Samphire Song, by Jill Hucklesby

Hit by the double blow of a father killed in action in the Middle East and a younger brother suffering from kidney disease, Jodie soothes herself by taking care of the horses at a local stable.  When she is offered the chance to buy her own horse, everyone thinks she'll find a nice gentle mare or pony to take care of.  Instead, she is drawn to a wild-eyed part-Arabian stallion.  Considered unmanageable by just about everyone, Jodie sees through his exterior and feels sympathy for an animal who needs as much TLC as she does.

It would be hard to find the justification for yet another horse book for girls as it's already a pretty crowded field.  Unfortunately, this one doesn't break new ground.  It has plenty of appealing elements and, if you like the genre, the authentic details, some adventure, a loving family, and a brave girl, then you can't really go wrong with it, but it doesn't stand out in any particularly unique way.

There is one super-distracting element of the book.  Originally published in the UK, someone made the editorial decision to Americanize the story.  This is a half-hearted affair where "Pounds" are changed to "Dollars" and "County" is (inconsistently) changed to "State." Even so, there are plenty of Anglicisms slipping in (for example, a "pub landlord") that seems sloppy.  Honestly, it would have been better to leave it alone.  Girls who love horses, also love horses in the UK just as much (if not more) than horses in the US.

If You Find Me, by Emily Murdoch

Carey and her little sister Janessa have eked out their survival in an old camper in the woods for years.  Their mother, usually strung out on meth, leaves them alone for weeks at a time.  The absences grow longer and longer until finally she doesn't return at all.  As their food is just about to run out, they are found by a social worker and their estranged father.  Brought back to civilization, the two girls struggle to adjust to their new life and move beyond the terrors of their past.

As you can imagine, it's a heartwrenching story with plenty of opportunity to shock the reader.  I'd be cold-hearted (and lying) to claim that it didn't move me.  However, a few days later as I write this review, the impact of the reading has faded surprisingly quickly.  The culprit in my mind is the roughness of the writing (a narrative that is paced irregularly - skipping forward and sometimes unnecessarily repeating).  The characters also are thinly drawn (with the adults either entirely evil or unbelievably virtuous and self-sacrificing).  Some attempt to draw out the mother and father (and even the step mother) a bit more would have made the situation more interesting.  As is, only the children have any sort of depth.  I get that Murdoch wants to keep the focus on the kids and they certainly have an interesting story to tell, but in the vacuum of capricious and mysterious adults, they are merely pawns for events that the reader wants to understand better.

Burning Blue, by Paul Griffin

Nicole is the most beautiful girl at school.  Therefore, jealousy seems like the most likely reason for the brutal assault in which half her face is burned with battery acid.  But Jay is convinced that there is more to the story.  Frustrated by the slow pace of the police investigation, Jay hacks into computer systems and pounds the pavement in classic sleuthing fashion, uncovering a truth that reaches far wider (and simultaneously far too intimately close to home) than is comfortable.

The book is billed as "a tender, haunting look at life after beauty." It isn't really.  Instead, it's really a very complicated whodunit with an extremely sloppy wrap-up (for about 240-odd pages, the story slowly rolls out, but something lit a fire under Griffin and the last fifty pages just become a messy unveiling of the real story with little-to-no effort to have it make sense).  Some heartstring-pulling at the end winds this mess up (probably that "tender" stuff in the blurb), but the characters feel neglected and unresolved.  It doesn't help that the cast of characters is vast and the story is unfocused.  Basically, it's a mess!

Midwinterblood, by Marcus Sedgwick

In seven short stories, told in reverse chronological order, we get the inter-related tales of Eric and Melle, and the isolated northern island of Blessed through the ages.  Some of the stories feature the rare Dragon Orchid, some an immense painting, and all a sense of historical destiny which we only learn the full truth of when we travel back to its source.  Not only does the era of the setting change (the first story takes place in the late 21st century, while the earliest is pre-historic), but the roles played by the characters change as well over time (adults become children, children adults, and even genders are switched).

It's a complicated and fascinating ghost story.  While slightly marred by an epilogue that makes an attempt for a happy ending, the seven stories within this book are rich and each stands on their own.  Together, they weave a compelling story that has been masterfully crafted:  elements of one story reappear in another - often to shocking effect.  The story is so complex and carefully designed that subtleties are undoubtedly missed on the first reading (and thus a re-reading is recommended).  The originality of the story captured me and I'll be thinking about it for some time to come.  I highly recommend this book if you like classic ghost stories and don't mind something that will stick in your head for days!

Hooked, by Liz Fichera

Out of the 1150 books that I've reviewed in this Blog so far, this is only the third Teen Harlequin I've read.  I've never expected much from them and have figured them to just be slightly less-explicit versions of the adult books (and with a cover like this one has, I was pretty much hiding it behind a paper bag on the plane!).  However, the three times I have read a Teen Harlequin have all been a pleasant surprise.  Far from being exploitative romantic fantasy, the stories have been stimulating and sophisticated.  Yes, it's a romance and it follows some of the basic conventions of the genre, but the writing is strong and the authors push the boundaries.

Fred is an avid golfer, even though she plays with second-hand equipment and can't afford the greens fees. When the high school team's coach recruits her to play, she's a bit reluctant:  it's a boy's team and she would be the only girl.  But there's another twist: she would also be the only Native American in the entire league.  But Fred manages to overcome these fears and prove to herself and her teammates that she can truly play, even as she faces hostility from both the white kids at school and from her friends back on the Rez.  Things get truly complicated though when she finds that she and her teammate Ryan share a love of each other as strong as their love of the game.

There's no major plot frontier being burst here (it's typical boy-meets-girl storyline), but the setting and the characters make this an unusual story.  Fichera doesn't move too far out of modern stereotypes of the Native American experience, but the idea of choosing such an unusual heroine for this story is remarkable.  And, for that matter, how many teen romances involve golf in the first place?  Somehow, I don't expect a Harlequin novel to tackle class and race conflict.  As for the romance, it's strictly G-rated (not at all like the cover!).

Better Off Friends, by Elizabeth Eulberg

Macallan and Levi have been friends since seventh grade and just that.  As a boy and a girl, they've endlessly been subjected to questions about their "relationship." No, they aren't dating; they are just friends and that is all they ever intend to be!  But being boy-girl friends is complicated in adolescence and this novel traces how, over the years, their friendship is tested by all the other relationships in their lives.

It's a sentimental (and sometimes manipulative) journey through years of a friendship.  However, it is also a surprisingly intelligent romance that avoids stereotypes and the usual hallmarks of teen romance novels (since it is really about friendship).  Eulberg has done a remarkable job depicting both Macallan and Levi's take on adolescence and each other -- no small feat when most authors specialize in either boys or girls but not both!  By the end of this deceivingly simple story, you'll find yourself terribly invested in both of these young people and in the deep and meaningful relationship they have developed.  The result, in sum, is a humble teen "romance" with depth, pathos, and poignancy.

The Caged Graves, by Dianne K Salerni

After a long absence, Verity Boone returns to her father's home in Catawissa Pennsylvania, in 1867.  She has been betrothed to a neighbor named Nate and she is returning to marry and settle in her parent's house.  But her return is marred by a sinister mystery -- the discovery that her mother and aunt (who died around the time that Verity was sent away) were buried in caged graves on unhallowed ground.  No one will explain why this was done, but the insinuation is that the two women were witches (and that the cages were intended to keep them in their graves).  An alternative explanation that is floating around is that their bodies were interred with a long-lost cache of Continental Army gold and the bars are intended to protect the loot!

The result of all this is a rich historical novel that, while flirting with supernatural ideas, stays pretty soundly within the realm of the possible in its historical context.  The story is multi-layered and also includes a complicated romantic triangle that I found compelling and mature.  If I have a complaint, it is that the book is being mis-marketed:   despite its seventeen year-old heroine, the story could only passably be considered a "young adult" novel.

I liked the richness of the characters and the complexity of their motivations.  While superstitions and fears at the beginning convince even the reader that higher forces are at play, by the end it is revealed that complex human passions can be far more mysterious than evil spirits.  The story's own mysteries are plausibly and satisfactorily resolved by the end, but still manage to surprise and startle.  Very good storytelling!

Return to Me, by Justina Chen

Rebecca is on the verge of starting her freshman year at Columbia, studying architecture.  She has a premonition that things are not going to go well.  And there are certainly issues:  her father has landed a new job in New York and the family is literally following her out east, leaving their beloved island home outside Seattle.  Meanwhile, Rebecca has to say goodbye to her boyfriend and ponder the viability of a long-distance relationship.

But then, her father drops a bombshell on the whole family:  he's leaving their mother and shacking up with a new woman.  Moreover, he's been carrying on a secret affair for the past several months.  His revelation and decision to dessert the family plunges all of them into crisis, as they deal with their grieving, anger, and eventual acceptance.  It also leads Rebecca to revisit her plans and reconsider what she really wants to do with her life.

Justina Chen writes novels full of lots of layers and meanings.  Here it seems a bit more aimless than previous books like North of Beautiful.  While some key concepts, like the meaning of architecture and Rebecca's love for tree houses, are integral to the story, there's a whole thread about Rebecca and her maternal relatives being clairvoyant which hangs awkwardly.  I have bigger issues with Chen's depiction of male characters, which are strikingly flat in comparison with the women.  The father is a glaring example, being at best shallow and seeming like a caricature.  For a story with so much insight on grieving and healing from a feminine perspective, Chen struggles with her male characters.  Rebecca's brother is a throwaway character and Rebecca's boyfriend seems to serve no further purpose than to be endlessly understanding.

Better Nate Than Ever, by Tim Federle

Thirteen year-old Nate dreams of making it big on Broadway.  Not just for the fame, but for the chance to escape his small town Western Pennsylvania existence.  He's tired of being mocked for being short and fat.  And he's tired of everyone assuming that he's gay (he's, in fact, decidedly undecided on the topic!).  So, on a weekend when his parents are away, he slips out of the house, buys a bus ticket, and makes his way to New York City to audition for a new musical based on the film ET.

It's quite an adventure for a small-town kid, and Nate's innocent and wide-eyed love for the Big Apple is a major part of the book's charm.  Nate learns in short order how to manage the chaos of the street as well as the ropes of the audition process, and he does both in his own unique way.  Through the intervention of his long estranged aunt, he also learns some family history and opens some doors.  And, while the subject of Nate's sexual orientation is addressed only fleetingly, it is obvious that he is beginning to have revelations on that front as well.

As with many books targeting middle readers, the frankness and sometimes "adult" nature of the story may make grownups squirm, but at a distance, it all seemed quite age appropriate.  For children too young to understand everything, the sympathetic Nate and the lack of serious harm that befalls him will make the book entertaining and enjoyable.  As a grownup, Nate's string of good luck seemed improbable, but it is in keeping with the spirit of this fun adventure, which promises a run of sequels.

A Tangle of Knots, by Lisa Graff

A wonderful middle reader fantasy about kids and grownups who have particular talents (whistling, disappearing, baking, etc.) and a surreal series of coincidences that bring them together in just the right way to fix everything.  It's a story that's so chaotic and jumbled that it's hard to explain, but it basically involves a bitter old man who steals away people's talents, and the efforts of a motley group to stop him.  Learning to break from past mistakes and forgiving oneself, finding a home, and a mysterious man riding a balloon in a well-pressed grey suit figure in as well.  Some homespun wisdom (e.g., "It's the way we deal with what fate hands us that defines who we are") and a series of interesting looking cake recipes fill out this fun offering.

Sometimes a book is just silly enough and a tale is just heartwarming enough that it captures that niche of children's literature that doesn't have to try to be loved.  This one fits in that special place.  Graff's story is reminiscent of Because of Winn Dixie and Savvy but the story is simpler and more direct. Like those stories, the characters are quirky and multi-generational (kids get to be kids, but adults have a role to play in the fun), and the plot isn't afraid of reaching for a little matter-of-fact magic when the real world can't be special enough.  It's a charming story that middle schoolers through young teens (and those with similar young hearts) will enjoy.

The Ruining, by Anna Collomore

Annie is excited about her new job as a nanny in San Francisco.  She'll be able to attend classes at SF State, live in a fabulous house on Belvedere Island with a great couple, take care of a sweet little girl, and (most importantly) finally escape her traumatic past.  It is a dream come true.

At first, things go well, but slowly circumstances change.  Her employers accuse her of doing things she cannot recall doing.  Strange things start to happen (Annie get mysteriously sick, things disappear, the walls get redecorated).  Annie begins to question her sanity.  In the end, her employers completely destroy Annie's life.

This very creepy story is at its best in the beginning when the freaky manipulative stuff is just starting to unfold.  But the pace picks up and eventually simply goes over the top.  At that point, since I no longer believed that the story was plausible, I stopped caring about the character.  And, since Collomore painted herself into a very tight corner, her solution has to be pretty drastic (and invoking a deus ex machina solution, it is dramatically disappointing).  The ending also completely sidesteps the issue of the evil that was done to Annie, so we're robbed the satisfaction of a final confrontation.  In all, I'll grant that the earlier parts of the book are engrossing psychological stuff, but I felt let down in the end.

Etiquette & Espionage, by Gail Carriger

Sophronia is the type of girl to drive a mother mad.  Unlike her older sisters who managed to become proper young ladies, Sophronia is always managing to get into some sort of trouble (and always of the most unladylike nature!).  She can't even curtsy correctly! So, Mumsy is only too happy to send her errant offspring off to finishing school.  Little does the woman or her daughter realize what is in store.  Mme Geraldine's school for young ladies teaches poise and etiquette, but also deceit, subterfuge, and diversion.  It is a school for girls to learn how to get what they want one way or another (through coquetry or espionage).  And, in this case, what almost everyone seems to want (and is willing to kill for) is the prototype (whatever that is!).

Apparently based on Carriger's popular steampunk universe The Parasol Protectorate, this new series of YA novels imagines the adolescents' view of a world of steam power, vampires, werewolves, Picklemen, and flywaymen.  Not being so well versed in steampunk, the concepts were a bit odd for me and seemed a bit too precious and pretentious.  The counterposing of traditional finishing school subjects with espionage is a cute joke the first couple of times, but after a couple hundred pages, the humor grows stale.  Much like steampunk fashion for me, the book is pretty to look at, but seems to paint itself in an artistic corner from which there is little room to move.

Gated, by Amy Christine Parker

Lyla feels safe in the Community.  Thanks to the wise leadership of Pioneer, her family and twenty other families will be saved when the End comes.  They will simply barricade themselves inside an underground bunker and hold out against the Outsiders.  If there is anyone she fears, it is the Outsiders!  It was one of them that abducted her sister in front of their house in NYC so many years ago.  But now she is with friends.

However, as the End time draws near, Lyla begins to notice that things are not quite right.  Pioneer doesn't always appear to be acting in their best interests.  And a chance encounter with an Outsider, a boy named Cody, opens Lyla's eyes to what is really going on.  However, as she tries to awaken her family and friends to the true source of danger in their midst, Pioneer turns his deadly attention directly on her!

A very tense (and bloody) thriller.  This one is definitely not for younger readers and it contains a fair amount of blood, major animal cruelty, and disturbing scenes.  The outcome of the story isn't terribly in doubt, but thanks to some excellent writing it remains a nail biter to the very end.  So, if you have a thick skin, this one is worth reading.

Unremembered, by Jessica Brody

When she wakes up, the girl is told that she is the lone survivor of a crashed plane flight - a crash that no human could have survived.  And that is all she knows.  Her memory has completely disappeared.  She appears to be super smart, multilingual, beautiful and physically strong, but she has no idea how she got that way.  The only clues are a locket around her neck and a tattoo on her arm.  And then there is a young man named Zen who informs her mysteriously that he is going to "rescue" her.

One of the very first things the girl figures out is that she is on the run and that Zen is a friend.  And she doesn't seem to have many of those as several groups of people are chasing after her and appear to want to cause her harm.  If only she could figure out why?  (And, by the way, it would be nice to know some simple basics like what is her name?)

This is not a deep think book, but it is a fast-paced action story with a decent mystery that takes most of the book to unwind.  It's a bit heavier on violence than I generally like and the characters are flat and disposable, but that's an artifact of the genre.  I found it entertaining for what it was.  I probably won't seek out the next installment of the trilogy, but I'm sure it will be amusing.

Fat Angie, by E E Charlton-Trujillo

Even if Angie wasn't big and uncoordinated, she would still never measure up to her sister.  But she would never want to do so.  Ever since Angie's sister was kidnapped in Iraq and went missing (and presumed dead), Angie's world has fallen apart.  The loss of her sister has made Angie more of a target to bullying from jealous classmates.  And without her sister to protect her, she is an easier target.  Angie's very public breakdown at the start of the school year didn't help anything.

Her remaining family is no refuge.  Her father is gone.  Angie's brother has turned against her and cruelly attacks her in public.  And Angie's mother accuses Angie of acting up for attention and uses her sadistic version of tough love on her daughter.

Her life, in sum, is hell, until a new girl named KC shows up.  KC is beautiful, West Coast cool, and ardently loyal to Angie, coming to her defense and helping her see beyond the abuse.  Angie can't begin to imagine how she has managed to luck out so much.  KC, however, has issues of her own and they complicate Angie's life further.

The story plays its hand very coolly.  The family may seem unnecessarily cruel, but friends are found in interesting places (in particular, from a gym teacher and a jock at school, who both look out for Angie).  It's a depressing story that you really want to end well.  Charlton-Trujillo teases a bit with partially happy endings, but the real conclusion leaves a lot of things messily unresolved.  That's not as satisfying, but it feels much more authentic.  The story has a lot of things going on:  family drama, sports competition, and love story, and it manages to balance it all fairly well.

Fangirl, by Rainbow Rowell

Saying that Cath is a Simon Snow fan is a major understatement.  She and her twin sister Wren are deep into fan fiction, with Cath writing (and Wren editing) one of the most popular Simon Snow stories.  Simon Snow is the world to Cath and has sustained the girls through high school and family trauamas.  But now that Cath and Wren are freshmen at UNL, things have changed for Wren.  She no longer wants to do Simon Snow, being drawn to new social circles and parties.  Cath stays the path, but even she is opening her eyes to the broader world that exists after high school.

It's a book that straddles the line between YA and NA (New Adult) literature.  It's about growing up and (while not letting go of childish things altogether) about integrating them into a grownup life.  That's interesting stuff.  I also enjoyed all the local detail on Lincoln and Omaha, as I remember the area well.

In comparison to Rowell's Eleanor and Park, however, it pales.  Cath, Wren, and their roommates and boyfriends make relatively less interesting characters.  And the story itself is less compelling.  It's a long book and subject to a widespread abandonment of subplots.  To paraphrase Chekhov, if an estranged mother shows up in chapter one, you need to have a big confrontation with her by the last chapter.  Instead, the family traumas (and many other subplots) are allowed to wither without any significant conclusion.  And they could easily have been excised from the book, creating a shorter and smoother story.

Half A Chance, by Cynthia Lord

Lucy has moved to a new home on a lake in New Hampshire, just in time for the summer to start.  She quickly befriends a neighbor boy Nate, who is her age.  It won't be a long-term thing,because he is only spending the summer on the lake.  This doesn't stop them from becoming friends as they take part in the Loon Patrol, which monitors the lake's breeding pair of Loons.  Nate also helps Lucy in assembling her submission to a photography contest.

Their summer is darkened by two things:  another girl named Megan who is jealous of Lucy and Nate's new friendship, and the growing demise of Nate's grandmother who is losing her sense of reality (and afraid of becoming a burden to her family).  The former thread is never completely pursued, but the latter one combines a lesson about growing old gracefully with a bit about letting go of things.  It ends up providing the story with a nice poignant ending.

This summer story about a girl and boy developing a friendship is full of all the sweet and innocent stuff that one expects from a middle reader.  There aren't a lot of surprises, but it's a nice story that you can simply enjoy.  Sort of the tween version of a summer romance (boy and girl have adventures and fun, but we don't get into any kissing stuff!).

[Disclosure:  I received a review copy from Scholastic Press in return for my consideration.  After completing this review, I will donate this copy to my local public library.  The book will be released in late February.]

Counting by 7s, by Holly Goldberg Sloan

Willow, twelve year-old genius and oddball, copes with the world by counting in sevens.  But no knowledge or coping skill can prepare her for the death of her foster parents.  Instead, she finds that life's salvation comes from the most unexpected places:  a Vietnamese family, a dysfunctional guidance counselor, and a Mexican taxi cab driver.  And, in the same odd way that they have managed to help her, she ends up changing their life in equally unexpected ways.

The general path of the story won't surprise anyone -- it basically begs to becomes a tale of random good fortune and luck -- but what makes this book a joy is the connectedness of the random events.  The message is that no matter how hard you try to order the world and control the outcome, in the end you never quite know where you will end up.  Meanwhile, it is such a nicely written book with such charmingly odd and unusual characters, that you'll be willing to swallow a whole lot of sentimentality along the way.  As with many books of this sort, it's more designed for adults (and librarians) than for kids, but one hopes that children will just enjoy a gentle story.

Manor of Secrets, by Katherine Longshore

Lady Charlotte lives a life of luxury, but her existence is hardly happy.  She envies the kitchen maid Janie, who has the freedom to pursue her dreams.  Charlotte meanwhile is bound by her mother's oppressive rules and has little to look forward to beyond marriage to a boring local lord.  Janie, on the other hand, longs for Charlotte's pampered existence.  For Janie, live is about constantly being on the verge of poverty; only a wrong step away should she be dismissed from service.  She would give anything to have Charlotte's comforts.

A chance encounter in the woods outside the estate (where neither girl is supposed to be) brings them together in friendship and secret rebellion against the roles they must play.  It also helps them see the truth behind the rosy appearance of each other's lives.  However, the manor won't tolerate any fraternizing between upstairs and downstairs.  Too much is at stake in the calcified hierarchy that has developed.  As the two girls grow closer, the scandal that is unleashed throws the entire household into disorder.

With an obvious debt to Upstairs Downstairs and Manor House (and probably Downtown Abbey as well), we get a junior version of the Georgian soap opera genre.  It's highly sanitized and a bit too Americanized for my tastes, but I can see the appeal.  Glamorous gowns, some forbidden love, a little acting out, and a whole lot of convenient coincidences in the end to make it wrap up neatly.  It would seem to be a perfect candidate for moderate commercial success and maybe even spawn a sequel (and a few copycats).  It's not great literature, but that's not its role either.

[Disclosure:  I received an ARC from Point-Scholastic for the purposes of reviewing this book (it is scheduled for release on January 28), but no other compensation for my consideration]

Peaceweaver, by Rebecca Barnhouse

Hild has grown up in a privileged existence as the daughter of the king's sister.  And while her uncle has, in recent years, fallen too easily under the advice of short-sighted and war-mongering men, he is a kind man.  So, when Hild saves the king's son from an assassination attempt, she is confident that she will be honored by a grateful father.  Instead, she is accused of being possessed by demons (on account of her instinctive recognition of the assassins before they had attacked) and she is threatened with exile.

Instead of exile, she is betrothed to the son of the recently-slain king Beowulf from the neighboring (and hostile) kingdom of Geat.  Geat was, until the betrothed prince slayed it, terrorized by a dragon and has suffered greatly from years of the beast's attacks.  But it was always a backwards place and hardly suitable for Hild.  Her situation is worsened because Hild learns on the eve of her departure that her uncle intends to betray the peace that the betrothal promises.  He's using the marriage as a ploy to camouflage plans to strike against Geat.

A richly-drawn fantasy, deeply rooted in Norse culture, with a fair bit of the epic of Beowulf thrown in for good measure.  Hild is resourceful, strong-willed, and handy with a weapon, but also annoyingly indecisive.  This is the primary weakness of this colorful novel.  Most of the story is spent with her plotting to escape -- trying to figure out a way to get away from her uncle, from the Geats, and eventually from her uncle again.  However, each time she does actually run, she reconsiders and comes back on her own free will.  This gets tiresome as it feels like a lot of lead up for nothing.  And given the vast number of unresolved plot points, the energy could have been much better directed on the parts of the story that really matter.

Manicpixiedreamgirl, by Tom Leveen

Ever since ninth grade, Tyler has had a massive crush on Rebecca Webb, but he's never been able to find the will to tell her.  Instead, he's told his friend Sydney in honors English.  She even offered to hook them up, but Tyler couldn't imagine doing it.  Instead, he started dating Syd instead.  And so a weird triangle developed:  Sydney likes Tyler and Tyler is OK with hanging out with Syd, but both of them know that Tyler dreams of Becky.  Meanwhile, Becky doesn't know how Tyler feels about her at all.  At least, not until tonight, when Tyler's thinly-veiled story about Becky has just been published.

And what has Tyler written?  He's created a short story all about the wonderful way he feels about Becky.  About how perfect she is and how he is not worthy of her.  The problem is that Becky (big surprise!) is hardly the perfect creature than Tyler imagines.  She's hardly the straight-A perfect student of Tyler's dreams.  In fact, as everyone at school (including Tyler) knows, she's pretty screwed up.  Becky, to put it mildly, has self-esteem issues and a reputation for hooking up with any boy who asks, which Tyler would know if he ever asked her.  Doing that, however, would destroy the dream world that Tyler has created.  He would rather imagine rescuing her.

An amazingly intense story of how human beings (and perhaps adolescents a bit more strongly) create fantasies to avoid awkward truths.  It's an unpleasant story -- there are no true heroes here -- and Leveen makes no attempt to sweeten any of the protagonists.  Whether it's Tyler's obsession for Becky, or Syd's hopeless desire to stay with Tyler, or Becky's complete self-destructive behavior, these are messed up kids with very believable issues.  If you've never been in one of these roles, consider yourself lucky -- the rest of us have the t-shirt to show for it in our closet!

I especially like the fact that this is a book written by a man about a boy.  I take no small amount of flak for reading "girl" books all the time.  I do so because it usually takes a woman author writing about a girl to tell a story with this much emotional honesty.  Male authors don't have the patience to tell this story and everyone assumes that only boys will read about a boy (and that boys won't read something like this with so little action in it).  The result is that it is very rare to find a novel like this.  Leveen truly is an outstanding YA writer who has the insight and the skills to create strong and realistic young men and women, and tell a story with brutal honesty.

This may well be the best book I read in 2014.  What a way to start the year!

Skin, by Donna Jo Napoli

[Gotta get that 100th review in tonight....]

Vitiligo is a rare autoimmune disease that attacks the pigment of the skin and causes patches of white to appear at random locations on the body.  Like other autoimmune disorders, there is no known cause and no real treatment for the condition.  It's chronic and, in this case, not terminal.  Still, for sixteen year-old Sep, it might as well be....

When Sep wakes up one morning to find his lips have gone completely white, she is terrified.  It isn't so much that she has been afflicted with a rare condition, but with how this one manifests itself.  She's a scientist at heart and loves to learn the causes and results of everything.  And what she sees isn't pretty.  Victims of vitiligo are just plain ugly.  Soon, she knows, she will be just as bad as they are.

She hides her condition, applying makeup and strategic clothing to cover up the "splotches" that are appearing on her body, in denial of what is happening.  And she refuses to tell anyone beyond her family and her best friend about the condition (and even then, she tries to obscure how far the condition has advanced).  She even keeps her boyfriend in the dark, until it is too late.

A great story about coming to terms with illness and learning (quite literally) to be comfortable in your skin.  Napoli always does great storytelling, but she usually works with mythic or historical settings, so this is a bit of a new thing for her -- and she does just fine.  The story itself works well because it takes any interesting concept (a disease that no one has heard of that has a particular resonance with image-conscious adolescents), creates a well-rounded character with realistic friends and family, and just lets the story wind itself out naturally.  As Sep grew meaner and nastier to her boyfriend and friends, I started to really hate her, but that was really just a measure of how much she had gotten under my skin.  By the conclusion, she redeems herself in an ending that wraps things up in a nicely sloppy way that felt plain right.  What better way to round out a year?

The Suburban Strange, by Nathan Kotecki

At the start of her sophomore year, Celia (like so many heroines of YA novels) is something of a wallflower at Suburban High.  But, out of the blue, an uber-stylish clique of kids called "the Rosary" adopt her.  She gets a complete life makeover - changing her hair, her clothes, and her social circle.  It is a fantasy come true for so many heroines of YA novels.  And finnaly, like far too many heroines of YA novels, she discovers the alleged artistic superiority of obscure New Wave bands from the Eighties (more on that later).

But meanwhile at school, things are turning darker that Celia's new outfits.  Girls are suffering an unusually large number of freak near-fatal accidents -- always on the day before their sixteenth birthdays.  It doesn't matter if they stay home or come to school.  In fact, the only thing that seems to protect some girls is losing their virginity.  Celia and her chemistry lab partner Mariette don't consider that to be an option.  They have a theory about what is causing the accident, and have to move cautiously but purposely towards a solution before their own birthdays come!

It's all over the place story-wise, but actually a nice original story with supernatural themes but an adolescent sensibility (how would you know that black magic was afoot?  why, what else would explain why everyone is failing chemistry?).  The book is long and really has a few too many moving parts, but it comes together in the end.  And while Kotecki is a clumsy writer (particular at the start of nearly every chapter), the creativity and the pace cover his sins.  That's a mixed review, but I enjoyed it.

Most of all, what bothered me was that way overused fiction that today's coolest kids would listen to their parents' alternative music.  I realize that writers have to write about what they know and that few of them can be bothered to research contemporary music, but get real!  Even though I am a child of the 80s myself, I can assure you that the Cocteau Twins, Siouxsie and the Banshees, and the Cure are not gods.  And old dudes trying to claim that they are are simply pathetic!

Neverwas, by Kelly Moore, Tucker Reed, and Larkin Reed

Sarah's father has a dream to unite New England, the Confederate States of America, and the free territories of Astoria in a last-ditch effort to defend the Americas against the Nazi Reich of Europe and the Japanese Empire.  It's an audacious plan for survival in the early 21st century.  It might even work.

Meanwhile, Sarah senses that something is not quite right.  Somehow, she remembers a different version of the present, where the American colonists did not lose their war of independence in the late 18th century, and where England was not defeated by the Germans.  The answers lie again with the famed Amber House and its mysterious "echoes" of the past.

In the sequel to the surprise wonder of Amber House, the mother-and-daughters writing team of Moore and Reed once again spin an outstanding supernatural tale.  The stakes are much higher this time and the story is a great deal more complicated (filled as it is with plenty of paradoxes of time travel), but basically this is another shot at the young female sleuth finding allies (quite literally) in the woodwork.  This time, I have to admit that I never quite figured out what was going on, but that didn't stop me from enjoying the ride and I let the story simply take me along with it.  With that in mind, this may be a book that rewards handsomely in the re-reading.

Friday Never Leaving, by Vikki Wakefield

Friday has never felt rooted in any one place.  Years of living on the road and in the bush with her nomadic mother ensured as much.  But she always had Mom...until she didn't.  After her mother dies of cancer, Friday is cast adrift and leaves her grandfather's home for life on the street.  Out there, she falls under the spell of a charismatic teen named Arden and a gang of kids that Arden leads.  While uneasy around them, the gang gives Friday the sense of family she has been missing.  Her years on the road growing up, however, make her more savvy than the others and ultimately brings her into conflict with Arden, with deadly consequences.

The characters are well-developed.  It is hard business to develop a large cast of characters and make them vivid enough to distinguish. The kids in the gang are a notably strong cast.  And the dynamic between Arden the leader and each of them is complex and interesting.

The book is nicely written, but the story didn't grab me.  Wakefield put a lot of effort into her writing, and it shows...sometimes a bit too much.  The title (and the cover) are an allusion to a prophecy that Friday will die from drowning on a Saturday (just as all of her female ancestors have).  A nice image, but one which is so obvious in its literary pretensions that you trip over it (you know from the first page that drowning will figure in prominently by the end...and are constantly watching out for any mention of water).  It's the obvious literary pretensions that make this beautiful book feel lifeless.  Too much like a book that you'll be assigned to write a book report on than actually enjoy.

Flowers In the Sky, by Lynn Joseph

Nina has always been happy with her flower garden and her quiet life in Samana, on the coast of the Dominican Republic.  But after her mother catches Nina in a compromising position, mami is determined that Nina will go to New York and live with her older brother Darrio.  Darrio has lived in the North for many years, sending a steady stream of money home, and Mom is convinced that Nina will find great fortune there, by marrying a rich doctor or baseball player.

What Nina finds is that life in Washington Heights (where all the Dominican immigrants live) is nowhere as easy as her mother thinks it is.  It's a rough life and it takes a while for Nina to make friends and find a place.  A young man named Luis with a secret past captures her heart but Darrio doesn't like him and won't explain why.  Meanwhile, Darrio has secrets of his own and Nina realizes that the beautiful life of the USA comes with dangers and a dark side.

All of which probably makes the story sound cliche.  However, there's a gentleness and honesty to the book that makes it stand out a bit.  Nina acclimates to her new environment, but maintains a strong sense of self and a strong moral center (loyalty, beauty, and love) that make her interesting as a person.  The story ties up sweetly in the end, but with just enough messiness to make it believable.  A good read.

The Lost Girl, by Sangu Mandanna

Eve is an "echo" - a clone of a living person -- created and stored at a sufficiently remote distance for the sole purpose of serving as a replacement if something should happen to the original.  Amarra, Eve's "other," lives in Bangalore, while Eve lives in rural England.  Eve's job is to study everything that Amarra does and memorize every key fact about Amarra -- in case she has to step in and take over Amarra's life.  It's a job that is all encompassing, but largely unfulfilling, as few echos ever need to take up their other's life.  And for Eve, whom longs for time to be herself, it has grown unbearable to be enslaved to Amarra's life and be unable to have any life of her own.  And then, there is the small problems of "hunters" (vigilantes who oppose the concept of echos and try to find them and kill them) and also growing instability amongst the "weavers" (the three creators of the echos who work at the "Loom" that manufactures them).

Eve's growing self-enlightenment is interrupted when Amarra is killed in an accident.  Suddenly, Eve is sent to India to take on the role for which she has been preparing.  Despite all of Eve's study, things do not go well as neither she nor Amarra's family are able to adapt to the change.  And as Eve, her new family, and Amarra's friends struggle with the situation, it unveils a deep complexity to the issue.  Eve may have little choice of the role she has been created to play, but for the family that chose to do this, how do they make it work?  And is replacing your deceased daughter with a clone really going to fill the gap in your life?

It's thoughtful and original science fiction.  While paying homage to Mary Shelley's classic Frankenstein, Mandanna has created a finely textured study of the meaning of relationships (both friendly and familial) and of loyalty.  The book runs a bit long and the ending becomes muddled by a subplot about the weavers that is allowed to achieve too much prominence, but the story is quite fascinating.  From the ethical questions of life replacing life as a means to achieve immortality (a topic borrowed from Shelley) to the meaning of self for a clone, there is plenty of thought-provoking stuff here.  Finally, it's nice to have some science fiction placed in India.  While Mandanna doesn't really explore the local color, it is notable as India doesn't often feature in YA lit (or in sci-fi, for that matter).

A Really Awesome Mess, by Trish Cook and Brandan Halpin

Any book that significantly name drops my alma mater Simon's Rock deserves a special shout out, even if a main character disses the school in the end.

Emmy and Justin have both been involuntarily committed to Heartland Academy, a residential facility for troubled teens.  From their own accounts, their offenses seem minor and the punishment is disproportional.  However, by the end of the third chapter, the reader can clearly see what their issues are.  It takes the rest of the book for the characters to finally admit their problems.  Through friendship with the other kids in the program and the experience of adopting a pet piglet, they come to terms with these issues and begin to rebuild their lives.

{An aside:  Residential psychiatric programs for teens are an essential literary device in YA lit for getting a bunch of screwed-up teens together without parents (filling the void left by the demise of the boarding school genre).  Given how poorly the kids in these stories are monitored, one wonders how the institution survives, but I digress!]

The book is a team effort with Cook and Halpin trading off writing the story (a popular experiment in writing seminars and one that leads to far two many published books).  It suffers from a common issue with the format -- a general incompatibility of the writers.  The book starts off fine, but Trish Cook's attempts to write a straight story with insight are quickly derailed by Halpin's gonzo writing.  He'd rather gross-out the readers and subvert Cook's attempts to build meaningful dialogue and interactions.  In her chapters, the story is actually formed, but then Halpin comes in like a typical preschool boy and knocks everything over, leaving things a mess for Cook to dutifully clean up in her next chapter.  By the end, I cringed each time I started to read Halpin's chapters (fearing what damage he would do).  It wasn't cute and it wasn't interesting.  It was simply plain dumb.  Maybe Cook should write her own books instead?

And I think Emmy missed out by not going to the Rock!

The Next Full Moon, by Carolyn Turgeon

Nearly thirteen, Ava is turning into a swan.  But, while the phrase may be metaphorical for most girls, for Ava it's quite literal.  She's growing feathers and gaining the ability to transform herself into a large bird.  And even how to fly.

At the same time, she's discovering that the changes in her body that were once made her feel gangly and ugly, now give her beauty.  And where she once was awkward with others, she is gaining grace.

It's a nicely written story and pleasant, but it's hard to escape the issue that there's not much new here.  The metaphor of becoming a swan itself is a tired trope and the story (girl experiences transformation, gets together with dream boy, and reunites with long-lost mother -- sorry, it's so obvious that saying it here is hardly a spoiler) is very well-trod.  Perhaps it can be enjoyed for the beauty of the story and for the way it captures succinctly the specific moment of being on the verge of adulthood, but it seemed tame and unadventuresome to me.  As a coming-of-age story, the fantasy elements were distracting.  As a fantasy, it was underdeveloped.

Imperfect Spiral, by Debbie Levy

While babysitting five-year-old Humphrey, Danielle loses sight of him for a moment, he runs into the street, and is fatally struck by a car.  At first, Danielle cannot remember the details of the accident and is frustrated by a sense that she was responsible for Humphrey's death.  Her guilt is compounded by her inability to speak up (an issue with stage fright that predates the accident).  But when the community blames both bad traffic controls and illegal immigrants for the tragedy, she searches for the courage to speak out and set the record straight.

A muddled novel that has a hard time deciding whether it wants to be about celebrating life and grief or if it wants to be a polemical work about immigration.  In the book's blurb, the subject of immigration never comes up, but in the afterword, it is all the author can talk about.  One suspects that Levy wrote one thing and got led astray by the other (although which thing?).  Regardless, the two themes don't mesh very well and the result is the lack of a clear focus to the story that ultimately distracts from its power.

Nothing But Blue, by Lisa Jahn-Clough

A girl finds herself walking down the street with no memory of her immediate circumstances.  Someone has died and she must get away!  Voices haunt her and danger seems to lurk everywhere.  So, she lays low and tries to survive on the street, with help from random strangers and an uncannily intuitive dog.  As time passes, her memories slowly come back to her.

I really like Jahn-Clough's spare writing style.  Her other two novels are both on my very short list of perfect books.  This one is also well-written, but the story didn't work for me.  There are a couple of explanations for this.  Maybe it is because it is too predictable (memory loss stories have a pretty standard dramatic arc).  Or maybe it is because the novel's length relies solely upon having a main character who turns down rescue repeatedly (a choice that always seems to me more designed to extend the story than to serve a literary purpose).  It is, in sum, a short story stretched out into a thin novel.  It could easily have been resolved in thirty pages and maybe should have been.

This Is What Happy Looks Like, by Jennifer E Smith

Graham and Ellie met completely by accident when Graham mistyped the address of an email and reached Ellie instead of his pig sitter.  By random chance, they hit it off and traded emails back and forth.  But after months of chatting, Graham has decided to tempt fate and come to Ellie's town to meet her.  And she is in for a big surprise!

No, Graham isn't some creepy 46 year-old guy who reads YA literature in his free time.  He's actually Graham Larkin -- major teen hottie and up-and-coming young actor.  He's easy on the eyes, famous, rich, sensitive, Ellie's age, and miraculously available.  And Ellie is just a plain small town girl from Maine, so she is presumably as out of his league as the readers of this book.

But everyone is not quite who they seem.  Graham's heart of gold belies his fame and his decidedly simple small-town tastes.  And Ellie?  Well, you'll have to read the first 120 pages or so to find out what her special secret is because I'm not going to spoil that secret!

In many ways, this is over-the-top romantic teen fantasy (hot famous guy falls for normal girl).  He's famous but no one understands his true needs except her, and so he is willing to lavish all of his attention on her.  Not that the complete lack of a realistic fiber in this tale makes the story any less fun.  Who doesn't like a story about two totally nice people meeting and falling in love?  The story is adorable and you'll be happy while reading it.

But Jennifer? Check your map:  what part of Maine is located one hour south of Kennebunkport?  If that's where the town of Henley is, then it's somewhere in Massachusetts! :)

The Sin-Eater's Confession, by Ilsa J. Bick

In the midst of serving as a medic in war-torn Afghanistan, Ben recalls the events surrounding the violent death of his friend Jimmy back home in the rural town of Merit, Wisconsin.  Despite the fact that he witnessed the murder, he was unable at the time to come forward and still doesn't really know what happened.  That failure to protect Jimmy, before his death or after, drives Ben to deep despair and he struggles with the doubts it implanted in his mind.

An intense psychological exploration of guilt and personality formation.  And definitely not a cheery piece!  I wanted to hate it for its depiction of rural Wisconsin as some sort of redneck bayou country, but ultimately Bick's depiction of the town Merit was nuanced and authentic.  The stereotypes (beer, brats, and the Pack) come mostly from Ben and are not borne out by the actual actions of the characters.  In fact, the entire novel bucks convention painting a world that is full of infinite shades of gray and less full of certainty than a reader is comfortable with.  Chief among the uncertainties is Ben himself, who struggles with almost every part of his story (not least of which is what he truly felt for Jimmy).

It's an ugly book and a story I don't particularly care to read again.  Yet, it rang true and one has to admire the artistry of the author and the fine craftsmanship of the novel.

Dancing Naked, by Shelley Hrdlitschka

Sixteen and pregnant, Kia is faced with the most difficult set of decisions in her life.  And while she has the support of her family, a social worker, and a kind youth group leader at church, a lot of the weight falls on her shoulders.  Week by week, the story tracks the development of her pregnancy and Kia's adventure with the experience.

Despite some subplots about Kia's relationship with the youth leader and her work at a seniors' home, the novel sticks pretty tightly on the pregnancy.  And it stays pretty matter-of-fact.  This works mostly because pregnancy is an inherently interesting subject and because teen readers will generally relate to Kia's character (who is level-headed but definitely a bit over her head).  For many, the nature of the story provides sufficient dramatic tension.  In apparent consideration of that reaction, the story leans so hard away from drama and theatrics that it comes across more as non-fiction.

The issue that it raises for me, though, is that this isn't much of novel.  In terms of depicting the experience realistically (and thus being educational), the book deserves praise, but it's a bit cold and clinical.  We know that Kia struggles with the decisions about whether to carry the pregnancy to term and whether to give the baby away for adoption, but we really never get inside her head.  Thus, the emotional attachment to the character doesn't develops.  Perhaps the most insightful part is the book's actual title (an allusion to exposing yourself entirely to the world), but in that sense we never really get to see Kia dance naked (at best it's about as fuzzy as the book's cover).

The Paradox of Vertical Flight, by Emil Ostrovski

My Alma Mater (Vassar) has contributed a fair number of YA writers to the world (most notably Emily Jenkins/E Lockhart). Here comes a new one...

Jack is interrupted in the midst of a suicide attempt brought on by existential angst with a phone call from his ex-girlfriend, Jess.  She's about to give birth to their baby and - out of the blue - asks him to be at the hospital with her.  That reunion doesn't go so well, but Jack is so struck by the momentous idea of being a father that he decides to kidnap the baby.  A madcap road trip to take the baby to meet Jack's grandmother ensues with Jack, his best friend Tommy, and Jess and the baby in tow.

Very much the boy book, the novel is liberally littered with scatological and raucous humor, some implausible adventures and a fair amount of irresponsible and illegal behavior.  There's a fair amount of the razzing that passes for male bonding and the girl definitely gets short changed as a character.  In case you don't get it, I'm not a fan of the genre but occasionally feel obligated to read a book intended for young male readers.

But Ostrovski has other higher (and contradictory) ambitions for this novel.  Jack is a philosophy aficionado, names the baby Socrates, and engages in long imaginary discourses with the child throughout the book.  This mental masturbation is fairly dull (and I studied philosophy at Vassar just like the author!), largely irrelevant to the plot, and really far out of character.  The topics of the conversations might thrill an undergrad, but since Jack is supposedly a high schooler, it's a little hard to believe that he would have the knowledge to know these topics (even if he's a bright kid, how many high school teachers can expound intelligently on Nietsche?).  The literary conceit simply didn't work and it fills a great deal of pages (particularly towards the end).  Might have been better in an adult novel, but it hangs on awkwardly and will search hard for an audience.

Velvet, by Mary Hooper

It's the Turn of the Century and Velvet is sure that her fortunes are about to change.  She ekes out a living in London as a laundress, working long hours in back-breaking labor.  So, when one of her wealthy customers, Madame Savoya, offers her the opportunity to join her household as an assistant, she thinks her dreams have been realized and she accepts the promotion without a second thought. 

Her new mistress is a medium and Velvet is introduced the arcana of seances and spiritualist sessions.  Velvet's never given much thought to "the other side" (as Madame calls it), but she notices early on the great comfort that communicating with the deceased bring their grieving relatives.  It is only later that Velvet begins to notice suspicious events and begins to question the motives of her new employer.

Another richly documented historical novel from Hooper.  Picking up some related material from Fallen Grace, we get a thorough introduction to the Edwardian obsession with the occult and some of the unsavory practices of the era.  There is the expected attention to detail in clothing and dining, as well as a lot of information about everyday life in London.  The story is a bit predictable, but Hooper unfolds the story well and the pace is lively.  Combined with the well-developed setting, this is a satisfying read.

You Look Different in Real Life, by Jennifer Castle

Ten years ago, Justine and four other kindergartners were placed around a table and interviewed on film in what was to become Five at Six - a groundbreaking documentary about growing up.  Five years later, the filmmakers returned and produced a second installment, Five at Eleven.  Now, it's time for a third visit to the kids.  However, in the intervening five years, things have changed dramatically and the inseparable children have become sullen adolescents with hidden dramas that they no longer want to share with the world (for Justine, it is the nagging feeling that all the promise she showed at eleven has fizzled into nothing and she has become unremarkable and unworthy of the attention).  The filmmakers' initial attempts to reignite the chemistry between the kids falls flat. But then a crisis occurs that brings the five together again and helps them come to terms with what drove them apart.

What starts as an interesting premise (more on that below) turns fairly conventional as the crisis that pops up mid-book turns this potentially deep study of changing priorities in adolescence and the process of coping with fame, into a predictable kids-hit-the-big-city adventure.  At that point, the book for me becomes dull and unremarkable.  A series of challenges brings the kids back together again into a tighter bond and Justine finds her special talent.  It's all very Disneyesque.

The draw of this book for me was really the premise itself.  I'm a big fan of Michael Apted's Up series (the obvious inspiration for this story).  Last year, I had the opportunity to watch a screening of 56 Up where Nick Hitchon (who lives near me) was in the audience.  He was seeing the film for the first time and afterwards spoke about the experience with the audience.  What I learned from him was how emotionally wrenching it is to be part of the film and what difficulty the participants go through every seven years.  It made a deep impression and I was interested to learn how Castle would approach this fertile material.

In the first couple of chapters where Justine is struggling with whether she'll participate or not and where she recounts the embarassments of being in the film, I heard a great echo of what Nick had told us and thought that I was going to get a lot out of the novel.  However, apparently it wasn't enough to sustain Castle.  The shift into high gear action addresses the issue of the separation between the kids and ties up some loose ends from their past, but we never really revisit Justine's (or any of the other children's) ambivalence towards the project.  That's really a shame as it was the most unique and original part of this story.

The Moon and More, by Sarah Dessen

In her last summer before college, Emaline has a lot of decisions to make.  Living in the small coastal town of Colby, there aren't too many opportunities, but she wants to reach for anything she can.  And she's looking for encouragement wherever she can find it.

Her life has been defined by her relationship with her (adoptive) Dad and her (biological) Father.  Dad has always been there for her but not been too ambitious, while Father showed up only infrequently but pushed her to succeed.  At the same time, Father's let her down recently, bailing on her just as she almost realized her career dreams.  A similar tension develops when Emaline meets ambitious Theo, in town to help on a documentary about a local artist-celebrity, and she chooses him over her long-term safe boyfriend Luke. 

It's a summer beach story with a complicated storyline:  Emaline sorts out these complicated relationships she has with men and tries to figure out how to realize her dreams.

Sarah Dessen is a fantastic writer, with a major talent for expressing emotion and turning beautiful prose out in (increasing-longer) novels.  She also creates complicated and realistic young women on the cusp of adulthood like no one else in the literary world today.  No one should doubt her talent.  But, while Suzanne Collins can decimate a population and overthrow entire regimes in 400 pages, Sarah Dessen can barely get her heroine around the block of a small coastal Carolina town in the same space.  To say that barely anything really happens in the story might be overstating things (lots of stuff happens between chapters), but Dessen hates writing action sequences.  She would rather do all her action in recap and kill forests of trees in service to dialogue and emotional responses to the (off-screen) action.  That isn't all bad (and the focus on emotion is a trademark - and stereotype - of chick lit), but is seems a bit of a cop out when you're reading a 440 page book.

Emaline is an amazingly well-developed character.  Perfect for a sleepover and maybe a new BFF, but she doesn't really do very much in this story.  And, like so many other Dessen heroines, she's terribly autonomous and isolated.  That's all to be expected, but most of the time, it's interesting.  Here, I feel like I've read this character before and seen better.  In sum, it's another Dessen installment, but not one of the best of the lot.

Taken, by Edward Bloor

It's twenty years in the future and the world is socially and geographically segregated much more clearly into rich and poor.  The poor struggle to survive, have poor access to healthcare or education, and generally live in shantytowns.  If they are lucky, they have landed jobs as service workers for the rich or have joined the military.  The rich live in gated communities, surrounding themselves with armed guards, and lie in constant fear of kidnappers.  Kidnapping has become big business and every child from the wealthy families is a target.

Charity certainly knows about the kidnappings.  From a few friends who have been nabbed to the training she received in school (she even wrote a paper about it in school!), she understands what to do if you are taken away if you want to stay alive.  So, when she wakes to find herself strapped down to a stretcher on an ambulance far away from safety, she calmly accepts that she has been taken.  Now, it is a simple matter of waiting for things to take their usual course (a ransom will be paid and she will be let go).  However, when things don't go according to plan, Charity realizes that it could all end up badly.

This one's a bit darker than Bloor's other novels (which compared to Story Time is really saying something!).  While mildly satirical, Bloor aims here for overt social critique.  With a pretty heavy hand, he speaks to inequality, racism, and the arrogance of the haves towards the have nots.  The result is fairly preachy and a bit hard to digest (mixing reality and outlandish fantasy in a way that probably disengages readers more than agitating them).  The aim is probably to reach an adolescent audience, but the message is not just loud, it's also muddled.  Given the polemic, characterizations suffer too, so this isn't such a successful outing.

37 Things I Love, by Kekla Magoon

Two years ago, Ellis's father was injured on the job and fell into a coma.  He's never woken up.  Every day, when Ellis isn't visiting him to vent her life's frustrations, she's fighting with her mother about whether they should turn off his life support.  Mom believes it is time to let go, but Ellis can't accept that and she fights bitterly to keep the machines going.  In thirty-seven brief chapters, Ellis tells us about the things she loves and simultaneously about the last week of her sophomore year, when everything changes and she has to confront the decisions she has made and to reevaluate her friendships and loyalties.

A brief, but ultimately satisfying story about relationships and letting go.  Magoon focuses her attentions on her heroine and gives us a well-developed emotional landscape, but one where everything (and everyone) else is incidental.  Ellis herself is engaging and interesting enough to get the reader hooked. However, given the brevity of the story, it is inevitable that the other characters get shortchanged.  From the friends and family to a host of throwaway supporting characters (the neighbor, the counselor, etc.), there is really only space for Ellis here. This works well in this case and the novel is successful in its modest ambitions.

Princess Academy: Palace of Stone, by Shannon Hale

In this long-overdue sequel to Princess Academy, Miri and the girls of Mount Eskel have come to the capital Asland to help their Britta prepare for her wedding to Prince Stephan.  It's exciting for Miri to finally see the city that they have only heard about before.  Everything is so much grader than they have ever seen before!  But their arrival comes at an inopportune moment.  Unrest is afoot and a revolution is beginning to stir.  On their first day, an assassination attempt on the king is barely averted before their eyes.

The unrest is directed at the rulers, but Mount Eskel itself is in a precarious position.  As Mount Eskel's delegate Katar explains to Miri, it is critical that they (as the newest members of the kingdom) position themselves well, regardless of the outcome.  To that end, she entrusts Miri with the task of finding the rebellion and ingratiating herself with its leaders (dangerous and tricky when one of your own is about to marry the King's son!).  Through what seems like luck, Miri succeeds in the task when she befriends a young idealistic student named Timon.  But Miri gets more than she wished for.  At first, Miri is personally very taken by the goals of justice and equality for which the revolutionaries are fighting.  She finds herself drawn to Timon and even begins to question her attachment to her simple boyfriend Peder from home.  But as the situation grows dark and dangerous, Miri discovers that she is trapped in her new subversive role.  And being a revolutionary means not only plotting against the King, but also betraying her friends and homeland.  As the masses start to rise up, Miri finds that she must tread carefully through a series of difficult decisions to stay alive and protect her home.

It's all a bit darker than the original story.  Hale has drawn a great deal from the history of the French Revolution to show how dangerous uprisings are and how easy it is to get caught in the crossfire.  The novel itself is an engrossing tale of politics, intrigue, and loyalty.  In her usual style, the grownups are generally helpless and stubborn, so it falls on the adolescents to rise to the occasion and save the land.  That is convenient for the story, but it also provides a pleasing dramatic arc as Miri fully comes into her own.

This is truly a magical work which expands the potential of YA fantasy literature!

Story Time, by Edward Bloor

When Kate and her uncle George (who is two years younger than her) find out that they have been accepted into the Whittaker Magnet School, they have opposite reactions.  George is excited.  It is just the sort of environment where he can finally spread his wings and excel.  He's managed to score the highest score on the school's entrance exam ever.  And the school's focus on standardized testing plays to his strengths.  Kate, on the other hand, is no genius and the change of schools will prevent her from auditioning for Peter Pan this year.  Kate's mother languishes in depression, while her grandparents (George's parents) are lost in their floor-shattering clogging practices.

Regardless of initial impressions, the school itself proves to be a nightmare.  It teaches quite literally to the test, subjecting its students to continual bubble-filling, brain-enhancing drinks, and rote memorization (and phonics!) for the younger kids.  The school is a conglomeration of everything that is wrong in modern schooling.  And all of this before accounting for the demon that is possessing people on the school grounds or the disastrous visit from the First Lady of the United States!

A bit long and not nearly as funny as Tangerine, Bloor still has a good time making bitter fun of the American education system.  Younger readers may find the chaos to be great fun in itself, but even middle readers will recognize the satire.  Taken seriously, the book (with numerous serious injuries and sundry dead bodies) is grotesque, but it works wonderfully if you don't get too literal with any of it.  Unfortunately, that is where the problem of length sets in.   Being a satire, we don't have any attachment to the characters.  Instead, the story rests on humor.  The wit gets a bit tired after the first 200 pages.  By the 400th page, we're more than ready for it to wrap up!