The Cellar, by Natasha Preston

One night, while Summer is outside on the street searching for a friend, she is abducted.  Her kidnapper is a psychotic man who throws her into her cellar.  Down there, he has installed a "home" for Summer and three other young women, whom he collectively refers to as his "flowers" -- Lily (Summer), Rose, Poppy, and Violet.  Forcing them to keep the place and themselves spotless and clean at all times, he reenacts bizarre "family" rituals with them and rapes them repeatedly.  There's also the occasional murder thrown in.

Ick!  The subject matter itself is pretty repulsive, but what really sent me over the edge was the portrayal of just about every female character in the book.  I get the victimization concept and how repetitive torture (particularly in the ritualistic manner that Preston describes here) can really disempower and weaken a person, but what is so shocking is how ineffectual the women in this story are.  No one ever makes a legitimate attempt to fight back (and what attempts there are are quickly defeated -- more often than not by the women's own reluctance to carry through).  While the characters frequently describe how angry and upset they are, they seem only able to turn this anger inward.  The female characters not incarcerated in the cellar are no better -- helplessly sitting around and weapily waiting for the menfolk to do something. What a terrible message to send to send young (presumably female) readers!  So, take it from a guy old enough to the target demographic's father:  if a man attacks you, it doesn't matter how strong he is, immobilize the SOB with a well-placed knee shot.  Yes, you'll hurt him but it will feel good (for you).

All of which may beg the question of why I finished reading this book?  I think I just kept hoping that the young women would eventually rise to the occasion and reign down some righteous vengeance on the psycho.  I was hoping for some catharsis and a little emotional growth in the victims.  Let me save you the trouble of reading this book in hopes it will be there: While Summer does try to fight back, it's the (male) cops who save her in the end.

The book was terribly repetitive as well, but we don't need to go into its other flaws....

The Porcupine of Truth, by Bill Konigsberg

Carson hasn't seen his father since he and Mom left when Carson was four.  So ending up back in Billings, Montana to help his mother take care of Dad (even if he is dying -- from complications of years of alcohol abuse) isn't exactly Carson's idea of a great way to spend the summer.  But on a visit to the woefully underpopulated Billings Zoo, he meets Aisha -- a young woman who has just been thrown out of her home for being a lesbian by her homophobic parents.

A friendship between Carson and Aisha develops and takes on new meaning when they uncover evidence that his grandfather (also estranged and long absent from the rest of the family) may in fact still be alive.  Following a few leads, Carson and Aisha set out on a road trip that will take them all the way to California, along the way exploring spirituality (through the eponymous Porcupine of Truth) and learning about the true meaning of family.

It's a decent road trip story, with some colorful characters and a fair share of tumbles and turns.  However, it really takes off towards the end when Carson learns about his grandfather.  The two weakest parts of the book for me were the spirituality discussions (which I found either trite or overly simplistic) and the ending (which suffers from overly convenient resolution in the form of a wealthy benefactor).  But those blemishes are countered by Konigsberg's excellent exploration of the family loyalty and acceptance, and by the characters.  I liked Carson's wit, his ability to bullshit ad hoc, and his predilection for bad puns.  Aisha is a sympathetic young woman struggling for acceptance (not always successfully) from Carson and others around her.  Both of them were winning personalities and made the read enjoyable.


[Disclaimer:  I received a free copy of the book from the publisher in exchange for an unbiased review.  After I am finished with the book, I will donate it to my local public library.]

Bright Before Sunrise, by Tiffany Schmidt

Jonah can't stand living amidst the snobby kids in Cross Pointe.  He's give anything to be back in Hamilton with his friends and his girl Carly.  And of all the people in Cross Pointe, the most annoying of all has to be Brighton -- the ever-chipper do-gooder who keeps nagging him to join in one of her volunteer projects.  Why can't she leave him alone?  For Brighton though, Jonah is a big mystery -- why is he so rude and mean to everyone, even when she is being so nice to him?

And then one night, fate brings them together on an adventure where the angry young man and the self-centered young woman will discover there's a lot more beneath the surface.  And they will discover that they are simply perfect for each other.

It's a classic no-surprises romance, but I like those and (assuming you like a fun romantic book) you will too.  The set-up is a bit too obvious and the starting points are a bit too convenient, but there's the growth in the relationship felt organic and perfectly natural.  Both Jonah and Brighton are interesting young people and it's easy to see how they could hit it off once we get through the initial  posturing and misunderstandings.  And that's basically what one wants from a romantic story.

100 Sideways Miles, by Andrew Smith

The Earth moves twenty miles every second and fact that endlessly fascinates Finn.  As a result, he's sees time as distance.  So, every second, every minute is measured in miles.  He's also trapped with the same name as a character in his father's famous science fiction classic (which causes people to assume that the boy character is inspired by Finn), has eyes of two different colors, suffers from epilepsy, has a best friend who is endlessly talking about his boners, and experiences unfortunately-timed epileptic blackouts.  As well, there's an amazing girl named Julia in his life, a potentially Nazi-sympathetic history teacher, and a German exchange student who pays boys to let her give them hand jobs.

If you haven't figured out that this is boy book (complete with scatological references, beer guzzling, and endless discussion of sexual arousal) then the proposition is pretty well laid out by the book's cover:  a depiction of a horse's corpse about to land on a much younger Finn and his biological mother (crushing Mom to death and leaving Finn with neurological damage that causes his episodes).  All of this random stuff means it's a funny book but not a particularly tasteful one.  If you enjoy novels like John Green's Abundance of Katherines, this one is right down your alley.  But for fans of books with pink covers and strong stories about interpersonal relationships, this one won't be quite as appealing.

Anything Could Happen, by Will Walton

Everyone thinks Matt Gooby is gay, simply because he has two Dads.  But that's stupid, thinks his best friend Tretch, there's no one that Matt is gay!  How does Tretch know this with such certainty?  Well, because Tretch is gay and he has an unrequited crush on Matt.  As much as Tretch likes Matt, he's just as terrified to tell him so.  Instead, he suffers through helping Matt find a girlfriend and even going on a double date with a girl of his own to maintain the illusion of just being friends.

There's a lot more to the story (a dying grandfather, a bully, finding the journals of a dead great uncle, and the whole process of Tretch coming out) but it's in such a non-linear fashion that you spend much of the book trying to figure out how it's all going to come together.  That it actually does come together is testimony to Walton's skill as a writer in this strong debut.

As a LGBT book, this novel cleaves an interesting middle ground.  Some books (and I have in mind David Levithan's in particular) make a big deal of showing just how gay they can be to prove that they are not a "straight" book.  Other authors tend to bury the sexuality altogether in a literary attempt to say "see, we're just like you!"  But this one falls between these positions, telling us not only a coming-out story that is unequivocal about Tretch's sexuality and the complicated nature of his feeling for his best friend (the getting-caught-in-the-laundryroom scene is particularly memorable!) but also a coming-of-age story that is universal to all young people.  Thus showing that, for Walton, sexual identity is important but not all-defining.

[Disclaimer:  I received a copy of the book from the publisher in exchange for my unbiased review.  After I complete this review, I am donating the book to my local public library.  This book is scheduled for release on May 25th.]

Alienated, by Melissa Landers

Earth has been contacted by an alien race called the L'eihr.  The aliens propose an exchange between the two worlds:  three outstanding young people from each planet will visit the other world for a year.  Cara has been chosen as one of the three representatives and is looking forward to the opportunity.  But first, her family will serve as hosts to a young man from the other world named Aelyx.

As you can probably predict, initial distrust and cultural misunderstandings will dissolve into friedship and more.  But will the distrust between the two cultures and violent xenophobia being fomented by human extremists destroy any chance of an  alliance?

When I picked this up, I initially thought it would give us a glimpse of an alien high school as we got to experience Cara's year abroad.  Instead, this story tells of Aelyx's stay on Earth (a place we already know pretty well) at a stereotypical American high school.  Thus, what we end up with is just the sexy-foreign-exchange-student story.  The social dynamics among these aliens are also so human-like that the science fiction stuff seemed unnecessary in the end (perhaps it will be more pronounced in the sequel?).  I'd have probably cut it all out and made this a story about a sexy Arab exchange student coming to stay with Cara's family.

The weakest part is the ending.  It's a rushed affair as lots of loose ends are tied together and the settings are placed for the next installment.  Basically, once we're off Earth, Landers is pretty much out of her comfort zone.  The strength was actually the relationship between Cara and Aelyx and the book works pretty well as a romance, even if Aelyx just seemed like a typical YA boy and not a clone from an alien planet.

In sum, a pretty typical YA romance, but only mediocre Sci Fi and action.

Edda: A Little Valkyrie's First Day of School, by Adam Auerbach

Edda is bored and lonely.  Sure, life in Asgard is pretty cool with dragons and giants, and she has lots of older sisters.  But she would like to have a friend her own age.  Her one-eyed Dad is very wise and suggests that she should attend school on Earth.  Edda isn't sure how she feels about leaving Asgard, but her father assures her that Valkyries (even little Valkyries) are very brave, so she goes forth.

School is very scary. There are lots of new faces and she has to learn to take turns on the slide and to do things she doesn't want to do.  But in the end, she makes friends and even invites her friends to come visit her in Asgard and see the dragons.

I don't really review many picture books, but occasionally something just jumps out at me like this.  Little kids won't get the jokes (in fact, most adults probably won't either!), but I loved the humor and sly references to Norse mythology.  The story itself is very sweet and addresses children's fears and apprehensions about leaving home and attending school for the first time.

Signed, Skye Harper, by Carol Lynch Williams

It's the summer of 1972 and fifteen-year-old Winston is fantasizing about one day being a great Olympian swimmer, just like Mark Spitz.  She's also got a thing for the son of her grandmother's business partner (a man with whom grandmother herself had a relationship with - giving birth to Winston's mother).  Speaking of which, at the time the story kicks off, said mother has suddenly written home begging her mother to come and bring her home.  Lacking a reliable vehicle for a cross-country road trip, grandma "borrows" her business partner's RV for the trip.  The owner's son is found on board as a stowaway and we have the makings of a quirky road story about Winston,  her grandmother, her half-uncle (and potential boyfriend - ew!), a dog, and a rooster on their way from Florida to Las Vegas.

Quirky and choppy best describe this story (183 chapters over 292 pages - many of them mostly blank).  It doesn't take a long time to read, but it can be hard to follow.  Winston is supposed to be some sort of trailer trash from the way she talks and the way she misspells certain words, but at the same point we are expected to admire her strong will and her self-determination (mostly to avoid becoming a pregnant teen like her mother and grandmother).  She wasn't badly portrayed, but I never warmed to her.  I did appreciate that the period details are kept low key and non-distracting (sharp-eyed youngsters may notice that Led Zeppelin is not playing on an oldies station but out of an eight-track player or that the Big Mac is served in a Styrofoam container).  However, the novel seemed mostly just functional.

#scandal, by Sarah Ockler

Lucy's best friend Ellie is sick and home with the flu, so she begs Lucy to be her boyfriend Cole's date for the Prom.  They are all good friends, so it will be doing Ellie a favor and she trusts Lucy.  Lucy however has been harboring a crush on Cole for some time and, at an after-Prom party, she makes the fatal mistake to act on her impulse.

The next morning, Lucy learns of a much bigger scandal:  someone has stolen her phone and uploaded all of the pictures she took at the party (including a number of highly compromising ones) on Facebook using Lucy's own account (apparently, she doesn't password-protect her phone or have auto-wipe enabled on it either).  Now, everyone hates Lucy for getting them in trouble and publicizing their secrets (amongst which is a picture of Lucy and Cole kissing). What then unfolds is a crazy ride through the politics and gossip of high school, as Lucy joins forces with zombie fighters, her famous movie star sister, a stoner named 420, a foreign exchange student, and an anti-technology student club called (e)VIL to figure out who set Lucy up and why.

The story itself is absurd (in an artistic sense).  Ockler is making some critical observations about technology and the evils of social media, but mostly she is trying to depict how hyper-kinetic adolescent life is in a high tech world.  It's not intended to be a realistic portrayal, but rather exaggerates aspects that will otherwise feel real to young readers.  For me, I found the whole thing as grating as fingernails on a chalkboard (remember those?).  Unlike a book like Libba Bray's Beauty Queens, which was just full-out satire, this one can't really decide if it's going for crazy fun or making a serious point.  Falling somewhere in between it just seemed silly. 

This is particularly illustrated by the characters.  Except for Lucy, none of them felt real.  Many, like 420, Jayla, or the principal were just there for satirical value.  Their contribution is to serve as a foil for the story, but not really to advance it.  And the romance?  Forgetaboutit!  Cole switches between hot and cold as often as my shower while the washing machine is going.  By the end, no one really cares if Lucy and Cole ever manage to get their romance going.

Tape, by Steven Camden

One day, Ameliya finds her late mother's old boom box and tape collection.  Intrigued by them, she decides to listen to all of the tapes.  She finds that one of them contains voices.  For a brief period of time, she feels like she is actually holding a conversation with the voice on the tape.   Later, a stranger coming to the home seems to share the same voice and he has answers for Ameliya.

Thirty years before, Nathan and Ryan have an uneasy relationship as stepbrothers.  They don't like each other but are forced to get along.  What they share is a love for the same girl -- a girl who Ryan hopes to win over with the ultimate mix tape.

It's a confusing story and full of so many non-sequiturs that I won't pretend to understand it.  It took a while to figure out what was going on, but that's fine because the real story doesn't begin until after the first hundred pages.  There's a small bit of a pay-off at the end, but it wasn't nearly enough to make the slog through the rest of it worthwhile.  Allegedly, you can get more out of a re-reading, but I don't want to work that hard to "enjoy" a story.  An interesting experiment, but I simply didn't get it.

The Year of the Rat, by Clare Furniss

After Pearl's mother dies while giving birth to her sister, Pearl tries to cope with her grief and anger.  She blames her stepfather for selfishly demanding that Mom go through with a risky pregnancy (presumably so he could have his "own" child).  She blames the baby (whom she nicknames "the rat").  Mostly, however, she is angry with herself.  Her schoolwork and her friendships are suffering.  And the constant appearance of her mother's ghost provides little comfort.

It's a slow and deliberate story, tracing a year of grieving and recovery (and it doesn't even completely resolve).  The scenes with the dead mother have the potential to drift into supernatural territory but they are played straight and the story, for the most part, leans towards realism.  It is, however, more of reflective tone poem than a story.  Not much happens and the story simply jumps forward from time to time and seemingly random points.

Lying Out Loud, by Kody Keplinger

Sonny has a problem telling the truth.  She's hiding out in her best friend's room -- for months -- allegedly because she was kicked out of the house.  She has trouble holding down an after school job because she keeps lying to her boss.  Despite the fact that her loose relationship with the truth is hurting her, she allegedly can't stop herself.

One night she finds herself texting for the entire night with a guy she thought she hated.  She's discovered that she really likes him.  But as they are signing off he calls her by her BFF's name and she realizes that she's been using her best friend's phone for the entire conversation.  She's afraid to correct him in case he should change his mind about her, and her biggest lie commences.

As any child knows, the more you lie, the more you have to keep on lying (although apparently Sonny's never figured this out and she continues to make her life worse and worse with her lies).  This goes on in painful layer or layer until, inevitably, it all blows up in her face.

I honestly hated this character.  It's pretty much de rigeur to have a character make a few mistakes, but Sonny keeps doing it again and again.  I also don't like liars (who does?) and Sonny's actions come across as selfish and mean -- not that there is any real cost to these failings.  At the end, we get the complete turnaround and the predictable forgiveness from all parties.

It's written well enough and, since it's based on the universe of the popular Duff, I'm sure there is an audience for this, but know what you are getting yourself in for.  For myself, I couldn't stir up any enthusiasm for a young woman with such a profound character flaw.


[Disclosure:  I received an unsolicited ARC of this book in return for my impartial review.  My copy will be recycled.  The book is slated for release on April 28th.]

Backlash, by Sarah Darer Littman

Lara has suffered from self-image problems since she was relentlessly bullied for her weight in middle school.  But now she's shaped up, earned a place on the cheerleading team, picked up a hot boyfriend who's a senior, and gained a lot of confidence.  All of that comes to a screeching halt though when the boyfriend cruelly dumps her on Facebook.  In the face of relentless bullying from her peers and the humiliation she is enduring, Lara tries to take her life.

The attempted suicide fails, but the trauma is just beginning for Lara as she discovers that the boyfriend was fake (she had yet to meet him in person) and in fact the whole thing was a set-up to hurt her.  Just as that realization sets in, another even bigger shocker occurs when she learns the identity of the people who were behind the scam.  The resulting backlash threatens to destroy two formerly-close families and an entire community.

Littman has set out to show how fast and out-of-control little cruelties can go, especially when amplified by social media and the internet.  And in this fast-paced novel, she's done a pretty good job of doing so.  Cyber bullying has featured in a couple other recent novels, but I found this one better than the others I've read so far.  It goes into far more detail about the impact of bullying on the entire family and also explores the roots of it beyond simple petty jealousies.

I cared less for the characters and the ending.  The people in this story are not terribly interesting in themselves (beyond the fledgling romance of Lara's young sister and the boy next door).  Rather, they are mostly a means to the end.  I found the mothers in this book particularly distasteful.  Part of that was for dramatic convenience (making them both self-centered and bitchy provided a convenient excuse for the out-of-control behavior of the families), but there was an overall message that successful working women care more for their careers than for their children.  That message -- intentional or not -- bothered me.  The ending was also a bit rushed.  Lara's recovery is very sudden and not really foreshadowed (as prior to a sudden turnaround she just seemed locked in endless repeat).  Those complaints aside, I still enjoyed the book and recommend it.


[Disclosure:  I requested and received a free copy of the book for the purpose of writing an impartial review.  I'll be donating this copy to my local public library.]

Love & Other Theories, by Alexis Bass

Aubrey and her friends used to suffer from jealousies and snarky cat fights with other girls.  This was all before they evolved and figured out that guys in high school just don’t matter.  The relationships are too short and it’s not like the guys felt any particular loyalty, so why should they?  So, the girls developed the “theories” and learned to take hooking up and “detaching” with a grain of salt.

But when Aubrey meets Nathan, things change for her.  The relationship matters and her feelings are real.  Realizing that that means calling into question the theories, she initially hides and denies the feelings.  But ultimately, she comes to realize what a poor defense the theories have been for her and her friends.

It’s easy to marginalize this story as chick-lit.  It’s just another relationship book about girls angsting about guys.  And there is certainly nothing new about a girl who thinks she’s figured out everything there is to know about love and then being proved wrong by the Right Guy.  Yet, there is something quite enticing about the depth and detail of the relationships depicted here.  The dramas, while adolescent and petty, are real and authentic.  Bass handles her subjects with respect and does a good job of showing why so much of this is actually inevitable.  In a word, she understands the girls and is sympathetic to their plight.

What Waits in the Woods, by Kieran Scott

Four teens go on a multi-day hike in the woods.  The first night, the three experienced hikers decide to scare new girl Callie with ghost stories.  But as things on the trip start to go wrong (they lose their food and get lost) the scary stuff becomes real.  They are being followed and taunted by someone and, even with the help of a stranger they come across, it seems like they may never escape.  That's when the kids start turning up dead.

I'm not a fan of the horror/mystery genre and that probably is preventing me from liking this book, which is otherwise a decent specimen.  But if I step back, it had pretty good pacing and more than enough shocks and screams along the way (although I got a bit tired of having almost every chapter end with a false alarm).  The kids were sufficiently diverse and had a complex set of petty jealousies to put them at each other's necks (even before they started to get broken).  This provided the requisite reasonable doubt and suspicion to keep stuff interesting, and kept me off the scent of the real guilty party.  The key confusion for me was that the book is played like a horror story (teens in the woods getting knocked off by a lone psycho), but turns out in the end to be a simply mystery whodunnit.


[Disclosure:  I received a copy of the book from the publisher in exchange for an unbiased review.  I'll be donating this to my local public library where I hope it will find a fan of scary reads.]

Gracefully Grayson, by Ami Polonsky

There have been a number of decent YA books on transgendered teens, but the offerings for younger readers have been a bit thin, which makes this recent arrival for middle readers particularly interesting.

Sixth-grader Grayson has a secret daydream where he's wearing a dress.  I simply visualizes the clothes he's wearing and transforms them in his mind into pretty girls' clothes.  He doesn't really know why he likes doing this, he just knows that it's something he longs for.  He also longs to hang out with the girls as one of them and join them in their pastimes.  But he also knows, of course, that this isn't done.

Being uncomfortable with boys (and generally excluded from the girls' social circles), he's kept to himself.  But on a whim, he decides to try out for the school play (an adaptation of the myth of Persephone).  And at the last minute during the auditions, he announces that he wants to try out for the part of Persephone herself.  An understanding drama teacher not only lets him try out, but goes on to cast him in the role.  At long last, Grayson will have the opportunity to wear a beautiful dress onstage in front of everyone!

Grayson discovers just how polarizing gender identification can be.  Friends and family stake out clear positions and Grayson has to deal with the painful realization that not everyone will accept who he is and what he wants to be.  His mother, in particular, blames the (gay) drama teacher for allowing this to happen. Through it all, Grayson continues to explore his identity, experimenting with clothing, socializing with girls, and even the dreaded topic of which restroom to use.

It's a revolutionary portrayal of a transgender pre-adolescent.  The book stands out both for its intended target audience and for its frank discussion of the issues involved.  Some reviewers have pointed out that no character ever comes out and says that Grayson's feelings are okay, but there is a good mix of supportive responses from adults and peers.  Readers may be surprised at the cruelty of some of the adults (the homophobic bullying won't surprise much, but is thankfully kept to a minimum), but it provides a good dramatic edge.

Another thing I liked about the book was its sensitivity to gender dysphoria.  Grayson, it is clearly laid out, is no flamboyant drag queen.  He wants to explore what it is like to be a normal girl.  And he is torn by his joy at the welcoming he receives from some of the girls at school and his ongoing fear that he is being mocked and patronized by them at the same time.  His longing to simply be accepted as a girl is portrayed with an honesty that will touch open-minded readers. 

And as for the close minded folks (well-represented by Grayson's principal and his own mother), they can start plotting their book banning plans!

Oblivion, by Sasha Dawn

Callie suffers from graphomania (a condition which causes her to experience an irresistible urge to write).  A year ago, around the same time that her father (an abusive fallen priest) and a young woman in the parish went missing, she was found writing "I killed him" endlessly on the walls of an abandoned attic.  While she seemed an unlikely culprit, the authorities did suspect that her condition was brought on by having borne witness to what  happened.  So they have her working with a counselor to try to regain her memories.  That work and the help of a guy at school trigger more episodes that begin linking her writing (while seeming nonsense and gibberish) to solving the mystery.

It's a complicated story and a hard one at first to latch on to.  There's a lot of violence as well as disturbing imagery.  While almost everything gets tied up in the end, it's hard in the first read to see how this will all gel together.  As always, I tend to favor simpler and more direct stories.  Pushed to streamline things, I'd point to the needless conflict between Callie and Lindsay (the daughter of Callie's foster parents) -- it never really came together and didn't have much purpose.  However, this is well-crafted and you may prefer the complexity.

Complicit, by Stephanie Kuehn

The social worker considered it a miracle when she was able to place Jamie and his sister Cate together in the same home, and even more so that the adopting family was a rich couple.  The children’s mother had been murdered and the children themselves were hardly the babies preferred by most adopting parents.  From the start, Jamie was the difficult one (nightmares, painfully shy, etc.) while Cate easily adapted to the new family. But as they grew older, Cate’s behavior became anti-social and violent until the day she confessed to an arson and was sent away to a juvenile facility.  Jamie, meanwhile, grew out of his behavior issues, but was haunted by Cate’s misadventures and her threats.

After years of being bullied by his sister, Jamie was relieved when she was sent away.  The news that she has now been released terrifies him.  And when she starts making threatening phone calls, his own behavior problems begin to reemerge.

A dark psychological thriller.  The plot twist in the story is fairly strongly telegraphed so it is not a major surprise.  However, the ending is definitely a shocker.  In this respect, the story seemed well-plotted.  However, there are a lot of loose end and unanswered questions (What are his adoptive parents up to? What does his therapist actually know?  What’s up with his girlfriend?).  These are not major plot points and it leaves you wondering why they were present at all? Eliminating and tightening up the parts of the story that mattered would have improved my impressions of the novel, yet there’s no denying that the story kept me on the edge of my seat and had a suitably creepy and haunting ending that made it all worthwhile.

The Edge of Falling, by Rebecca Serle

Caggie lives in the lap of New York luxury, in a world where everything is possible and costs don't matter.  But her picture perfect family is shattered when her younger sister dies in a drowning accident.  Caggie blames herself for the accident and it is obvious that her family doesn't entirely disagree.  Her life has become flat and the things that used to matter to her (her boyfriend, her position on the school paper, her friends) no longer do.  Even the attention given to her for saving another girl's life last year (after her sister's accident) feels hollow.

Then she meets Astor, a boy unencumbered by a past and willing to leave hers alone.  He's the only one who doesn't force her to confront her grief, and instead just lets her live in the moment.  However, what is he hiding from?  And is it even more dangerous than what haunts Caggie?

A story ostensibly about grief, but with so little to say about it that it instead relies on other themes to fill its pages.  For the first half, that theme is life in Manhattan as a super rich and famous teenager.  Serle delights in name-dropping places showing us in great detail what it is like to live without a financial worry in the world.  That type of voyeurism never did much for me, but will appeal to the Teen Vogue crowd.  The latter part of the book (and it's quite late!) sees the story shift into a weak psychological thriller.  Astor gets creepy (but not too creepy) and we worry for a bit about Caggie's safety.  There's also some attempt to have her break through her grief, but I didn't really buy it.  Serle does a great job of creating a setting and building the scenery but doesn't do as good work with directing her actors.

The Break-Up Artist, by Philip Siegel

Becca is a cynic about love.  While most of the school swoons over the perfect couple of Steve and Huxley, Becca knows that love is an illusion and nothing ever lasts.  Witness how her older sister got stood up on the altar or the boring love-less union of her parents.  At the same time, there is no denying the destructive impact on friendships caused by these romances or the bitter rivalries that they set off.  Becca has an answer for that:  for $100 she offers clandestinely to break up any couple.  And she's been successful so far.  So, when she is contracted to break up Steve and Huxley, it's just another job, right?

I hated the story and loved the author.  The premise (and Becca's behavior) were a big turn-off.  As becomes apparent pretty quickly, she's got serious underlying motivations for her bitterness, yet doesn't really come clean about them.  The business itself, while intended to be biting satire, is mostly mean spirited (as is weakly brought up in the end).  However, the writing is another matter.  Siegel is, to me, a heroic author: completely busting the stereotype that boys can't write chick-lit.  This isn't just a story where all the major characters are girls, but also a story about girls' relationships first and foremost.  If anything, Siegel could be accused of poorly portraying his male characters (who are creeps at best, and overwhelmingly two dimensional).  I want to read much more from this guy!

No One Needs To Know, by Amanda Grace

Olivia is a rich snooty girl from Point Ruston.  Zoey is the scholarship student from Hilltop with the slutty reputation.  As far as the social circles go at Annie Wright, they couldn't be further apart.  But a shared school project and the fact that Olivia's twin brother Liam has started to date Zoey brings them together. 

When Liam starts getting serious about Zoey, Olivia is startled.  Liam never gets serious about girls!  And when Olivia starts to really look at Zoey, she discovers that she shockingly actually likes her too.  And the two opposites find that they have more in common than they ever could have guessed.  But how will they break the fact that they like each other to Liam?

It's the love triangle that the blurb harps on, but the love triangle isn't even introduced until the last seventy pages.  For me, the real story is about the social chasm between these two girls (and a lot more could have been done with it!).  In fact, the underlying problem with the book is that a lot more could have been done with all of this.  Too many interesting sources of conflict (Zoey's family life, her relationship with Liam, Olivia's best friend Ava, the two girls coming out, Olivia's failing gymnastics career, the absence of Liam/Olivia's parents, etc.) are introduced but neither developed nor exploited for their dramatic potential.  What we get is a great sketch of a story.

Now, even if I found the story a bit too brisk, I have to give a special shout out to the effort put into the setting.  I've spent two years in Tacoma WA and the attention to the local detail in this book is great.  Grace knows her town and she isn't afraid to use accurate local geography to tell her story.  I loved that I could picture the settings and not be distracted by inaccuracies.  Take note authors:  if you're going to place your novel in a real place, be sure to get your facts correct.

Echo, by Pam Munoz Ryan

Years ago, three sisters were abandoned in the woods and cursed by a witch.  The harmonica in which they were entombed would carry them far away, but would itself be a magical instrument that would bring both good luck and misfortune to its owners.  First, to a boy lost in those woods and then on to a young man in Hitlerite Germany, passed to an orphan boy in Pennsylvania, sent to a young Mexican girl in California, and finally into the pocket of a soldier deployed back in Germany.  Through happenstance or destiny, the people who carried the harmonica become bound together in the end.

Depending on how you look at it, the ending is either overly convenient or sweetly poetic, but regardless the story is epic and gripping.  Ryan writes beautiful fairy tale-like novels that I have enjoyed in the past.  I did once make the criticism that she had painted herself into a creative corner of always writing novels that seemed like they were trying to recreate Gabriel Garcia Marquez-style "magical realism" novels -- setting every story in Latin America with earthy half fantasy/half realistic storylines.  Here, she proved me wrong.  The beauty and fun of her story telling remains, but she places the bulk of this story in unfamiliar territory. 

Recommended audience is a different matter.  The majority of the story is fairly grim and perhaps not so appropriate for younger readers, but it's lively and rewarding for older ones.  The book may be thick (587 pages), but the type is large and the lines are spaced wide apart.  It doesn't take very long to read!

We Can Work It Out, by Elizabeth Eulberg

In this sequel to Eulberg's The Lonely Hearts Club, Penny Lane is still heading the club that gave her and her friends a fresh perspective on the importance of friendship over romance, but there's trouble afoot:  mostly, as the girls try to balance their priorities.  It was relatively easy to make a principled stand for girl bonding, but harder when you're also trying to make a relationship work.  And, for Penny, the Club is a far too easy excuse for avoiding her fears about committing herself to another person (even if he is hot!).  Old enemies from the first book (Todd and the principal) make a reappearance and a few new friends pop up, but mostly this is more of the same.

I went back and read my review of the first book (from May 2010!) to see how I received it, and it reminded me of how fresh that first book was.  I enjoyed the strong young women and the liberating message of girls being friends instead of competitors.  Sequels always suffer from the lack of novelty and this one rather more so.  Many of the flaws I noted in the first book (uneven pacing and inconsistent character development) are found her as well.  Constantly plot activity stifles the character development and things get toss in left and right.  Eliminating pointless subplots like Penny Lane's sister's wedding might have provided the space to tighten up a good story.

Eulberg doesn't seem to have much to offer for variety -- as even Penny Lane notes, there are only so many times one can say "sorry!" The pitfalls of Penny Lane and Ryan, in particular seem like an emotional hamster wheel, endlessly cycling over the same landscape of neglect and jealousy until they basically give in to each other -- which feels less like love winning out and more like mutual surrender.

In contrast, there were so many things that could have benefited from further development.  For example, I wish there had been more of two side characters:  Missy (the insecure girl who throws away her self-respect to put herself behind a guy) and Morgan (the only girl with a stable committed relationship in the book).  They each represented important alternative paths and deserved more than the cursory attention they received.

[Disclosure:  I received a solicited reviewer's copy of the book without charge and without any promise beyond providing an unbiased review.  I will donate the book to my local public library.]

Your Constant Star, by Brenda Hasiuk

Three young people search for meaning in their lives.  Faye is the adopted Chinese girl who is dutiful to her parents and lives up to expectations.  Bev is the wild child who doesn't care about anyone or anything, but is forced to deal with reality when she gets pregnant.  Mannie is the father of the child, lost in a drug-induced stupor, yet aware (barely) that something great and meaningful is passing him by, and that he should be a part of it.

Rather than telling the story through alternating chapters, Hasiuk devotes entire sections of the book to each of them.  By far, the most interesting character is Faye and she gets the first third of the book.  As the Good Girl, it is fascinating to watch her flirt with danger and rekindle her friendship with Bev at such a pivotal moment.  Bev's section is a bit harder to stomach, simply because she is such a less appealing person.  As she blithely blows off the people around her and professes not to care about anyone, it's really hard to be sympathetic with her plight.  And Mannie, the stoner, is really a bit of a waste to the story.  I get that Hasiuk wants to show that he has depth, but his anger and self-destructive behavior is a huge turn off.  I just didn't care if he messed up his life or not!  And what a whiner!  Give me a story about Faye (and throw Bev in for some danger and drama), but the rest of it drove me nuts!

That said, a book where the characters drive you this nuts can't really be that bad, can it?

Even in Paradise, by Chelsey Philpot

When Julia Buchanan arrives at St Anne's, a New England boarding school, in her junior year, rumors fly around. Everyone knows the Buchanans -- a powerful Yankee dynasty with both money and political connections. And everyone knows about the tragic death of Julia's older sister.

Charlotte couldn't be any more different -- a scholarship student, who also has considerable artistic talent. Much to Charlotte's surprise, Julia takes a fancy to Charlotte and adopts her into the family. Intoxicated by the family's power and generosity, Charlotte does not realize until it's far too late that there is a dark side to the beautiful world of the Buchanans.

In setting, the story reminded me a lot of E. Lockhart's We Were Liars, with its patrician family and dark family secrets (there must be a thing about Vassar girls writing about rich New Englanders!). But the story itself is quite different. And while it is interesting, it is not so compelling or as shocking as Lockhart's novel. The characters are interesting but the story doesn't have a good flow. The dynamics of Charlotte and Julia's relationship, complicated as they are, are hard to track. The romance between Charlotte and Sebastian is abridged. Everything felt sketchy and superficial, much like the Buchanans themselves.

When My Heart Was Wicked, by Tricia Stirling

The last couple of years, living with her stepmom, have been heaven for sixteen year-old Lacy.  But her mother has come to reclaim her and with her father now dead, Mom holds the legal claim for her.  Being dragged back to Mom's carries special danger.  Mom has always brought out the worst in Lacy and the years that she lived with her mother are fraught with memories of cruelty (to herself and others) and black magic.  Lacy wants to believe that she's healed and that she's stronger now, but within days of being back with her mother, the evil feelings have returned.

A short and deceptively simple story about the fear of one's own ability to commit cruelty, harbored within a story that mixes real concerns like reconciling with estranged parents and interpersonal relations with peers, with darker subjects of magic, curses, and spells.  The book has definite supernatural elements, but anyone looking for a fantasy will be frustrated by Stirling's insistence on contextualizing the magic within the mundania of adolescent life.  For anyone who's ever checked a spell book out of the library in hopes of putting a curse on a bad boyfriend, an evil girl at school, or one's own mother, the feelings that Lacy goes through will resonate particularly strongly.  I found this story utterly fascinating!


[Disclosure:  I solicited and received a free copy of this book from the publisher for the purpose of writing an unbiased review.]

The Honest Truth, by Dan Gemeinhart

Dying of cancer, twelve year-old Mark runs away from home with his dog Beau.  Mark is angry and desperate.  What is the point of living, he wonders, if we all die (some sooner than others)?  But before his time comes, he plans to fulfill his grandfather's wish that he climb Mount Rainier.  And while he experiences many set-backs in his quest, he finds that even strangers can be friends and that there is much that makes life worth living.

A simple story and a lightning-fast read, this book focuses on the trip and dwells surprisingly little on Mark's emotional journey.  That isn't exactly Gemeinhart's plan and a number of carefully set-up elements of the story seem to remain undeveloped.  The key wasted element of the story is Mark's best friend Jess, who mostly sits on the sidelines and stresses about her sick friend in alternating chapters that add little to the story.  Sensitive readers are forewarned that the climax features a particularly chilling scene of animal endangerment.



[Disclosure:  I received a solicited reviewer's copy of the book without charge and without any promise beyond providing an unbiased review.  I will donate the book to my local public library.]

Wildlife, by Fiona Wood

An eight week wilderness program allows a high school class, and two young women in particular, to reexamine their lives and friendships.  Sibylla has recently had the fortune to appear in a billboard advertisement.  This covergirl exposure has gotten her noticed by the popular clique at school (and by the handsome Ben Capaldi in particular), but her best friend Holly doesn't seem so friendly anymore.

No one knows what to make of the secretive and enigmatic new girl Louisa.  Her secret is the recent death of her boyfriend, and her inability to cope with it (and the anger she harbors) become challenging in the tight quarters of cabin living.  Surprisingly, it is Sibylla that will help her break through and Lou will return the favor.

The story is a bit hard to follow, not least because the two heroines (Sib and Lou) don't really have distinctive voices.  I found myself fading in and out of interest in the story and the characters.  The setting was a bit odd (and of course the cultural oddities of this Australian story were hard to follow), but mostly I think the characters just didn't gel.  So, when they were doing something, I could focus on the action, but when I was supposed to be gaining insight into their psyches, I drifted and lost focus.  There just wasn't much there to care about!

Snow Apples, by Mary Razzell

In post-WWII British Columbia, Sheila doesn't have a lot of options.  Her mother has pretty much assumed that she'll get married and thus sees no use for the schooling at which Sheila excels.  And the odds certainly do seem stacked against her.  Opportunities do not abound on the islands and anyways women are pretty much second class citizens in this time and place.  Still, Sheila is determined to pursue nursing and make her own decisions about love and marriage, even when things don't quite turn out as she'd like.

Gritty and realistic, Razzell brilliantly captures the sense of time and place.  Rather than tell us about the injustices of the time, she lets them unfold naturally.  It's a tricky business:  to unleash circumstances that offend modern sensibilities without pulling back and editorializing, but Sheila is painted realistically.  She certainly objects to the sexism around her, but she recognizes it as something much bigger than herself.  It is left for the reader to become indignant.  I could have done without the graphic depiction of a miscarriage at the end of the book, but otherwise, I appreciated the realism and attention to detail that is present here.  The story, while modest in scope, opens a portal to another time and place which will fascinate the reader.

Starring Arabelle, by Hillary Hall De Baun

She hopes to make a strong initial impression as she starts ninth grade this year.  Arabelle wishes that she could make a big statement simply by gliding into a room, the way the heroine of her favorite romance novel does.  Unfortunately, her plan of achieving her aims through trying out for the school play get ruined by a jealous upperclassman and her guidance counselor's insistence that she volunteer at a local nursing home.

These set backs are temporary.  She still manages to get involved in the play and the residents of the home where she is volunteering prove to provide her with unanticipated opportunities and benefits.  Quirky characters and several heartwarming subplots explore the topic of romance, which forms the central obsession of Arabelle's life.

It's a book with lots of clever ideas, but stiff writing and wooden characters. For example, Arabelle's obsession with romance is early on established with her love of a particular romance novel, but the plot point never goes anywhere.  The obvious point of intersection would be with the real life romance in the story, but they never quite meet.  As another example, the quirky characters are all colorful and introduced fully, but none of their quirks really contribute to the story.  It's as if the author, by filling the scene with so much color, accepts that the job is done and so it's now back to the story (which really has nothing to do with any of these characters).  A creative work, but ultimately in need of more development and engineering.

How to Meet Boys, by Catherine Clark

Lucy and her friend Mikayla have an exciting summer planned.  In exchange for working for her grandparents, Lucy has been given her a cottage for the summer, which she and Mikayla are going to share.  The place is a bit run down, but the independence that it promises is intoxicating.

The excitement, however, is dampened by the news that Lucy's grandparents have also hired local boy Jackson to help out.  Jackson and Lucy have a history -- nearly three years ago, he completely broke her heart by spurning her advances and publicly humiliating her.  They have not spoken since and Lucy would like to keep it that way, which will be hard to do if they have to work together all summer.  Meanwhile, Mikayla has fallen hard for a guy, only to find out too late that it's the same infamous Jackson.  How will she ever tell Lucy the identity of her crush?  This and many other adventures await the girls in their memorable summer!

In other words, a light and fluffy beach book, full of awkward moments and girl bonding.  It's entertaining and fun, because the two girls (and their other friends) are sympathetic, but a bit on the lighter end of the spectrum for these types of books.

Half of My Facebook Friends Are Ferrets, by J. A. Buckle

In some ways, Josh is a pretty normal sixteen year-old.  He'd like to have a girlfriend, his Mom drives him nuts, and he has an annoying older sister.  But as a metal head with a pet ferret (named Ozzy), he is also a bit unusual and quirky.  As his seventeen birthday approaches, he's made a list of things he'd like to do, including being kissed, learning to play Metallica's "One," seeing Finnish death metal band Children of Bodom in concert, owning a real guitar, getting a piercing, or being as cool as his father was.  But with no luck with girls, a single mother with "financial difficulties," and a father who died when he was little, Josh doesn't hold out much hope for success with any of these goals.

It's a funny and fast paced romp through Junior year for a group of boys in what is a surprisingly sensitive approach for a boy book (obviously, trying to appeal to young female readers as well).  There is the requisite gross-out/fart joke/girl-ogling/penis references, but Josh is a good kid and tends to do the right thing, even as he and his friends also do a large amount of putting their feet in their mouths.  I'm not a huge fan of the sub-genre, but this book was a fast read and enjoyable.  In fact, I was a little surprised that the author (a woman from England) was so effective at writing about life as a boy from New York.

The Book of Love, by Lynn Weingarten

In this sequel to The Secret Sisterhood of Heartbreakers, Lucy is now a full-fledged sister.  Her three friends and her from a "family" and set off on more conquests, including a ruthless heartbreaking of a famous rock star.  However, breaking hearts isn't all it's cracked up to be, and Lucy learns that there is a price to pay.  Realizing she's made a mistake and nostalgic for the simplicity of her pre-sisterhood life, she yearns to undo what has been done.

The result is an even stranger novel that the first one.  This was a hard book for me to track, first off because the plot is so twisted and the book keeps changing directions.  And secondly, because the characters simply are not memorable.  I was glad to see a moral compass introduced towards to end of the story, because the mindless hedonism that predominates this story is really a turn off.  But I think the message that emotional authenticity is more powerful than any magic could have been made a bit more forcefully in the end.

Some Boys, by Patty Blount

After Grace accuses Zac (the star lacrosse player at school) of raping her, she finds the entire community turn against her.  From the boys and girls (including her former BFFs) at school who taunt her with slurs, to the teachers who tolerate the abuse, to even her own father who holds the belief that she brought this on herself, no one will give her a break.  But when she is sentenced alongside Ian (another lacrosse player) to a week of scrubbing out lockers during spring break, she discovers an unlikely ally.  Told in alternating chapters between Grace and Ian, we get to observe an amazing and organic character development, most notable of which is Ian's conversion from being Zac's friend to recognizing that Grace is telling the truth.

Heart wrenching as the topic of rape is, Blount dwells less on Grace's recovery than she does on the terrible treatment of victims by society, and furthermore never allows Grace to be the victim.  By far, Grace is one of the stronger teen heroines we have seen in YA in a long time (I have no doubt she could deck Katniss!).  While publicity for this novel interprets the story as being about a poor girl needing to be rescued by a man, it really isn't.  Grace falters and doesn't always survive the onslaught of hatred and cruelty which is unleashed on her, but she has amazing fortitude throughout.  And Blount does a pretty good job of pointing out that, while friends are helpful, in the end you really only have yourself to rely on, so that's where you need to find your strength.  A solid winner of a book and very very hard to put down!

It's a great cover, too!

Pretty Sly, by Elisa Ludwig

Willa should be trying reform herself and lay low since being released on probation after the larceny streak she engineered (see previous novel, Pretty Crooked). However, when her house is ransacked and her Mom disappears, things change.  Rather than obey her mother's clear indication that Willa should hang tight, she sets off in search of Mom.  This involves reeling in the old gang and even hooking up with her nemesis Aidan Murphy.  But can they find Mom before the cops find them?  Or the FBI?  Or the two thugs on their trail?

The book wants to be an adventure and, while it has its moments and a couple great chase scenes, there's too much weirdness, implausible/impossible twists, and just plain silliness.  The most egregious moment for me was when the two kids jumped out of a third-floor balcony and "somehow" survive (Ludwig never bothers to explain how, she just jumps forward).  The technical feats (car hotwiring, computer hacking, house alarm disarming, etc.) are pipe dreams that would never work in real life as described here, but again Ludwig doesn't let details get in the way.  And then there is the truly horrendous romance with Aidan.  This not only lacks sparks, but has a silly subplot involving Willa discovering Aidan is "sexting" with an unknown girl (although the "Where R U?" texts hardly qualify as sexting), to which I say, who cares?  The whole on-the-run thing is a bit too silly to believe either.  In sum, too much weirdness sucking away the interesting potential.

The Unfinished Life of Addison Stone, by Adele Griffin

Through interviews with a full cast of characters who knew her, Griffin unravels the sad details of genius artist Addison Stone.  With tireless sleuthing, she gets at the truth behind Stone's life and the causes of her death, dispelling several rumors that have persisted.  Copiously illustrated with Stone's key works and featuring numerous photographs from friends and family, we get an intimate insider's view of her life, blemishes and all.

Stone, in Griffin's hands, is a delicate and finely developed personality, even though we rarely hear from the artist directly.  The book gives us great perspective on what drove her.  And yet, what makes this a truly amazing work is that it is complete fiction.  With creativity and tremendous effort providing the illustrations, Addison Stone's character really comes to life in this faux biography.  Griffin thus achieves two impressive feats:  writing a smooth flowing biography, and doing so with a totally fictitious personality.  Truly a remarkable and unique novel.

Trouble, by Non Pratt

Fifteen year-old Hannah discovers she is pregnant.  She already has a reputation as a party girl, so this just solidifies people's preconceptions.  But in an atmosphere of shaming and hushed secrets, a surprising ally appears in the form of a new kid named Aaron.  The two of them really don't know each other at all, but he volunteers to step forward and pretend to be the baby's father.  Why?  No one really knows and Aaron is keeping his secrets pretty close.  Not that Hannah should talk, since she isn't telling anyone who really is the father!

What emerges is a touching story of two young people thrust into a difficult situation and showing tremendous fortitude in the face of peers and family who sometimes help and other times let them down.  There are some definite meanies (e.g., Hannah's brother and her ex-BFF Katie) and one could fault Pratt for creating Aaron a bit too benevolent, but mostly this is story of people who do both good and evil.  I always appreciate balance and nuance in my characters and Pratt does a great job here.

Pratt is also remarkably restrained in her storytelling.  In the beginning, as the challenges and plot twists get introduced, I felt like we were swinging from one melodrama to the next, but once we got stuff out there, the story walked us through everything at a pace that was believable.

Egg & Spoon, by Gregory Maguire

Elena lives a difficult life in an impoverished village in Tsarist Russia.  The men have all been taken away by the Tsar's men and the land has grown unproductive.  Elena has no food and is forced to watch her mother slowly dying.  They are at wits end and there is little to hope for.  Then fate brings a visit from a retinue -- a train laden with more wealth and food than Elena can imagine -- and a young woman Elena's age named Ekaterina.

Ekaterina is on her way to the capital in Saint Petersburg to be presented in Court as a potential consort for the Tsar's godson.  A fateful confluence of accidental events forces the two girls to swap places.  The disorder this unleashes will, in the end, involve the Firebird, the Snow Dragon, Baba Yaga, and the Tsar of All Russia himself.

It's a playful novel that riffs on Russian mythology in the way that his popular series Wicked played on the Grimm's fairy tales.  I liked the story best in the beginning where it is less fantastical and relied on the popular idea of a simple good peasant petitioning the Tsar (i.e., the first 150 pages or so).  But as the story progresses, it grows odder and loses the spirit of the originals.  Certain elements like Baba Yaga's snarky and anachronistic humor is downright grating and mood-killing (think Miracle Max but without Billy Crystal's charm).  The idea of the formidable domovoi transformed into a puppy-dog like creature with duck feet is downright bizarre!  However, the weirdest image is of an army of giant matryoshka dolls attacking in formation.  Still, the book is an amazing accomplishment, pulling all of these elements together, being witty about it, and still formulating a coherent story.

The Black Butterfly, by Shirley Reva Vernick

Penny's Mom is obsessed with ghosts and, after sixteen years, Penny has grown accustomed to her Mom rushing off at a moment's notice and leaving her with friends so she can pursue the latest sighting.  But it's something of a new low when Mom informs Penny that she's being sent to a remote island off the coast of Maine to stay with an old friend at the Black Butterfly Inn for Christmas.  Penny has never heard of this friend and isn't sure what to expect.  The initial reception is frosty -- her hostess is AWOL and her son is less than friendly.  But with some prodding and help from the Inn's cook, Penny and the boy break the ice.  At the same time, strange things are afoot at the Inn.  Secrets from the past play a large part and, much to Penny's surprise, even supernatural elements appear.

A bit of a messy story that starts off sensibly enough as a story of reconciliation as Penny learns about her mother's past through some old family friends.  The cook is a nice light touch and the story could have easily focused on healing and growth, and even thrown in some nice romance as well.  But Vernick wants to tell a ghost story, so we shift to the supernatural.  It's here that the story largely becomes unhinged.  There's several stories and none of them make much sense, but they work up to a climax that works OK within its bounds.  However, the end seems largely detached from the rest of the story.  It seemed forced and didn't gel.

A Blind Spot for Boys, by Justina Chen

Shana's decided to swear off dating after an unfortunate experience with a much older guy.  So, she is less than thrilled to have her heart set racing from a chance encounter with a handsome guy named Quattro.  Before she has much time to worry about it though, her world is turned upside down when her father is diagnosed with retinal neuropathy and given a prognosis of complete blindness within six months.  With those dark clouds on the horizon, the family decides to launch a series of trips to check off destinations on Dad's bucket list.  She's off to Machu Piccu with her parents!

When she gets there, she finds that Quattro is also there (this is actually foreshadowed in the beginning of the book and not entirely a coincidence).  Her anti-dating resolution is in serious danger (although Quattro for his part also seems to have issues).  The tension that develops could have been the story, but rather than allow that to happen, Chen points things in an entirely different direction.  Their hike to the ancient ruins takes a dangerous turn and the story becomes a survival adventure!

There may be something realistic about a story that doesn't stick to a path.  Perhaps, going from family tragedy to romance to adventure story has some appeal for keeping us on our toes, but it doesn't make for a particularly readable story.  At some point, you just sit back and decide to enjoy the ride.  And unfortunately, the romance and in fact the family's struggle with Dad's impending blindness are largely lost in the noise of the environmental disaster and sheer survival.  Chen is a great writer (I loved her North of Beautiful) and her characters have depth and emotional weight, but this story is wildly out of control!  A book with a title like this should really be about the romance and Chen tries hard, but it's just not a compelling part of the story.

Kiss of Broken Glass, by Madeleine Kuderick

When Kenna gets caught in the girls' bathroom at school trying to cut herself, she runs afoul of Florida's Baker Act and gets involuntarily committed to a "stabilization facility" for 72 hours of treatment and observation.  Those three days of institutionalization give her an opportunity to reflect on her compulsion, how she developed it, and how others around her who also inflict self-harm behave.

Telling the story in verse is a bit dangerous as it tends to invite poignant but ultimately shallow platitudes with implied ellipses.  However, some people (including Kuderick's mentor Sonya Sones) can pull it off.  I give Kuderick a passing grade for being both moderate and inventive.  She avoids some of the easy cheap tricks and at the same time shows some creativity in her verses.  When individual verses stand up on their own (as they sometimes do here), you know you have something.

I'll also admit that Kuderick's admission that this novel was inspired (although not entirely based) on her real daughter's struggle with self-harm gives this effort a pathos and bravery that would paint me a heartless person for criticizing.  However, I thankfully don't have to hide a frank review of what is ultimately an effective work. Books about cutting are pretty easy to find.  This is one of the more interesting ones.

After the End, by Amy Plum

For all of her life until now, Juneau has believed that a great war wiped out civilization thirty years ago.  She and her clan, living in a remote part of Alaska, are nearly the only survivors of an apocalypse.  Aside from occasional unwanted run-ins with brigands and raiders, there is no one else left.  Then, a surprise attack destroys her village and her people are abducted and taken away.  She alone must find them and she sets off in a search, using clairvoyance and other magic she has learned to locate them.

As she sets out, she immediately makes a shocking discovery:  the world was not in fact destroyed.  Civilization is very much still there.  Why would the adults on her tribe lie to her?  There's no one to ask, but it seems tied up to their recent abduction.  Meanwhile, she is definitely being hunted.  In fact, as she quickly learns, there are two separate groups looking for her.  With the help of a spoiled young man named Miles (with a secret agenda of his own), she seeks to find her people in this strange (and very alive) world, while evading the hunters.

An odd adventure, with both realistic and supernatural elements mixed in.  In general, the story worked.  I was less taken by Plum's research - it is fairly obvious that the author has spent little if any time in the settings of the story as her descriptions sound like they were cribbed off of websites and she makes some pretty big geographical errors.  Somewhat more frustrating is the cliffhanger ending which basically lets us know that this the first of an unannounced series.  Don't expect any sort of wrap up as the book stops abruptly without an ending.

Being Sloane Jacobs, by Lauren Morrill

Two girls with identical first and last names decide to swap places while attending summer camp in Montreal.  Sloane Emily Jacobs is the daughter of a US senator, who has just betrayed her.  Her helicopter mother meanwhile is forcing her back into a career in figure skating that Sloane no longer wants to pursue.  Sloane Devon Jacobs is from the other side of the tracks.  Her goal is to score a hockey scholarship to get into college and escape her alcoholic mother and distant father, but she's choking on the rink and afraid that she doesn't have what it takes.  When the two girls cross paths, they bond over their envy of the other's life.

On a dare, they decide to switch roles -- with Sloane Emily ending up at a summer hockey camp and Sloane Devon at an elite figure skating training program.  While they both can skate, they are essentially fish out of water and a great deal of the first part of the book traces their struggle to survive in their new environments.  There's the expected set-backs, but ultimately the overcoming of this adversity to succeed (and to learn something about themselves to take back with them).  Romance, as expected, also pops up and complicates things.

No major surprises here, albeit a unique setting (Montreal).  Morrill tries to add some weight to the story with the family troubles, but neither the alcoholic mother nor the philandering father really get pursued.  Most of the adversity, for that matter, is played through pretty fast.  The pacing is a bit too glib to get hung up on character growth or literary pretension.  Classify this as a summer read.

Like No Other, by Una LaMarche

Devorah and Jaxon both live in Crown Heights, but they couldn't be more different.  Devorah is a young Lubavitch Hasid while Jaxon is West Indian.  Their worlds are completely separated.  But one night, during a hurricane, they end up stuck together in an elevator.  This chance encounter changes their lives, opening up a view of each others' worlds that draws them together.  And thus, they fall in love despite the insurmountable barriers to them even seeing each other.

On one side, this can be seen as a modern retelling of Romeo and Juliet.  LaMarche has carved out a splendid look at what happens when two strong-minded young people resist their community's notions of what the future is supposed to bring.  However, there is more going on here.  For Devorah, there is an important question of her ability to choose a future that may not involve marriage at all (and not just with whom she socializes).  And while Jaxon is pleasant enough, the glue of this story is really Devorah, as she explores the danger of rejecting traditional boundaries while still embracing her faith. 

The novel, in the end, becomes a cross between the meeting-of-two-worlds of The Geography of You and Me and a far more serious dash of Eishes Chayil's Hush (it certainly seems to offend the same audience!).  Where it differs from both is that it is far more thoughtful and less sensationalist.  Anyone expecting to find a bad guy here will be quite surprised by the ending!