The Tail of Emily Windsnap, by Liz Kessler

Emily's fear of her first swimming lesson take a backseat when she discovers that her body transforms into a mermaid's when she enters the pool. And that's just the beginning of the fun as she discovers the alternate world of merfolk in the sea and attempts to see her father, and confronts Neptune.

This is no Little Mermaid, but rather a quirky and unusual story about an uncommon teenager. The book is at its best (and funniest) when it compares mer-teens and human teens. It drags a bit towards the end as Kessler seems to struggle with how to wrap up the story, but it has enough charm to make it an overall good read.

A Corner of the Universe, by Ann M Martin

When Hattie's summer begins, it seems like it will be just like any other: hot and quiet. Her best friend has left for the summer and she is free to hang out with her adult friends. But then two things happen: the carnival comes to town and her uncle Adam comes home for the summer. She's never met Adam, and in fact never even heard that she had an uncle Adam, but that's because Adam is special and of course he has some lessons to teach Hattie.

I was initially sceptical about this book. I don't like period pieces much and the character just didn't seem interesting, but the book grows on you and by the time I reached the end, I had a much better feeling about the book. No major life lessons learned, no major sob fests when you get to the end, but a pretty good book overall.

Don't You Dare Read This, Mrs. Dunphrey, by Margaret Peterson Haddix

When Tish's Englishteacher, Mrs. Dunphrey assigns a journel, Tish knows it is a bogus assignment, especially since the teacher has said that they can write whatever they want and put "Don't Read This" on the entry and she'll respect their privacy. But when Tish starts to test that promise by writing about what is really going on at home, she acquires a mirror that shows her just how much her life is falling apart.

This is another of those stories about a teen trying to survive with disfunctional parents (See Room on Lorelei Street for example). They are harrowing stories of neglect and abuse and make for good melodrama, but I'm not sure what purpose they serve otherwise. The plot certainly sucks you in and the conclusion is a tear jerker, but in the end, what have we learned?

ttyl, by Lauren Myracle

Three ten graders (Maddie, Angela, and Zoe) struggle through the first half of tenth grade, dealing with crushes, flirty teachers, parties, and the usual misadventures of a YA novel, with the twist that the entire story is told through their IMs.

It's a cute concept, but hard to read. It took me about 40 pages to really get comfortable with the format, and then get somewhat familiar with the three characters, who have a tendency to merge together in the mind until they start really doing different things. The trouble with IM is that it establishes a lot of distance from the characters so that you really don't establish much of a connection with any of them. Basically, you're reading a long conversation, without ever really getting inside their hearts and heads.

Risky Friends, by Julie Anne Peters

Kacie notices that Skye, a new girl, is having trouble during their Algebra test. In a fateful moment, she sneaks Skye the answers and sets in motion a "friendship" that turns sinister as Skye reveals a deceitful and manipulative side. Kacie has to make the right decision and re-gain control over her life, before Skye destroys all of her former friendships.

How's that for a melodramatic synopsis? Well, it isn't quite that bad, but it isn't good either. This is pretty weak formula stuff, with dialog that sounds way too grown up. I'm not even sure anymore how I found this book, so perhaps we'll just this one slip by.

After Fifth Grade, the World!, by Claudia Mills

Heidi (or HP as she likes to be called) has the meanest fifth grade teacher in the world, a friend who won't talk to her own parents, and parents herself that are the biggest slobs. But HP won't falter at a challenge. Instead, she develops schemes to change the world and learns some lessons about change and working with people.

A charming and functional middle school read. Very dated, but enjoyable. Like many of Mills's books, the adults seem a bit overly mean (ironic since exaggerated adults are more a trademark of teen reads) and that can be a bit distracting. But HP is a typical Mills heroine -- strong willed and brave.

My Brother Made Me Do It, by Peg Kehret

Julie Welsh gets an assignment to write to an elderly pen pal in a nursing home. We never see any of the replies she gets, but we get plenty of news about Julie, her nine year-old brother who's always getting her in trouble and has an obsessive fascination with memorization, and Julie's struggle with rheumatoid arthritis.

I suppose I was hoping for a book that would really help readers understand rheumatoid arthritis, but we never quite get that. Instead, the story is a bit broken up, as one would expect from a storyline driven by letters. I'm just not sure that it works in this case. A weak book on an important topic.

A Room on Lorelei Street, by Mary E Pearson

Just when living with her alcoholic mother is becoming too much for Zoe, she discovers a room on Lorelei St that she can rent. And while she has very little money, and must fend off unsupportive teachers and family members, she manages to get through.

This is a very dreary and long book. I suppose all the train of consciousness writing is supposed to be artistic, but I just found it tedious and PAINFUL. Ugh! A heroine who suffers throughout, never manages to solve her problems, and runs away at the end of the book does not make me feel uplifted or enlightned or entertained or educated. It just leaves me feeling tired and exhausted. I'm not saying a story has to be light and airy, but somehow something needs to be learned in 266 pages. Or else, why did we bother???

Myrtle of Willendorf, by Rebecca O'Connell

Myrtle is an overweight sophomore in college with artistic talents, a largely unsympathetic roommate, and memories of a coven that she used to share with her weird high school friend Margie. Now that high school's over, she avoids Margie, but somehow thoughts of what they shared together stick with her.

This is a very witty and fast read (I made it through the 106 pages in under 40 minutes!). The descriptions are wonderful (although her graphic descriptions of needing a new pad, biting her fingers until they bleed, and barfing might be a bit much for those with gentler dispositions) and there's a bunch to keep you chuckling. It also helps if you're familiar with Wicca. Fun!

A very appropriate read for Halloween.

Conditions of Love, by Ruth Pennebaker

Sarah loves her father unconditionally, because that's the way he loved her before he died. But as time has gone by, she is starting to learn things about him (and about herself) that make her question her beliefs. Her best friend Ellie is struggling with a mother who can't cope with her divorce and with a sister who is moody and trouble, but Sarah just wants to escape into a world of romance with Ben and dating tips from her new friend Stephanie. And then there is her opinionated and negative grandmother Nana who makes life a terror for Sarah's mother.

If you get a sense that there's a lot going on in this book, you're right. In fact, there are a number of storylines here, very few of which actually interrelate in any meaningful sense. That spells trouble. Editor?? Is there an editor in the house? Pennebaker has good material here and has an excelent sense of how teens talk (although not necessarily what they talk about), but really needed to find a focus for this novel, that is basically all over the map.

The narrative also suffers from a problem that I find often in YA books. Sarah is an odd mixture of highly-observent (much wiser than her years) yet unaware of her own feelings. She casually observes everyone else's body language, while remaining ignorant of her own needs. I suppose that one could argue that teens can get this way, but it seems to me far more likely the opposite is true: real teens are more likely to be self-aware than other aware. Basically, Pennebaker is putting her adult words into Sarah's mouth (although sometimes Sarah will credit her mother with an observation). That is rough, giving the novel the sort of preachy quality one finds in Judy Blume books. Again, an editor would have helped.

Empress of the World, by Sara Ryan

OK, the digested review: girl meets girl, girl loses girl, girls try boys and decide that girl friendship is better....

Nic comes to The Siegel Institute (a summer school for gifted teens) expecting to focus on learning archeology. Instead, she discovers romance with Battle, the oddly named but enchanting. The summer becomes a story of struggling with emotions and desires, and wondering whether she is gay, bi, or just experimenting. Along the way, she discovers some great friends and more than a few lessons about human attraction.

Obviously, this is a great concept for a book and Ryan does a wonderful job capturing angst and the difficulties of struggling with sexual identity. What chills my review is actually the rest of the book, which gets a bit dull. If this was an Issue Book that just stuck to the whole teenage homosexuality theme (which, by the way, is really nicely done!), it would be excellent, but every 20 pages or so, we plung into a couple pages of fairly unrelated and inane dialog that caused my attention to flag. I really want to like this book, but it really needed to tighten up a bit.

One of the reasons I really liked the book was because I could relate to it. I was pretty convinced of my bisexuality when I attended the PA Governor's School for the Arts, but I can relate both to the hot house atmosphere of a gifted summer program and to that search for sexual identity. Ryan hits both of those right on. The most intense memory of PGSA was how intense we felt everything was. We were convinced that this was IT. We were the cream of the crop, the true experts, the new generation. None of us had gone to college yet, but we spoke of things that summer like it was an end. Certainly, spending weeks with kids who are as good as you are (and no longer being the lone star in your classroom) really boosts a person. But there is something almost explosive in combining those feelings with that teenage hormones and emotions. Remembering all this makes me want to go out and read a book just about that!

P.S. Longer Letter Later, by Paula Danzinger and Ann Martin

When Tara moves away to Ohio, she and Elizabeth are forced to carry on a correspondence through letters, and this book reproduces the first year of those letters. With each author penning one of the girl's letters, the story of an exciting year with various family traumas comes out one letter at a time.

It's a pretty cheapo way to write a book: writing pretend letters back and forth, with one author not quite knowing where the other one will take the story. The trouble is that it's more of a writing exercise than a coherent book. And the story is a big yawn too -- coming out in letters, we never get too see much of what is going on in the character's hearts. Superficial fluff.

Falling Through Darkness, by Carolyn MacCullough

When Ginny loses Aidan, her life basically ends, and anything that was meaningful before isn't now. She rejects her friends and cuts herself off from her father. Her only source of comfort and communication is the new border Caleb, with whom she shares some painful common background, and feels that maybe she has found a replacement for Aidan or at least a soulmate. But the sceret that tears apart her life is that when Aidan died that night, it wasn't an accident....

MacCullough does a nice job of jumping around through the narrative timeline telling us just what we need to know when. This is good storytelling with some wonderful observations (about growing up, the nature of children of all ages, and grieving). It is a TERRIBLY depressing book though, so don't expect any happy ending or feel good moments.

The Steps, by Rachel Cohn

When Annabel is abandoned at Xmas by her Mom and Grandmother in NYC, she gets sent halfway around the planet to Melbourne to spend the holidays with her father and his new family. At first Annabel hates everything she sees there, but most especially the way her father is so happy with his new life. With time, however, she grows to like it more and even appreciate the joys of having an extended family of "Steps."

Rachel Cohn created a wonderful character with Gingerbread but it seems like she is in a rut. Annabel comes off as being a slightly younger version of the heroine of that other novel. In fact, for allegedly being about three years younger, Annabel doesn't sound all that different. Add to that the way this story treads through familiar ground and chug along to a far too sweet happy ending, and you have a pretty dreary story.

Cally's Enterprise, by Claudia Mills

When Cally breaks her leg, she starts to imagine melodramatically that she is going to die of the complications or be an invalid for life. Instead, the experience (with some help from a brave and energetic boy and a strong teacher) helps Cally to realize that she can do all sorts of things. It teaches her to stand up for what she wants, rather than doing what her parents or other people want her to do. And it teaches her to be brave in the face of adversity.

Mills write lovely concise books for tweens (probably why I've reviewed so many of them over the past months). This one touches on all sorts of subjects (self-expression, responsibility, believing in yourself) and it avoids getting too preachy about it. Cally is her own teacher, relying on adults from time to time for advice, but generally understanding that only she can change herself. That is a wonderful lesson to impart to children (whether they read this book on their own or have an adult to read it with).

The Color of Absence, Edited by James Howe

In this anthology, twelve different YA authors give their take on the meaning of loss, and how we cope with it. "Loss" is a loosely defined concept, so it ranges from a stolen bicycle to a dead father to a lost memory. Howe's own contribution "Enchanted Night" turns out to be the strongest of the pieces, as it retells a daughter's coping with the grieve of losing her father, her boyfriend, and her sense of accomplishment with the flute (all at the same time).

I know that short stories can often be quite good, but this anthology is overwhelmingly weak and shoddy. Howe is definitely a good writer, but his editing skills leave something to be desired as many of the contributors just seem to be going through the motions, with some chapters reading as unfinished chapters from something else. In one case (Myers's piece on baseball), the story isn't even a YA story! So, a great concept and Howe definitely had a good contribution to make, but he should have found 11 other people who could rise to the challenge. (In all fairness, Nye's "Shoofly Pie" was also a good piece, so they weren't all junk)

Alt Ed, by Catherine Atkins

Susan is fat, unpopular, and invisible. Invisible, yet she can hear the scorn of her peers at everything she does. When Susan has to attend a special after-school group therapy or be thrown out of school, though, life changes. And as life changes, she comes to terms with her grieving father, her jealous brother, a prank caller, and a life only half lived. Not all of the other kids in her group are so lucky to learn so much, but everyone takes a powerful journey towards learning self-respect.

I'm very torn about this book. It's probably one of the best books I've read recently, but not quite going to make my must-go-out-and-buy-it list. Atkins really gets at you in all angles. She explores shyness, eating disorders, anxiety, bullying, teenage homosexuality, and a whole lot more. The narrative is gripping and it is a hard book to put down. Maybe I just don't want to read it again, because it was so intense. Still, truly a heart warming book where people grow older and wiser and lessons are shared with the reader. Highly recommended.

Eleven, by Lauren Myracle

This is the story of Winnie's life at eleven, running from her birthday until the day before she turns twelve, each chapter recounted a memorable event in each month. It's a story about being between things, having some friends go boy crazy and try to act grown up, while other friends hold back and act "babyish."

Myracle certainly has a good feel for what being 11 is all about. The problem really is that not an awful lot of interesting stuff occurs when you're 11, and this is really a series of anecdotes about being a tween. Good anthopology, not terribly gripping fiction. In other words, adults who want to be reminded what it was like to be 11 might get a kick out of it, but I can't imagine that middle readers would find the stories all that interesting.

Dancing in Red Shoes Will Kill You, by Dorian Cirrone

Kayla has worked hard to become one of the best ballet dancers at FARTS (the Florida High School of the Arts) and so she is very surprised when she is passed over for the starring role in the Senior-year production of Cinderella. But the bigger surprise is when she finds out taht it is all because of the size of her chest! So, then she has to decide if she'll pursue breast reduction surgery or potentially give up her career dreams.

Cirrone occasionally gets a bit preachy (stuffing words into her teenage characters about self-empowerment that just don't sit well), but overall this is an enjoyable book with decent payoff. And the story stays a bit surprising, not taking the easy solutions.

The Sisterhood of the Traveling Pants, by Ann Brashares

Four girls, close since their birth, head off in separate directions for the Summer, but not before discovering the magic Pants and forming their Sisterhood. Now, they stay connected with letters and sharing the pants around, each one getting the pants for a week (and sharing them around as needed for special occasions). And so connected, their simultaneous adevnetures of their 15th summer unfold.

Since the movie came out, this first book of the series has become even more of a classic, so I am long overdue in reading it. I loved the Prologue. I loved the Epilogue. I loved each of the individual stories. But I found the constant jumping from one narrative to another quite jarring and frustrating. And, I think, that is basically the prime determinate of whether you'll like this novel or not. Because the rest is perfectly fine.