summer, while Nat and her friends are having fun sneaking into people's pools, they pass an accident site. Within a few minutes, Nat learns that her sister has been struck by a car and is now in a coma at the hospital. In the days that pass, she and her family (and their friends) come to grips with the idea of losing someone you love, who you never thought you would lose since she was so young.

A thin story, both in length and in development, that struggles to tell the story of grief in a new and original way. This one's in first-person present tense yet somehow manages to avoid any feeling of closeness or immediacy. I never felt connected to the characters nor any real compassion for what they were going through. And the story was so old and undeveloped. People grieve. It's sad. That's basically the story.

How To Ditch Your Fairy, by Justine Larbalestier

In a parallel world in a the near future, Charlie is a student at an elite sports high school in New Avalon. New Avalon is the best of the best and sports rule this world, making Charlie's place in the school a major honor. But in the world, fairies also hold sway and, while not everyone believes in their powers, Charlie sure struggles with hers. The fairies grant their hosts particular powers and her fairy give her the ability to find the perfect parking place -- a fairly worthless talent for a 14 year-old who hates cars and a dangerous liability when an upperclassman takes to kidnapping her to help him find parking places downtown. If only Charlie could get rid of her fairy and maybe gain a replacement -- like one that would win over all the boys or give her perfect hair....

A strange, quirky, and original setting for a story that combines sport novel with romance with supernatural magic, but never quite does any of these genres all the way. That may be charming, but I actually found it a bit maddening. Add to it all the surreal workload that Charlie and her fellow students allegedly endure and a sadistic system of demerits and I just started to get creeped out. What should have been a funny and entertaining story just got dark. New Avalon just seemed like a dystopia and a depressing place. So, in the end, I was confused about what I was supposed to get from the book. There were little elements of all sorts of things, but in the end, it seemed like a happy fairy tale ending (!) was supposed to wipe away any substantive conclusion. I didn't get much out of this book, despite its originality. Your results may vary.