The Rise and Fall of a 10th Grade Social Climber, by Lauren Machling and Laura Moser

When Mimi flees her Mother and her Mom's new lover in Houston for her easy-going Dad and a private school in NYC, she imagines her life is going to get more exciting. But she's not quite prepared for life in the fast lane with her rich and exotic new friends. And she learns the rules of the game in NYC are much more complicated than they are back in Texan 9th grade. Despite the odds, she takes off and rising to great social heights until the lies and deceptions that got her to the top come crashing down on her.

The story has its moments, but the book is entirely too long (at around 290 pages, it would have been better chopped down by a third) and overall covers fairly familiar territory. We have angst, we have friendships, we have finding out that the popular girls have faults too, we have the crush on the gay guy, we have the clueless parents, and we have the revealing moment of truth at the end. Let's go someplace interesting with this story, OK?

A Mango-Shaped Space, by Wendy Mass

For her entire life, Mia has seen colors when she reads and when she hears sounds. When she was little, she tried to explain his vision to others, but when she realized that she was alone and that admitting what she saw made her a "freak" in their eyes, she kept it to herself. By then things change and her condition comes out and she discovers that, while rare, that Synthesia is something that is not unique.

It's been a bit of a dry spell lately since I found a really good book. And it's a good thing to find. Mass's Leap Day was interesting and original, but this story is truly a much better read. The book appeals on all sorts of levels, not just as a story about Synthesia (which I knew nothing about before reading this book), but also as a coming-of-age story and a story about the bond between cats and their owners (an important part of the plot I sort of skipped above). This is truly an excellent book.

Here Today, by Ann M. Martin

It's 1963 and Ellie lives in the shadow of being an outcast Witch Tree Lane, and being the daughter of her flamboyant and restless mother Doris Day Dingman. When Doris decides to pursue her star in New York City and abandons her family to do so, Ellie has to take care of her siblings and find inner strength to be the adult her mother never quite managed to be.

Ann Martin is probably best known for her formula Babysitter Club books, and maybe somewhat less well-known for her A Corner of the Universe. This book turns out to be less of a YA book than an adult novel about being a child with a mother who is more of a child. It's an odd paradoxical book: fascinating and detailed, yet dull and plotless at the same time. I can honestly say that I've never been so bored by a book that was such a breeze to read. So, if you want a book that (at 308 pages) still took under 4 hours to read, I guess you could do worse.

Fat Chance, by Leslea Newman

When Judi's class gets an assignment to keep a diary for the semester, she is certain that she'll have nothing to write about. But as Judi's obsession with losing weight develops (alongside some up and down attempts at romance), her diary entries start to reveal a deadly problem.

At times, the narrative is a bit dull and there are some Judy-Blume-like moments of adult preachiness thrown in (if I were to improve the book, I'd try to let Judi tell her own story without all the extras tossed in). That said, there won't be a dry eye at the ending, so if you can manage your way that far, you will be rewarded. A bit rough and irregular then, but a great topic.

The Summer of the Swans, by Betsy Byars

Sara has trouble dealing with her older sister, her aunt, her absent father, and most of all, her retarded brother, whose needs always seem to outweigh her own. But then one night, her brother disappears and she must hunt for him.

It's a Newberry Award book, but it has aged badly. And beyond the references to a life long passed (operator assisted calls, anyone?), the whole psychology of 14 year olds has changed tremendously since this story was written. It's a pretty little book, but terribly trite and boring.

Sixteen, edited by Megan McCafferty

This collection of short stories about turning (or being) 16 covers a wide gamut, from historical to contemporary, both boys and girls (although with a big stress on homosexual over heterosexual). The stories all attempt to portray 16 as a moment of a crossroad, with lesser or greater success.

The best contributions come from Sarah Dessen (of course) and Julianna Baggott. Most of the stories are OK but not exceptional. Sonya Sones (who I tend to like) is a disappointment, as is McCafferty's own contribution. Disappointing overall and uneven.

Shrimp, by Rachel Cohn

In this sequel to the stunning Gingerbread, we get the next year of Cyd Charisse's (now CC's) life -- her senior year -- as she navigates life back in California and her evolving relationship with her on-again boyfriend and soul-mate Shrimp. The rest of the family is growing up as well and so a lot of learning-to-live-with-changes moments result. But true to form, CC informs us at the end, that this isn't one of those movie stories where the narrator will come on at the end and give use some sort of meaningless conclusion about her "year of learning" etc etc. Instead, we get a nice satisfying twist that is both unexpected, but believable.

Cyd remains a spectacularly well-drawn heroine and Cohn has a great ear for dialog. But the aching question was voiced by Kriss (who read this before I had a chance to): "Why do a sequel?" And in fact, Shrimp does not really give us anything more, just more of the same old. And the appeal of the character and her dialog wears a bit thin in the sequel. By around page 60, Cyd's various ways of describing her objects of lust grow a bit thin. What was clever has become dull. And what was original and fresh is becoming a formula.

Stealing Henry, by Carolyn MacCullough

When Savannah knocks her abusive drunk stepfather out with a frying pan and takes her younger half-brother with her to flee, she has time to think back on her past and on her relationship with her mother. And interspersed between a story of running away and these reflections on her past, Savannah's mother Alice tells a story about her own teenage years, leading up to Savannah's birth.

This is a fascinating multi-layered story about family and choices, and how those choices change lives forever. At first, the parallel storyline really doesn't gel very well, but as the story continues, things come closer and closer together until an incredible oh shit moment at the end of the book. Truly memorable. Some rough moments in the story keep this from being a must-have classic, but it is still a great read.

Spinners, by Donna Jo Napoli and Richard Tchen

This retelling of Rumpelstiltskin fills in the story, providing the background and motivations for the legend of spinning straw into gold. The novel portrays a complex multi-generational voyage of jealousy and desire and greed that provides us with sympathy for the villian and hatred for the heroine.

I would not rate this as higher as I did Daughter of Venice but probably better than Zel or her book on Mary Magdalene. And I suppose I should explain why I keep reading Napoli's books, since I don't seem to care for them very much. Napoli has some outstanding story ideas and when I read the synopses for her books, I get very excited, but the actual product in the end seems to disappoint more often than not. Possibly it is the terribly dark quality she puts into her books. they are all about suffering. Possibly it is because her characters are so greedy and mean. But there are also issues of style and her inability to end her books. The ending to this one is particularly odd and strange.

Looking for Alibrandi, by Melina Marchetta

Josie Alibrandi lives alone with her mother and attends a Catholic school in Adelaide. She's different from the other girls for a number of reasons: she's attending on a scholarship, she doesn't have a father, and she's Italian - a "wog." And in her last year of high school, as she prepares for law school, she juggles a boyfriend from the wrong side of the tracks (Jacob), the pristine John, and the return of her father.

This novel grabbed my attention because (as the jacket explains) "it won every major award for young adult literature in Australia and is on the Higher School Certificate [the Aussie SATs] reading list." So, apparently, they think it's a good book.

What a disappontment. It has been a long time since I was so bored by a novel. The story is hard to follow, poorly written (dialog sequences where you can't tell who is talking because they all sound alike), and dull. By the end, I was just beginning to care a little about the revealing of family secrets and thought the story might be becoming interesting, when she dumped in some very unnecessary melodrama that just made my skin crawl. This is an absolutely HIDDEOUSLY written book. And if it is the best that Australia can produce, they have a long way to go. A waste of time.

Dinah Forever, by Claudia Mills

Last of four. In this last installment of the Dinah Seabrooke series, Dinah discovers that everything ends, including life. She starts off 7th grade by learning that the universe will end in five billion years, and by the end of the story learns that life is much shorter than all that. In between, she frets about the meaning of life and love.

This book proves to be less interesting than the others. Dinah's worries are cute and poignant, but in the end a bit boring, and this book drags a bit with themes already covered fairly well in the other books. Of the four, I think I'd rate the second book the best of the bunch.

Dinah in Love, by Claudia Mills

Three of four. Dinah organizes the first dance -- a sock hop Sadie Hawkins dance. Girls have to ask the boys to the dance. The problem is that Dinah doesn't like boys. And certainly not teh obnoxious Nick Tribble! Add in a debate on capital punishment and a play where Dinah gets the leading role, and there is the usual set of amusing hijinx. With Dinah, you can pretty much guess that the story is going to give us a series of mischief.

OK, so the books are charming and pleasant. Dinah learns to be a little bit flexible about her convictions and thus grows a bit. These are pleasant books and this third one in the series continues the general improvement of the characters and story.

Dinah for President, by Claudia Mills

Two of Four. In this sequel, Dinah Seabrooke starts at the Middle School and immediately makes herself noticed by running for class president on an environmental platform, arguing that the school should have a recycling program [apparently, when the book was written, recycling was still a rare event]. At the same time, Dinah befriends an elderly lady and takes on the issue of aging in dignity. A surprise ending leads to a satisfying conclusion.

I actually liked the sequel better than the original book, so I'm hoping the character continues to improve. Having established the various characters and settings in the story, Mills doesn't have to spend as long on exposition. One could quibble over some of the preachiness of the recycling message in the book, but it is not so distracting, as much as dated now.

Dynamite Dinah, by Claudia Mills

Book One of Four. Dinah Seabrooke likes to be in the spotlight and she plays the class clown to make it so. That is, when she's not memorizing the longest poem, competing for the biggest part in the play, or otherwise showing off. But when success eludes her and she has to share the house with her newborn baby brother, life hands Dinah some hard lessons.

Mills likes to tell stories about self-centered and insecure middle schoolers. This isn't the first book in which she's done so. The books are charming in their own right, but one does wish that she'd expand the repertoire a bit. We'll see how this one goes. On to the sequel next....

The Queen of Everything, by Deb Caletti

The story starts off with the big bombshell: Jordan's father has ended up in jail for killing the husband of his lover. Jordan then proceeds to tell how that ending came about, detailing life on an island in the Pacific Northwest, and telling a bit about the story of her life along the way.

I wasn't sure I wanted to read this book as the other book I read by Caletti had been pretty turgid. This was actually a better read. She is still very much in love with her imagery, but about halfway through the story, she gives up on doing it quite as much, and just gets down to the story. Then things pick up. One still wonders if the book could have been better with a good editor that slimmed this 370 page monster down to something leaner. I'd have certainly appreciated it.

Girl, 15, Charming But Insane, by Sue Limb

Jess Jordan's imagination is a wild one, and often blinds her from the realities in front of her. The result is a complex comedy of errors as her group of friends struggle through relationships and school. The story is lightened by "horrorscopes" that precede each chapter and Jess's self-deprecatory humor.

The book's British slang can be a bit jarring to American readers, but it rings true for the demographic. And the clever humor makes this a brisk and light read. Not a book of huge substance, but funny and amusing.

I'm a bit cold to it, I suppose, because I don't like comedies of errors -- that is, comedy that relies on the characters' unwillingness to tell each other the truth. Such devices make the story too easy to wrap up. After spending a whole novel engaging in stupid acts driven by what each character THINKS the others want, all they need to do is sit down and talk and they realize the error of their ways, and everyone lives happily ever after. That is a bit too easy and not terribly enlightening or uplifting. Never mind the wince factor while the story unfolds.

Waiting to Dive, by Karen Rivers

Carly discovers a love for diving and learns to cope when her best friend Montana is injured. Other adventures include dealing with obnoxious siblings and hunting for lost treasure.

The story is written in a rather jumpy first-person style, as if it were part of a diary. Or a writing assignment on "What I Did Last Summer." That makes for some pretty difficult reading. And the story does not really cover any new ground, so the overall effect is a pretty turgid read. Karen Rivers has written Dream Water, which has won a lot of critical acclaim, but this thinner novel really doesn't hold up.

The Secret Carousel, by Claudia Mills

When Lindy's sister gets a chance to leave their small town of Three Churches IA, Lindy starts plotting her own escape. Life with their grandparents isn't terribly exciting and Lindy imagines that she could become a great actress. But while that talent develops, she discovers an old abandoned wooden carousel in a barn.

Very very dull. Some of Claudia Mills's work can be quite fun, but this is an earlier book and not a terribly interesting story. Perhaps middle readers will just enjoy having something to read, but the book lacks drama or humor, both of which are really necessary to keep my interest.

Vegan Virgin Valentine, by Carolyn Mackler

Mara Valentine is neck and neck with Travis the misogynist jerk to become this year's valedictorian. She's got just the right mix of classes and extracurriculars and she's been already accepted (early decision) with Yale. She's got it made. That is, until her messed up niece (only a year younger than her -- LONG story) comes to live with them. Soon the adventure begins.

Mackler writes good books. The Earth, My Butt, and Other Big Round Things is truly a major achievement. This book will capture interest as well. But it is not in the same class. It has great characters and fun adventures, but nothing really stands out in it. I wouldn't toss it out and I certainly enjoyed reading it, but it won't blow you away either.

The Boyfriend List, by E. Lockhart

The opens with Ruby Oliver seeing a therapist for a series of panic attacks. As part of her therapy, she assembles the "Boyfriend List" which outlines all of the boys that she's had relationships (of one sort or another) with, and which serves as a framework to describe the reason for her fall from grace and the debacle that was the only one of the 15 (#13) that she really cared about.

This is a well-written and heartbreaking story of the way that human relationships ebb and flow. And while those relationships seem more volatile when you're 15, there's very little about Lockhart's writing that isn't true about relationships through life. Add her observations about parents and the way that they mess you up, and this is really an on-the-mark book.

There is an annoying artifice in the book of using footnotes throughout. This is cute and attempts to capture some of the asides that don't quite fit in the narrative, but like sidebars, they are very hard to read and can get quite distracting.