This Is My Brain on Boys, by Sarah Strohmeyer

Addie Emerson plans to win the coveted Athenian Award so she can use the prize money to fund her attendance at Harvard.  To do so, she's developed a theory that attraction between the sexes is based upon sharing a common adversity.  And she's setting up a series of experiments where a boy and girl volunteer endure challenges together and then have their attraction for each other measured. It's the kind of understanding of attraction that Addie understands.  Because otherwise, she find most emotional reactions baffling.  If it's not all explainable through biochemical reaction, she's be hard pressed to describe it.

Last semester Kris and his friends vandalized Addie's lab, getting themselves thrown out of school. To make amends and potentially be allowed to re-enroll, Kris gets enrolled in Addie's experiment.  This has an unexpected (and unrelated) problem: every experiment where Kris and his partner get set up backfires in some spectacular way.  Where Kris is supposed to rescue the girl (and thus spark a romance) the person who ends up needing rescue turns out to be Addie.  And despite their torrid history and the test plan, Addie finds herself falling for Kris, which both proves her theory and invalidates the experiments.

This Emma-esque plot tries to liven up the rom-com with a bit of neuroscience.  It's cute, but a bit convoluted.  Addie's confusion about love seems more from being on the spectrum than from any confusion -- she just doesn't read people well.  That makes her eventual falling for Kris less plausible.  After all, she doesn't suddenly develop the cognitive skills to read faces.  Thus, where it tries to be different, it just gets muddy and hard to understand.  Cute title, but fairly predictable.

Open Fire, by Amber Lough

(I never thought I would read a YA book that opens with Olga's Revenge. This colorful anecdote from Russia's foundation legend forms an uneasy parable for this fictionalized account of the Women's Death Battalions of WWI.)

In Petrograd in the spring of 1917, it is obvious that things are falling apart.  The Tsar has stepped aside to allow the liberals and socialists to form an ill-fated attempt to keep Russia in the War.  Nonetheless, Russia is losing.  On the sidelines, Lenin and his Bolsheviks are set to strike when the opportunity presents.  For a young woman like seventeen year-old Katya, there is an itch to do more than work in a munitions factory.  So when an announcement goes out that healthy young women are being recruited to serve in combat roles and form a batallion made up entirely of women, she and her friend Masha answer the call.  Training is brutal and rushed and soon enough the young women find themselves on the front line.

Given how desperate the Russian position was in the Summer of 1917, it's hard to read this story with anything but dread.  The Revolution is still months away (and the book doesn't venture beyond July) but like a grenade with a pulled pin, all signs indicate that an explosion is inevitable. That a group of young women trained and fought with exceptional valor not only against an overwhelming foe, but also against sexism and discrimination from their own comrades makes for a thrilling ride.  It is an amazing story and well researched.

Be forewarned that the novel features graphic and intense violence.

Havenfall, by Sara Holland

At an isolated inn the Colorado Rockies called Havenfall, lies a place where portals join our world to the Adjacent Realms.  Every summer, delegates from those worlds gather for an inter-dimensional Davos summit.  Maddie, the niece of the Innkeeper, is trying to avoid her family this summer and comes to Havenfall to work for her uncle and see her old friend Brekken.  She's grown up at Havenfall and has always enjoyed spending time with the delegates.  Some day, she wants to take over as Innkeeper when her uncle is ready to retire.  Spending the summer will give her an opportunity to start learning the ropes.

But the first night, while Maddie and Brekken are off reigniting the fire between them, an incident occurs.  The result is a dead body, a missing bodyguard, and the Innkeeper fallen into some sort of coma.  Someone is trying to sabotage the Summit and perhaps much worse.  With the Innkeeper incapacitated,  Maddie has to step in and take over her uncle's role.  Furthermore, she needs to find the killer and determine what they are up to.  This leads her into a series of evolving and expanding mysteries.  Full of twists and turns, the mystery builds to a stirring climax.

Surprisingly entertaining.  As the first of a series, Havenfall is mostly about establishing the stage.  A lot of energy is put into exposition and explaining the complicated politics of the various realms, but the story is far from dull.  There's near constant suspense as characters cross and double cross each other in ever more creative ways.  The story is not always as organic or as smooth as one might like, but it delivers the goods in the end.  Characters also suffer a bit to the action, so that tantalizing views of Maddie's relationship with her family or the romantic sparks with Brekken are never fully developed.  Hopefully, that will be forthcoming in the next installments.

Sweeping Up the Heart, by Kevin Henkes

Amelia wants to do something different than just hanging around the house during spring break.  For once, her father has his break at the same time and she tries to convince him that they should go to Florida.  After all, lots of people go to Florida!  But he rejects the idea as being too "adventurous," and she ends up being stuck at home.

So instead she discovers a pottery studio, a love for working for clay, and a boy named Casey.  Casey in turn convinces her that the strange woman who has been loitering nearby is actually Amelia's long lost mother.  That isn't true, but she turns out to be someone just as special.

A very short and quick read, it didn't leave much of an impression on me.  Obviously, there's a story (as I summarized above) but there isn't much of a plot and certainly not much of a point.  The relationship between Amelia and Casey might have become something, but the mystery woman thread takes off before it can develop.  The mystery lady in turn is a bit of a fizzle.  I found it dull and full of nice but forgettable characters.

Prairie Lotus, by Linda Sue Park

Hanna and her father have come all the way to LaForge, Dakota Territory from California to make a new life.  Carrying only what they can haul in a wagon, Papa wants to set up a store and make a home.  Hanna dreams of finishing her schooling and sewing dresses in Papa's store, just like her mother did before she died.  But For Hanna, her modest dreams are beset with barriers because she is half-Chinese.  In the 1880s, in the Midwest, Asians are rarely seen and never tolerated.  Even the marriage of Papa and her late mother would be considered illegal.  Attending school is potentially also illegal.  With immense fortitude and drawing on her memories of her mother for strength, Hanna faces the prejudice of the community and struggles to realize her dreams.

Hanna is an inspirational heroine.  She has grit and determination and the insight to realize that many conflicts cannot be resolved through direct confrontation.  Yet, she doesn't back down either and shows little fear of being outspoken even in front of grownups.  In this respect, she is more like Anne Shirley than Laura Ingalls.  She's the kind of literary heroine that parents want their children to read about.

Her dedication and work ethic are admirable, and she shows many talents including strong aesthetic sense and business acumen (to Papa's benefit).  And even though Papa is thick headed in a way common to literary fathers, he is a kind figure.  In truth, the good guys (in which we'll include Hanna's friend Bess, the teacher Miss Walters, and Mr Harris) are all nicely drawn characters.  The bad guys don't fare as well, but they are there largely as symbols of greater evil (racism, sexism, and prejudice).

The novel has received a lot of attention for being an attempt to "correct the errors" of Laura Ingalls Wilder.  As for myself, I am less interested in the politics of the book and more interested in evaluating the novel as a story.  That's a little difficult in this case because Park keeps a laser focus on the social injustices that Hanna has to endure.  Along with that, Hanna's responses are almost certainly anachronistic.  As a result, the political message really becomes the book for better or for worse.  That seems like a lost opportunity, as I'm convinced that a story about a Chinese-American girl on the range is intrinsically interesting enough that the heavy stress on the social injustices that she endures, while realistic, is hardly necessary -- a little goes a long way.  All that said, I enjoyed the book and recommend it.

The Boy and Girl Who Broke the World, by Amy Reed

Billy lives with his grandmother.  His Mom was a junkie and his uncle's a famous rock star recovering from being pretty much the same.  Given grandma's penchant for smacking Billy around, it isn't too hard to see how she messed up her children.  Billy is your typical shy loser who gets alternately beaten up by the bullies at school and his grandmother.

Rome and Carthage are dead-end, washed-out western Washington town, whose glory days lay in lumber.  Aside from the uncle, the only notable thing about them now are being the setting for a popular series of YA fantasy books.  Dying industry has left behind a bunch of drug-addled losers who worship president King (a mildly incoherent and majorly narcissistic leader with a habit of threatening to bomb people).

Lydia dreams of dancing professionally.  Before her mother died, she loved her dance lessons, but afterwards there was no money for lessons.  All of that starts to change when Billy's uncle disappears from the public eye and reappears in Billy's attic.  And that isn't the only weird thing that happens.  There's a freak tornado that leaves behind a giant pit in the earth, growing evidence that Sasquatch is loose in the woods, and plenty of signs that Billy's house intends to eat him.  And, of course, the end of the world is coming very soon.

Wry and biting story that, despite its rather loony plot, has a great deal of fun along the way.  The style is very much in the Libba Bray tradition and anyone who enjoy the absurd humor of Going Bovine will love this novel. I don't know if I needed the end of the world to shake things up at the end, but it did conveniently ties up a lot of disparate ideas.

Stay, by Bobbie Pyron

Piper and her family arrive in town with little to their name.  Her father is searching for a job, their car has died, and her family is stuck in a shelter.  When Piper reflects on the previous months and how they've lost nearly everything in that time, it's hard to find anything worth hoping for.

Two things change her view.  The first is the local Firefly troop at the shelter.  In the old days, she was an active Firefly and even held a sales record for Firefly brownies.  The idea that she can have that piece of normalcy again provides comfort.  The second thing is a cause:  a homeless woman named Angel and her little dog Baby.  When Angel gets sick and taken to a hospital and Angel ends up in the pound, Piper and her Firefly friends try to figure out a way to help.  In a series of brave acts, the girls find that they can make a difference.  For no matter how much these girls have lost, there are people with greater needs.

If you like getting sucker punched with a story of a cute dog, a brave and kind young girl, and some kind adults, you can't really go wrong. Piper's generosity makes a nice role model and her intelligence and people skills are inspirational. It's all heartwarming and tear jerking (as one would expect), albeit far too traumatic for sensitive readers (my wife won't touch the book).  Still, this is a really sweet story with a message, covering issues of homelessness, mental health, and discrimination in an age appropriate way.  The story will give young readers something to ask good questions about.

Here in the Real World, by Sara Pennypacker

Ware doesn't like playing with other kids.  They make far too much noise.  He'd be happiest spending the summer at home alone, but his parents have other ideas.  They want him to make "meaningful social interactions" with kids his own edge at the Rec (a local summer program), a place which Ware can't stand. 

But he's found a way to make things work.  There's an abandoned half-demolished church next door where Ware can escape to and explore.  Imagining himself as a knight, he transforms the ruined building into his castle, complete with a throne and a moat.  But he's not alone.  There's a girl named Jolene there who is trying to plant a garden of papayas, with dreams of making money by doing so.  In her mind, Ware is full of silly ideas and he should start living in the real world as she does.  In time, Ware learns enough about Jolene to understand from where her cynicism comes.

The resulting tale is a gentle story of two outcast middle schoolers spending a summer together at their own speed.  There's a world of discovery and adventure here, all placed in a single abandoned lot.  For Ware, the summer is about learning to embrace his quiet introverted nature.  For Jolene, it is about finding that even the real world can have some happiness within it.

As rooted as this story is in reality, it has all of the whimsical magic of Pennypacker's animal adventure Pax.  Like that novel, Ware and Jolene innocently explore a world full of greater evils than they can really imagine, safe by fate and good fortune.  Sweet and magical.

Sick Kids in Love, by Hannah Moskowitz

During one of her infusions, Isabel meets Sasha, who's getting his own treatment.  Isabel has rheumatoid arthritis, Sasha Gaucher Disease (a rare genetic disorder).  They'd hit it off right away, but Isabel decided long ago that she wasn't going to date.  Dating is complicated.  Trying to explain herself, her disease, and maintain a relationship is simply too hard.  But with Sasha, it should be easier:  He also has a chronic disease.  He totally gets the paradox that they are both more than their disease, but also defined by it.

Isabel finds that she can relax in his presence.  She even finds herself opening up more to others as a result of the relationship she is forming with Sasha.  He's good for her.

But Sasha also opens Isabel to the realization that her control issues, her fear of making decisions, and her aversion to conflict are not actually related to having a chronic disease, but are in fact unrelated.  She has conveniently looked past and ignored them because she could blame everything on the arthritis.  When Sasha asks her to commit to their relationship, she finds to her own horror that she doesn't know how.  And that is just the start of a series of emotional challenges!

One of the greatest parts of this book is the subtitle ("they don't die in the end") because it completely throws off the trope of these books.  A death would have been convenient.  Once Sasha died, we'd have a teary funeral and Isabel would pick herself up and move on, always keeping the memory of her fleeting romance with Sasha in her heart!  We all would have cried.  Instead, Moskowitz presents us with a much harder ending:  everyone lives and they are both still sick.  That's what a chronic disease is about.  It doesn't ever go away.  Somehow life goes on and when you have a chronic disease and you're young, you have many years before you.  You know that what awaits you are good days and bad days.  Sometimes you will be well, sometimes you'll be in the hospital.  It's not particularly dramatic but it's a hell of a lot more scary.  Watching Isabel come to accept that she wants Sasha in her life and embrace all that that entails makes for some pretty heady romantic stuff!

I loved the growth of Isabel's character, her strength in confronting her demons, and the hugeness of her heart.  This is a really lovely story about two young people in a very difficult place, doing what needs to be done to grasp on to their piece of happiness.  It's an affirming and inspirational story.  Highly recommended. 

The Lie Tree, by Frances Hardinge

In Victorian England, young women do not pursue careers in the sciences.  Faith's interest in her father's studies in natural science is thus discouraged.  But for every time her mother tried to keep her close to the hearth, Faith doggedly tagged along with her father.  It was she as a little girl, after all, who found her father's most famous fossil discovery.

Now a young woman, Faith is concerned as her father (and the family by extension) falls into disgrace because of evidence that her father's work is fabricated.  A fortuitous summons to the small island of Vane to participate in a dig is just the tonic for escaping scandal.  But the scandal and worse follows the family and Faith becomes aware that father is hiding a much larger secret: a rare plant that survives in pitch darkness, lives on lies, and produces a fruit that can allegedly provide True Knowledge.  Confronting her father, she is taken into his confidence and helps to secure the tree in a safe place.  The next morning, her father is dead, allegedly from suicide.  With time running out, Faith must unravel the mystery of her father's death, the identity of the killer, and the mystery of the tree itself.

A dark Victorian mystery with some wonderful creep factor and macabre images.  Lots of twists and surprises and a stellar well-written cast of characters.  I'm not a big mystery fan, but this was enjoyable on several levels.  A story with depth, competing motives for doing both great good and dark evil.  And, of course, the tree itself which is everything one wants from a diabolical plant. Without introducing any jarring anachronisms, Hardinge does a great job of introducing an empowering and empowered heroine who exposes and challenges gender inequality while being equally and fatally blind to it in the story's most clever twist.  It adds just another dimension to this satisfying story of dark deeds and tragedy.

Out of Place, by Jennifer Blecher

Cove is crushed when she learns that her best friend Nina is moving away to New York City.  Cove has lived her whole life on Martha's Vineyard and never left the island.  Her mother, for reasons never fully explained, refuses to leave.  As a result, it is unlikely that Cove will ever be able to visit Nina.

Without Nina, there will be no one to defend her at school and no one to be her friend.  And while Cove has to endure some fairly intense bullying at school, she finds there are plenty of new friends to make and things to learn. One of those friends helps Cove learn of an audacious way that she might earn a free trip to New York City.  She knows that she has to take the leap, even if it means risking everything she believes in.

A surprisingly sophisticated middle reader that covers bullying, PTSD, and socioeconomics, as well as a familiar story of friends being separated.  My favorite part was a subplot about a retired seamstress teaching Cove how to use a sewing machine (I'm a sucker for the forgotten-master-teaching-the-young-acolyte tale).  Vivid characters and lively writing make this complex story surprisingly enjoyable.  Blecher knows how to make her points economically and the result is an enjoyable book that delivers a big punch in minimal pages.

Where the Heart Is, by Jo Knowles

Thirteen year-old Rachel is tired of being teased about her alleged romance with Micah.  Yes, when they were six, they pledged their undying love, but people grow up, right?  For Rachel, it certainly seems that way!  But Micah obviously still likes Rachel and grows jealous when she starts to explore relationships with other boys (and even dabbles with a flirtation with a girl).

Rachel meanwhile is learning to take care of her neighbor's animals and coming to terms with the fact that those animals are slated for the dinner table.  And along with everything else, Rachel's family is struggling financially and on the verge of losing their home.

While a pleasant read, this book suffers from a pacing problem.  The build up to the supposedly central issue of the book (coping with the loss of the family home) is introduced very late in the book.  And, once introduced, Knowles does not have much to say about it and rushes it along.  The real story is probably Rachel and Micah, but this gets buried in the rest at the end.  The end result is a bunch of loose ends.

Start Here, by Trish Doller

Willa, Taylor, and Finley were supposed to take a grand boat trip together from Ohio to Key West after high school graduation, but then Finley succumbed to her leukemia and didn't make it.  But they still have the boat and a list of clues Finley created for them to solve on the route. 

Neither one of them is truly enthusiastic about taking the trip.  Finley was the glue that bonded the three of them together.  In her absence, Willa and Taylor aren't really close enough to survive close quarters and 2000 nautical miles.  But their loyalty to their late friend and a shared desire to honor her drive them on.  And during their coastal road trip they survive threats both emotional and physical, find love, discover themselves, and come to terms with life after Finley.

No literary masterpiece, but a nice solid road trip story with an unusual setting.  Knowing just about nothing about sailboats, there was just enough detail here to entertain me.  Great characters and some fun lighthearted romances gave me something to enjoy.  Finally, just enough adventure to explain the transformations and growth that I basically was craving for.

Lalani of the Distant Sea, by Erin Estrada Kelly

Inspired by Philippine mythology, this fable tells the story of a little girl named Lalani who must save her dying people by crossing from her island to the next door one where Mount Isa lies.  There, a golden flower will bring everything you wish.  Countless great warriors in the best ships have tried to make the trip before and none have succeeded.  How possibly could twelve year-old Lalani in a tiny boat make it?

A complex story involving a series of mysteries that gradually come together.  The narrative itself is a bit of magic, combining not just Lalani's story, but also the tales of dozens of other characters.  Kelly continues through to the end to introduce more and more characters, often in a second-person voice that feels quite immediate, like a campfire story.  The quantity of names and beasts gets overwhelming, but the story's richness is the payoff. 

While individual moments can get quite dark (there's a lot of death), general themes about self-discovery and standing up for what is right give this some heft.  I enjoyed the richness and the internal consistency of the story.  I'm not sure that I've truly appreciated it from only one reading.

The Good Luck Girls, by Charlotte Nicole Davis

Sold to a bordello when she was little, Clementine has turned sixteen and is about to have her "Lucky Night" (when she is sold to the highest bidder for her first working evening).  When the John ends up dead, Clem has to make a run for it.  With the help of four friends, they make a daring escape that sets up a desperate race for freedom.  But the world they live in -- called the Scab -- isn't just populated with corrupt lawmen and people willing to give you away for the right amount of Shine.  Raveners, who were once men, but have now become something truly evil, that can enter your mind and destroy you from within.  And there vengeful spirits come out at night and tear you apart.   Against all these forces, what chance do five young women have to survive?  Yet the drive to survive and be free is strong and the resulting adventure is a wild one in this fantasy/Western hybrid.

As the story starts out, I was reminded of the "Heart of Gold" episode of Firefly because of its combination of Western and fantasy/sci-fi tropes.  Aside from the fact that they both begin at a brothel, the stories aren't similar, but the feeling of this novel owes a debt to Joss Whedon -- not just Firefly but also a good dose of Buffy.  Davis has woven a complex and immersive landscape for this book.  The Wild West stuff mixed up with this crazy paranormal stuff could have been a colossal train wreck, but she's made it effortlessly fit together.

The plotting of this story is relentless.  We never really get a break as we careen from one moment of peril to the next.  That pace is hard to maintain and at some point it starts to feel contrived.  Just how many near-death situations can these girls escape?  The ending fizzles out as Davis can't one-up herself enough to create a true climax.  All of which leads us to the other issue:  character building.  I'm not going to say that she didn't put a lot of effort into these characters, but they are fuzzy and amidst all of the action I sometimes had trouble keeping straight who was doing what.  Five (six if you count the boy) characters are a lot to sort through and build up to be sufficiently distinct (I never did quite figure out Tansy and Mallow in particular).  Major kudos for creativity and an excellent setting, high marks for a story I got fully engrossed in, but maybe do less and make more of it by building up those characters and throttling back on the mayhem?

My Jasper June, by Laurel Snyder

At the start of the summer, Leah feels lost.  Her town and her family have so many traditions and none of them feel right anymore.  Since her little brother died last summer at camp, Leah and her family have simply drifted.  School kept Leah busy, but with a long empty summer ahead of her, there is nothing to do and nothing to which to look forward. 

Then Leah meets Jaspar, a mysterious girl living in an abandoned house in the woods.  Jaspar is fun and exciting, and most important of all Jaspar doesn't look at her with the pity that everyone else does.  Through the friendship that develops between them, Leah finds the will to move beyond her grief and see with a clear eye how encumbered it has made her and her family.  But Jaspar's situation is dire.  Can Leah help her in return or are some problems simply too big to take care of?

A lot of loss and pain in this book but in the end a lot of hope as well.  Snyder avoids easy solutions and no one person saves the others.  Instead it becomes a team effort where adults and children come together and teach and learn from each other at the same time.  The end result is a moving story about taking risks and committing to others in order to break through unhealthy coping mechanisms. While elements of the plot are tired and familiar, the strength of this novel comes in its affirming and inspirational message, well written and effectively delivered.

Zenobia July, by Lisa Bunker

While her father's hunting accident has left middleschooler Zen an orphan, the decision for her to come live with her Aunts provides an opportunity to finally become the girl she has always known herself to be.  With a new town and anew school, Zen has decided that she'll present as female and not even tell anyone that she's trans.

Being a girl proves harder than she expected.  There's the natural worries of passing, but Zen also find that being a girl involves tricky social skills with which she is not familiar.  She knows that being a girl feels right, but doing it right does not always come to her.  She doesn't know to be wary around queen bee Natalie.  While prim Margaret seems like she would make a good buddy, her conservative religious family proves to be a no-go.  For safety and comfort, Zen is drawn to a group of misfits, made up of racial and sexual minorities trying to fit in.

Zen is far more than a trans girl.  She has major computer skills.  When a hacker defaces the school's website with racist and transphobic graffiti, Zen leaps into action, helping the school track down the perpetrator.  All along the way she worries about finding out that the person who did this is likely someone she knows, someone who may not even realize that they have attacked her.

A complicated collection of ideas that surprisingly works.  The major plot line of Zen learning how to be a girl is handled quite well.  Zen both addresses her frustrations with the boy parts of her (she's well aware that as she enters puberty that things will get harder) and with learning the skills to reinforce and validate her femininity.  Related to this, there's a lovely series of interludes where various characters describe how Zen appears to them, with even the most reluctant observer agreeing that Zen is a girl.  Subplots about tolerance of cultural pluralism (Muslims in one instance and homosexuals in the other) neatly intertwine.  Zen's two aunts, their marriage, and the overall non-traditional family they form is another component.  

I also appreciate the things that the story doesn't do.  No traumatic outing scene.  No widespread bullying at school (mean girl Natalie aside!).  No family screaming match.  No grand gestures or speeches.  It all ends on a high note and, while little external has actually changed, we get the sense that Zen is just a bit closer to her happy place.  That opens us to a sequel or just a nice slice of Zen's growth.

A Long Walk to Water, by Linda Sue Park

A story of two young Africans.  Nya and her family live in a parched desert.  For half of the year, she spends her entire day making two round trips to fetch water for her family.  For the other half, she digs in mud for water that is frequently disease-ridden.

Salva is a young South Sudanese boy who is forced to flee for his life when soldiers attack while he is at school.  Separated from his family, he struggles to survive, crossing inhospitable terrain and ending up in a series of refugee camps and dreaming of a better life.  Told in alternating voices, the stories of Nya and Salva eventually connect in a surprising and dramatically appealing way.

Almost certainly, this book is read more often for a classroom assignment than for leisure, but it is easy and quick to read.  Largely based on the real-life experiences of Salva Dut, one of the "lost boys" of Sudan who were rescued from Kenyan refugee camps and resettled in the United States, the book is pretty intense reading.  People get killed and die horrible deaths.  While retold in an entertaining way, the mood is factual and it reads like non-fiction.

There's Something About Sweetie, by Sandhya Menon

Sweetie is a fat girl and she doesn't mind if you think that of her.  After all, her body size is an established fact.  But if you try to tell her that being fat is somehow a bad thing, she'll point out that she can outrun any girl or boy on the school's track team.  Far from being a slur, Sweetie has embraced her bigness as a source of pride and a sign of beauty.  Now, if she could only get her mother to agree and stop acting so embarrassed of her daughter's appearance.

Ashish is a formidable basketball player.  Popular and friendly, he has a way with girls.  They love him and he has flitted from one relationship to another.  When he is cruelly dumped by Celia, however, things are different.  He really liked her and the rejection sends him into a funk.  He simply can't get over her.  With his charm failing him, he throws himself at his parents for help.  They are convinced that they can find him the perfect girl and Ashish is just desperate enough to take them up on the offer.  They find Sweetie.

Ashish and Sweetie actually have chemistry, but Sweetie's mother puts the kibosh on the whole idea.  Afraid that her daughter will become the butt of jokes and be humiliated because no one as handsome as Ashish could possibly want her overweight daughter, she forbids them from being together.  But they end up going behind her back.  Ashish's parents, less than thrilled at the idea, force them to go on a series of unusual dates (the first of which is to the temple) that surprisingly solidify the respectful relationship that develops between Ashish and Sweetie.

The result is a sexy romance that strikes all the right notes:  a couple of kids with a very mature perspective on what makes a relationship work; a healthy respect for tradition, family, and (gasp!) even religion; and a heartwarming story about people who truly don't let bodyshaming control their lives.  As with When Dimple Met Rishi, Menon has created a joyful story filled with contemporary Desi characters that transcend stereotypes, while remaining true and respectful of those cultures.  This is an all-round winner!

Playing Atari with Saddam Hussein, by Jennifer Roy (with Ali Fadhill)

In this slightly fictionalized autobiography, Ali Fadhill recalls his life in Basra Iraq during the forty-two days of Operation Desert Storm in 1991.  Only eleven years old at the time, the war was a period when his family worried about his father on the front and tried to adjust to living life under siege.

And for a child, the things that mattered most were often trivial.  Ali's strongest memory of the day the bombs started to drop was of knocking his brother off the top score on their favorite video game.  And while he would witness atrocities like summary executions, his mother's decision to burn his comic books when they ran out of fuel made a bigger impact at the time.

The book is more of a memoir than a children's story.  Reading it,  I tried to picture whether a modern child could even relate to this moment in history.  It's too recent to be considered history and too long ago for even their parents to remember.  Admittedly it's fascinating to read the first-hand account. I'm always interested in seeing how children process the horrors of war.  Overall, though, the writing is stark and functional and there's not much of a story.

Her Royal Highness, by Rachel Hawkins

Running from an unfaithful girlfriend, Millie decides that she needs to make a big break and applies to go to an exclusive boarding school in Scotland.  With students that include the Scottish royal family, she's about as far from Texas as she can get.  And when she is accepted and her roommate turns out to be the actual Princess of Scotland, Millie knows she is in the deep end.  At first, she can't stand her roomie, but over time they warm to each other until the inevitable romance develops.  But the course of love never runs smooth when royalty are involved!

Silly princess fantasy stuff for fans of The Princess Diaries.  We'll keep on hold the non-existence of the Scottish royal family or any of the far-too-easy way that Millie manages to become chummy with them.  Instead, we'll just enjoy this funny rom-com about two pretty girls in the Highlands.  The dialogue is smart, the story briskly paced, and Millie makes a perfect doe-in-the-headlights for this make believe fairy tale.

I, Lorelei, by Yeardley Smith

After her cat dies, eleven year-old Lorelei starts writing letters to him, telling her late fur friend about her daily life.  She's acting in the school play, negotiating a friendship with an unpopular girl in her class, dealing with the fallout from her best friend, and watching her parents' marriage come apart.  At times lighthearted and funny, but also sobering and poignant, the letters show Lorelei dealing with lots of changes.

Smith (better known as the voice of Lisa Simpson) dabbles here with a enjoyable but unremarkable middle grade book.  Lorelei is a sympathetic companion and full of insights about her friends and family. The struggles she engages with will feel familiar and readers will instantly relate.  Given the rather lengthy nature of the book (340 pages), it is frustrating that nothing really get resolved.  Instead, we must settle for the satisfaction that Lorelei by the end is beginning to learn how to cope and accept responsibility for the things that are within her power to change.

The Last Voyage of Poe Blythe, by Ally Condie

Two years ago, Poe Blythe was captaining a dredging operation on the river to extract gold for the Admiral.  A heady assignment for a fifteen year-old, but she had her wits about her and she had her best friend Call.  But then Raiders attacked and captured the boat and killed Call.  Poe barely escaped with her life.  Now, the Admiral wants to send her out on the same mission.  He wants more gold.  She wants revenge.

Defended with special custom armor that Poe herself designed, their dredging vessel should be impregnable.  But from the start, bad signs abound.  There is at least one saboteur on board and Poe needs to find them.  She'll fail.  And as events spin out of control and the mission collapses, Poe finds herself thrown by events far greater than even she imagined.  In the end, the thirst for vengeance will be replaced with a much higher calling.

Fast-paced action and adventure with a young cast of characters in a post-apocalyptic world.  There's not much time here to dwell on adolescence in a story where characters betray each other every other  page and the plot twists and turns.  Instead, like all decent adventure stories, this is all about the hero(ine)'s growth from callow and emotionally-unfocused youth to true leader.  Poe is tough as nails, brave, and inspirational.  The story is exciting.  The setting is exotic enough to be interesting.

My only complaint:  I wanted a schematic of the dredger -- which is a character in its own right -- in the book.  Condie's descriptions were never quite enough for me to picture where the vast majority of the action takes place.  Having it to reference throughout the story would have helped.

Roll, by Darcy Miller

Eleven year-old Ren isn't thrilled about his family's recent move into the country.  And he's not so sure about starting cross country running in the fall, especially when it is clear that his father is so much better at running than he'll ever be.  But a girl next door and her weird hobby does catch his interest. She flies Birmingham Rollers, a type of pigeon which performs spectacular diving feats, and she's training her flock for a regional competition.  Ren's captivated by the birds and gets caught up in helping her train them.

While he's gained a new friend and a new interest, he's aware that he losing things too.  His best friend Aiden is going out for basketball and seems to want to spend all of his time with other boys on the team. The differences between them seem to be becoming a bigger and bigger deal.  And Ren needs to come clean with his father who is training Ren to get him ready.  But how does Ren tell his father he's no longer interested?

I always like a story that has something to teach and I had certainly never heard of training pigeons, let alone birds who could do these tricks (it's worth Googling!).  I also liked having a book about a boy that wasn't adventures and gross-out.  There are so many books out for girls about losing childhood friends in middle school years, but really not much about boys (who go through many of the same changes).  It's nice to see someone create one.

The Quiet You Carry, by Nikki Barthelmass

The story opens with Victoria thrown out on the street at 3am.  Her father, accusing her of sexually attacking him, wants her sent away.  Victoria finds herself thrown into foster care, with no home or family.  Up to now a star student, her education is in jeopardy.

She ends up being placed in a foster home two hours away, dealing with an incompetent and overloaded social worker and an abusive foster mother.  She is worried that her father is going to hurt her stepsister.  But as much as these problems are not her fault, it is Victoria who has to rescue herself.

The novel does that annoying thing where the heroine refuses to help themselves.  Through all the suffering, she can't bring herself to accuse her father of abuse (yet grows angry that no one will help her).  The thing that she is carrying – the truth—could have been spoken earlier and created a much shorter story.  But the device bothered me less in this case because Victoria kept fighting even when she wasn’t doing the right thing.  And she recognized early that staying silent was hurting herself and others.

Enthralling and hard to put down, Barthelemass portrays the hard reality of foster care where adults don’t always do what they are supposed to do.  Against these seemingly insurmountable odds, Victoria comes through as inspirational.  I also appreciated that not every adult was evil.  Even the harsh foster mom reveal subtleties that make her, while not nice, at least human.  A good read.

Wilder Girls, by Rory Power

In case you are looking for some fiction to put you in the mood for a global pandemic....

When the students at the Baxter School for Girls on a remote island off the coast of Maine start contracting a strange and fatal disease, they and their island are placed under quarantine.  The disease, which they call the "Tox" causes rapid mutations that painfully disfigure the body and appear to be tied to the ecology of the island itself, affecting the animals and even the plants.  While the CDC works on a cure, no one can leave.  Regular supply runs drop off what the girls and their teachers need to survive, but otherwise the residents are on their own as the they grow sick and die terrifying deaths.

They told us to wait and stay alive.

A year and a half later, junior Hetty recounts the state of existence for the survivors.  There is still no cure and a vast number of the girls (and nearly all of the adults) have died.  Supplies are running low and the wildlife on the island has grown so hostile that venturing outside of their school grounds is too dangerous to consider without weapons.  Things are coming apart.  Hetty (along with her friends Byatt and Reese) suspect that the government is giving up on them and fight a last ditch effort to survive as the supplies stop coming and panic sets in.

A grim and brutal horror novel that turns a boarding school into a killing field.  From the start, the tension was captivating, the situation dark and gruesome.  The suspense picked up as more discoveries and dangers unfurled.  But by the time we reach the half-way point, things start to tip into the realm of silly and unbelievable.  Characters start behaving irrationally and counter-intuitively,  A super generous interpretation would be that everyone started to go mad, but the stupidity of some of the actions belie a more plausible explanation -- trying to keep the action going and wrapping up the story.  In sum, the last hundred pages unravel the story in a not-so-glorious way.  Still, there's no denying the topical relevance of reading this book while you're riding in a plane with a bunch of coughing people.  Definitely, one of the creepiest reads I've had in a long while!

The Night of Your Life, by Lydia Sharp

It’s almost graduation and JJ has his senior prom to look forward to.  He’s taking his best friend Lucy with him and it’s bittersweet because when they graduate she will leave for school in Italy.  To complicate matters, he’s also taking Jenna – the recently ex-girlfriend of Blair and High School royalty -- who needs company.  It’s just as friend, but JJ could never deny that he would like a chance with her (even if he is strangely uncomfortable admitting as much in front of Lucy).

So far, so typical YA prom/romance.  But there’s an additional dimension.  Lucy and JJ’s just completed their joint science project -- a time machine -- which they actually got to work.  Sort of.  While all there preparations went well, the thing mysteriously failed during their presentation.  Or so they thought.  In fact, it triggered a time loop/glitch which causes JJ to relive again and again what will become the prom night from hell.

A story so much like Groundhog Day that there’s even a token groundhog in the story, this quirky time travel adventure may be all over the place but it is surprisingly entertaining and ultimately touching.  It turns out that Bill Murray really missed the boat – the purpose of repeating something again and again is not to get it right or become a better person:  it is to totally transcend the rules of the universe and embrace what you really expect from the world.  In sum, what JJ will ultimately learn is that we make out own fate.  That surprisingly deep lesson combines with stand out characters to create a fun read which breaks the mold of the calcified genres it has chosen.  Who knew a prom time-travel adventure could be so interesting?

[Discliamer:  I received an ARC from the publisher in exchange for an unbiased review.  The book is slated for release on March 3, 2020.]

The Candle and the Flame, by Nafiza Azad

The city of Noor lies in the crossroads, a mixture of Arab, Indian, and Chinese cultures.  Nearly destroyed when a chaotic band of Djinn attacked the city and slew almost everyone, it has been repopulated by refugees from many lands.  Thus creating a place of many cultures, faiths, and traditions.  But it is not a place of peace.  Rival factions of Djinn and humans struggle to gain control of the region.  A dizzying assortment of nobles and commoners play a part in this vivid and complex setting, key among them is Fatima, one of the few survivors of the attack.  She now bears special powers that even she doesn't fully understand, which could bring peace or annihilation to the people.

Strikingly original amalgam of cultures and ideas, Azad has drawn on a wide palate to create this crossroads world that combines not only different world cultures, but also different ideas of magic and religion.  The story takes liberties with many of these in its mashup and introduces a matriarchy and strong women characters that fit loosely on top of  the traditions it invokes.  That can at times feel revisionist, but it fits in smoothly.  Azad triumphs in cultural detail, obviously in love with the food, clothing, and smells of this world.  No meal takes place without a detailed description of what is being served.  No clothing is worn without extensive description of what is being worn and how it is accessorized.  If you are into that and have the patience to spend a lot of time in the Glossary (helpfully provided at the end of the book), then this is a rewarding read.  For more casual readers, it can seem like cultural overload and one longs for more story and less culture.

Girls of July, by Alex Flinn

Four girls in the summer before their senior year come to spend a month in a secluded cabin in the Adirondacks, where they have adventures and bond.  As usually happens in this subgenre, this involves rejecting the expectations of their parents and finding their true callings.  The adventures are mostly unremarkable (car trouble, a romance, helping a family in need), but each of the young women go through a very satisfactory personal growth arc in the story.  That said, the most interesting story probably belongs to the fifth character (the owner of the summer house and the grandmother of one of the girls).

At 470 pages, it seemed terribly long and it wore me out.  It begins strong with a certain amount of tension between the characters, but they break through that quickly and the second half of the novel treads water.  And while the girls start out different, they gradually lose their distinctiveness, which I guess is how we know that they are all getting along.

Night Music, by Jenn Marie Thorne

Ruby is the youngest member of the Chertok musical dynasty.  Her father teaches at the elite Amberley School.  But the truth is that Ruby is failing to make it and, after she botches her audition at Amberley, she realizes that she needs to find something else.  But what?

Oscar is a musical genius.  Taken under the wing of Ruby’s father, he is positioned to become something truly revolutionary. As a young black man, everyone wants to pigeonhole him as a ‘disadvantaged’ kid and use him to promote a diversity fund at the school, rather than pay homage to his actual talent.  Ruby seems to be the only one who can see beyond his race and truly appreciate his musical genius.  But with the shock to her own dreams, can any appreciation of him be truly selfless?  And is she hanging on him out of love or desperation?

A smart and fun romance with smarts in a glorious rarified setting.  It's got rich kids in Manhattan, classical music, fancy parties and glitz, and a final climax at the Lincoln Center.  On top of this is an intelligent take on how race and class (and a large generation gap) play out in elite artistic circles.

Beyond the story, Ruby and Oscar are fun and complicated.  Oscar does tortured artist well, but it is Ruby’s family and their beautiful psychopathy that steals the show.  In short space, Thorne packs a strong emotional punch with each member of the Chertok family (regretful father, cold and steely mother, siblings unable to reconcile).  The result is light and enjoyable entertainment, with some depth and substance behind it to give you the feeling that you aren't just reading a romance. A beach read, to be sure, but a superior one at that.

The Odds of Loving Grover Cleveland, by Rebekah Crane

When Zander shows up at Camp Padua, a summer retreat for at-risk teens, she insists that there is nothing wrong with her.  That makes her stand out.  Everyone knows that Cassie is anorexic, Bek is a liar, and Grover is just odd.  But the most that can be said about Zander at first is she doesn't like apples.

Faced with a summer of group therapy and outdoor games that is about to change.  Grover's, convinced that he is destined to become schizophrenic, and similarly persistent that Zander and he are a couple.  Amidst Cassie's snarky observations about just about everyone are a few pointed ones at Zander that show that she sees far more than anyone else at Camp.  And Zander will open up and address the feelings and behavior that wound her up here.

A familiar story of institutionalized teens healing gets a lift in this case from some fresh characters.  Cassie and Grover are the most colorful and provide excellent soundingboards for Zander.  Character growth is a given in this genre but follows a less predictable arc that gives us some suspense and a better pay off in the end.  The language is smart and mixes believably vulnerable adolescence with intelligence.  A pleasant enough read but not terribly noteworthy.

Oh, Rats! by Tor Seidler

Phoenix is one impressive squirrel.  The largest in his litter, his luxurious fur and big fluffy tail make him a great catch.  But unfortunately, that vanity costs him when he is caught by a hawk instead and swept away from his New Jersey home.  Making it through a series of near-death experiences, Phoenix finds himself in New York City, but without his fur and his tail now bare.  He looks almost like a rat!

While the local rats don't really trust him, he proves to be their good friend, helping to protect the abandoned wharf they call home from a greedy real estate developer.  It will take serious climbing, inventiveness, help from a bird of prey, and a few sticks of dynamite, but Phoenix is determined to save the day.  In the end, he finds that home is where you make it, even if you are a hairless squirrel from Jersey!

On a whim, I picked this up from the new middle school bookshelf.  It looked cute and even a bit funny.   It proved to be strange and more than a little bit dark. It is cute, but not very funny.  I also fail to see how it really qualifies as a book for middle schoolers, although I'm at a loss to say what the audience should be.  It's not a bad adventure, but between the violence, some mature themes (alcoholism, family abandonment, etc.) it doesn't really seem age appropriate. But at the same time, the talking animal genre tends to skew young.

We Are the Perfect Girl, by Ariel Kaplan

In this retelling of Cyrano de Bergerac, Aphra is the brave and fearless fighter.  Skilled with words and outspoken, she's a loyal friend to her little brother and to her best friend Bethany.  While Bethany definitely has the looks, she becomes tongue tied in the presence of handsome Greg.  And as much as Aphra keeps trying to encourage her, Bethany seems condemned to sit on the sidelines.  Aphra won't stand for that though and she helps Bethany find the words to capture Greg's attention.

Meanwhile, Aphra is developing a phone app that uses artificial intelligence to chat with people.  The app is supposed to be anonymous and confidential, but when the program starts failing, Aphra fakes results by intervening and writing the app's responses herself.  That's when she discovers that Greg has been confessing to the app.  Unable to help herself, Aphra responds, trying to gently nudge him towards her best friend.  It doesn't take long for Greg to figure out that the responses are not coming from a computer.  And when he calls her out, she is forced to confess, but due to unfortunate circumstances, he mistakenly assumes that the app's author is Bethany.  Now smitten, he falls madly in love with her.  This leaves Aphra in the unenviable position of coming clean with Greg about her true identity and confessing to her best friend that she's been secretly chatting with her love.  The fact that Aphra actually likes Greg as well only complicates matters.

Clever is the way that Kaplan has managed to modernize and adapt Rostand's classic play, the book also shines for its clever writing. The book is hilarious, with a whole slew of amusing and original anecdotes and scenes (ranging from an awkwardly misplaced swimsuit donut to a grand confession in front of an entire school assembly).  At times, these are so clever that they overwhelm the story itself, threatening to make the novel just one funny scene after another, but it mostly works.  Meanwhile, I loved the characters.  The dynamics with Aphra's family are particularly refreshing (I'm always a fan of parents who actually do more than forbid the heroine to do something and then ground them afterwards).  And Aphra's journey from self-obsession towards self-acceptance is real and meaningful.  A delightful read.

Sadly, the unusual and notable inclusion of rarely-seen-within-YA Russian to the story falls flat due to the multiple errors in its usage in the book.  But A for effort, nyet?

The Undoing of Thistle Tate, by Katelyn Detweiler

At seventeen, Thistle is the author of two bestsellers.  The third installment of her Lemonade Skies trilogy is almost finished.  But as successful as she is, she carries a terrible secret: she’s not the author.  Rather, it is her father who produces the books with Thistle listed on the jacket.  After years of unsuccessfully attempting to get published, he resorted to this subterfuge as a hook to get the manuscript noticed.  At the time, they were in desperate financial straits and risked losing their home.  Thistle, just fourteen at the time, agreed to go along with this ruse because she knew it would make her Dad happy.

The home and her father is pretty much all that Thistle has left of her mother.  Dad, though, is close-lipped and reluctant to tell her much about Mom, who died when she was only three.  But the Lemonade Skies series, which features a young heroine searching through the afterlife for her lost mother, is a rather heavy handed analogue to their real life.

Dad always promised that the third book would be the last and that Thistle would no longer need to carry on the charade.  She would go to college, get her own life, and move on.  But Dad’s been wavering about the future of the series and Thistle is worried that she’ll be trapped forever.  But then those fears are swept aside, and Thistle and her Dad find their hands forced by a tragic chain of events.

While a little slow at first, the story picked up steam and gained a poignancy as the initial deceit and cover up is replaced by Thistle’s search for her mother.  The ending, while perhaps a bit overly rosy, is deeply satisfying.  Tear jerking occurs and key life lessons are expounded.  In sum, the story is good.  Thistle wallows a bit much in self-pity and makes the usual bad choices of lying and deception that seem to plague young women in YA novels, but she’s strong willed and brave and comes through in the end.  The love interests suffer more and the relationships are a bit of a yawn.  Read this for the story, not for the characters.

When Reason Breaks, by Cindy L. Rodriguez

Ms. Diaz's class is studying the poetry of Emily Dickinson.  For two young women in the class, the poetry has a particular impact.  Goth girl Elizabeth is largely considered a troubled teen.  Abandoned by her father, she lashes out at everyone around her.  Her disturbing artistry gets her regularly sent to the counselor.  Sweet Emily, seemingly the antithesis of Elizabeth, struggles with an inner demon of depression.  Both girls, latching on to Dickinson's melancholy, apply it to their contemporary lives, which are seemingly falling part. By the end of the book, one of them will be lead to take their life.

Unfortunately, the suicide angle feels artificial.  Yes, obviously it  provides a direction to the story.  But once we get there, the writing falls apart with the narrative becoming disjointed and passive.

I didn't clue in until the afterward that the characters are amalgams of Dickinson or people who moved in her circle.  It helps to explain some of the more forced parts of the story. Unfortunately, it is more clever than enlightening or entertaining.  Which is pretty much my issue with the entire book.

Meet Me in Outer Space, by Melinda Grace

Edie has a cognitive disorder that causes her to mis-hear words.  In English, she can usually manage to figure sentences out in their context.  But in the French class she is taking, it is nearly impossible for her and she struggles.  She'd quit, but the class is crucial for her in her chosen career as a fashion designer and her plan to go to Paris to study this summer.

She needs a tutor and the class’s TA, Hudson offers to help her.  He obviously wants more from Edie but she resists getting involved.  Any sort of relationship is just going to complicate her life.  Still, Edie can’t deny that she is attracted to him.  But really what future can they have when she is planning to study in Paris?

Quirky and original story with strong characters.  Edie, despite the temptation that Hudson presents, is pretty steadfast in her dedication to her career goals.  I did find it rough and amateur, but there is raw talent here.  Finally, it got mislabeled as YA, when it is really NA, but young readers may not care (the characters are not terribly mature so the primary visible difference is that they live in dorms and not at home).

Have a Little Faith in Me, by Sonia Hartl

CeCe lost Ethan.  After succumbing to pressure from him to have sex, he decided to break things off.  He says he needs to re-connect with his faith and is going away to Summer Bible camp.  CeCe, whose faith in Jesus was never very strong, is convinced that by following him there and proving she can be a good Christian too, that she’ll win him back.  Her best friend and neighbor Paul tries to convince her that this is a very bad idea.  When he fails to do so, he announces that he’ll go too in order to help.

At camp, CeCe is definitely in over her head.  Her ideas clash repeatedly with the staff and the campers, but her biggest shock is finding that Ethan has a girlfriend at camp.  Desperate, she gets Paul to agree to pretend to be her new boyfriend and make Ethan jealous.  It works so well that CeCe and Paul discover they have feelings for each other.  It culminates in a stand off at a campfire confessional.

So far, so predictable.  I twitched quite a bit at the depiction of organized Christianity, but that’s pretty common with writers who want a group that’s still OK to trash.  But the great climactic fireside showdown occurs on page 185 and there are almost 150 MORE PAGES TO GO!!  What on earth are they going to do with the rest of the book?

The answer is to embark on a treatise about sex and consent.  The girls at the camp, shocked by what CeCe has endured launch into an extended dialogue about sexual mishaps, questions, and consent.  Much of it is fine and the material is sound, but it is so dense that it largely comes across as a textbook.

The book's popularity may be boosted by a pretty explicit sex scene at the end that the sex education material seems to be building up for.  It contains probably the most thorough by-the-book explicit consensual sexual encounter ever recorded in a YA (or any other) book.  And there is a stress on verbalized consent (i.e., implicit consent does not count so everything must be spoken aloud), which will raise eyebrows. There’s nothing intrinsically wrong with teaching that good sex is consensual sex, but it has so little to do with the first half of the book that it felt like a hidden agenda.

It’s a little hard to review the book since it is really two books – one fiction and the other non-fiction.

The characters start as young people but largely become mouthpieces in the end.  CeCe and Paul get the best treatment, but that’s because they get to be the models for perfect sex.  In the first half of the novel, I found them much more interesting.  The end is a mess as the story shifts in several different directions, but finally gets the kids back home and into each other’s arms.

Call It What You Want, by Brigid Kemmerer

Rob lost everything when his Dad was caught embezzling money from his clients' investment accounts.  Most of their possessions were seized.  Rob became an outcast at school as everyone assumed he knew about it.  Meanwhile, his father escaped in his own way (with a failed suicide attempt that left him in a vegetative state).

Maegen got caught last year cheating on the SATs and caused an entire classroom's worth of exams to be invalidated.  But that scandal pales compared with her star older sister coming home from school pregnant and unsure about what she wants to do about it.  Maegan's family life has grown unbearable.

Both Rob and Maegan now lie at the bottom of the social hierarchy, but neither of them have any reason to associate with the other.  It takes a group project in Calculus to bring them together and help them discover that they have much in common.  One thing they have both come to understand is, as desperate as things seem for themselves, there are others who are in greater need.  They can make a difference by doing good deeds.  While they don't have track records for making good choices, now that are are trying to do so, they find that it is not so easy to know what is right.

A stirring and moving story of two flawed, but resilient young people.  Supported by complex and well developed supporting characters, Kemmerer has created a very strong story of love and loyalty.  Whether it's the sisterly bond between Maegan and her pregnant older sister, between Rob and his former best friend Conner, or even between the children and their parents, there's so much interesting stuff going on here.  And that doesn't even begin to touch on the complex dynamics between Rob and Maegan, who fluctuate between distrust, love, betrayal, and forgiveness in one of the more fascinating pas de deux in YA.  It's a wonderful thing to read a story where no one really acts to type and there's a believable surprise around every page turn.  I wasn't so hot on the plot twists at the end involving the scandal that got Rob's father in trouble, but that is a minor quibble for a novel when the characters themselves are so fascinating.

True to Your Selfie, by Megan McCafferty

Twelve year-old Ella and popular IT girl Morgan aren't just taking seventh-grade by storm, they plan to achieve multi-platform global domination!  Morgan's got the vision: what they should wear, how they should act, what they should put on their website.  She's shaping the "brand" of Morgan & Ella.  But as the number of followers that the girls have start to rise, Ella finds that more and more she seems to merely be an accessory for Morgan's climb to fame.  And, as much as Ella would like to be famous on the socials, there are things about her old life she misses and opportunities she can see slipping away.

Fairly heavy-handed look at the allure of fame and fortune, from a middle schooler's perspective. It's largely over the top but the descriptions of social media will ring true enough to make any adult cringe.  In the end, Ella learns her powerful lessons about life, so the moral purpose of this fable is served, bu there are few surprises here.  Ella is not a character to really like as she spends most of the book making mistake after mistake, but she's real and one can't help but feel a bit sorry for her.

More successful for me was the entertaining and quick moving story.  It's a fun and breezy read.  It's not fine literature, but it's a good story, told well, with some satisfying lessons about being true to yourself (which is always a good message to drive home with middle schoolers).


[Disclaimer:  I received an ARC of this book from the publisher in exchange for an impartial review.  The book is scheduled for release on February 4th.]

The Haunting, by Lindsey Duga

Twelve year-old orphan Emily has a dream come true, when the wealthy Thorntons adopt her and take her away from the nasty orphanage to which she is consigned.  Life at her new home is a dream:  a huge manor house, fine food, pretty new dresses, and best of all she gets to keep her pet mutt Archie.  There's even an odd little girl named Kat who keeps suddenly appearing and disappearing, who shows Emily around the vast estate.

But then strange things start to happen:  thumps in the night, falling bookcases, exploding windows, and a brutal sudden chilly air that keeps reappearing.  What starts as oddities becomes life-threatening.  Emily and Archie must find out what haunts the place and how to rid it of its ghosts.

Extremely formulaic middle reader, full of all the usual suspects:  abused orphan, stepparents with secrets, gothic mysteries, ghosts, and that friendly canine companion.  For the target audience, the story's lack of ambition is probably fine, but this is one of hundreds of similar books and I don't see how this one is going to stand out in any remarkable way.

Disclaimer:  I recieved an ARC of this book from the publisher in return for an unbiased review.  The book is slated for release on February 4th.