Stick & Stones, by Abby Cooper

Elyse has an extremely rare condition:  when people call her names, the words appear on her skin like tattoos and stay there for a few days, fading away slowly and being replaced by new words.  She’s had the condition since birth but when she was young, the words were mostly nice ones.  Now in sixth grade, the words that appear on her skin are more likely to be nasty.  And the symptoms have grown more severe:  now she can make words appear by thinking them on her own.

With the help of anonymous notes from someone at school, she discovers that she can control the way her body responds to the words, by developing self-confidence and telling herself that she has many positive traits to counter the nasty words.  The opportunity to run for class office, while frightening at first, provides her a chance to prove that the words that describe her are overwhelmingly positive.

The story is not subtle, but Cooper’s self-positive message is great for middle readers.  Elyse’s struggles and eventual triumph, in the face of doubts from even her own family, are inspirational.  And the story isn't only about self-actualization.  Along the way, Elyse also has some adventures sorting out friendship issues and even explores the scary world of middle school romance.  The overall message that we need to wear the words that people use about us with pride (instead of fear) is positive and affirming.

When My Sister Started Kissing, by Helen Frost

Summer for Claire has always meant a few weeks at Heartstone Lake with her older sister Abigail and her father.  But this year, things are different.  In the past year, Dad has married Pam and now Pam is pregnant.  While it is hard to deny that she is excited about the imminent step-sibling, Claire resents Pam's presence.  Meanwhile, Abigail is bonding with their stepmother, spending more time hanging out with boys, and wants to be called “Abi.” Claire longs for her real mother, her real sister, and for all of these changes to stop happening.

Told in a variety of poetic styles, Frost’s paean to summer memories and changing families doesn’t break any new ground in theme or in style.  That doesn't make it any less of a lovely mood piece, articulating that perennial tween angst about changes.

What Girls Are Made Of, by Elana K. Arnold

Nina defines herself through her boyfriend and their relationship.  When he ditches her, she has to figure out who she is.  The process is fraught with a number of detours, ranging from comparing her life to an unwanted animal in the shelter where she works to recalling the grim fate of early Christian martyrs.  Written non-linearly, Arnold’s novel becomes a series of short essays on femininity, sexual politics, virginity, art history, and the role of love in a conditional world.

It’s an angry polemical book (more than a novel) and angry in a way that is largely deserved.  Arnold makes a number of good points.  It’s also a painful book as it calls out practices ranging from animal endangerment to rape.  But at times it can seem simply angry.  Arnold doesn’t allow space to explore unconditional love (having her character reject it out of hand) or even kindness.  Everything is about people treating each other badly (usually men to passive women).  Like reading an Andrea Dworkin book, it is too easy to fall into despair and paralysis from all this anger, rather than grow (although Arnold's style reminds me more of Susan Griffin and other eco-feminists).  Still, it’s beautifully written.  The short essay format allows Arnold to achieve maximum impact with her messages.

Star-Crossed, by Barbara Dee

Mattie's had a crush on Elijah for years, but now that she's in eighth grade, she isn't so sure she likes him anymore.  More surprisingly, she finds that she may like Gemma instead.  Does that mean she likes girls instead of boys?  Mattie isn't sure.  And moreover, she worries about how her classmates and her friends will treat her if they find out.

All of this gets complicated when Gemma is cast as Juliet in a school production of Romeo and Juliet.  During rehearsals, Romeo drops out of the play, and Mattie finds herself cast in the role as Romeo.  In a story that makes clever use of Shakespeare's tragedy, Dee spins an insightful and gentle age-appropriate exploration of sexual identity.

It's the type of book which will raise the hackles of conservative parents, but it's really quite chaste.  Dee's treatment very gently explores the sexuality question, speaking mostly about the difference between friendship and being more than friends. As it turns out, middle school romance between girls is every bit as awkward as between girls and boys.  Homosexuality is accepted pretty much at face value in this book, which may feel unrealistic to some readers, but it is also largely beside the point:  these kids are not having sex (they are barely at kissing!).

I found this to be a truly remarkable book.  It doesn't preach or make a big deal about its message.  It's really just a beautiful story of children exploring relationships, be they romantic or just friends.  The only difference between it and other well-written middle reader romances is the fact that Mattie and Gemma are both girls.

The Agony of Bun O'Keefe, by Heather Smith

For years, Bun has watched the steady decline of her emotionally unstable mother as the woman starved herself and Bun, and filled their home with junk.  Finally, in a fit of pique, she tosses Bun out on to the streets.  Bun, suffering from some sort of social condition (it's never quite clear if she's on the spectrum or a victim of emotional neglect or both), would have struggled to survive, but for a chance encounter.  Taken in by a ragtag group of drifters, she is sheltered and fed.  And, while the situation is dangerous, the group helps Bun reconnect with humanity, providing a surrogate family and helping her relearn what love is.

In sum, a fairly dreary novel about an at-risk child and a group of well-meaning but not altogether reliable friends.  There's not really any deep message or meaning here and the characters, while colorful, were not all that sympathetic. The book had originality but the story never grabbed me and the threatening situations (including a scene in which Bun gets molested) were often quite disturbing.

American Panda, by Gloria Chao

Growing up in the pressure cooker of a traditional Taiwanese family, Mei knew what was expected of her:  get perfect grades, attend MIT, and become a doctor.  Then afterwards marry a nice Taiwanese doctor and produce lots of babies (preferably male).

Her problem is that she doesn't quite measure up:  Mei is a germaphobe, can’t stand biology classes, and has no interest in the kind of boys her parents want her to marry. She’d rather run a dance studio and explore what the world has to offer.  And she’s found a Japanese-American guy who she thinks is pretty cute!  Her parents are aghast.  They already disowned Mei's bolder brother when he cast off their restrictive aspirations and now it looks as if the same thing will befall Mei.

So far, so typical – and the world hardly needs another story about an independent young woman trying to break free from traditional constraints and overbearing parents.  But then, the story takes off into less conventional directions, exploring why the parents are so tradition-bound and, more broadly, discussing what the purposes of traditions actually are. The character of Mei's mother does a major 180 – morphing from annoying tiger mom to and sympathetic and even tragic figure.  And while the story itself ends in a rosy happy place, Chao has done much more with the material in the interim.

The Apocalypse of Elena Mendoza, by Shaun David Hutchinson

Elena was born by parthenogenesis (a literal virgin birth).  Aside from some voices she's heard her whole life, that is pretty much the only remarkable thing about her.  That is until the day that a boy shoots a girl in front of her and Elena finds that she is able to heal the girl by laying on hands.  Stranger, immediately her miracle healing performance,  the boy is swept up in a beam of light and disappears forever.

Elena has found she has the ability to heal, but it comes with a trade-off.  Each time she uses the power, people disappear from the Earth.  If it's any comfort, the voices assure her that this is what she is supposed to do.  In fact, it is the only way to save the human race as end times approach.

She isn't so sure and doubts that the voices are really telling the whole story.  Letting people suffer seems cruel, but causing unsuspecting people to be swept away to an unknown fate is no better.  The dilemma dominates the story as Elena and her friends grapple with the events occurring around them.

A bizarre but certainly original premise with a lot of clever banter.  It's a fast read and overall entertaining as long as you don't try to make much sense of the story.  A lot of time is expended in discussing the ethics and ramifications of the situation.  At times these can be profound but they go on entirely too long and there's a degree of repetition. The premise may be bizarre, but the characters are quite normal, which makes the most interesting part simply watching a smart and witty heroine deal with patently surreal circumstances.  And, unlike so many male YA authors, Hutchinson doesn't make the whole story about hormones and profanity.

You're Welcome, Universe, by Whitney Gardner

Julia can’t hear but she lives to express herself through street art, throwing up her spray-painted creations wherever she finds an inviting wall.   When she gets caught and expelled from her school for the deaf, she is placed in a mainstream school in the suburbs.  Stuck in such an alien surrounding, she figures that her graffiti will be pretty much on its own.  And so she is surprised when her tags are attacked by another street artist.  While tagging her tags is an act of aggression, even Julia has to admit that the mysterious artist’s contributions actually improve her work, which just makes her madder.

I have a problem with getting past the fact that Julia’s actually an unrepentant vandal and, while plenty of adults try to instill this message, she and the author never grow savvy to it.  Instead, I’m supposed to see this property damage as something good.

But that said, I liked the idea of Julia’s character.  Having her be deaf is an interesting choice.  It’s certainly integral to the story, but never really becomes the story.  In much the same way, the fact that she's a girl is notable but never made a point in the story.  This is a story about an artist trying to express herself and come to terms with others (which is a struggle for her -- being deaf and also a non-traditional artist).  The book is illustrated with some great artwork created by the author that goes a long way towards capturing the ethos of Julia's art.

Foolish Hearts, by Emma Mills

Claudia and her friends have a dramatic senior year of friendships growing and dying.  Mills' novel shies away from a particular specific story towards simply following her characters around.  There's a school play, an older sister's pregnancy, a lot of parties, and a rock concert.  But the story is simply about the ebb and flow of friendships, whether they are of the BFF type (like Claudia and Zoe or Noah and Gideon), between siblings (Claudia and her older siblings, Gideon and his younger sister), or romantic (Claudia and Gideon, Iris and Paige).  There's not really a message or even a central purpose.  Instead, the book just illustrates life and its networks.

If that is your sort of thing, Mills is a decent writer and has some creative outlets for it within her book, ranging from boy band worship to online gaming.   But I found the lack of a story and dramatic arc to be rather dull and the huge number of characters dizzying.  They kids were generally distinctive but with not much dramatic purpose to the interactions, it just seemed that I was being pulled one way and then another -- realistic, perhaps, but not terribly meaningful.

Blood Water Paint, by Joy McCullough

A vivid account, written in verse, of the life of the 17th century Italian artist Artemisia Gentileschi.  McCullough focuses on the events surrounding her rape by a fellow artist, interweaving the Biblical stories of Susanna and Judith.  The result is a grim story of female suffering in the "present" of Renaissance Rome contrasted with the tales of relative triumph from the past.  McCullough portrays Artemisia as drawing strength from these stories (and certainly they are the inspiration for her art), but the ending is bittersweet (as indeed her life was in actuality).  The story is described as "feminist" but really only in the sense that the injustices depicted will fire up the reader in defense of the cause.

The story is beautifully written and it is an excellent novel, but it is mis-classified as YA.  Certainly, young people will find the story interesting, but there is little here about youth or growing up.  Instead, this is more of a protest piece against sexual double standards and the sexual dangers of being female.