What My Girlfriend Doesn't Know, by Sonya Sones

Picking up exactly where What My Mother Doesn't Know ended, but switching viewpoints from Sophie to Robin, this sequel tells the continuing story of the romance of the unlikely beauty-and -the-beast pair of teenaged artists. It is hardly a happily-ever-after story as Robin gets an opportunity to audit an art class at Harvard and discovers that there is life after High School. And both of them must struggle with the problems of a popular girl dating an unpopular boy.

The first book is among my very few four-star books and my absolute favorite of Sones's books. Sequels always have a tendency to disappoint (or at least lack the novelty of the originals). But what really killed this book for me was the change of perspective. Sophie was a fascinating character, Robin simply is not. I think there are two reasons for this. One is that Sones really doesn't have as good of a hold over adolescent boys (as she does on adolescent girls). But I also think that the teenaged male psyche doesn't lend itself as well to free verse poetry as her girls do. A stereotype to be certain, but it is honestly hard to find Robin's voice to be plausible. It's an interesting experiment and a lot braver writing than Sones has done before, but it falls flat.

Gracie's Girl, by Ellen Wittlinger

Bess's mother is so busy helping the homeless down at the shelter that she doesn't have any time for Bess at all. Worse still, she wants Bess to come down and help as well. Bess can't stand the idea. She's much rather be planning her transformation to popularity as she starts middle school. But when she goes to the shelter and meets Gracie, her life changes and she realizes that there are more important things in life.

Fairly predictable and lacking an authentic voice, this story is not one of Wittlinger's best works. I'm a minor fan, so I was disappointed that Bess turned out to be such an uninspiring heroine. I suspect that Wittlinger herself didn't find the story all that exciting. It certainly doesn't seem that way. The dialogue is flat, plotting is erratic and uneven, and there isn't much that is new here. Give it a pass.

Crushed, by Laura and Tom McNeal

Audrey's life changes when the new boy at school shows an interest in her. Complications ensue, including a school bully, an infidelity and a friend's betrayal, a rumor monger, and her father losing his job and their house.

This is a novel with too many characters and plot lines to make much sense. Ostensibly, the authors are writing a story about committing mistakes and making amends, but since that is a generic part of any dramatic storyline, we are really stuck with a mess of incoherency. Give it a pass!

Lost It, by Kristen Tracy

Tess has a strange life. From her parents who leave you to learn survival camping from an inspirational leader to a grandmother who's won the Illinois Lottery and buys you sexy underwear to the friend who is plotting to blow up an annoying poodle. Never mind the exploding shoes and chance to lose it to your boyfriend....

Essentially the same old girls meets boy, girl loses boy love story format, Tracy has thrown in enough non-sequitors and weird conversations to feed a decent season of Gilmore Girls, but it all seems a tad contrived. The characters are quirky but never quite engaging and the plot twists are outrageous enough that this story just putters along, with a disappointing attempt to bring closure at the end.

Owl in Love, by Patrice Kindl

Owl has a crush on her science teacher, which is probably pretty natural for a 14 year-old girl. But she's not actually your typical 14 year-old girl. In fact, she's part owl, which greatly complicates things, especially when she encounters another (very strange) owl and an (even stranger) boy in the woods.

This rather clever story of teen crushes and raptor mating habits is amusing and fun. With a touch of fantasy but grounded simultaneous in a mundane reality (Kindl's apparent trademark), you get two stories in one -- an adventure/romance combined with some outsider/teen angst. A pleasant and fun read!

Such a Pretty Girl, by Laura Weiss

In this harrowing novel, Meredith has to face the fact that her father -- the man that sexually abused her and several other children in their town -- is about to be paroled (six years early). As it becomes apparent that he has remained unchanged and that she is in danger, Meredith must figure out who are her friends and can be relied upon to help her.

While the praise runs really high on the jacket (to the point of BS -- one reviewer compares her favirably to Catcher in the Rye and To Kill A Mockingbird!), I found this to be a functional, decent read...and not much more. It won't open any new doors about abuse and survival, or the teens who experience it. But it is a decent gritty read.

Hana in the Time of the Tulips, by Deborah Noyes

In the 17th century, Holland was beholden with tulipomania. Little Hana doesn't understand why there is such a fuss over the pretty flowers or how something that is so beautiful can make her father so unhappy. But she does know that father is very unhappy and she asks everyone around her for help in making Dad feel better.

A bit of a departure for me, but this lovely children's picture book tells a touching and timeless story of a girl reaching out to her father to remind him that the most precious things are not reaches or "means" but the flowers we cultivate in our families. The story is augmented by absolutely charming illustrations by Bagram Ibatoulline, based loosely on Rembrandt and other contemporary Dutch masters. The text can get a bit thick for younger readers and it may be a bit gratuitous to cast Rembrandt in a guest role, but this is a beautiful book.

A Drowned Maiden's Hair, by Laura Amy Schlitz

Maud is a troublemaker and the least likely of all the girls at the Barbary orphanage to be adopted, so when she is picked out by a trio of rich old ladies to live with them everyone is a bit surprised. But it becomes apparent that these old ladies have tricks up their sleeves and Maud may have gotten herself into bigger trouble than she ever managed on her own.

Placed at the turn of the century, Schlitz has captured all of the maudlin qualities of a novel of the era, riffing on that style to create an original work. The main characters are engaging and hardly old-fashioned, but Schlitz is a weak writer. The blurb on the jacket indicates that she has some background as a playwright and one imagines that she often just wanted to "fade out" on some scenes as overwhelmingly her transitions are awkward and painful. The dramatic arc weaves all over the place as well. She could well improve on a second effort or with a better editor and this is not a painful read -- it is just rough.

The Miraculous Journey of Edward Tulane, by Kate Di Camillo

Edward is a china rabbit, not a doll (dolls are silly things!) and loved deeply by Abilene Tulane. But no matter how much he is loved (or, in fact, no matter how much he moves himself!), nothing can prepare him for being lost. But lost he is, and Edward is now forced to undergo a trying long journey where even a toy rabbit can learn a few powerful lessons.

This touching story combines Di Camillo's sense of the odd that made Because of Winn Dixie such a strong favorite (and one of my all-time faves) with the magic of an anthropomorphic toy. But this is no silly Toy Story (or even a whimsical tale like Toys Go Out). Instead, this story has a darker edge and some strong messages about the importance of opening your heart. It's all a bit too intense for younger children but those of us who are biologically older (but still young at heart) can appreciate it.

The book also has some wonderful illustrations by Bagram Ibatoulline that really make the book.

Grandfather's Dance, by Patricia MacLachlan

In this final installment of the Sarah, Plain and Tall series, we see Anna finally get married and a long-expected funeral of another long-running character. But for the most part, this is a story more about reunions than changes.

MacLachlan retains a very spare style that works beautifully in many of her books (Sarah, Plain and Tall and Seven Kisses in a Row are among my favorite books). The Sarah series though is a bit out of steam by this point. While it is nice to revisit with old charactersone gets a feeling that the reader has overstayed his/her welcome. This final book doesn't really have much to add.

Ask Me No Questions, by Marina Budhos

Nadira and her family are illegal aliens living in New York City. They dream of someday becoming legal and being able to live a normal life. But when 9/11 happens, a crackdown on illegal immigrants (and Muslims like Nadira's family in particular) changes all of this. Nadira's father is detained and she must find the strength to keep her family together.

A harrowing tale which is fictional, but based on real life events, this novel will intriniscally appeal to more liberal readers, who will feel indignation at the social injustices documented in this story. The author (to her credit) doesn't stretch this, reminding us at several points that the family has broken the law. Beyond the politics, there are some strong characterizations but a strangely thin and underdeveloped plot. And when teh story wraps up a bit too neatly at the end, I felt that the effort had been fairly wasted. A powerful topic, but a mixed review for the story.

Anahita's Woven Riddle, by Meghan Nuttall Sayres

In 19th century Iran, Anahita is coming of age and must soon be married. The local Khan would ahve her hand and alternates gifts and threats to win it. But Anahita's heart is restless and she wonders about kind teacher Reza, local boy Dariyoush, or a mysterious stranger who seems to understand her heart. To help her choose between them, she decides to pose a riddle in her woven qali (a wedding rug) that each suitor must attempt to answer.

Starting with the tired plot device of the historical girl with an anachronistic opportunity to choose a mate for love (rather than having one imposed on her), we are on pretty familiar plot ground throughout this book. What does stand out is all of the rich historical/cultural detail (so much so, in fact, that the book comes with a study guide!). This shows a tremendous amount of research went into the book, but the story itself does not quite hold up to it. Beautiful, but ultimately unsatisfactory.

Dumb Love, by Kathleen Jeffrie Johnson

While she doesn't have much experience with romance, Carlotta considers herself to be quite an expert at it. She is working on a love advice column and writing a romance novel. But in the worth of romance fiction in her town, there is a lot of competition from another girl who would steal not only her boy but even the characters from her novel! Meanwhile, she must also attempt to prevent her Mother from getting back together with her no-good biological father (and forsaking the confused but loving Franklin Thomas).

"Confused" is a good word for this book. While it claims to be humorous and funny, I found it more painful and difficult to follow, and missed the humor altogether. There were too many unmemorable characters and confusing plot lines. Give this one a miss!

Grace Above All, by Jane St. Anthony

In this gentle (if somewhat dull story), Grace copes through a summer vacation taking care of her siblings in the family's cabin, while her useless mother hangs on the sidelines. There's a love interest in the form of the boy next door and a handicapped relative that get Grace thinking about the importance of family (even if they DO drive you nuts!).

Gentle and dull. The romance and most of the other storylines sort of hang in place, but never get any serious development and the action is pretty much below the surface. Even the inevitable mother-confrontation scene is underplayed. The result is a realistic snapshot but one that does not go anywhere.

Cures for Heartbreak, by Margo Rabb

In this collection of loosely-interrelated autobiographical stories, Rabb tells the story of 15 year-old Mia losing her mother suddenly to cancer, and having to stumble through with only her father and testy older sister. Through these short stories (several of which were published previously as stand-alone pieces in earlier drafts) she outlines the various feelings and experiences she goes through.

While the characters are nicely drawn out and there is some poignant writing going on here, I found the novel rather dull. While marketed as "teen," this is really an adult book about being a teen and a YA story. And I find it hard to imagine that teens will find much in it either, except to share an adult's perceptions of growing up without a mother.

The Woman in the Wall, by Patrice Kindl

Like her father, Anna had an uncanny ability when she was little to blend into her surroundings and completely disappear (her father's talents were so great that he disappeared altogether some years ago). Combined with intense shyness, Anna is a perfect wallflower. Unable to deal with crowds and strangers, Anna spends her time alone developing skills with her hands (carpentry, embroidery, sewing, etc.). At the age of seven, in order to avoid being sent to school, she hides away from her family through a complex series of passageways that she builds in the house. For seven years, she lives in this alternate world safe and secure, but now her haven is threatened and she may have to confront all of her fears.

This novel works beautifully on two levels simultaneously. As a fantasy book, the story is entertaining and engrossing. But the book is also a fable and an analogy for growing up as Anna goes from caterpillar to brilliant moth after years in her caccoon. A stunning achievement in such a modest story.

Anatomy of a Boyfriend, by Daria Snadowsky

Dominique's best friend Amy is always managing to hook up with guys, but Dominique herself hasn't really dated. That doesn't stop her from wondering what it would be like and how it would be to do "it" with a guy. Then she meets Wes and they hit it off and she dives head first into the relationship. In doing so, she discovers the amazing rollercoaster of first love, in great graphic detail.

At its base, this is a by-the-numbers teen romance novel, but Snadowsky has bigger plans and ambitions in this book. Like Judy Blume (with whom she has been compared) she wants to address issues of sexuality as well as love. As a result, a considerable part of the book describes in explicit and graphic detail Dominque's sexual exploration (including arousal and orgasm, masturbation, intercourse, and oral sex). Beyond that, the story parallels Forever very strongly and my conclusion was that Snadowsky was going for an updated and modernized version of Blume's classic. Now, I'm not a big fan of Judy Blume (she's preachy and her older books are quaint and dated), so it will be faint praise for me to say that I think Snadowsky has improved upon Blume's book. But, for those of you who liked Forever, this book is certainly worth a read.

I have to say that it wasn't really for me. Perhaps because of my age and sex, I felt a bit like a pervy voyeur reading this book (I actually hid the pages from my neighboring passengers on the plane lest they think I was reading porn!), but I think it also is about what you expect from a book. The explicit detail may appeal to some readers (either out of lasciviousness or curiosity) but it set a mood that caused me to distance myself from the characters and the story. Sex and its mysteries are beautiful things and I don't mind discussing them or reading about them, but at this point in my life I don't need them spelled out. This is, in the end, an interesting - and probably controversial - novel, but it lacked the material to engage me as a reader.

Brave New Girl, by Louisa Luna

Doreen drifts through her 14th Sumnmer hanging out with Ted, smoking cigarettes, and listening to the Pixies. It isn't much of a life, but it beats being her angry dad, weepy mother, or stupid older sister. Never mind the older brother that Dad kicked out years ago when he was 14. But then an event happens that changes the entire family in ways that they (and especially Doreen) could not have predicted.

Written in a rambling train-of-consciousness style, the book is a bit hard to plow through. For the more jaded YA reader, Luna can get high points for originality and creating a character with a strong original voice. But I didn't personally find the voice all that interesting. Maybe because there are so many unresolved problems that keep piling up (just as I hate a book which ties up every loose end, I hate ones that leave almost them all unresolved). I found the experience a bit painful and unpleasant.

Life As It Comes, by Anne-Laure Bondoux

Mado and her older sister Patty were orphaned last Fall and, while Patty is the eldest and was granted guardianship over 15 year-old Mado, it is Mado who has always been the responsible one. This becomes painfully more apparent when Patty reveals that she is pregnant and expects Mado to take care of the baby.

Not a very deep story (despite the dramatic potential), the action rolls out at a pleasant enough pace. In the end, there is not much of a dramatic pay-off (most of the important stuff is told in flash-back -- depriving the reader of any involvement). Fair writing, but not enough depth and the characters seem far too distanced.

Now You See Her, by Jacquelyn Mitchard

Hope Shay has been working hard to build her acting career and when she is cast as Juliet (in Romeo and Juliet), bypassing all of the older girls who are entitled to the role, she knows she is on her way. And it's no small matter that Logan (playing Romeo) is so hot for her. But then she is abducted in a plan gone horribly awry and all the perfect pieces of her life start to come apart.

[Spoiler alert! Back in 2004, a UW-Madison student was "abducted" and missing for four days and it turned out later that she had faked her own abduction. At the time, everyone wondered why she did it. Apparently, Mitchard wondered enough to create this thinly-veiled biography of that girl (changing a few details like making her a high schooler rather than a college student).]

As for the story, it's well-written but more of an adult book than a YA. Like I noted with the Jodi Picoult book I reviwed a few months ago, a good adult writer is not necessarily going to write good YA (even with a teen-aged heroine). The focus is just not quite right.