Shooting Stars, by Alison Rushby

Jo is a professional photographer and, at 16, the youngest paparazzo on the circuit. Her age and diminutive size makes her an expert at getting into places (and getting the shots) that no one else can.  Still, even she is surprised when she is offered a big contract to sneak into a treatment facility for troubled teens and land some snapshots of heartthrob Ned Hartnett (a guy that Jo herself has serious hots for).  At first, she thinks her reluctance to take the pictures is caused by an ethical dilemma, but she comes to realize that the cause of her anxiety is much more complex.

The story is a bit silly, with whole bunches of improbabilities and illogical plot twists.  Who would really give a teen the type of money (and responsibility) described here?  How would you sneak in to an exclusive mental facility for teenagers as a patient?  My own personal favorite -- given what I do for a living -- is the kids' alleged red-eye flight westward from Logan to LAX! 

You know you're in trouble when most of the reviews for this book exclaim about how "cute" it is.  Let's just say that the plot wasn't really meant to make sense.  Nor, for that matter, were the characters.  Jo is an OK heroine.  Her ethical quandary seems a bit exaggerated (given her chosen profession) and is repeated so often that it grows tiresome, but she's fun when she's on the hunt.  And that sums up a lot of the characters -- there's not much depth and when they start baring their souls, I found it hard to really care.  They certainly couldn't be taken seriously.

Small Damages, by Beth Kephart

When Kenzie finds she is pregnant, her mother immediately assumes that they will simply "fix the problem." Her boyfriend is not much better:  he's heading to Yale in the Fall and can't be bothered with a child.  And neither he nor her mother can understand why Kenzie wants to carry the baby to term.  But upon learning Kenzie's intent, her mother decides that the best thing to do is to send Kenzie away to Spain, where Kenzie can have the baby and give it up for adoption to some old friends of Mom's.

And so, Kenzie finds herself in a small town in sun-drenched Spain, working as an assistant to a cook named Estela -- a woman with a past and regrets of her own.  And, as the baby comes to term, Kenzie deals with her anger at being sent away and with her search for the meaning of "family."

It's a very lyrical book with beautiful language and is simultaneously surprisingly brisk to read.  Readers who enjoy poetry and verse books will delight in Kephart's prose.  That said, the style is also opaque and hard to follow (and, at times, a bit too precious).  I personally would have preferred a clearer and more direct style (it can get exhausting to read pretty prose!).  And while the story certainly evoked a mood, it all seemed a bit dull.

Every Day, by David Levithan

Imagine a life where every day of your life you were a different person.  Some days a boy, some days a girl -- large, small, popular, outcast, gay, straight, transgendered, asexual.  You change so often that you don't even know who you are...yet you do because you remember who you were before.  It could be terrifying or lonely, but to survive it, you must become very self-aware, because (ironically) you lack a unique physical body.

It's hard enough to get by with the confusion of changing every day, but what happens when you fall in love?  How can you maintain a relationship when every day you change?

It's a fascinating concept that allows Levithan to explore (at first subtly and later - when he grows bored with subtle - with a sledgehammer) the concept of identity.  The romance nicely complicates things, but even without the issues of an interpersonal relationship, the book raises many interesting questions about the importance we place on appearance in defining who we are.  Thus, one of the most fascinating parts of the book is the beginning of each day, as our hero wakes up in a new body and we share his/her first impressions.  That initial first paragraph neatly sums up how the rest of the day will go.

Levithan the writer doesn't usually do much for me.  The writing is fine, but I don't like being preached to.  He's created some of the best LGBT literature, but he can get didactic (and even bigoted) at times.  I found particularly disturbing the chapter about the day as an overweight kid.  The character's unconcealed distaste mostly shows that Levithan himself believes that physical appearance matters as much as his hero says that it shouldn't.

Perfect Escape, by Jennifer Brown

The return home of Kendra's brother from the hospital ought to be a happy moment, but for her it's a source of stress.  Grayson suffers from OCD and his rituals drive her crazy, let alone his full-scale freak-outs when things get really bad.  She loves him, but Kendra resents the way that everything in their family revolves around Grayson's illness.  But moreover, Kendra doesn't need anything more to stress her out right now:  her efforts to maintain a perfect world for herself are coming brilliantly unhinged.  Now, on the verge of being suspended from school, she has a freak out of her own and kidnaps her brother on a road trip to California.  It's a crazy trip that only a perfectionist and her anxious compulsive brother could have.

It's Rain Man for the YA crowd, but with more pathos and grit.  As a story, it's fairly typical road trip stuff (some misadventures, the mandatory side trip, and a wind-down at the end), but the characters make it come alive. I found Kendra to be a bit of a pill -- the idea that she ever thought the idea of fleeing across the country was a good one defies belief, so that when she later on comes to "realize" her mistake, I cringed.  But beyond the sheer implausibility of her character, I liked the rest of it.  Grayson is an interesting character by himself (far more self-aware and assertive than we usually presume of the mentally-ill) and the rapport that he has with his sister is authentic and enticing.

My Life Next Door, by Huntley Fitzpatrick

Ever since the Garretts moved in next door, Samantha has been fascinated with them.  They are the polar opposite of her own family:  anarchic, disordered, loud, and chaotic.  While Sam's mother kept a tight lid on Sam and her sister and everything had its place, Mrs Garrett and her noisy brood of eight children seemed to run wild.  Now that Sam is older, her interest has become focused on Jase, one of the older Garrett boys and nearly the same age as her.  Of course, a romance blooms, but with Sam's mother's open disapproval of the family, Sam finds herself hiding the relationship from her family.

That would have made a nice and unremarkable romantic storyline (boy and girl from opposite families find love and overcome the objections of their families), but Fitzpatrick kicks the story up a notch with an out-of-nowhere plot twist that raises the stakes dramatically.  By the end, Sam has to make some difficult decisions about where her loyalties lie and what really matters.  This last-minute twist adds some intensity but doesn't really add to the story in the end, becoming a distraction from the conclusion towards which we were heading anyways.

The meandering and unfortunate plot detour aside, I enjoyed the characters.  Jase and Sam had authentic voices (emotional, but not dumb) and were generally sympathetic.  I found them a bit precocious in their ability to maneuver amidst the Garrett larvae (I'd believe that Jase would have that talent -- having grown up with them -- but Sam comes out and says that she has little-to-no experience with smalls, so the adeptness with which she handles Jase's younger siblings defies belief), but it's cute that they do have these skills.  And the interactions with the littler kids add humor and pathos to the story.  As for the adults, they have flaws but come through in the end in a way that fulfills the YA lit need for kids to be on top, but without sacrificing the reality that grownups are not without problem solving skills of their own.

Jumping the Scratch, by Sarah Weeks

After Jamie's aunt suffers an industrial accident that damages her short-term memory (essentially, preventing her from remembering anything that has happened since the accident), Jamie and his mother move in to take care of her.  This happens at around the same time that Jamie's cat dies and his father leaves them, so Jamie has gone through a lot and he is is very lonely.

Despite that, Jamie resists the attempts of a girl in his neighborhood to befriend him.  She's a bit strange and insists that she can hypnotize him.  While an odd statement, Jamie is curious:  could hypnosis help his aunt regain her memory? Secretly, he is actually hoping that her tricks might help him forget an even worse thing which has happened to him.

The story (and how it ends) is never really in doubt and most readers will have figured it out long before it ends.  However, that doesn't detract from a story that is fun and sweet.  The characters are memorable and Weeks keeps the story short and spare.  The gentleness makes the story suitable for younger readers, but it is far from childish and older readers will enjoy it as well.

Monument 14, by Emmy Laybourne

On their way to school one normal day, the Apocalypse dawns.  It starts as violent hail and expands to earthquakes.  A chemical weapons accident kills some and turns others into homicidal maniacs.  In the midst of this chaos, fourteen children find themselves secured (imprisoned, in fact) inside a superstore.  They have food and supplies to last them for months, but no adults to help them, and little idea of how they will survive.

With obvious tribute to Lord of the Flies, the twists and turns of this surprising and entertaining book keep up a high level of energy.  There are numerous implausibilities (most notably the premise of the particular Armageddon proposed by the story), but the characters are interesting and distinct enough to follow.  Unfortunately, the central figure Dean is actually the least interesting of the bunch.  But the others have merit and with so many characters, the reader never gets stuck with any one of them for very long.  I did not care for the ending (which was rushed and more of a last-minute attempt to generate a cliff-hanger for the sequel), but the story had a lot going for it.  Once Laybourne gets this series out of her system (I try to avoid series books like the plague that they are!), I look forward to reading her future work.

Take A Bow, by Elizabeth Eulberg

Talented kids enter the High School for the (Creative and) Performing Arts in New York City.  Each one is slightly different and over the course of their four years in school, they love and live and discover the important truths that will help them succeed in life.  Yes, if you're my age, you saw the movie version of this.  If you're a bit younger, you might remember the TV series.  But if you're a teen now, you have this book (one of the great joys of YA is that there is no institutional memory so even a seminal film like Fame can be forgotten).

In this take on the story, we focus on the kids' final year and have only four characters:  driven but obnoxious Sophie who is going to succeed whatever the costs; sweet talented Emme who sits in Sophie's shadow;  Carter, the child actor superstar who is fleeing his fame to have a "normal" life in high school; and Ethan, the dark brooding bad boy with issues but a soft spot for Emme.  Very quickly, Sophie establishes herself as an evil bitch and the reader spends the rest of the book just waiting for justice to lower an axe on her.  Famous boy Carter doesn't really have any issues that can't be resolved with some conversation.  So, that leaves us with the starcrossed lovers of Emme and Ethan.  By the last fifty pages, every character in the book (along with the readers) are basically shouting at the pair to just get over it and shag each other!  In sum, not much of a plot, but it keeps moving and is oddly enticing enough to make you want to finish.

There are some nice stylistic twists (Carter always speaks in script, as a way of hitting us over the head with a clue-by-four that he sees his entire life as a performance) and Sophie is consistently loathsome, making it easy for us to hate her.  This isn't a book that makes you think.  Just some good escape literature.


[Full disclosure:  I received a free review copy of this book from Scholastic/Point and will be donating my copy to our local public library after I have finished with it]

Zombies vs Unicorns, eds Justine Larbalestier and Holly Black

Definitely one of the more unique anthologies (with one of the more catchier recent titles to boot!).  This is a collection of short stories devoted to either zombies or unicorns.  Ostensibly, the purpose is to allow Larbalestier and Black to debate which creature makes a better protagonist.  To prove their point, they've enlisted the help of some high-power YA talent, including Meg Cabot, Libba Bray, Kathleen Duey, Garth Nix, Scott Westerfeld, and Maureen Johnson.

The stories range widely, but most of them are quite dark, which means that the zombie stories generally come across better.  Modern YA writers are apparently more comfortable with brain-eating zombies than with unicorns.  The best zombie stories in this case came from Carrie Ryan (a complex story of a Carribean island's attempt to survive), Alaya Dawn Johnson (a homo-erotic view of the undead), and Libba Bray (imagining prom night amongst the survivors).  Most of the unicorn authors re-imagined unicorns as mean and nasty, and most of the stories dragged a bit.  The notable exceptions were Meg Cabot's satire (despite its gratuitous mention of the SCA) in which a rainbow-farting unicorn rights all wrongs at a birthday party and Kathleen Duey's melancholy look at the perils of immortality.  While mentioned, the obvious subject of virginity doesn't feature as much as one would expect.

Most of all, I was disappointed that there was no story with zombies taking on unicorns directly (which I assumed from the title and the cover was the original intent).  I was hoping to see whose powers were stronger:  flesh-rotting zombies or health-restoring unicorns?  Now that would have been a cool story!

It's Our Prom (So Deal With It), by Julie Anne Peters

Azure has always considered proms to be totally bogus.  You have to be outrageously rich (and straight) to go to them, so only the super popular kids bother to show up.  When the principal asks her to form an alternative prom, by serving on the prom committee, she signs on with reluctance.  The opportunity to actually make something different is simply too enticing.

Needing help, she enlists her friend Luke.  He's busy staging a musical drama based on his coming out story ("Closets are for Mothballs"), which is slated to premier days before the prom.  Luke and Azure take turns (in alternating chapters) telling of their struggle to take control of the conventions of proms and make theirs more inclusive.

The story is a bit convoluted (and far more than just a story of staging an unconventional prom and play).  There's a love triangle of sorts, some familial struggle with sexual identity, a little school politics, and a very silly conclusion.  The book has got heart and Peters has certainly made another stride into the territory of books about LGBT characters who are incidental (rather than having the story be solely about their identity).  However, this particular story is so random and unstructured, and the ending so completely silly (and half-baked) that the book never came together for me.  The characters, including Azure and Luke, are underdeveloped and two-dimensional.  And there's not much point to the story beyond imagining how much fun kids could have at a prom that featured poetry slams and drag queens.

Prairie Evers, by Ellen Airgood

In her first year living in New Paltz (that's Hudson Valley area, for the uninitiated), Carolina-native Prairie has a lot of adjustments to make:  from managing without her grandmother (who's decided to return back to North Carolina shortly after they all move up) to going to school (after years of being homeschooled).  In that first year of changes, there are also plenty of totally new things, ranging from learning how to raise chickens to having her first real best friend.  There are even a few challenges both minor (some poultry trouble at school) and major (her friend Ivy dealing with a difficult home situation).  The book recounts these events.

When I asked the girl who introduced me to this book what it was about, she gave me a blank look.  I now understand why:  it's not really about anything.  There's plenty of activity, but no real plot beyond "this is how I survived my first year up north without my Grammy!" More problematic than the lack of a storyline is the lack of development in the characters.  It's a pleasant enough story, but rather dull.

The Girl in the Park, by Mariah Fredericks

Once upon a time, Rain and Wendy were best friends.  Wendy was the brash and fearless one who always urged the shy and more restrained Rain to seize the day ("go for it, tigress!").  Rain never could quite manage it, but after Wendy is killed in a brutal assault in Central Park, Rain wants to figure out why it happened and she launches her own private investigation.

There are plenty of suspects (being brash and fearless can earn you plenty of enemies!) and early evidence points to the bad boy at school with whom Wendy had a fling.  But as Rain digs deeper, she discovers some dark secrets about her school, her friends, and herself.

It's a nicely-paced whodunnit, with a bright and interesting girl solving the murder.  I found myself a few pages ahead of the characters in figuring the whole thing out, but that is mostly because the story follows the predictable conventions of a classic mystery novel (i.e., just think of who's getting a lot of attention in the story but is not a current suspect).  However, while the story follows conventions, I enjoyed Rain's intelligent insights on her peers, as well as her weaknesses (mostly adolescent insecurity) that made her a bit more vulnerable than Miss Marple.

The True Confessions of Charlotte Doyle, by Avi

Scholastic has just re-released this with a new cover and a cheap price, and sent me a reviewer's copy to read...

Charlotte Doyle is looking forward to her trip across the Atlantic aboard the Seahawk.  But when the families with whom she is supposed to be traveling fail to appear, and members of the crew attempt to discourage her from showing up, she regrets the decision.  But already out at sea, it is too late!

Between storms, stowaways, and seasickness, Charlotte has a lot with which to deal.  However, it gets worse: the crew is mutinous and the captain is unhinged and cruel.  Before long, young innocent Charlotte finds herself thrust into the middle of plots and counterplots, and ends up accused of murder!

It's a vivid and exciting adventure on the high seas and a modern classic tale that has won its fair share of accolades and prizes.  It works, I think, because it is a good adventure with plenty of action, but features a girl, so draws in the girls as well as the boys.  There's great technical detail, so fans of naval adventures have plenty to bite into.  And it works on a human level as Charlotte has a heart and a strong moral core to make her an excellent heroine.  It's not much of a book for a moral or lesson, but you don't read books like this to learn about human nature.  Unfortunately, you do read books like this to be subjected to twenty course lesson plans in language arts classes (!), so if you are a grown up, enjoy the book as a free person!

Lucky for Good, by Susan Patron

Yet more about the inhabitants of Hard Pan in this final installment of Susan Patron's Lucky trilogy.  This time, the story centers around Brigitte's need to bring her cafe up to code, Miles's reunion with her mother (and adapting to having a mother again), and Lucky learning more about her family and coming to terms with her father's decision to abandon her.  As in the other two novels, the style remains plain enough for younger readers, but honest enough to resonate with grownups.

At times, the unstructured format of the story makes it hard to follow and there is a frustrating way for seemingly important threads to become neglected, but the overall flavor is so unique and charming that it is easy to overlook the flaws.  Even the folksy lifestyle of Hard Pan is applied lightly -- just enough to be enjoyable, providing us with a great collection of memorable characters, without becoming cloying or condescending.

Lyddie, by Katherine Paterson

In the 1840s in Vermont, Lyddie Worthen and her brother struggle to survive on their own.  Their father has gone West years ago and mother has fallen under the sway of an End Times preacher and given up on living.  When the family's debts reach the point that they can no longer keep the farm, the two children are sent to work:  Lyddie's brother to the mill and Lyddie herself to be a housekeeper.  Lyddie works hard but can't earn enough money to make any headway on repaying the debts.  So, when she learns of better opportunities in Lowell MA, working in the wool mills, she decides to strike out to seek her fortune.  It's back-breaking work, but Lyddie welcomes the opportunity to change her life.

Less outstanding for the writing than the extraordinary story it tells, Lyddie is a well-researched historical novel that will give you pause to reflect on how hard life can really be and how we rise to the challenges that we must face. Its lessons about perseverance have a timeless classic quality to them that often lands the book on summer reading lists.  Lyddie's life is harsh, but she accepts it with a level of grace and determination that make her a very inspiring heroine.

Incarnate, by Jodi Meadows

For as long as people in the Range have known, everyone is reincarnated when they die and the number of souls (and bodies) has been remained static.  Everyone, that is, except for Ana.  She's a "new soul" (or, as her mother tells her frequently, a "non soul") and not reincarnated at all.  She is, her mother says, a mistake.

But Ana is not convinced that she is as bad as Mom claims.  And after eighteen years of abuse at her mother's hands, Ana is ready to strike out on her own.  Ana's convinced that the answer lies in Heart, the capital city.  There, she hopes to get some answers about her origins and find out why she is the only one who is not reincarnated from a previous life.  On her way to Heart, she befriends a musician named Sam who becomes her guardian, mentor, and object of affection (although not quite her lover).  Acid-spitting dragons, wraith-like beasts called "sylphs," and Ana's meddlesome and evil mother fight her along the way.

It's an interesting setting and premise, but the story itself is a bit too leaden with adolescent rebellion. Ana's evil sadistic mother is more fantasy than the dragons and the wraiths, and a bit too much attention is spent on her.  I get the appeal to young readers, but the lengths to which Mom goes to get between Ana and Sam are ludicrous and some of the weakest parts of the story.

On a whole, the story starts off strong, but loses focus midway (about the time that Ana and Sam reach the city).  At first, we have the interesting thread of how (after years of emotional abuse) Ana has trouble trusting Sam.  But once the dragons show up, it starts getting weird, and the emotional growth is displaced by shooting and killing.  With a multitude of loose ends, I became painfully aware by the end that there must be a sequel to come (sure enough, due out in January 2013!).

Second Chance Summer, by Morgan Matson

Taylor has always run away when things got tough.  Five years ago, she ran away from Lake Phoenix, from her best friend Lucy, and from her first boyfriend Henry. And she never planned to come back.  But when her father is diagnosed with stage four pancreatic cancer, he insists that the family to return to their old summer home on the Lake for one last summer together.  How are you going to argue with that?

And so, Taylor has to return and face Lucy and Henry again.  The return is difficult and her abandonment is not easily forgiven.  She expected that, but what surprises her is how it rekindles old feelings and makes her reconsider not just the decisions of her past but how her fear continues to control her life.  Her romantic feelings for Henry return and her longing to have Lucy back in her life points out the terrible costs of her tendency to run away.  Eventual forgiveness shows that second chances are actually possible.  The slow decline of her father, meanwhile, places some perspective on all this and how sometimes even a second chance is not enough.

Obviously, the ingredients here are guaranteed to be upsetting.  Between the nostalgia, the longing for lost friendships, and a dying parent, there had better be a Kleenex box nearby when you read this book! And since I do like a book that makes me cry, I'm going to like this one.  However, there are other things going for the book:  Taylor's emotions (and her fears, in particular) are very honest and striking.  The other characters have depth as well.  In a lengthy novel like this, we really get an opportunity to get under the skin of them all and it is an enlightening journey.  (The setting is beautiful, although I'm growing disturbed at the unusual socioeconomic status of the families depicted in these books!  Where do middle class people who can't afford summer homes go to have an amazing summer of memories?).

Still, the storytelling has some rough spots.  Matson has problems pacing the story, clustering events in spots and then having to skip past "a few weeks" or so until events get interesting.  It's understandable, but one wonders if she couldn't have planned the story a bit better to have a less jumpy chronology.  Also, dealing with lost romance and dying father may be too much for one novel.  Surprisingly, it actually works, but for the first half of the book, I felt like there were really two different stories going on.

Breaking Beautiful, by Jennifer Shaw Wolf

After the accident, Allie can't remember the details of what happened to her and her boyfriend Trip.  She doesn't know how she got her injuries (although she thinks she got thrown out of the truck) or why the truck went over the guardrail and into the ocean (taking Trip with it).  And while she wants to believe what the police are telling her -- that it was an accident -- she isn't sure.  Something about it doesn't seem right.

As she tries to remember what happened and also tries to rebuild her life, she discovers that the people in her small town aren't exactly sure about her either.  Gossip leads to accusations and Allie's troubled friend Blake becomes a suspect in a murder investigation.  If only Allie could remember what really happened!

The story begins with a promising start, but it gets dragged out.  Allie has a lot of trouble coming to terms with the abusive nature of her former relationship with Trip.  Survivor's guilt and general denial seems realistic enough and some struggling from Allie adds to the drama of the story.  But at some point, her refusal to seek help (or even tell the truth) becomes just plain annoying and implausible -- and more of an excuse to drag out the story than to explore the psychic damage of abuse or the recovery process from it.  And the ending of the book itself is a mess as Wolf strives for maximum melodrama in resolving the story.

The Unwritten Rule, by Elizabeth Scott

The unwritten rule is that you shouldn't fall in love with your best friend's boyfriend, but what if you loved him first?  And what if your best friend wasn't really acting like they should either?  Lusting about Ryan ought to be a non-starter for Sarah since Brianna is dating him, but Sarah can't help herself.  She also can't help but notice how poorly Brianna treats him (not that that would justify her desires, but it bothers her nonetheless!).  What she doesn't do as good a job of noticing is that Brianna doesn't exactly treat her that well either.

On its face, the love triangle ought to be a pretty tired genre, but Scott livens up the story by introducing a mild sense of evil (in the form of Brianna).  This is not done simply to make Sarah's betrayal of her BFF acceptable to the reader, but rather to add another dimension to it.

The story is also given legs by the way that Scott breathes real life into her characters.  Sarah is often wiser and more articulate than her years, but this gives her a chance to send the reader on a guided tour of the dysfunctions of her peers and their parents (Brianna's mother is a particularly formidible character).  So, while the action of the story doesn't surprise, the interactions of the characters do tread new ground -- particularly the complicated relationship between Sarah and Brianna.

The Diviners, by Libba Bray

It is the Roaring Twenties and Evie is a totally modern gal, which is why live in boring Ohio is unbearable.  And why being sent to New York City to live with her uncle is a dream come true.  New York is the city where it's at -- gin joints, hopping jazz, fashionable people -- just the place for a gal who wants to have some fun!

However, New York is also full of strange and evil things.  A murderer is loose in the city and engaged in a series of ritual murders.  Evie's uncle, an expert on the occult, has been consulting for the police and very quickly Evie herself gets drawn into the investigation.  Teamed up with a series of paranormally-enhanced and gin-addled friends, they are on the hunt.  The question is whether they can stop the killer before he manages to end the world.

It's Libba Bray's typical collection of crazy and wild ideas, which combine supernatural thriller with pulp fiction detective novel.  Bray has infused the story with a lot of detail, but there's no escaping the sheer corniness of the setting, which is part Ghostbusters and part Dick Tracy.  Either way, this extremely long tome (578 pages, you chumps!) is more cinema than literature -- light and airy, and largely insubstantial.  Obviously, since I read the whole thing, I can't have felt like it sucked, but it lacked the fun of Beauty Queens and ultimately seemed pretty silly.  And the last forty pages of the book existed merely to pave the way for an unnecessary sequel, while avoiding any sort of closure.

What Can(t) Wait, by Ashley Hope Perez

In the barrio of Houston, Marisa dreams of making something of herself.  It isn't easy.  She's good at math, bright and intelligent, and has supportive teachers, but between the need to work to help her family and their other demands, there frequently isn't enough time left to study or even attend school.  No member of her family shares her love for education and some of them (like her father) are downright hostile to her bookishness.  That would be enough or a challenge, but Marisa complicates things by occasionally messing up (especially with guys).  Still, she has a lot of drive and determination, and with some help from unexpected sources she just might make it.

It's a familiar story (Real Women Have Curves, anyone?), but a good one.  And told in this unvarnished and authentic fashion (with enough R-rated material to get the book-banners salivating), the novel has a lot of appeal.  It's gritty and sounds right (and not just because of the frequent use of Spanglish). 

It's the character of Marisa herself that carries this story.  If she had just been this virtuous hard-working young woman pursuing the American Dream, I would have gotten bored pretty quickly, but Perez gets extra points for allowing her to be flawed.  You want her to succeed so very badly that when she screws up, it breaks your heart.  But Perez doesn't milk it.  For every mistake, Marisa dusts herself off and jumps right back into things.  So, yes, she's tough, but she's got a lot of heart (and a thin skin on the things that matter to her) so she's also very endearing.  I rooted for her from the start and stuck with her to the end -- and I think it paid off quite well.

Being a product of a nice anglo suburb, I don't tend to have much interest in urban culture (or stories placed in such settings), but a great heroine transcends their environment and anyone can enjoy this book.  If urban latinas find something special to like in the book, so much the better, but white guys will like it too.

Alice on Board, by Phyllis Reynolds Naylor

Now that the girls have graduated from High School, Alice is realizing that they will soon part and go off in different directions.  But for one more summer, they will be together, working on a cruise ship in the Chesapeake Bay.  It's hard work, but Alice gets to see a lot of scenery and they have some adventures.  Pamela is dealing with her needy mother, Gwen is trying out a new romance, and Alice herself is mostly fretting over Patrick and whether she is being too clingy.

It's another installment in Naylor's long-running series.  Alice's adventures aren't quite as cute as before and the books tend to read like serial installments, rather than as themed books, but Alice remains an interesting young woman (if, for no other reason, than there's been so much written about her).  Naylor is not quite in touch with the technology that is the foundation of adolescence (confusing Facebook with some sort of chat room or Craigslist) anymore and her writing style seems more grandmotherly, but this gives the books an innocent charm that make them popular with younger readers.  This particular installment is a bit more action-packed than some of the previous ones, but notably thinner on emotions, feelings, and getting inside Alice's head.

In many ways, this is probably my greatest reservation about the series.  Having tracked every little bit of Alice's life for 12+ years, we have a wonderful opportunity to explore why she feels like she does.  Occasionally, Alice lets down her guard and Naylor explores an idea briefly (in this example, there's a tease where Alice wonders if her clingy feelings are somehow tied to losing her mother when she was little), but the ideas are dropped just as quickly as they appear.  That makes the books overall superficial and frustrating.  Sure, we know when she got her first bra, had her first period, and lost her virginity, but not that much about her anxieties and her dreams.  A person's made up of more than anecdotes and milestones.

[Note:  This was supposed to be the very last book in the series, but apparently Naylor decided that she needed to do another one, so look forward to Always Alice, sometime in 2013.]

Want To Go Private? by Sarah Darer Littman

Abby's having a hard time adjusting to High School.  She's shy and awkward, the school is big, the teachers different, and her best friend is distracted by different classes, extracurriculars, and a new boyfriend.  Abby's got a boy in school that she's crushing on too, but he isn't the focus of her life.  The focus of her life is Luke, a guy she's met online.  She knows all about stranger danger and how you shouldn't talk with people you don't know on the Internet, but Luke is different.  He's kind and caring and supports her all the time.  And as Abby struggles with her friends and family, she really needs Luke.  So, when Luke suggests that they meet, she decides to go for it.  The rest of the book deals with the consequences of that terrible mistake.

I have mixed feelings about this one.  Littman is tackling an important subject but she knows it.  The story is liberally littered with adults telling the reader about sexual predators online and how they "groom" their victims.  Lots of action in the story is really thinly-veiled advice about what to do (and not do) in situations like this.  The result is a pedantic story that terrorizes the reader as much as it enlightens them. I don't like books that preach, especially about something this obvious.  Want to help kids avoid sexual predators?  Show how those predators work.  But scaring them with graphic and nasty scenes?  With stories of how they will be subject to not only mortal danger, but (gasp!) the derision of their peers?  Why?  It seemed more like scare tactics and felt like exploitation.

Given the mission, the characters are largely secondary to the message.  The kids have endearing qualities, but I didn't really feel that I got to know them (and the adults are throwaway).  Most shockingly, I never really understood why Abby went with the guy.  We gets lots of repetition of the word "grooming process" as an explanation but its depiction in the book is shockingly sparse.  Rather than show the gradual process through which the predator insinuated himself into her trust, we jump roughly ahead a few months to later scenes where the guy has already trained her to disrobe on command.  As a result, we're left mystified as to why she would do this.  For the mission of the book and the understanding of the young readers to whom it is targeted, it would have made more sense to show that development process (and maybe lowered the explicitness of the yucky stuff).

Bitterblue, by Kristin Cashore

Not so much the latest installment of a trilogy as much as a parallel sequel to Graceling (taking a minor side-story and expanding it), this is ostensibly the story of how King Leck's daughter Bitterblue helped her kingdom come to terms with his murderous legacy.  Her efforts are complicated by the terror she still feels towards her father and a growing sense that her advisers are resistant to reforms.  Overcoming those fears becomes Bitterblue's own shining contribution.

The book is a bit longer and thematically more complex than the other books in the series.  Cashore is great with details and telling a complicated story.  This is a good thing since she has chosen two difficult tasks (to depict a very lively political scene and to dig in to the concept of terror and the way that one recovers from its trauma).  She's not always successful in keeping up a good pace to the story and the middle of the book starts to drag a bit with navel gazing peer counseling and a number of subplots that even Bitterblue's surly archivist writes off as "of questionable relevance."  The conclusion is also painfully drawn out, sending us through nearly 100 pages of tying up loose ends.  Still, one can be indulgent over the dull sections as the work overall is a magnificent and complex achievement that continues to develop the world of its two predecessors.

Bittersweet, by Sarah Ockler

Three years ago, Hudson was on her way to a professional career in figure skating.  And then she threw her skating competition.  Her teammates thought that she had just choked from the pressure, but the truth was that she and her mother had just found out that her Dad (her all-round biggest fan) was cheating on them.  And, in that moment on the rink, she realized that she wanted nothing more to do with him.  Since skating was the thing she did with him, she vowed that she would never do it again.

Now, with her Dad long gone, and Hudson, her little brother, and Mom trying to make ends meet, Hudson realizes that she misses skating after all.  A rare opportunity to skate in a competition again presents itself with a tantalizing offer:  a college scholarship that could be her ticket out of her dead-end life.  But in order to get practice time at a local rink, Hudson finds herself coaching the high school hockey team, which in turn leads her into the arms of not just the team's captain, but his smoldering co-captain as well.

If you get the sense that there is an awful lot going on in this story, then you would be right.  The nearly 400 pages of this novel are full of a dozen overlapping plots.  It seems that Hudson's life is complicated and complex.  Normally, I'm not a fan of such a busy story (I'd rather a writer choose a story and focus the novel around it), but it works in this case because much of the book's point is that Hudson's life is complicated and complex.  I'm not such a fan of Hudson herself (she's a bit spacy and not very responsible with her friends), but she's brave and fearless and I give her kudos for what she accomplishes in the story.  The ending is all a bit too over-the-top cheery and pink fluffy bunnies, but Hudson grows a great deal over the course of the story, so I was satisfied overall.

Lucky Breaks, by Susan Patron

Lucky and the odd-ball inhabitants of Hard Pan have aged a year or so.  Brigitte is trying to learn how to become an American (as well as a good mother to Lucky), Lincoln is mastering his knot tying skills and working out the secrets of the universe, and Miles - while still a bit weird - has been declared a genius.

And now there's a new girl - Pamona - the niece of a scientist working in the area.  She's the same age as Lucky and - Lucky hopes - might potentially become her best friend.  But Pamona also shakes up things as Lucky struggles to come to terms that in order to have a best friend, one has to be a best friend (and not just to Pamona, but to Lincoln and Miles as well).

It's been a while since I read the first book (The Higher Power of Lucky), but I remember being enchanted by the quirky characters, gentle storytelling, and kindheartedness of that book.  That all continues here, but in the sequel it wears a bit thin.  Maybe it's because the story itself never really gels, but instead rambles around between subjects.  Or maybe the appeal of the original is lost once the novelty fades.  Either way, I found it hard to engage with the book.  It was pleasant to read, but ultimately forgettable.

Lexie, by Audrey Couloumbis

It's the first summer that Lexie's parents haven't been together, so it feels particularly weird to be going out to the beach house with only Dad.  Weird to leave her Mom in the city, but also a little good - a feeling with which Lexie struggles. 

When they get out to the shore, Lexie is in for number of surprises:  Dad has invited a "friend" to join them and she's coming with two boys.  Lexis is torn about this:  she hates having to share her father with other people, but she grows to like the boys and even her father's friend.

Couloumbis can be a bland writer.  I didn't care much for her acclaimed novel Getting Near to Baby because I found it dull and boring.  However, for a story with this book's subtle complexity, Couloumbis's style works well.  The characters here are smart and insightful and the feelings they express are complicated.  It is a gentle story that avoids melodrama and instead explores how the process of changing families can be both good and bad at the same time.  Lexie and the boys are allowed to both love and hate the changes that are happening around them, and even the adults get to express their feelings as mixture of joy, fear, and sadness.  While the kids can seem a bit precocious at times, I think that is mostly because we are used to dumbed-down characters in books like this.  In the world of Lexie's beach house, it all seemed quite reasonable.  The story itself breaks little new ground, but its treatment of the subject of divorce and remarriage makes this smart little book notable.

The Unforgotten Coat, by Frank Cottrell Boyce

It's a memorable day for Julie when two Mongolian boys show up unannounced at her school.  While they struggle with the language, the boys quickly assert themselves as different and Julie is entranced.  The older boy Chingis announces that Julie will be their "good guide" and help them understand their new home.  Julie is pleased to accept.  However, the younger boy Nergui is afraid that a demon is after them and the boys (with their new guide) must find a way to escape Nergui's nemesis.  Told in flashback and through a series of Polaroids, Boyce lays out a story that is both magical and yet very down-to-earth, ultimately exploring the immigrant experience.

For a very brief book (under 100 pages, with many photographs), I found it strangely moving.  The story lives on minimalism, with Boyce preferring to do less with his words and more with the images.  The book's design (like a notebook with lined-paper pages) and enigmatic photographs are striking and integral to the story.  The overall product is effective and original.

The Great Wall of Lucy Wu, by Wendy Wan-Long Shang

With Lucy's older sister going away to College, Lucy is psyched to be getting their room to herself.  She's also looking forward to going out for captain of the basketball team this year.  Sixth grade is going to be totally great!

But then things go awry.  Her late grandmother's long-lost sister is coming to visit and Lucy is going to have to share her room with the old woman for several months.  And Lucy's parents have decided that Lucy needs to attend Chinese school on Saturday mornings, even if it means missing basketball practice!  She just wants to be a normal American kid, yet her family keeps forcing her to be Chinese!  And no one seems to care that she loves basketball!

A gentle (albeit mildly preachy) story about the power of silver linings.  As is typical in books for this age group, Lucy begins as a self-centered (and mildly bratty) kid and ends up more open-minded and considerate.  It's a satisfying model, but doesn't offer a lot of surprises.  What works better is Wan-Long Shang's ability to work in a lot of Chinese culture, and to remind us that it doesn't exist in a vacuum (i.e., being Chinese-American means bringing the two cultures together).  She also does a nice job of bringing generations together as Lucky's visiting great-aunt proves to have some unexpected strengths.

The Difference Between You and Me, by Madeleine George

Jesse is a rebel and an outcast, from the huge fisherman's boots she wears to the angry manifestos she posts on the walls at school.  She's got an agenda and she's not shy about trumpeting it.  Emily, on the other hand, is the perky clean-cut student government vice president with a plan for everything and an explanation for every twist and turn in her life.  Nothing scares her more than the chaos and disorder that epitomize Jesse's life. Together, they are an unlikely couple, and yet are strongly attracted to each other. However, as hot as it gets between them, it is all under wraps as Emily must maintain a perfect sheen to the outside world.  Jesse, strangely enough, tolerates this because of her serious lust for Emily.  However, these compromised arrangements come undone when a big box store comes to town and the girls find themselves on opposite sides of the debate over whether such stores benefit the communities in which they operate and whether corporations have a place in public schools.

I absolutely loved the human interactions in this story.  From the way that the girls talk to each other to the interactions that Jesse and her parents have, the dialogue and the behaviors rang true.  I was less thrilled with the plotting, which was uneven and cluttered with subplots.  Perhaps because I found the relationship of Jesse and Emily to be so interesting, I really didn't care about anything but the girls, and I found myself racing past anything else in the book to get back to them.

The Disenchantments, by Nina LaCour

Upon graduating from high school, Colby knows exactly what he's going to do for the next year:  go on a short tour up the West Coast with The Disenchantments (an all-girl band, made up of his three best friends from school).  None of the members can play, but what they lack in talent they make up for with spirit and energy.  Afterwards, he and Bev (one of the girls in the band) are going to bum around Europe for the rest of the year.  Afterwards, perhaps they'll go to college.

However, on the first day on the road, Bev confesses that her plans have changed and that she's going to Art School in the fall instead.  Naturally, this makes life on the road together a bit awkward and tense.  As with all good road trip stories, there's plenty of discovery along the way.  By the end, Colby figures it out and learns that often life just hands you random stuff.

It's a very dialogue-heavy book, without much of a narrative thrust.  The plot just rolls along however it feels and the characters spend a lot of time talking.  For this reason chiefly, the book never managed to grab me.  It isn't that it was dull, but simply not very adventurous or ambitious.

Without Tess, by Marcella Pixley

For the past five years, Lizzie has been struggling with coming to terms with the death of her older sister.  As children, the two girls were tightly bonded and shared an intense love of fantasy and make-believe, with Tess always leading the way.  As they grow older and Lizzie begins to outgrow both the make-believe and her intense devotion for her sister, Tess retreats more and more into fantasy, eventually leading to tragedy.

Told in a combination of flashbacks, Tess's poetry, and counseling sessions, this is a gritty and bare-open portrayal of mental illness and the impact it can have on a young family.  I liked Pixley's previous novel Freak a lot, but this book is on an entirely different playing field.  The anecdotes are so raw and so confessional, that it's impossible to remain impassive.  Knowing the tragic ending that awaits in no way prepares you for it.  Pixley does let us off a bit with a positive ending, but you will be in tears by the end of the book.

There's so much to love here.  The writing is superb and recalls the wistfulness of early Sarah Dessen.  The imagery ranges from the naturalistic (the seaside setting is employed to great effect) to the spiritual (Lizzie's flirtation with Catholicism is wonderfully juxtaposed with the "betrayal" of her sister).  The characters are amazing (whether it is the lyric Tess herself, her scared sister Lizzie, the well-meaning neighbors, or the confused parents) and every portrayal is spot on.  These people seemed real to me and my heart went out to each of them.  Without a doubt, one of the truly great books I've read all year, although it will undoubtedly break your heart!

Middle School: The Worst Years of My Life, by James Patterson

Rafe Khatchadorian has an amazing imagination and a deep fear of sixth grade.  To get through it, he (and his friend Leo) have come up with a plan:  this year, he will break every rule in the school's handbook.  The plan moves along swimmingly.  And while Rafe finds it exciting to be so fearless and bold (and the attention it brings him is pretty cool), he also discovers the downsides to being a troublemaker.

The result is a lively story, with a questionable moral compass that is perfect for younger readers.  The book is enhanced with drawings and cartoons (by Laura Park) that capture perfectly the mindset of a sixth-grade boy in all of its awkward immaturity.  This is a story that will remind female readers of how stupid boys can be, but Rafe has a heart of gold and learns a lot from his exploration of naughtiness, and so ultimately it redeemed.  Mixed in gently, a mature theme about domestic abuse is also dealt with in an age-appropriate fashion.

The Fine Art of Truth or Dare, by Melissa Jensen

Ella has an esteem problem, exacerbated by the burns she got on her shoulder when she was younger (and prompted by being a teen).  She spends a lot of time covering up and trying to lay low.  That doesn't stop her from wishing that suave popular Alex would notice her.  Add to the mix Ella's obsession with an obscure American artist (and her "conversations" with him when she's alone in her room), as well as her obsessive search to find out the identity of his secret love life.  Then toss in the antics of her largely stereotypical South Philly Italian family (complete with family restaurant and wise-talking granny).  And, just when you think you can't add another layer, sprinkle on a gay friend and her (predictable) estrangement from him as she chases after dream-boat Alex.  And the dish is called:  a busy little romance with literary pretensions!

Jensen can certainly write lively and witty prose.   She gets her details right:  this Philadelphia is pitch perfect and instantly recognizable.  The characters are amusing, if uninspiring.  And the story has its moments -- many of them completely random (e.g., swimming with sharks -- you'll have to read it yourself to get that one!).  There is one very striking and memorable scene (on page 353 -- if you need a prompt) that will stick with me. 

However, the book is so busy!  Having a few good hits won't make up with the sheer chaotic nature of the storytelling.  The characters are largely stereotypes.  Alex is a pretty boy without much of a personality (I'm terribly amused by other reviewers who describe him as "cute" -- how can you tell from a book?).  He says all the right things and seems pretty boring.  The father, grandmother, and a bitter archivist are forgettable tropes.  The exception is Ella, who gets some moments to shine.  It's a comfortable read but largely insignificant.

Rockoholic, by C. J. Skuse

Jody's a bit obsessed with Jackson Gatlin, lead singer of The Regulators.  So, nothing's going to stop her from seeing them in concert -- not her mother, not a full day waiting in line for front row seats, and not some kid vomiting on her while she waits in the line. When an accident in the mosh pit lands her backstage in the infirmary, she misses most of the show but she gets to meet her idol face to face.  And she makes a split second decision to kidnap him.

At first, it is surprisingly easy to guide Jackson back to the car and spirit him back to her home, but then she finds that that is because he doesn't really mind being abducted.  Also, that he's a bit more than she can handle, being a detoxing speed freak with a nasty temper.  It will take some creative foot skills for Jody and her friend Mac to keep Jackson under wraps from the paparazzi and a homicidal manager.  Rock on!

It is, of course, just a bit over the top.  And it could be great fun, if it wasn't for the gross out factor (vomit plays a prominent role in the story) and the utter annoying nature of Jody herself.  She isn't just an obsessive fan, but also a complete ditz (or "stupid cow" as her friends put it, since they're British).  I haven't quite figured out if British YA writers think young women are stupid, but it does seem to be a trend in UK YA that the girls are dumber.  I suppose you can sit back and laugh at the how irresponsible and thought-free they are (and at all the barfing too), but I found it annoying.  I did, however, read the book all the way to the end and it turned out OK, so maybe if you're into the characters more than me, you'll enjoy it.

[Full disclosure:  This one came to me as a free advance copy.  The book comes out in November.]

The List, by Siobhan Vivian

Every year, a list appears at Mount Washington high school.  No one knows who creates it.  The list simply appears one morning, attached to every wall and locker possible.  It names the hottest girl and the ugliest girl in each class.  This act of mischief, cruelty, and hazing becomes a tool that the novel uses to navigate us through how eight young women deal with being singled out and labeled.  Their reactions range from despair and desperation to denial, but without exception the experience affects them, often in very surprising ways.  By the end of the story, we even find out the identity of the list's author and why they created it, but by that point, it almost doesn't matter -- the list has taken on a life of its own.


Vivian points out that, surprisingly, being labeled the "prettiest" is not necessarily a good thing (and likewise being called "ugly" is not necessarily a curse).  Instead, it is really the fame of being called out that is life-changing.  And it is the way that society treats people who are nominated to these roles that is most telling.  The story covers a broad canvas of personalities and reactions.  In doing so, we get a reflection of a much bigger world -- of how young women (and many adults as well!) allow themselves to be defined by others, and what it takes for each one to overcome it.

On its face, this is well-tread territory, but Vivian breathes new life into the subject by trying to cover so much ground.  At the same time, it is hard to keep track of eight different stories.  At times, I wished for a simpler narrative, maybe 2-3 characters instead of eight!  Still, it's hard to imagine which roles could have been cut.  Each one of the eight girls has something to teach us.  There's a lot of cold hard truth here and lot of raw frailty and doubt on display.  It doesn't make for comfortable reading, but it will certainly make good fodder for discussion!

So B. It, by Sarah Weeks

There are only a few things that Heidi knows for certain:  she has incredible luck (winning every time she plays the slots, for example), her family's friend Bernie is afraid to go outside the house but is otherwise her primary caregiver, and her mother's name is So B. It. 

At least, that's about all she thinks she knows about her mother.  Mom is a bit slow and isn't much for communicating (she knows only twenty-three words) and can't tell her much.  Still, Heidi is determined to find her roots.  When she finds an undeveloped roll of film in her Mom's things, it sets off a chain of events that sends Heidi on a cross-country trip.

A surprising and delightful book.  I'm not a big fan of children-abandoned-to-danger stories, but the scary stuff in this one is kept to a minimum (maybe because of Heidi's innate luck?).  And the book has many things going for it.  The characters are memorable and quirky.  The story is well-paced and engaging.  And while the ending is drawn out, it is satisfactory, without trying to tie up every loose end.

The Sledding Hill, by Chris Crutcher

Elliott has suffered a double whammy:  his best friend and his father are both killed within three weeks of each other in separate accidents.  In both cases, he's the one who first discovered them. With a touch of ADHD, Elliott in general has trouble communicating and decides to deal with his losses by shutting down and going mute.

His plans to lay low, though, are challenged when his town is plunged into a censorship debate that pits a liberal English teacher against a bigoted minister and his church.  With the help of his late best friend's father and the ghost of the best friend himself, Elliott goes up against the church.

It was probably intended to be clever, but Crutcher's decision to put himself in the story and make one of his books (admittedly, not one that actually exists) into the challenged text seemed like incredible hubris.  Reading repeated testimonials from the characters about how transformative Crutcher's writing is (from the pen of the author himself) seemed self-serving.  My immediate (uncharitable) reaction was that Crutcher's writing is not in the same stratosphere as the literature that one normally associates with challenged books.

And there is no getting around how dreadfully Crutcher actually writes.  His command of grammar is weak and despite apparently significant editorial intervention, there are some pretty obnoxious errors (it's "would have" not "would of"!). The characterizations are weak and facile.  An attempt to humanize the minister by belatedly bringing up childhood abuse is half-hearted.  Crutcher's primary position seems to be that organized religion is intrinsically evil and plagued with mob-mentality.  It's fine for dramatic license, but it doesn't really enlighten the reader about the debates surrounding challenged books.  The overall story is awfully random.  The ghost best friend is a bizarre character, to put it mildly, and the relationship with the grieving father and his own mother are left underdeveloped.

Flyaway, by Lucy Christopher

Isla and her father bond in the early morning hours over following the migration of the swans.  They tirelessly trudge after the birds, trying to protect them and study them at the same time.  But those trips are interrupted when Dad gets sick.

At the hospital, Isla makes two discoveries:  she befriends a sick boy who shares her love for the swans and she discovers a swan in a nearby pond that has lost its flock.  So, now there are three things on her mind:  helping her father get better, hoping the boy gets well, and finding a way to reunite the lost bird with its flock.  Along the way, she also deals with her grandfather's fear of hospitals and with her feelings about various boys (including the sick one).

It's an odd and unusual book that defies convention.  There's a little bit of Fly Away Home, but also threads about family reconciliation, first kisses, and solving ancient mysteries.  At times, the story is strongly realistic, but flies (so to speak) into fancies at other points.  The overall result will probably fly over the heads of its target demographic (and truthfully left me a bit confused).  I'm really not sure what to make of the book.  I finished it (so it can't be that bad) but it's really hard to see what it was trying to do.

Wonder, by R. J. Palacio

"The universe has not been kind to Auggie Pullman," says one of his friends.  And, at first glance, that is true.  August has a lot of challenges.  Born with facial and cranial deformities, he's endured numerous surgeries and yet he still shocks people when they first see his face.

In fifth grade, his parents decide that (after years of homeschooling) he should be mainstreamed and enter regular school.  The idea terrifies August.  He's a bright kid and knows how people respond to him.  Can he be brave enough to face that every day?  He isn't sure, but he's about to find out!

It's a lovely premise about a boy with a flawed exterior and a heart of gold, struggling to win over his peers.  Engineering the story to make you root and cheer for Auggie, Palacio is reluctant to show his hero's flaws.  August is intelligent, caring, and patient with the cruelties of his peers.  I didn't buy it.  Showing August make some mistakes and bad choices would have made him a more endearing boy, rather than the Buddha she has crafted.  Instead, the set up is straightforward:  August is good (although he occasionally gets mildly upset at the treatment he receives) and the kids around him fall into two camps (evil and good).  A few of them may backslide, but if they are good, then they come around.  It's all too simplistic and we're deprived the opportunity to really explore why even kind people might not always behave well.

And then there's the narrative design itself.  I was fine when August was telling his own story, but Palacio regularly shifts the storyteller -- in a GoTo Meeting-like style -- from one character to another.  Sometimes, this reveals interesting information about the side character, but rarely does it tell us much about August or about how that temporary narrator feels about August.

The Age of Miracles, by Karen Thompson Walker

When the rotation of the Earth suddenly begins to slow down, the effects are initially subtle but ultimately cataclysmic.  Every day grows five minutes longer.  Within months, the duration of day light and night time have doubled.  At first this causes minor inconveniences, like deciding whether the "day" should be a cycle (and grow steadily longer) or whether it should remain 24 hours (and fall out of sync with physical reality).  But the changes become more and more grave, as the tides become extreme, the climate changes, flora and fauna begin to die, and the Van Allen Belt collapses, letting in deadly solar rays.

Meanwhile, for eleven year-old Julia, there are changes as dramatic taking place:  her body and the bodies of her friends are changing, her friendships are collapsing, and the rules of nature at school are evolving.  At home, her parents are growing distant to each other and to her.  Even her grandfather is becoming different and more distant.  So many changes!

It's an interesting experimental book, combining science fiction and apocalypse with more common middle reader fare.  I like the juxtaposition of end-of-the-world with starting middle school and the novel frequently contrasts Julia's changing world with the collapse of civilization quite effectively.  But after a while, the point has been made and I started looking for more.  Unfortunately, the book doesn't deliver it.

There are plenty of great anecdotes (moments taken from the author's own childhood perhaps?) and the usual suspects (bra shopping, first kiss, dealing with cliques, etc.) but nothing really new to say about them.  And the apocalypse material can grow distracting (particularly, since it's more original and interesting).  Julia and her family are never really developed.  Instead, we go from one episode to another -- we know what they do and how they reacted, but aren't really allowed inside of their heads to see what makes them tick.

I have previously observed that male writers often prefer to write action (packing their novels full of activities and events), while female writers are more likely to create books where little or no activity occurs.  Instead, we spend the entire story inside of our characters' heads (and hearts).  The stereotype is crude and not altogether true.  There are male writers who do a wonderful job getting inside of their characters' heads.  Walker, I think provides an example on the other side (a woman who writes an effective action story). 

As a sci-fi adventure, this book works well enough, but the pesky girlie stuff then becomes a distraction.  For anyone else interested in Julia's coming of age, the end-of-the-world material is scary and overpowering.  Her story gets lost. And thus the book is a paradox: not written in a way that will appeal to either traditional audience, it falls through the cracks.  You can love it for its originality and for busting through standard marketing, but finding its readers will be a challenge.

The Minister's Daughter, by Julie Hearn

Told in two distinct separate narratives (separated by a half-century), this is the story of Nell, the granddaughter of a village healer, who suffers at the hands of the town ministers' two daughters.  The eldest daughter (Grace), desperate to cover up her illegitimate pregnancy, claims demonic possession, pointing the finger at Nell and her grandmother.  With rich historical detail and some (slightly distracting) subplots about the English Civil War and local pixies, we see the terrible way that minor transgressions quickly escalate into deadly tragedies.

It's an enthralling story, but unfocused.  Hearn doesn't seem to know if she wants to write a paranormal story or historical fiction.  The pixies and fairies are intended to illustrate rural folk beliefs of the period, but they are jarring in a story that is otherwise rooted in historic reality.  Given the choice, I'm a greater fan of good history and the story didn't need the supernatural creatures (even though Hearn weaves them in pretty solidly).  I also found the ending a bit of a let down.  The blurb promises a shocking conclusion and it certainly has a bit of pathos, but seemed underwhelming compared to what could have been done with it.  Overall, a beautiful book, but a bit of a letdown.

Skunk Girl, by Sheba Karim

Nina Khan struggles with the things that other girls like her in High School do (getting good grades, avoiding social gaffes, getting noticed by a cute boy), but she also faces some unique issues in her small Upstate New York town.  She's the only South Asian in her school and is burdened with her parents' rigid rules and expectations (no fraternization with boys, no parties, etc.).  While she respects her parents' concerns, it is frustrating that they are so ignorant of how embarrassing it is to be a lone Muslim girl in such a Western place.

When it came out, the book received a lot of attention for its complex depiction of life as a Pakistani teenager in America.  That initially turned me off from reading the book.  Was the author just trying to score points on a political correctness scale?  Was this some token book for Pakistani kids?  But, like with any good book, I was able to find things about this novel that were universal and enjoyable.  You can certainly read it to experience a bit of Pakistani culture, but that is not the sole point. It's not that Nina's racial and ethnic identity is irrelevant (it's an integral part of her character), it's just that she's so basically "normal" in all other ways.  Her parents may have high standards, but what child hasn't felt that way about their parents?

The story itself lives on the strength of its characters.  Nina is, of course, a major force, but the supporting characters are also interesting, ranging from her friends (and even her nemesis Serena) to the boy interest (a mildly shallow but thoughtful Italian boy) to Nina's parents.  I especially liked Nina's father, who showed a complex ability to sympathize with Nina's struggles while upholding his values for her.  The only character that didn't work for me was Nina's older sister, who becomes rather preachy and seemed more a mouthpiece for the author than a legitimate character in a fairly slapdash finale.

Overall I liked it.  It avoided cliches and easy solutions, leaving open lots of possible solutions to a situation that is complex and treated as such!

Sabriel, by Garth Nix

Sabriel's father, Abhorsen, is the man charged with preventing the dead from returning to the land of the living.  Sabriel, still a teen, has been raised far away from her father's work, at a boarding school in Ancelstierre.  One day, a messenger brings Sabriel her father's sword -- a sign that that he has passed on.  But Sabriel doesn't believe it and she sets out on a very dangerous mission to find and rescue her father.

Unfortunately not the coming-of-age novel I really hoped it would be, Sabriel's odyssey is still entertaining.  The plot is packed full of adventure and the settings are rich and full.  The details of the magic that they use is fascinating and original on its own, but there is also the vivid detail of the Afterlife (which would put Dante to shame) and the incongruous modernity of Ancelstierre.  All in all, it's a fascinating world.  So, while the lack of a stronger human element is a turn-off for me, the book itself is readable and introduces an exciting world.