Get Well Soon, by Julie Halpern

Anna Bloom recounts her twenty-one days spent in a mental hospital. As expected, the story tracks her recovery from an anxious and nervous young woman to one with slightly more confidence, as she discovers that she can make friends and even find a boyfriend in a supportive environment.

Not a bad novel, but not an overly ambitious story either. There have been plenty of good novels about teenagers in mental institutions. This one simply doesn't do much. Anna's problems are never quite articulated and, in fact, seem to have more to do with the incompetence of her caregivers than any real issues. One gets the sense that her entire treatment experience was a waste, but even that particular angle is not explored.

Madapple, by Christina Meldrum

Aslaug has lived a very isolated life in the wilds of Maine, raised and heavily controlled by her mother. When Mother dies, Aslaug is set adrift but finds the aunt and cousins that she never knew she had. But if life with Mother was a bit odd, her new family is even stranger and things quickly descend into madness. Told in flashback (and in the present through courtroom testimony), we gradually piece together what has happened.

A richly textured book with exotic characters, Madapple is densely written and a bit hard to get through. After 50 or so pages, I began to get comfortable with the style and really enjoy the book, but at midpoint the writing descends into some dry religious history and starts to lecture. Apparently Meldrum became really interested in early Christian thought and wanted to share. There is a point to this (it has some bearing on the plot) but she goes way overboard and I lost interest quickly. The ending is a bit convenient (relying upon that weaker courtroom drama device of the surprise witness). Overall an original and provocative book but it gets a mixed review from me.

The Book of One Hundred Truths, by Julie Schumacher

When Thea goes on vacation to her grandparents' house on the Jersey shore, she is not expecting to find the house full to the brim with family members. Nor is she expecting the gift her mother gives her: a journal in which she is supposed to record 100 true things. But most of all, she is not expecting how difficult it will be to control her compulsive lying and an annoying younger cousin whose persistence may translate to revelation.

A bit gimmicky and the conclusion is not as terribly shocking as it is built up to be. Thea is engaging enough and the targetted demographic (middle readers) will like her, but mostly this story is simply satisfactory. Not bad, but not terribly memorable or outstanding.

Good Enough, by Paula Yoo

Patti is a stereotypical overachieving Asian high schooler with overanxious parents who are convinced that without constant effort there is no way that she's ever going to get into HARVARDYALEPRINCETON. But despite her success, Patti feels that something is lacking and that she is simply not good enough.

While starting with a stereotype, Yoo quickly departs from stock notions, adding a level of detail and depth that make Patti a really likeable character. There is some underdeveloped themes about racism, the story itself is predictable, and it all wraps up a bit too neatly for belief, but even these shortcomings have their own satisfactions. More than your usual guilty pleasure, the story has enough substance and life observations to make it shine. Recommended.

How To Be Bad, by E. Lockhart, Sarah Mlynowski, and Lauren Myracle

Told in alternating voices (presumably by alternating authors), this novel tells the classic road trip story of three girls - rich girl Mel, Christian Jesse (whose Mom has cancer), and Vicks (for whom the road trip to see her boyfriend is officially instigated). Naturally enough, they have little in common when they start and a lot of common ground to bond over by the time they are done, as they trip through Florida and battle alligators, hurricanes, pirates, and few near-miss boyfriends.

Three powerhouse writers and enough publicity surrounding the book to make it hard to ignore, but the overall result is a big disappointment. All three of these writers have done better work on their own. As with Nick and Nora's Infinite Playlist (which I also failed to appreciate as much as the other critics), strong writers don't make good collaborators. There can be some fun in watching the authors fight each other to control the story, but there is a jarring sense as we cross over each chapter that there is no consensus about what the story should really be about? Friendship? Family? Finding inner strength? Alligators? Is the story serious or silly? It's all a bit much. A clever writing workshop project perhaps, but not material for a published novel (unless of course you already have an excellent track record that you can afford to blow). Ignore the hype and skip this book.

Keeping Corner, by Kashmira Sheth

In 1917, 12 year-old Leela's husband is killed by a snake. And while she has never lived with her husband, she is condemned by custom to spend the rest of her life as a shunned widow, starting with a full year of seclusion. Set amidst real political events shaking India at the time, this semi-biographical tribute to the author's great-aunt creates an interesting setting for ordinary adolescent yearnings in extraordinary circumstances.

While the story can get a bit sluggish and repetitive, the setting makes for interesting reading. This is no milestone piece or even a particularly original story, but for a reader unfamiliar with Indian rural culture (i.e., most of us!) this is a decent read. The political angle works less well as it never fully integrates with Leela's search, despite the author's intent.

Love Me Tender, by Audrey Couloumbis

When Elvira's Dad leaves the family to take part in an Elvis impersonation contest in Las Vegas, Mom decides to pack up the family to visit Grandmother. The Grandmother is getting on a bit in years and has a tendency to set the house on fire, but otherwise people mostly just sit around and chat.

A strikingly dull book (which I should have expected since her much more critically-acclaimed novel Bringing Up Baby was similar). Couloumbis does not really have much interest in plot. Instead, her characters mostly sit around and chat. This might make for realism and decent character development, but not for an entertaining read.

The London Eye Mystery, by Siobhan Dowd

When Salim, Kat and Ted's cousin, passes through London on his way to relocate to New York, he begs for a chance to take a ride on the Eye. His cousins take him and the adventure begins when Salim disappears! The adults are unable to figure out what happened, but Ted is on the case. This is all the more surprising as Ted has trouble communicating (he has symptoms that resemble Asperger's Syndrome). But Ted has a sharp mind for details and gradually he unravels what happened to Salim.

I'm reading this in flight to London, so it is strangely appropriate. However, I wouldn't consider the story to be anything spectacular. Dowd does a nice job of creating Ted's unique voice, but the mystery itself is not developed well and the story's pacing is too slow.

[Additional note: while at the Eye's gift shop later in the week, I noticed that they are carrying this book for sale. Cute tie-in!]

Primavera, by Mary Jane Beaufrand

Flora will never have the marital bliss of her sister Domenica or even her mother's affection, but unlike her sister or mother, she enjoys the freedom to come and go around her family's estate Pazzi Palazzo. It is the late 15th century and the setting is Florence. Two of the world's most powerful families (the Pazzi and the Medici) are locked in a bloody conflict that is tearing the city - and Flora's future -- apart. In the chaos that ensues, Flora has to find the strength to survive and help the few people that she can.

Historical novels are drab affairs and ones that are based on true events even more so, but this one actually works as both a bit of stirring action-adventure and as coming-of-age story. There are no deep sentiments here and the too-good-to-be-true ending grates at me a bit, but the novel is still excellent summer reading. So, if you need some period escapist lit, this one is for you!

Lessons from a Dead Girl, by Jo Knowles

When Leah Green dies, Laine begins the process of coming to terms with the legacy of her friendship with Leah. Because this was a "friendship" only to outside eyes. Even in public, Leah teased and humiliated Laine. But it was what Leah did to Laine in the "doll closet" that was the most sinister. In shocking detail, Knowles dissects the nature of an abusive relationship between two alleged BFFs.

This qualifies as a good read, but an extremely upsetting story. The "ick" factor is quite high. For this reason, it won't make my list of books I'm going to re-read any time soon. However, the story is an important one and Knowles's writing is sharp and intelligent. If you have the stomach for it, this is well worth cracking open.

You Know Where To Find Me, by Rachel Cohn

Laura and Miles were cousins, and as close as they could be. And while they appeared to share nothing in common (Laura was petite and popular; Miles overweight and a loner), they were very close. As they grew up and transitioned from fantasy play in the tree house to abusing prescription pain killers, they maintained their tight bond. Laura was always the one who had it together, so when it is Laura who kills herself, no one can believe it. And Miles who has the most trouble struggling to survive without her lifeline.

A bit of a departure for Cohn, this downer novel suffers from a dead plot (pun intended). The theme is grief, but you have probably never seen the phases of sorrow depicted as dull as this. Virtually nothing happens in this story and saddling the plot with an unsympathetic heroine does not really help things along. Give this a pass!

Undercover, by Beth Kephart

Elisa is not the type of girl you notice. She stays out of sight and keeps a low profile. But her way with words makes her useful to lovelorn boys who take the love poems she ghostwrites for them to win the hearts of their girlfriends. But one of her clients (Theo) is special and different, and the poems she writes for him to give to his Lila mean more to her than they could ever mean to Lila or Theo. More inspired by Cyrano de Bergerac than copied, this lyrical love story celebrates the strength to rise out of the shadows and seize the day.

Beautifully written, albeit prone to more than a few digressions, this is a strong YA debut from an author who carved out her credentials in the adult market. There are times when this novel drifts away from the YA world, but Kephart shows much more talent than your usual crossover author. Recommended.

The Canning Season, by Polly Horvath

When Ratchet's mom sends her to Maine for the summer to live with her two maiden "aunts" Tilly and Penpen, no one knows quite what to expect. Certainly not bears and blueberries and phones that you can't ring out on! But as one could expect in a story like this, there are lots of adventures to be had. There are also plenty of surprises in trademark Horvath style with strong quirky characters.

I'm a big fan of Horvath's Everything on a Waffle, which I felt was a clever book that combined life advice with decent recipes. As I noted above, this is a similarly quirky and fun novel. It's not quite as memorable, but it's still a good read.

101 Ways To Dance, by Kathy Stinson

In this slim collection of short stories, we get a variety of topics but all of them deal with teen sexuality in one way or another. Many of the ideas are quite original: sexual desire between kids with Downs Syndrome or kids who are dying of cancer. Some of the stories deal with forbidden topics (like incest). All of the stories address the conflict between physiological desire and parental/adult disapproval. So, as a unifying concept, sex works.

The stories themselves are rough. Some of them are certainly better than others, but none of them really moved me in a significant way. Beyond the yearning and the poignancy of young lust and love, the characters come across as surprisingly flat. Much credit can be given to Stinson for creating so many unique and original stories about sex (while avoiding all the usual stuff), but the stories needed more development and polish. Promising concept but a disappointment.

A Little Friendly Advice, by Siobhan Vivian

At Ruby's 16th birthday, her long-absent Dad suddenly shows up. Ruby is not so pleased to see him again and runs out of her own party screaming. Her friends come after her and offer their support and advice on how to deal with the situation, just as they have always done in the past. However, this time, Ruby begins to realize that the help of friends is not always given without strings attached or some degree of self-interest. And that may pose dangers.

There is some excellent writing going on here, in terms of voice and characterization. Vivian has a good ear for dialog and the action feels very realistic. But the story is a mess. It was a good 80 pages or more before I could truly figure out what the story was even about (I don't read blurbs before I start reading the book). And it floats rather aimlessly about. Yes, there is an ending and a fairly normal narrative, but there is also so much noise and distraction going on that you don't get a story so much as a slice of life. Good writing is not just about capturing people, it's about telling a story -- Vivian needs to do that.

Girl, Going on 17, Pants on Fire, by Sue Limb

In this third book in the series, Jess now has to juggle her boyfriend troubles, an evil substitute teacher, perpetual tardiness, and taking her granny to the doctor's office without underpants. There's a barely-English-literate Japanese boyfriend for Jess's mother and a variety show for good measure. Much hilarity ensues.

The first book in the series was funny, albeit a bit silly at times, but it is harder to accept the proposition that Jess is still so immature yet now actually 17 years old. She always seemed a bit babyish, but now she seems to act like a tween (at best!). I've noted before that British YA seems to be a bit less mature than American. This is a classic example. Sadly, Limb's little franchise is losing steam.

The Adoration of Jenna Fox, by Mary E. Pearson

In the near future, antibiotics have lost their effectiveness, traditional agriculture has been taken over by genetic modification, and medicine has advanced to Frankenstein levels. Yet teenagers are still teenagers and Jenna, having woken a two-year coma after an accident, is searching for the meaning of her life. Her searches bring her far more than she could have expected and soon Jenna must confront questions about parental love gone amok, the meaning of the soul, and what quality of life truly means.

While bearing a superficial resemblance to Haddix's novel, Double Identity, this is a very different novel, and one which is far removed from Pearson's over-lauded A Room on Lorelei Street. The writing can get a bit turgid at times, but there are some fascinating themes raised here (warning: mandatory book review assignment material!). I'd recommend this book simply to give you a chance to read one of the more fascinatingly original YA novels written this year.

Camp Rules, by Jordan Roter

When Penny's parents decide to surprise her on her 16th birthday by sending her to camp for the summer, they don't realize that you can't just start going to camp at 16. It's something that you have to start doing at 8 and grow into. Worse, because of Fern Lake Camp's rules, Penny's been promoted to the elite Bunk One (where the oldest and most-privileged campers are). This doesn't sit well with some of her bunk mates and things get off to a rocky start. Gradually, Penny wins them over and discovers the fun she's been missing.

A lightweight and brisk read. The dialogue sounds authentic (or at least obnoxious enough to my crotchety ears to be authentic!) and the characters have good distinct personalities. But the plot is essentially non-existent. If you like to sit around and listen to a lot of goffy gossip, this could be fun, but I would think that going to camp this summer for real would be a lot more fun than living vicariously through these hijinx.

The Shakeress, by Kimberley Heuston

In the late 1820s, tragedy strikes Naomi's family as her parents and younger brother are killed in a fire. Like a period melodrama, they are sent to live in the uncaring arms of Aunt Thankful, but Naomi comes to realize that their salvation lies with joining the Shakers. And while that provides comfort, it only temporarily delays Naomi's own realization that her place lies elsewhere. Through years of searching, Naomi attempts to find that place for herself.

An unusual historical novel and an even more unusual YA story, Heuston walks a fine line between historical accuracy and anachronistic feminine empowerment, but the result is a beautiful piece that is true to both history and character. Nice period details and a heroine who is both strong and believable. As one reviewer noted, the writing also beautifully depicts the spiritual dimension of Naomi's search. That's icing on the cake in the remarkable work.

The Talented Clementine, by Sara Pennypacker

In this sequel, Clementine is still getting in trouble and having trouble paying attention. Third grade is doing a Talent-palooza and everyone has something to perform except Clementine. But just as the big show cames, Clementine and her teachers discover her hidden talent (and it isn't getting in trouble).

For younger readers, this continues to be a really strong series (in the tradition of Ramona or Judy Moody). It's funny for both younger and older readers, with a gentle and kind world view. For whenever you need a break from the dreariness of YA or adult novels and just want a laugh, Clementine does it for me!