Toy Dance Party, by Emily Jenkins

In this sequel to Toys Go Out, Stingray, Lumphey and Plastic are still having their adventures, and hanging out with old friends (the washer and dryer) as well as new ones (the mice and a rubber shark). The girl is growing older though and she spends more of her time with the Barbies (who don't talk) and away at sleepovers and soccer practice. The toys are worried that perhaps she is forgetting about them, but they have a wide variety of distractions including a fabulous dance party in the basement!

I was really looking forward to this sequel but really let down by it. Harsh perhaps, but as Toys Go Out was one of my favorite books, the sequel had a lot to live up to. It fails for me for a number of reasons: the stories have gotten much more complex and lack the fun of the first set, a number of the characters have changed (the relationship between the toys and the people, the fact that the dryer talks, and the "naughtiness" of the toys, etc.). I laughed frequently while reading the first book. This time I didn't laugh at all (OK, I cracked a smile here and there but it's not the same thing). It's not that Toy Dance Party is a bad book (I'll probably still give it two stars), but it is such a pale follow-up to its classic predecessor. I think I'll just go curl up with that one instead!

Alice McLeod, Realist At Last, by Susan Juby

Picking up shortly after the Miss Smithers contest, Alice is now pursuing her dream of becoming an incredibly talented screenwriter. She's also trying to cope with the departure of Goose, having Mom in prison, juggling the attentions of men aged 14-22, finding a job, and deciding whether to stick to her own fashion sense or finally fit it with her classmates. It's a busy agenda but, as usual, she navigates through it all with a mix of style and cluelessness.

Some may say that the novelty of Alice has worn a bit thin in this latest installment, but Juby does a great job of keeping the story original and fast paced. Alice is still an acquired taste and many readers will dislike her arrogance. But I still think she is a lot of fine (as sort of an older Clementine). I will admit that I probably wouldn't like her in real-life, but that's not a prerequisite for finding her adventures interesting enough to read about.

Dirty Work, by Julia Bell

Hope is the lucky one living a sheltered rich girl life, with only a few complaints about a neglectful Dad and an overbearing Mom. Oksana, on the other hand, comes out of impoverished rural Russia, tricked into a career of prostitution by white slavers. But when the two girls cross paths, Hope is kidnapped and they must help each other out.

Meant to be shocking, this novel turns out to be relatively tame (as I find is true with so many other "shocking" Brit-YA books). The back story of Oksana is interesting enough, but old news. And Hope simply doesn't have much of a story. Overall, I found this a bit thin. You'll worry a bit about the danger that the two girls are in, but it's hard to get too engaged.

Dante's Daughter, by Kimberley Heuston

In 14th century Florence, Antonia faces a life of few options. Her situation is made more difficult by the dangerous politicking of her famous father. But in an extraordinary turn of events, she follows her Dad to Paris and then back to Italy, discovering that even if her life options are narrow, that people can make a lot of those options. Along the way, we learn a lot about life in those times, making this both an educational and entertaining read. We also come to understand how happiness is possible under what seem like dire circumstances.

As remarkable of a book as Heuston's earlier Shakeress, this novel benefits from a more colorful era and location, but suffers from being tied to people and events that are more famous. Still, Heuston manages to weave magic out of history and make it seem like less of a lesson than a true coming of age story. She avoids the temptation to give her characters anachronistic modernistic notions about individualism and instead creates characters who are both true to period faith yet identifiably human. This is certainly among the best historical YA literature being created.

How Not to be Popular, by Jennifer Ziegler

Maggie is tired of making friends and settling in to a new place, only to have her hippie parents decide that it is time to move on. When her boyfriend from Portland dumps her within a few weeks of their arrival in Austin TX, Maggie decides that the key thing is to NOT like a place and NOT to fit in or make friends. That way, when she has to leave, she won't have anything or anyone to miss. The problem is that the more she tries to be unpopular and escape people's attention, the more she finds her popularity growing. At first, she figures that the kids in Austin just don't get how geeky she is being, but soon she realizes that maybe she is the one who doesn't understand popularity (let alone unpopularity).

Alpha Dog and this second novel by Ziegler share in common a great deal of common threads. Both feature a misunderstood girl with a bunch of oddball characters. A certain amount of drama leads to a feel good very happy ending, with everyone doing pretty well. The happy ending stuff reminds me of Meg Cabot and the oddball characters are more like Sarah Dessen. Ziegler isn't as good as either of these YA icons, but she's got a fun writing style and her books are good reads.

How much, though, can you relate to a girl who is popular and loved no matter what she does? THAT could get more than a bit annoying (yes, everyone will get the message of this book -- be yourself and you will be happy -- but I doubt that that is really going to work in the real world). So, this story works in a fantasy sense and perhaps in some adult's view of what high school is like (although are cliques really ever as simple as they get portrayed in books like this?), but the moral of the story probably isn't all that useful. IMO, read this one for fun and avoid any deeper take-home message.

Cheating Lessons, by Nan Willard Cappo

When Wickham High wins first place in a state-wide classics lit test and a berth in the televised Classics Bowl, Bernadette is certainly happy enough and she looks forward to squashing the competition. But she is also suspicious that their performance seems too good to be true. Things are not quite adding up, despite the assurances of their team's advisor Mr. Malloy. Sure, they are goo, but are they that good? But even if she can prove that the whole thing has been fixed, what should she do about it?

A functional and entertaining story, but with some odd rough spots. The beginning and end are surprisingly weak and don't really fit the characters developed in the rest of the book. Motivations are a bit muddy throughout and the whole thing needed better development. Not bad.

What Erika Wants, by Bruce Clements

When Erika's mom brings her to a custody hearing to get the judge's sympathy, the judge surprises them both by assigning Erika a lawyer. At first, she doesn't think she needs one (she's certain that she wants to live with her mother), but soon Erika discovers how useful a lawyer can be and how little she truly understands about what she wants. With the help of her attorney, she starts to sort this out.

Written with the obvious purpose of praising the work of a child's advocate in family court (by an author who works with them), this book can get a bit pedantic at times. It's a valiant aim, but perhaps the author would have scored more honesty points by simply writing the non-fiction he wanted to. The lawyer character is far too good to be true -- tirelessly sacrificing personal life without a concern or complaint. The other characters, while nuanced, are similiarly two-dimensional. Everything just goes a bit too cleanly. If this is supposed to be fiction, it needs more realism.

The Otherworldlies, by Jennifer Anne Kogler

Fern is considered a freak by her classmates as she looks strange and keeps to herself. But her secret abilities (talking with her dog, moving liquids with her mind, and teleportation) would scare them worse. As her powers grow stronger, she cannot hide them and soon powerful strangers start to appear. Some of them want to help, but others threaten her, her family and friends, and the world as we know it. Middle school never looks so tough for a would-be vampire.

This is not really my genre (vampires and magic), but this book turned out to be a lot better than I expected it to be. It did seem a bit long-winded (did it really need to be nealy 400-pages long?), but as an adventure story, it worked pretty well. And young readers will probably enjoy the story of a wallflower who has lots of magical powers to save the universe (sort of an American Harry Potter without the hype).

The Eyes of Van Gogh, by Cathryn Clinton

Jude has been dragged around a lot in her first 17 years as her mother bounced from one man to another [I seem to be reading a lot of these wandering Mom books lately!]. And in that time she has never been able to find friends and feel at home. As she sees her mother's anger, she realizes that neither has her Mom. But when they move to Ellenville, Jude hopes things will be different. Her grandmother is there and Jude makes two new friends and finds a boyfriend. But when things go wrong and fall apart, Jude gets swept away in depression that nothing will ever change. And looking at her artistic hero (Vincent Van Gogh) she becomes convinced that that is just how life is.

It's hard work to write a book about depression that doesn't make your character appear whiny. Clinton does a good job there. In fact, the characters are overall quite well developed. Even the story is nicely paced and interesting. So, why did I hate this book (and geez, I've been reading a lot of goose eggs lately, haven't I?)? I think it is because the writing is positively clunky. At first, I thought it was a stylistic thing (writing in a young person's voice) but this is just a poorly written book.

The Vanishing Point, by Louise Hawes

In the late 16th century, Vini is an unusual young woman. The only surviving child in a family of a successful Bologna painter, she too shows signs of promise. But her father cannot see her talents as he remains obsessed with having a son inherit his mantle. Can she get him to open his eyes and see what she can do? Based on a real person, this historical novel imagines the early life of the Renaissance painter Lavinia Fontana.

While the story picks up to end with a satisfying conclusion, this was a hard slog to read through. The characters are interesting, but the pacing is awkward and the story lacks suspense making it dull.

Outside Beauty, by Cynthia Kadohata

Life with Mom has always been an adventure for Shelby and her three sisters. It seems that they are always on the run from someone. But Mom is glamorous and has an ability to land on her feet with a new man. But then an accident puts Mom in the hospital and the four girls are split up to live with their fathers (each girl has a different father). Somehow, the girls must learn to live apart.

Starting a bit slow, this story picks up after a while, before ending in a rush and sloppy conclusion. The book itself is a muddle. What was Kadohata trying to do with this story? Was it about family ties? Or seeing inner beauty? Several themes are brought up and worked on, but never fully developed. It felt like Kadohata just lost interest in her story.

Where People Like Us Live, by Patricia Cumbie

In the summer before high school, Libby's family moves to Rubbertown WI. Within two weeks, her Dad in on the picket line and Libby is helping her mother make ends meet cleaning houses. But she still finds the opportunity to make a new best friend. At first, this girl (Angie) seems exciting and brave, but when Libby learns that Angie is being abused, she has to decide whether to be loyal to her friend or to stand up for what she believes to be right. She comes to realize that her decision is very much like her father's choice to strike.

Dull. That basically sum s up my review. Misidentified in every review (including my own summary above, but it's hard to find much else of substance to summarize) as a book about friendship and loyalty, the great test that Libby must endure is not even introduced until 80+ pages in and is resolved with very little heartbreak. What this book really is is a mood poem -- a depiction of an environment. It's got vibrant characters but Cumbie avoids any dramtic development. That basically spells out sheer boredom to me.

Love & Lies, by Ellen Wittlinger

In this sequel to Hard Love, the focus has switched to Marisol and things have moved on. Marisol and Gio have learned how to just be friends. Gio has a girlfriend and Marisol is meeting people. Marisol is taking a year off before college and working on his first novel, but she has distractions. At first, she is taken by the shy Midwestern girl Lee but Lee is quickly outshone by the fantastically beautiful writing teacher Olivia and things take off. The relationship with Olivia becomes complicated and Marisol finds that she has trouble balancing it with her friendships and being true to herself.

Hard Love, while Wittlinger's most famous work, is not actually my favorite and sequels will always have an uphill battle with me proving their right to exist. The story is functional but a bit slow. Even a not-so-good Wittlinger book is a decent read, but this is basically a girl-meets-girl story with a better-than-usual conclusion. No groundbreaking work.

Ever, by Gail Carson Levine

In this unusual fairy tale, a mortal girl Kezi is courted by the young god of the winds Olus. When Kezi is condemned to die as a human sacrifice, Olus must find a way to save her. But will it succeed? And if it does work out, will the costs be too high for Kezi? While strongly reminiscent of Arab folklore and customs, this story is set in its own original world with two distinct cultures -- the polytheistic Akka contrasted with the monotheism of Kezi's people in Hyte.

Like Levine's other works, this story has a rich setting and memorable characters. As is typical in her books, Levine combines mythic archetypes with unusual twists giving this romantic epic a truly original flavor while staying rooted in familiarity. A good read.

Saving Juliet, by Suzanne Selfors

Mimi is the fourth generation of an acting dynasty and none too happy about it. She'd rather be getting ready to go to college (pre-med) and not stuck doing Romeo and Juliet with shallow pop idol Troy Summer. And then things take a turn for the weird when a magic charm transports her and Troy into Verona itself. To escape, they end up rewriting the greatest love-tragedy of all time.

I imagine that books like this exist on two planes -- to provide an author with a cute setting to tell a story and also to entice young readers to read classics. But like Ophelia, this story transcends its Shakespearean setting to become both a decent adventure and a heartfelt coming-of-age story. I liked this story a lot, except for a far too conveniently tied-up ending (I would actually recommend skipping the last too chapters altogether -- what was her editor thinking?!).

Exodus, by Julie Bertagna

In under a century, Earth has been almost entirely submerged under water from the melting of the polar ice caps. As Mara's island shrinks away, she becomes convinced of the existence of sky cities where the people of her island can find a new home. But leading her people to this promised land, she finds a situation this is horrifying. And now she has a mission to do more than just save her people -- she must find a way to right a historical mistake.

A great premise with an imaginative vision of what the world could become. But like that old Kevin Costner gem Water World, this novel suffers from incoherent storytelling. Bertagna is obviously impatient to get her story from one dramatic turn to another, and she sacrifices character development to do so. The result is reader confusion and exasperation. A missed opportunity.

All We Know of Heaven, by Jacqueline Mitchard

Bridget and Maureen were both cheerleaders in their small Minnesota town and also best friends, until an accident claims the life of one of them. A case of mistaken identity causes the town and the families to mourn the passing of the wrong girl. And the aftermath of this second tragedy tears apart friendships and kindles new ones.

Billed as a YA novel, this really isn't one -- it has teen-aged characters but the story is neither specific to adolescence nor told in an adolescent voice. This is not in itself a problem, but for me the story mostly fails for being plotless. Instead of telling a story, Mitchard starts with the seminal climax and just wanders for a year or so afterwards, bringing up interesting vignettes. It's a popular modern writing convention, but one that doesn't work for me. I was left wondering what was the point of the story?

The Patron Saint of Butterflies, by Cecilia Galante

Agnes and Honey are close friends but have been growing apart. Agnes still adheres to the rules of the religious commune in which they grew up, while Honey is straying from the path. A surprise visit from Agnes's grandmother leads to an equally unexpected trip and causes both girls to confront their pasts and what they really want in their future lives.

The not-so-kind portrayal of religious fanatics is probably a bit too much, but it sets up an interesting background for this fairly by-the-numbers adventure. Suspense is kept to a minimum and the plot twists are predictable, but this is a decent read and we can look forward to more from Galante.

Hush, by Donna Jo Napoli

In this sprawling epic, based loosely on a real Irish princess of the Tenth Century, Melkorka goes from Ireland to captivity as a slave in Russia to a new life in Iceland -- a grand journey indeed! But she is also an unusual heroine: finding strength (and her "voice") through silence even as she loses everything around her that she values and everyone that she loves.

Napoli continues to be one of the strongest writers of YA historical fiction (and also myth/fairy tale retellings), combining rich details about the epoch and its customs with good storytelling. While this particular novel never really rises above the genre to make a significant point, it is an entertaining read and an engrossing story. As fair warning, the events in this novel may be a bit intense for younger readers, but even at those moments, Napoli is never exploitative.

The Missing Girl, by Norma Fox Mazer

There are five girls in the Herbert family, which is a lot of mouths to feed and times are not good. But as the family struggles with money and the girls go through typical sibling issues, no one notices the man in the gray coat who is watching them. He's the kind of person you pay no mind to until it's too late. One day, one of the girls goes missing.

There are two reasons I ended up really disliking this book. The first reason is the Ick Factor. The entire premise of the story (kidnapping and child molestation) was totally unnecessary. The second problem for me was the pointlessness of the story. Made up of unconnected ideas and undeveloped plotlines, the story (such as it is) meanders around. What was the point? Entertainment? (that's a sick thought, although the book is actually just boring) Education? (no lesson is ever taught -- neither characters nor reader learn anything) Message? (hardly present, beyond the ol' don't-talk-to-strangers chestnut) Pass!

Wake, by Lisa McMann

Since she was eight years-old, Janie has been able to see other peoples' dreams. But it isn't just about knowing what people dream about, she actually gets sucked into the dreams. And what started as an annoyance on sleepovers has become a serious liability now that Janie is 17 and getting ready for college. Then an encounter with an elderly lady and a friendship with a stoner-outcast boy (who has an uncanny ability to directly communicate with her in his dreams) sends Janie off in a new career direction with fascinating potential.

A strange and interesting premise that veers into weird territory in the end. Things are not helped by the writing style, which is intended to simulate dreaming, but comes out clunky and awkward. The characters never really develop and I found myself feeling cut off from any emotional connection with them. Great idea but the story just didn't deliver. But if you like this one, you can look forward to the sequel coming out in 2009.

What Happened to Lani Garver, by Carol Plum-Ucci

When the majorly androgynous Lani shows up in the Jersey Shore island of Hackett, his looks raise a lot of suspicion. It is only a matter of time before the rumors and accusations start to surface. But Claire doesn't believe any of it and, as she expresses doubt, the hostility she encounters from the people she grew up around leaves her wondering why all of the fuss is happening and leads her to question events from her past. Far too quickly, things come to a deadly head.

This is an ugly story with a nasty edge. It is hard to not come to the conclusion that the author hates small towns with her demonization of the people of Hackett. The characters are overwhelming weak or repulsive and the story shies away from any moments of redemption. There are some nice observations about group think and denial, but they are drowned in an unrelenting mean streak. The subplot about angels becomes rather meaningless in the end, and is largely used as an excuse to temper the horrific ending with fuzziness.

Alive and Well in Prague, New York, by Daphne Grab

When Matisse's father gets so sick with Parkinson's that he can no longer do his sculpture, her parents decide to move out of New York City and go Upstate to the tiny town of Prague, where excitement is a hayride and the art teacher does not know the difference between Matisse and Monet. It's a rough transition for Matisse and she does little to ingratiate herself into Prague's cliques. But then, she is also struggling to accept her father's condition and deal with her mother's denial.

As with the last book I reviewed, this one has a good premise for a story, but Grab's novel lacks subtlety. The narrator's voice (which never sounds authentically adolescent, but rather borders between selfish and jarringly reflective) does not quite work for me and the resulting story is clunky. I liked what the author was trying to do, but I can't really recommend the book.

The Other Half of Me, by Emily Franklin

Jenny is the odd one out in her family. They are all physically adept and athletic, while Jenny is clumsy and uncoordinated. Jenny isn't sure where her talents lie, but it may be in art, if she can ever finish a painting. But even if it is, her family couldn't care less. But there is more: Jenny is the offspring of a sperm donor and only a half-sibling to her brother and sisters. Feeling not only like an outsider, but also as if she is missing a half, she searches for (and finds) a half-sister (from the same donor). But meeting her half-sister has a complicated impact on her family and herself.

An interesting premise with some nuanced understanding of human interaction, but the parents go from clue-less to caring far too easily for me and everything wraps up too neatly. The conflicts are set up a bit too artificially and fall away without a struggle. Without any tension and a minimum of character evolution, this is a functional story, but no more.

How To Build A House, by Dana Reinhardt

Harper decides to spend the summer doing some good for the world by joining a group of teens who are helping a family in Tennessee rebuild their house after it has been destroyed by a tornado. But this trip is more about running away from her disintegrating family at home than learning to build a house. However, as far away from her family as she has gone, she can't quite escape reminders of what is back there. And the friendships she will develop in the summer will simply complicate those issues.

I liked Reinhardt's previous Harmless a lot and Brief Chapter in My Impossible Life was a near perfect pick for me, but this latest effort never quite engages me. Perhaps it is the story itself rather than the writer. Reinhardt, in my opinion, is fast rising to challenge Sarah Dessen's mantle as the Queen of YA, and How To Build A House has the same beautiful writing of her previous works. It still has the great insights that make you sigh. But I found the flashbacks to her past at home to be quite jarring and the housebuilding analogy was overextended. This is a good book, but not her best one.

The Compound, by S. A. Bodeen

Six years ago, Eli's father evacuated the family to an underground shelter to save them as the bombs started to fall and before nuclear winter descended on the planet. But after all these years trapped underground, Eli and his sisters have grown suspicious that there are secrets being withheld from them. This becomes more pressing as conditions grow more desperate. Their food supply is running out and Dad has turned to drastic measures.

A surprisingly gripping story, despite the fact that you really do know how it is going to end. Good pacing and a decent number of twists and turns keep things interesting up to the conclusion. As a result, this story ends up being a decent action/suspense piece with enough of a human element to keep it engaging. A few days after reading it, I'm questioning a few of the weaker plot points, but while I was reading, I was pretty engrossed.

Ghostgirl, by Tonya Hurley

The problem with dying to be popular is that if you want it too much, you may in fact really die. Or, at least, that is the premise of this wickedly funny satire of teen angst. After a fatal choking incident involved a gummy bear, Charlotte goes from being invisible at her school to being dead. This actually changes things for the better as people start to see her and she may yet win a chance to snag the boy of her dreams and go to the Fall Dance with him. But first, she must pass Dead Ed, convince the school's goth girl to switch bodies with her, and deal with the horrid Prue (who is to the Afterlife what snotty cheerleader Petula is to the high school). After all, it's a matter of life or.... (well, you get the idea!).

An extraordinarily clever story that finds the meeting point between self-absorbed adolescent melodrama, gothic romance, and horror -- a surprisingly compatible mixture -- and stirs in some pee-in-your-pants one-liners and cultural references from at least three decades of YA/horror/high school. My personal favorite was the Dead Ed movie (a direct reference to the sex-ed movies of the early 80s that I was subjected to) - yes, your body is indeed changing! OMG! The first 100 pages of this quick read had me dying from laughter.

That said, the cleverness is marred a bit by a plot that veers off into weirdo land in the next 100 pages and never really comes back up for air. Hurley never loses her satirical edge (although some of the puns get tired), but the story could have used some rethinking. That is a terrible shame since the boom is otherwise an enjoyable romp!

A Curse Dark as Gold, by Elizabeth C. Bunce

In this retelling of the classic fairy tale Rumpelstiltskin, the Miller family's spinning mill has survived under The Curse for many years. Ranging from little things like windows that break for no reason to the fact that no male offspring born at the house has lived to adulthood, the family has had a lot of bad luck! But as the last living Miller daughters attempt to keep things together, a stranger shows up who can perform miracles, and he promises to fix their promises. Instead, the truth is somewhat more complicated.

Rich and engrossing, this fairly long novel (nearly 400 pages) is well worth the read. This complex story is blessed with excellent delivery as all of the pieces fall into place as the mysteries are revealed. Add to the deft storytelling some wonderful historical and cultural detail about the period (late 18th century wool spinners) and you get quite a gem!

And what can you say about one of the prettiest covers of the year so far in YA!

The Vanishing Point, by Susan Bonners

Kate comes to the beach to spend the Summer with the Harris family (friends of her parents) and their daughter Alison. Kate and Alison spend the Summer trying out the 44 flavors of ice cream at the Purple Cow, rescuing orphaned animals, and taking art lessons. An impulse purchase at an auction launches Kate on an investigation into the history of a local famed artist.

Random and poorly written, this is a rough read. The subplot about the mysterious painting is interesting, but most of the book is jumbled. The plots that do develop are missing key points and at the same time, the author finds space for significant unrelated digressions. A mess!

North of Beautiful, by Justina Chen Headley

Terra is a strikingly beautiful young woman at first glance. But when people see the large flaw on her face, they always cringe. Between that and her abusive father and beatten-down mother, Terra has struggled to come out of her shell. But when an accident and a terrible Christmas gathering send Terra and her mother into the globe-trotting unknown, things start to change.

An unusual premise ripe with potential and a story with a comfortable predictableness. Yes, you know that Terra is going to find herself and recognize her true potential at the end. Yes, the metaphors sometimes come on a bit too heavy. But there are wonderful surprises in this book and scenes (like the one in the orphanage) that will have your eyes welling up. Headley makes the story poignant without being exploitative (a very tricky and important balance). And the ending - while predictable - is satisfying and sufficient.

Don't look for this one in stores yet. It's a rare (for me) advance reading copy (thank you!). It won't be out in general release untyil February 2009. But put it on your wish list now because it is well worth reading!

Reaching for Sun, by Tracie Vaughn Zimmer

Josie has cerebral palsy. In verse, Josie tells us about an eventful year, when she turned 14 and was friends with the boy genius Jordan, when her grandmother had a stroke, her Mom got a job, and Josie herself found the voice she needed to confront her family and speak the truth. Kids at school may call her a "retard," but she is no baby.

Verse novels have two basic pitfalls -- being thin on character development and overdoing on pathos. This novel is guilty of both. It's a nice idea though as there are not a lot of books out there about CP. And the verse itself has several clever moments. But it's not enough to save this rather slight story.

Larger-Than-Life Lara, by Dandy Daley Mackall

When Lara comes to Paris Elementary, the kids in 4th grade can't help but make fun of her size. But no matter how much they tease her and how mean they are to her, she just smiles back and responds with a rhyme. Not that it helps any as the kids (and even the teachers) pick on her. But in the eyes of the narrator (her classmate Laney, who has problems of her own) she is a great hero.

A moderately clever book for middle readers, with an obvious debt to Stargirl. It has a few original additions to the formula (the narrator likes to explain her literary devices and her grammar/voice is authentic). But the narrative has so many loose ends that one wishes the author had tried to do less (for example, cutting out the subplot about Laney's home life, which basically goes nowhere).

Get Well Soon, by Julie Halpern

Anna Bloom recounts her twenty-one days spent in a mental hospital. As expected, the story tracks her recovery from an anxious and nervous young woman to one with slightly more confidence, as she discovers that she can make friends and even find a boyfriend in a supportive environment.

Not a bad novel, but not an overly ambitious story either. There have been plenty of good novels about teenagers in mental institutions. This one simply doesn't do much. Anna's problems are never quite articulated and, in fact, seem to have more to do with the incompetence of her caregivers than any real issues. One gets the sense that her entire treatment experience was a waste, but even that particular angle is not explored.

Madapple, by Christina Meldrum

Aslaug has lived a very isolated life in the wilds of Maine, raised and heavily controlled by her mother. When Mother dies, Aslaug is set adrift but finds the aunt and cousins that she never knew she had. But if life with Mother was a bit odd, her new family is even stranger and things quickly descend into madness. Told in flashback (and in the present through courtroom testimony), we gradually piece together what has happened.

A richly textured book with exotic characters, Madapple is densely written and a bit hard to get through. After 50 or so pages, I began to get comfortable with the style and really enjoy the book, but at midpoint the writing descends into some dry religious history and starts to lecture. Apparently Meldrum became really interested in early Christian thought and wanted to share. There is a point to this (it has some bearing on the plot) but she goes way overboard and I lost interest quickly. The ending is a bit convenient (relying upon that weaker courtroom drama device of the surprise witness). Overall an original and provocative book but it gets a mixed review from me.

The Book of One Hundred Truths, by Julie Schumacher

When Thea goes on vacation to her grandparents' house on the Jersey shore, she is not expecting to find the house full to the brim with family members. Nor is she expecting the gift her mother gives her: a journal in which she is supposed to record 100 true things. But most of all, she is not expecting how difficult it will be to control her compulsive lying and an annoying younger cousin whose persistence may translate to revelation.

A bit gimmicky and the conclusion is not as terribly shocking as it is built up to be. Thea is engaging enough and the targetted demographic (middle readers) will like her, but mostly this story is simply satisfactory. Not bad, but not terribly memorable or outstanding.

Good Enough, by Paula Yoo

Patti is a stereotypical overachieving Asian high schooler with overanxious parents who are convinced that without constant effort there is no way that she's ever going to get into HARVARDYALEPRINCETON. But despite her success, Patti feels that something is lacking and that she is simply not good enough.

While starting with a stereotype, Yoo quickly departs from stock notions, adding a level of detail and depth that make Patti a really likeable character. There is some underdeveloped themes about racism, the story itself is predictable, and it all wraps up a bit too neatly for belief, but even these shortcomings have their own satisfactions. More than your usual guilty pleasure, the story has enough substance and life observations to make it shine. Recommended.

How To Be Bad, by E. Lockhart, Sarah Mlynowski, and Lauren Myracle

Told in alternating voices (presumably by alternating authors), this novel tells the classic road trip story of three girls - rich girl Mel, Christian Jesse (whose Mom has cancer), and Vicks (for whom the road trip to see her boyfriend is officially instigated). Naturally enough, they have little in common when they start and a lot of common ground to bond over by the time they are done, as they trip through Florida and battle alligators, hurricanes, pirates, and few near-miss boyfriends.

Three powerhouse writers and enough publicity surrounding the book to make it hard to ignore, but the overall result is a big disappointment. All three of these writers have done better work on their own. As with Nick and Nora's Infinite Playlist (which I also failed to appreciate as much as the other critics), strong writers don't make good collaborators. There can be some fun in watching the authors fight each other to control the story, but there is a jarring sense as we cross over each chapter that there is no consensus about what the story should really be about? Friendship? Family? Finding inner strength? Alligators? Is the story serious or silly? It's all a bit much. A clever writing workshop project perhaps, but not material for a published novel (unless of course you already have an excellent track record that you can afford to blow). Ignore the hype and skip this book.

Keeping Corner, by Kashmira Sheth

In 1917, 12 year-old Leela's husband is killed by a snake. And while she has never lived with her husband, she is condemned by custom to spend the rest of her life as a shunned widow, starting with a full year of seclusion. Set amidst real political events shaking India at the time, this semi-biographical tribute to the author's great-aunt creates an interesting setting for ordinary adolescent yearnings in extraordinary circumstances.

While the story can get a bit sluggish and repetitive, the setting makes for interesting reading. This is no milestone piece or even a particularly original story, but for a reader unfamiliar with Indian rural culture (i.e., most of us!) this is a decent read. The political angle works less well as it never fully integrates with Leela's search, despite the author's intent.

Love Me Tender, by Audrey Couloumbis

When Elvira's Dad leaves the family to take part in an Elvis impersonation contest in Las Vegas, Mom decides to pack up the family to visit Grandmother. The Grandmother is getting on a bit in years and has a tendency to set the house on fire, but otherwise people mostly just sit around and chat.

A strikingly dull book (which I should have expected since her much more critically-acclaimed novel Bringing Up Baby was similar). Couloumbis does not really have much interest in plot. Instead, her characters mostly sit around and chat. This might make for realism and decent character development, but not for an entertaining read.

The London Eye Mystery, by Siobhan Dowd

When Salim, Kat and Ted's cousin, passes through London on his way to relocate to New York, he begs for a chance to take a ride on the Eye. His cousins take him and the adventure begins when Salim disappears! The adults are unable to figure out what happened, but Ted is on the case. This is all the more surprising as Ted has trouble communicating (he has symptoms that resemble Asperger's Syndrome). But Ted has a sharp mind for details and gradually he unravels what happened to Salim.

I'm reading this in flight to London, so it is strangely appropriate. However, I wouldn't consider the story to be anything spectacular. Dowd does a nice job of creating Ted's unique voice, but the mystery itself is not developed well and the story's pacing is too slow.

[Additional note: while at the Eye's gift shop later in the week, I noticed that they are carrying this book for sale. Cute tie-in!]

Primavera, by Mary Jane Beaufrand

Flora will never have the marital bliss of her sister Domenica or even her mother's affection, but unlike her sister or mother, she enjoys the freedom to come and go around her family's estate Pazzi Palazzo. It is the late 15th century and the setting is Florence. Two of the world's most powerful families (the Pazzi and the Medici) are locked in a bloody conflict that is tearing the city - and Flora's future -- apart. In the chaos that ensues, Flora has to find the strength to survive and help the few people that she can.

Historical novels are drab affairs and ones that are based on true events even more so, but this one actually works as both a bit of stirring action-adventure and as coming-of-age story. There are no deep sentiments here and the too-good-to-be-true ending grates at me a bit, but the novel is still excellent summer reading. So, if you need some period escapist lit, this one is for you!

Lessons from a Dead Girl, by Jo Knowles

When Leah Green dies, Laine begins the process of coming to terms with the legacy of her friendship with Leah. Because this was a "friendship" only to outside eyes. Even in public, Leah teased and humiliated Laine. But it was what Leah did to Laine in the "doll closet" that was the most sinister. In shocking detail, Knowles dissects the nature of an abusive relationship between two alleged BFFs.

This qualifies as a good read, but an extremely upsetting story. The "ick" factor is quite high. For this reason, it won't make my list of books I'm going to re-read any time soon. However, the story is an important one and Knowles's writing is sharp and intelligent. If you have the stomach for it, this is well worth cracking open.

You Know Where To Find Me, by Rachel Cohn

Laura and Miles were cousins, and as close as they could be. And while they appeared to share nothing in common (Laura was petite and popular; Miles overweight and a loner), they were very close. As they grew up and transitioned from fantasy play in the tree house to abusing prescription pain killers, they maintained their tight bond. Laura was always the one who had it together, so when it is Laura who kills herself, no one can believe it. And Miles who has the most trouble struggling to survive without her lifeline.

A bit of a departure for Cohn, this downer novel suffers from a dead plot (pun intended). The theme is grief, but you have probably never seen the phases of sorrow depicted as dull as this. Virtually nothing happens in this story and saddling the plot with an unsympathetic heroine does not really help things along. Give this a pass!

Undercover, by Beth Kephart

Elisa is not the type of girl you notice. She stays out of sight and keeps a low profile. But her way with words makes her useful to lovelorn boys who take the love poems she ghostwrites for them to win the hearts of their girlfriends. But one of her clients (Theo) is special and different, and the poems she writes for him to give to his Lila mean more to her than they could ever mean to Lila or Theo. More inspired by Cyrano de Bergerac than copied, this lyrical love story celebrates the strength to rise out of the shadows and seize the day.

Beautifully written, albeit prone to more than a few digressions, this is a strong YA debut from an author who carved out her credentials in the adult market. There are times when this novel drifts away from the YA world, but Kephart shows much more talent than your usual crossover author. Recommended.

The Canning Season, by Polly Horvath

When Ratchet's mom sends her to Maine for the summer to live with her two maiden "aunts" Tilly and Penpen, no one knows quite what to expect. Certainly not bears and blueberries and phones that you can't ring out on! But as one could expect in a story like this, there are lots of adventures to be had. There are also plenty of surprises in trademark Horvath style with strong quirky characters.

I'm a big fan of Horvath's Everything on a Waffle, which I felt was a clever book that combined life advice with decent recipes. As I noted above, this is a similarly quirky and fun novel. It's not quite as memorable, but it's still a good read.

101 Ways To Dance, by Kathy Stinson

In this slim collection of short stories, we get a variety of topics but all of them deal with teen sexuality in one way or another. Many of the ideas are quite original: sexual desire between kids with Downs Syndrome or kids who are dying of cancer. Some of the stories deal with forbidden topics (like incest). All of the stories address the conflict between physiological desire and parental/adult disapproval. So, as a unifying concept, sex works.

The stories themselves are rough. Some of them are certainly better than others, but none of them really moved me in a significant way. Beyond the yearning and the poignancy of young lust and love, the characters come across as surprisingly flat. Much credit can be given to Stinson for creating so many unique and original stories about sex (while avoiding all the usual stuff), but the stories needed more development and polish. Promising concept but a disappointment.

A Little Friendly Advice, by Siobhan Vivian

At Ruby's 16th birthday, her long-absent Dad suddenly shows up. Ruby is not so pleased to see him again and runs out of her own party screaming. Her friends come after her and offer their support and advice on how to deal with the situation, just as they have always done in the past. However, this time, Ruby begins to realize that the help of friends is not always given without strings attached or some degree of self-interest. And that may pose dangers.

There is some excellent writing going on here, in terms of voice and characterization. Vivian has a good ear for dialog and the action feels very realistic. But the story is a mess. It was a good 80 pages or more before I could truly figure out what the story was even about (I don't read blurbs before I start reading the book). And it floats rather aimlessly about. Yes, there is an ending and a fairly normal narrative, but there is also so much noise and distraction going on that you don't get a story so much as a slice of life. Good writing is not just about capturing people, it's about telling a story -- Vivian needs to do that.

Girl, Going on 17, Pants on Fire, by Sue Limb

In this third book in the series, Jess now has to juggle her boyfriend troubles, an evil substitute teacher, perpetual tardiness, and taking her granny to the doctor's office without underpants. There's a barely-English-literate Japanese boyfriend for Jess's mother and a variety show for good measure. Much hilarity ensues.

The first book in the series was funny, albeit a bit silly at times, but it is harder to accept the proposition that Jess is still so immature yet now actually 17 years old. She always seemed a bit babyish, but now she seems to act like a tween (at best!). I've noted before that British YA seems to be a bit less mature than American. This is a classic example. Sadly, Limb's little franchise is losing steam.

The Adoration of Jenna Fox, by Mary E. Pearson

In the near future, antibiotics have lost their effectiveness, traditional agriculture has been taken over by genetic modification, and medicine has advanced to Frankenstein levels. Yet teenagers are still teenagers and Jenna, having woken a two-year coma after an accident, is searching for the meaning of her life. Her searches bring her far more than she could have expected and soon Jenna must confront questions about parental love gone amok, the meaning of the soul, and what quality of life truly means.

While bearing a superficial resemblance to Haddix's novel, Double Identity, this is a very different novel, and one which is far removed from Pearson's over-lauded A Room on Lorelei Street. The writing can get a bit turgid at times, but there are some fascinating themes raised here (warning: mandatory book review assignment material!). I'd recommend this book simply to give you a chance to read one of the more fascinatingly original YA novels written this year.

Camp Rules, by Jordan Roter

When Penny's parents decide to surprise her on her 16th birthday by sending her to camp for the summer, they don't realize that you can't just start going to camp at 16. It's something that you have to start doing at 8 and grow into. Worse, because of Fern Lake Camp's rules, Penny's been promoted to the elite Bunk One (where the oldest and most-privileged campers are). This doesn't sit well with some of her bunk mates and things get off to a rocky start. Gradually, Penny wins them over and discovers the fun she's been missing.

A lightweight and brisk read. The dialogue sounds authentic (or at least obnoxious enough to my crotchety ears to be authentic!) and the characters have good distinct personalities. But the plot is essentially non-existent. If you like to sit around and listen to a lot of goffy gossip, this could be fun, but I would think that going to camp this summer for real would be a lot more fun than living vicariously through these hijinx.