Lobster Land, by Susan Carlton

Life on an island off the coast of Portland ME is fairly bleak (pun intended) but Charlotte has plans to escape to boarding school. However, there's her boyfriend, hapless (but potentially fugitive and definitely Scrabble-obsessed) Dad, and her siblings with whom to negotiate. And there's the small matter of getting the applications done as well!

A book which scores more from its witty writing than its story. The constant sarcasm gets a bit tired by page 90, but it has appeal (reminding me a bit of Cyd from Gingerbread). I really wanted to like this girl. But the story treads water.

I'll have to also admit that my opinion was impacted more than a little by the liberal use of profanity in the writing. This is a source of intense debate in YA (whether to swear or not). I see how it can add authenticity and emotion to a story (and I'm certainly no prude in my own life) but the rather heavy use of F-bombs and A-words by Carlton dilutes their utility. I think less is more in this case.

Santa Claus in Baghdad, by Elsa Marston

This collection of eight short stories profile a different young person in a different Middle Eastern country, focusing predominantly on areas which have been beset by violence (Iraq, Lebanon, Syria, etc.). While some of the struggles are familiar YA themes, the setting i scertainly not. So, like last year's In the Name of God, Marston illustrates both what is similiar and what is different.

Marston is a bit overly conscious of her role as an introducer of a culture to the West and some of the stories can get preachy (and politically slanted as well). Moreover, as a collection of stories, there is a wide variety of strength in the work. The first story (which lends its title to the book) is a particularly beautiful retelling of O Henry's Gift of the Magi and is one of the most haunting stories in the collection. Other stories, like "The Olive Grove" (about the Intifada) or "Honor" (about honor killing in Syria), falter under the weight of their political agendas. Politics of course has its place (and novels like the aforementioned In the Name of God or the haunting Tasting the Sky have successfully melded politics and teen angst) but Marston is at her best when she keeps her focus on the kids. And Marston does succeed at times. "In Line" manages to tell a story about friendship while still highlighting class tensions in modern Egypt.

Walking Naked, by Alyssa Brugman

When Megan lands up in detention with the "Freak" (as Megan and her friends call outcast Perdita), she realizes that she has never given Perdita much thought. And as she gets to know Perdita better a la Breakfast Club, she realizes that she actually likes the girl. But now, Megan must try to juggle her position as an It Girl with the social suicide of her new friendship. The effort that this balancing act takes makes her realize that her own perfect world may not be so great after all.

Fairly predictable and tame YA fare from Australia. (Wouldn't it be cool if we had a YA book where the popular snooty girl actually turned out to have a better life than the outcast? Yes, snooty A-List girls don't generally read YA so there wouldn't be much call for such a shake-up in the convention, but wouldn't it be fun to see something a little different?) No major revelations in this one. But if you are looking for a pleasant tale about the importance of being true to yourself and the perils of popularity, this will fit the bill.

Would You, by Marthe Jocelyn

One night during the Summer, while Nat and her friends are having fun sneaking into people's pools, they pass an accident site. Within a few minutes, Nat learns that her sister has been struck by a car and is now in a coma at the hospital. In the days that pass, she and her family (and their friends) come to grips with the idea of losing someone you love, who you never thought you would lose since she was so young.

A thin story, both in length and in development, that struggles to tell the story of grief in a new and original way. This one's in first-person present tense yet somehow manages to avoid any feeling of closeness or immediacy. I never felt connected to the characters nor any real compassion for what they were going through. And the story was so old and undeveloped. People grieve. It's sad. That's basically the story.

How To Ditch Your Fairy, by Justine Larbalestier

In a parallel world in a the near future, Charlie is a student at an elite sports high school in New Avalon. New Avalon is the best of the best and sports rule this world, making Charlie's place in the school a major honor. But in the world, fairies also hold sway and, while not everyone believes in their powers, Charlie sure struggles with hers. The fairies grant their hosts particular powers and her fairy give her the ability to find the perfect parking place -- a fairly worthless talent for a 14 year-old who hates cars and a dangerous liability when an upperclassman takes to kidnapping her to help him find parking places downtown. If only Charlie could get rid of her fairy and maybe gain a replacement -- like one that would win over all the boys or give her perfect hair....

A strange, quirky, and original setting for a story that combines sport novel with romance with supernatural magic, but never quite does any of these genres all the way. That may be charming, but I actually found it a bit maddening. Add to it all the surreal workload that Charlie and her fellow students allegedly endure and a sadistic system of demerits and I just started to get creeped out. What should have been a funny and entertaining story just got dark. New Avalon just seemed like a dystopia and a depressing place. So, in the end, I was confused about what I was supposed to get from the book. There were little elements of all sorts of things, but in the end, it seemed like a happy fairy tale ending (!) was supposed to wipe away any substantive conclusion. I didn't get much out of this book, despite its originality. Your results may vary.

The Market, by J. M. Steele

One night, on an anonymous tip, Kate discovers a website that purports to be a market. But this "market" doesn't tade in the usual commodities -- it rates the popularity and desirability of the girls in her high school. When Kate shows it to her friends, the girls are initially disgusted, but ultimately intrigued at the possibility of playing the market by investing in Kate and inflating her value from "junk" to "blue chip" -- with the goal of cashing in on the gain. But as her "value" starts to climb, Kate learns that there are other "investors" who are eyeing her and that speculation -- even in popularity -- can have dangerous side effects.

A bit heavy-handed and simplistic, the premise makes this book worth reading, but just barely. The (anonymous) authors are slick and on a mission to sell their story as a parable on the perils of popularity. In case you don't pick that up from the main plot, they have weaved in some subplots that tell the same message. The overall effect is a book that seems over-engineered -- like it was the result of a focus group rather than the heart and soul of a living writer. That's not to say that the story is formulaic, but the ingredients certainly are.

Bliss, by Lauren Myracle

It is the Fall of 1969 and the big story on the news is the Manson trial. But for Bliss, it is about trying to fit in at Crestview Academy after her parents dump her with her stodgy grandmother as they flee to Canada to avoid the draft. That would make for a pretty interesting story, but there is more: a ghost of a girl who killed herself 80+ years before, a death-obsessed loner, a non-conformist love interest, interracial dating in a time when such things were still dangerous, and mutitudinous quotes from the Andy Griffith Show.

This novel falls seriously into my category of trying-to-do-too-much. I'm not sure how all of the plots were supposed to relate (most of them are just fade away and the ending is amazingly incomprehensible), but I am sure that some sorry book report writer will have to figure it out. Her earlier Rhymes With Witches did a similar job of crossing high school life with the supernatural, but it was wittier and had more focus. This one can't figure out if it wants to be funny, poignant, and just gross-out. All over the place and ugly to boot!

Debbie Harry Sings In French, by Meagan Brothers

Johnny aimlessly drowns his dead-end life in alcohol until an unintended overdose of drugs lands him up in a rehab center. A girl there introduces him to the music (and style) of Debbie Harry and Blondie. It's the early 90s and he's more into 80s New Wave, but something about Debbie totally captivates him and gives him the strength to find a new direction. New directions, however, come with new complications and it takes a girlfriend, a jealous bully, and one fantastic dress to show him the way.

The storyline veers all over the place, but the characters are surprisingly engaging. Moreover, Johnny's journey is unique in YA (which is truly amazing in this day and age of jadedness in the genre). This is hardly classic material, but it is original and it is well-written. Give it a try!

The Isabel Factor, by Gayle Friesen

Right before Zoe and Anna are supposed to go to summer camp, Zoe breaks her arm and can't go. Inseparable as friends ("like crazy glue"), Anna does not know what to do but reluctantly goes alone. The summer promises to be busy as she and her friends from previous summers hatch a plan to finally win the camp competition against their arch rivals in cabin seven. However, there is a new girl (Isabel) who won't play along. Her resistance has striking consequences on old friendships. Soon, Anna is even reconsidering her friendship with Zoe and her priorities in general.

A bit of a rough read and treading on familiar ground, this story does not offer a lot. The ending is strong and some ambitious themes about peer pressure are approached, but this is overall pretty average stuff.

Heaven Looks A Lot Like the Mall, by Wendy Mass

When a freak dodgeball accident lands Tessa in a coma at the hospital, her life flashes before her eyes. However, each episode is seen through the context of a store at the mall where her Mom and Dad work. While this may sound like an absurd basis for a story, it turns out to be an effective device to allow Tessa to revisit her life and realize that she hasn't always made the best of choices.

This is one of those free-verse novels: a genre that is overly prone to navel gazing, especially in YA. Sometimes, it works well. This time, the results are mixed. Some of the chapters (particularly early on) coalesce nicely, but others drag or fall into cliche (do we really need one more prom disaster story?). A decent-enough read, but disappointing in the end.

Another Kind of Cowboy, by Susan Juby

Taking a break from her successful Alice, I Think series, Juby gives us the story of Alex -- a horse-obsessed boy with a talent for riding and a small secret that he keeps from his alcoholic father. Add in a spoiled and self-centered rich girl from an elite girls' riding academy, his two nosy little sisters, and a variety of other characters and you get a charming story about finding out who you are, coming clean, and competitive dressage.

Spoiled rich girl Cleo never quite appealed to me, but Alex is a winner and a nice hero (Juby has created another character worthy of a few more books). The setting (rural British Columbia) is a bit off of most people's radars, but the story is a winner, not really following a traditional arc but still managing to deliver a good payoff. Worth reading!

Suite Scarlett, by Maureen Johnson

Scarlett lives in a famous old hotel in the heart of Manhattan with her family. It sounds terribly exotic unless you realize that the hotel is an economic failure (a pale shadow of its former glory days) and her family is a mixture of dysfunctional types. But everything changes when the exotic and eccentric Mrs Amberson arrives and takes an instant liking to Scarlett. Staying in the fanciest suite in the hotel and throwing money around like crazy, Mrs Amberson looks poised to change everyone's fortune until things go terribly wrong. Now, Scarlett must rise to the occasion and save the day.

An uneven work. Thoroughly fun and enjoyable in the first 250 pages, the final 100 pages become muddled as the plot treads water and losings its dramatic edge. Things aren't helped by one of the most boring romances to grace YA in a while. It was so bad that it took me totally by surprise, because I really was enjoying the book and couldn't put it down. But it just failed to deliver. In addition to the romance that isn't, there's a number of improbable plot turns, a major dramatic moment that isn't (when Mrs Amberson's secret conflict with her nemesis is revealed), and all sorts of rough ends. Johnson writes some good books and most of them are quite entertaining, but this one just bombs out. Disappointing!

Living Dead Girl, by Elizabeth Scott

Alice lives in a hellish world that centers around pleasing Ray. It wasn't always like this and somewhere in the back of her mind she remembers the girl who had a family and a different life. But that was before Ray took her away and made her his and name her Alice. And she isn't even the only Alice. Before her there was another Alice who Ray killed when she turned 15 and was too old to love him anymore. Now that Alice herself has turned 15, she knows it won't be long before Ray replaces her as well.

ICK! It's a quick read and an engrossing story, but you have to be one very sick puppy to enjoy a book like this. And I realize that that review is not going to scare anyone off (I read the same sorts of reviews myself and it only made me want to read the book), but this is a story that really exists only to exploit. You won't learn anything more than there are people in the world sicker than you (for even wanting to read this) and that a slick advertising campaign and a lot of hype can make the difference between schlock and must-read YA. Nasty!

Clementine's Letter, by Sara Pennypacker

Clementine's world is thrown into chaos when the principal announces that her third grade teacher Mr D'Matz may win a chance to go away on a trip to Egypt for the rest of the year. Mr. D'Matz is her favorite teacher ever and he promised that he would be with them for the entire year! So, Clementine hatches a plan to make sure he stays. Simultaneously, she is working out a plan to buy her Mom a present and continues her search for new names for her little brother.

This third installment of the series remains as charming as the first two and it stands as one of the few series books that I've enjoyed enough to rate all of the books with my highest (****) rating. While I still would find Clementine a bit of a pain to take care of as an adult (and maybe a bit obnoxious as a classmate/playmate), reading about her is a delight!

Savvy, by Ingrid Law

Living in the boondocks of Kansaska-Nebransas is a good idea for the Beaumonts, a quiet farm family with a secret: when a Beaumont turns 13 they develop their savvy (a special supernatural talent). Mibbs's grandfather can move land, her older brothers cause storms and electricity, and her mother is just perfect. Now Mibbs is turning 13 and she wonders what her talent will be. But rather than have the wonderful celebration she wants, there is a cloud over the family as her father lies in the hospital after a terrible accident, her mother is gone from the house attending to her, and the nosy pastor's wife insists on putting on a huge party. Chaos and a frantic roadtrip through Kanasaska-Nebransas ensues.

Clever and a mildly funny, this quick read will appeal to younger readers for just being fun, while older readers will get the whole puberty metaphor. Both will hopefully enjoy the funky characters and wild adventure. There's not a lot to the story and it moves along in a fairly predictable fashion, but that won't take away from the enjoyment. Did I mention it was a fun read?

Paper Towns, by John Green

One night toward the end of his senior year, Quentin's sleep is interrupted by the girl-next-door Margo, who wants Quentin to join her on an all-night prank fest. He consents and after the evening is over, she disappears. In the weeks that follow, Quentin becomes obsessed with finding out what happened to her and starts to assemble clues about her disposition. As his last year in high school closes, Quentin realizes that time is running out. Assisted by his odd assorted friends, he embarks on a desperate road trip to save Margo before it is too late.

John Green is a major powerhouse in YA writing and Looking For Alaska ranks in my all-time top ten. However, he seems to be in a rut. While still very funny and endlessly capable of creating quirky and memorable characters, Green's stories end up sounding much the same -- horny but sensitive loser-boy longs after mysterious girl. It's a lovely formula and it rings true (as the male version of the teen angst novel), but it's really time for Green to move on and write a new book. I don't really need to keep reading the same one over and over again.

Hot Lunch, by Alex Bradley

When too-cool-for-you Molly gets into a destructive food fight with new girl Cassie, their initial punishment is being forced to work in the school cafeteria for Mrs. Zetz the lunch lady. But when the two girls drive Mrs. Zetz into early retirement, they are ordered to run the place for themselves. Now they must overcome their dislike for each other and simultaneously turn out decent school meals. It will be a long journey!

Another fun book with a good dramatic arc, but also some strange subplots that just sit out there and some really clunky character development. Molly is so unsympathetic at first that the author has trouble turning us around to liking her (almost as if he realized that he had gone a bit overboard with making her mean). As a result, we get all sorts of out-of-the-blue revelations (example: major crush that is only revealed about 90! pages in). The subsequent attempts to give Molly a heart of gold did not work for me.

Oh, and I totally can't get the Fame song "Hot Lunch" out of my head...

The Possibilities of Sainthood, by Donna Frietas

Antonia Lucia feels she has some pretty good ideas about sainthood, whether it is for a new saint of fig planters (to help her in winterizing the family trees) or a saint of pasta makers (for when Mom and Gram have her covered in dough to feed every Italian in Providence). She also hopes that some day she'll become the first living saint (she doesn't want to die in order to do so!). This is especially important because she hasn't even had her first kiss yet!

A funny and charming book that is mostly about being a boy-crazed 15-year-old Catholoic schoolgirl (which is probably about as far removed from my personal experience as you can get!), but the story is also about a quirky young woman going for what she wants. It's a romance novel with just a little bit of intellectual ambition thrown in. A great read with a satisfying ending, and also a nice book about growing up Italian.

The Glow Stone, by Ellen Dreyer

After her uncle dies, Phoebe seems to be the only one who still feels close to him. Her mother in particular is withdrawn and distant. She even insists that Phoebe sell her much-loved desk that her Uncle gave her! So, when an aunt offers to take her spelunking, Phoebe jumps at the opportunity to do something new and different. The trip into an old cave, however, brings Phoebe face to face with the truth behind her uncle's death and reveals a secret about her family.

This is a weird book that is not really sure if it wants to be a family drama or a supernatural thriller (or maybe both?). The overall result is just odd. Dreyer has a number of interesting ideas but in a short book like this there is not enough space to develop them. The ending comes up a bit too abruptly leaving the reader confused. The overall result is a book to skip.

The Comeback Season, by Jennifer E. Smith

It's been five years since Ryan's father died, but Ryan is philosophical about these things because she is a Cubs fan. And being a Cubs fan means having to deal with 100 years of loss and dashed hopes. For Ryan, rooting for the Cubs will always be linked to spending time with her Dad. On the anniversary of her father's death (which also happens to be Opening Day), Ryan finally musters the courage to return to Wrigley Field and revisit the site of her memories. While there she meets Nick (a boy from school that she barely knows) who is drawn to Wrigley for similar yet different reasons. With Nick, she is destined to learn new lessons about struggle and hope.

I'm not a sports fan (if I had to root for a baseball team, it would be the Phillies) and I'm even less into novels written in the third person (which this one is). So, I figured that I would simply hate this book, but I don't. That should give you an idea of how great this author must be. But Smith is much more than the writer of a good book, she is a phenomenal spinner of words. Using baseball as an analogy of life is hardly new, but she takes it much further than I've ever seen before - combining good observation with a way to make you sit back and nod. This is a beautiful book with a lot to say about life. Even if sports are not your thing, this is a book that is well worth your time to read.