Where People Like Us Live, by Patricia Cumbie

In the summer before high school, Libby's family moves to Rubbertown WI. Within two weeks, her Dad in on the picket line and Libby is helping her mother make ends meet cleaning houses. But she still finds the opportunity to make a new best friend. At first, this girl (Angie) seems exciting and brave, but when Libby learns that Angie is being abused, she has to decide whether to be loyal to her friend or to stand up for what she believes to be right. She comes to realize that her decision is very much like her father's choice to strike.

Dull. That basically sum s up my review. Misidentified in every review (including my own summary above, but it's hard to find much else of substance to summarize) as a book about friendship and loyalty, the great test that Libby must endure is not even introduced until 80+ pages in and is resolved with very little heartbreak. What this book really is is a mood poem -- a depiction of an environment. It's got vibrant characters but Cumbie avoids any dramtic development. That basically spells out sheer boredom to me.

Love & Lies, by Ellen Wittlinger

In this sequel to Hard Love, the focus has switched to Marisol and things have moved on. Marisol and Gio have learned how to just be friends. Gio has a girlfriend and Marisol is meeting people. Marisol is taking a year off before college and working on his first novel, but she has distractions. At first, she is taken by the shy Midwestern girl Lee but Lee is quickly outshone by the fantastically beautiful writing teacher Olivia and things take off. The relationship with Olivia becomes complicated and Marisol finds that she has trouble balancing it with her friendships and being true to herself.

Hard Love, while Wittlinger's most famous work, is not actually my favorite and sequels will always have an uphill battle with me proving their right to exist. The story is functional but a bit slow. Even a not-so-good Wittlinger book is a decent read, but this is basically a girl-meets-girl story with a better-than-usual conclusion. No groundbreaking work.

Ever, by Gail Carson Levine

In this unusual fairy tale, a mortal girl Kezi is courted by the young god of the winds Olus. When Kezi is condemned to die as a human sacrifice, Olus must find a way to save her. But will it succeed? And if it does work out, will the costs be too high for Kezi? While strongly reminiscent of Arab folklore and customs, this story is set in its own original world with two distinct cultures -- the polytheistic Akka contrasted with the monotheism of Kezi's people in Hyte.

Like Levine's other works, this story has a rich setting and memorable characters. As is typical in her books, Levine combines mythic archetypes with unusual twists giving this romantic epic a truly original flavor while staying rooted in familiarity. A good read.

Saving Juliet, by Suzanne Selfors

Mimi is the fourth generation of an acting dynasty and none too happy about it. She'd rather be getting ready to go to college (pre-med) and not stuck doing Romeo and Juliet with shallow pop idol Troy Summer. And then things take a turn for the weird when a magic charm transports her and Troy into Verona itself. To escape, they end up rewriting the greatest love-tragedy of all time.

I imagine that books like this exist on two planes -- to provide an author with a cute setting to tell a story and also to entice young readers to read classics. But like Ophelia, this story transcends its Shakespearean setting to become both a decent adventure and a heartfelt coming-of-age story. I liked this story a lot, except for a far too conveniently tied-up ending (I would actually recommend skipping the last too chapters altogether -- what was her editor thinking?!).

Exodus, by Julie Bertagna

In under a century, Earth has been almost entirely submerged under water from the melting of the polar ice caps. As Mara's island shrinks away, she becomes convinced of the existence of sky cities where the people of her island can find a new home. But leading her people to this promised land, she finds a situation this is horrifying. And now she has a mission to do more than just save her people -- she must find a way to right a historical mistake.

A great premise with an imaginative vision of what the world could become. But like that old Kevin Costner gem Water World, this novel suffers from incoherent storytelling. Bertagna is obviously impatient to get her story from one dramatic turn to another, and she sacrifices character development to do so. The result is reader confusion and exasperation. A missed opportunity.

All We Know of Heaven, by Jacqueline Mitchard

Bridget and Maureen were both cheerleaders in their small Minnesota town and also best friends, until an accident claims the life of one of them. A case of mistaken identity causes the town and the families to mourn the passing of the wrong girl. And the aftermath of this second tragedy tears apart friendships and kindles new ones.

Billed as a YA novel, this really isn't one -- it has teen-aged characters but the story is neither specific to adolescence nor told in an adolescent voice. This is not in itself a problem, but for me the story mostly fails for being plotless. Instead of telling a story, Mitchard starts with the seminal climax and just wanders for a year or so afterwards, bringing up interesting vignettes. It's a popular modern writing convention, but one that doesn't work for me. I was left wondering what was the point of the story?

The Patron Saint of Butterflies, by Cecilia Galante

Agnes and Honey are close friends but have been growing apart. Agnes still adheres to the rules of the religious commune in which they grew up, while Honey is straying from the path. A surprise visit from Agnes's grandmother leads to an equally unexpected trip and causes both girls to confront their pasts and what they really want in their future lives.

The not-so-kind portrayal of religious fanatics is probably a bit too much, but it sets up an interesting background for this fairly by-the-numbers adventure. Suspense is kept to a minimum and the plot twists are predictable, but this is a decent read and we can look forward to more from Galante.

Hush, by Donna Jo Napoli

In this sprawling epic, based loosely on a real Irish princess of the Tenth Century, Melkorka goes from Ireland to captivity as a slave in Russia to a new life in Iceland -- a grand journey indeed! But she is also an unusual heroine: finding strength (and her "voice") through silence even as she loses everything around her that she values and everyone that she loves.

Napoli continues to be one of the strongest writers of YA historical fiction (and also myth/fairy tale retellings), combining rich details about the epoch and its customs with good storytelling. While this particular novel never really rises above the genre to make a significant point, it is an entertaining read and an engrossing story. As fair warning, the events in this novel may be a bit intense for younger readers, but even at those moments, Napoli is never exploitative.

The Missing Girl, by Norma Fox Mazer

There are five girls in the Herbert family, which is a lot of mouths to feed and times are not good. But as the family struggles with money and the girls go through typical sibling issues, no one notices the man in the gray coat who is watching them. He's the kind of person you pay no mind to until it's too late. One day, one of the girls goes missing.

There are two reasons I ended up really disliking this book. The first reason is the Ick Factor. The entire premise of the story (kidnapping and child molestation) was totally unnecessary. The second problem for me was the pointlessness of the story. Made up of unconnected ideas and undeveloped plotlines, the story (such as it is) meanders around. What was the point? Entertainment? (that's a sick thought, although the book is actually just boring) Education? (no lesson is ever taught -- neither characters nor reader learn anything) Message? (hardly present, beyond the ol' don't-talk-to-strangers chestnut) Pass!

Wake, by Lisa McMann

Since she was eight years-old, Janie has been able to see other peoples' dreams. But it isn't just about knowing what people dream about, she actually gets sucked into the dreams. And what started as an annoyance on sleepovers has become a serious liability now that Janie is 17 and getting ready for college. Then an encounter with an elderly lady and a friendship with a stoner-outcast boy (who has an uncanny ability to directly communicate with her in his dreams) sends Janie off in a new career direction with fascinating potential.

A strange and interesting premise that veers into weird territory in the end. Things are not helped by the writing style, which is intended to simulate dreaming, but comes out clunky and awkward. The characters never really develop and I found myself feeling cut off from any emotional connection with them. Great idea but the story just didn't deliver. But if you like this one, you can look forward to the sequel coming out in 2009.

What Happened to Lani Garver, by Carol Plum-Ucci

When the majorly androgynous Lani shows up in the Jersey Shore island of Hackett, his looks raise a lot of suspicion. It is only a matter of time before the rumors and accusations start to surface. But Claire doesn't believe any of it and, as she expresses doubt, the hostility she encounters from the people she grew up around leaves her wondering why all of the fuss is happening and leads her to question events from her past. Far too quickly, things come to a deadly head.

This is an ugly story with a nasty edge. It is hard to not come to the conclusion that the author hates small towns with her demonization of the people of Hackett. The characters are overwhelming weak or repulsive and the story shies away from any moments of redemption. There are some nice observations about group think and denial, but they are drowned in an unrelenting mean streak. The subplot about angels becomes rather meaningless in the end, and is largely used as an excuse to temper the horrific ending with fuzziness.

Alive and Well in Prague, New York, by Daphne Grab

When Matisse's father gets so sick with Parkinson's that he can no longer do his sculpture, her parents decide to move out of New York City and go Upstate to the tiny town of Prague, where excitement is a hayride and the art teacher does not know the difference between Matisse and Monet. It's a rough transition for Matisse and she does little to ingratiate herself into Prague's cliques. But then, she is also struggling to accept her father's condition and deal with her mother's denial.

As with the last book I reviewed, this one has a good premise for a story, but Grab's novel lacks subtlety. The narrator's voice (which never sounds authentically adolescent, but rather borders between selfish and jarringly reflective) does not quite work for me and the resulting story is clunky. I liked what the author was trying to do, but I can't really recommend the book.

The Other Half of Me, by Emily Franklin

Jenny is the odd one out in her family. They are all physically adept and athletic, while Jenny is clumsy and uncoordinated. Jenny isn't sure where her talents lie, but it may be in art, if she can ever finish a painting. But even if it is, her family couldn't care less. But there is more: Jenny is the offspring of a sperm donor and only a half-sibling to her brother and sisters. Feeling not only like an outsider, but also as if she is missing a half, she searches for (and finds) a half-sister (from the same donor). But meeting her half-sister has a complicated impact on her family and herself.

An interesting premise with some nuanced understanding of human interaction, but the parents go from clue-less to caring far too easily for me and everything wraps up too neatly. The conflicts are set up a bit too artificially and fall away without a struggle. Without any tension and a minimum of character evolution, this is a functional story, but no more.

How To Build A House, by Dana Reinhardt

Harper decides to spend the summer doing some good for the world by joining a group of teens who are helping a family in Tennessee rebuild their house after it has been destroyed by a tornado. But this trip is more about running away from her disintegrating family at home than learning to build a house. However, as far away from her family as she has gone, she can't quite escape reminders of what is back there. And the friendships she will develop in the summer will simply complicate those issues.

I liked Reinhardt's previous Harmless a lot and Brief Chapter in My Impossible Life was a near perfect pick for me, but this latest effort never quite engages me. Perhaps it is the story itself rather than the writer. Reinhardt, in my opinion, is fast rising to challenge Sarah Dessen's mantle as the Queen of YA, and How To Build A House has the same beautiful writing of her previous works. It still has the great insights that make you sigh. But I found the flashbacks to her past at home to be quite jarring and the housebuilding analogy was overextended. This is a good book, but not her best one.

The Compound, by S. A. Bodeen

Six years ago, Eli's father evacuated the family to an underground shelter to save them as the bombs started to fall and before nuclear winter descended on the planet. But after all these years trapped underground, Eli and his sisters have grown suspicious that there are secrets being withheld from them. This becomes more pressing as conditions grow more desperate. Their food supply is running out and Dad has turned to drastic measures.

A surprisingly gripping story, despite the fact that you really do know how it is going to end. Good pacing and a decent number of twists and turns keep things interesting up to the conclusion. As a result, this story ends up being a decent action/suspense piece with enough of a human element to keep it engaging. A few days after reading it, I'm questioning a few of the weaker plot points, but while I was reading, I was pretty engrossed.

Ghostgirl, by Tonya Hurley

The problem with dying to be popular is that if you want it too much, you may in fact really die. Or, at least, that is the premise of this wickedly funny satire of teen angst. After a fatal choking incident involved a gummy bear, Charlotte goes from being invisible at her school to being dead. This actually changes things for the better as people start to see her and she may yet win a chance to snag the boy of her dreams and go to the Fall Dance with him. But first, she must pass Dead Ed, convince the school's goth girl to switch bodies with her, and deal with the horrid Prue (who is to the Afterlife what snotty cheerleader Petula is to the high school). After all, it's a matter of life or.... (well, you get the idea!).

An extraordinarily clever story that finds the meeting point between self-absorbed adolescent melodrama, gothic romance, and horror -- a surprisingly compatible mixture -- and stirs in some pee-in-your-pants one-liners and cultural references from at least three decades of YA/horror/high school. My personal favorite was the Dead Ed movie (a direct reference to the sex-ed movies of the early 80s that I was subjected to) - yes, your body is indeed changing! OMG! The first 100 pages of this quick read had me dying from laughter.

That said, the cleverness is marred a bit by a plot that veers off into weirdo land in the next 100 pages and never really comes back up for air. Hurley never loses her satirical edge (although some of the puns get tired), but the story could have used some rethinking. That is a terrible shame since the boom is otherwise an enjoyable romp!

A Curse Dark as Gold, by Elizabeth C. Bunce

In this retelling of the classic fairy tale Rumpelstiltskin, the Miller family's spinning mill has survived under The Curse for many years. Ranging from little things like windows that break for no reason to the fact that no male offspring born at the house has lived to adulthood, the family has had a lot of bad luck! But as the last living Miller daughters attempt to keep things together, a stranger shows up who can perform miracles, and he promises to fix their promises. Instead, the truth is somewhat more complicated.

Rich and engrossing, this fairly long novel (nearly 400 pages) is well worth the read. This complex story is blessed with excellent delivery as all of the pieces fall into place as the mysteries are revealed. Add to the deft storytelling some wonderful historical and cultural detail about the period (late 18th century wool spinners) and you get quite a gem!

And what can you say about one of the prettiest covers of the year so far in YA!

The Vanishing Point, by Susan Bonners

Kate comes to the beach to spend the Summer with the Harris family (friends of her parents) and their daughter Alison. Kate and Alison spend the Summer trying out the 44 flavors of ice cream at the Purple Cow, rescuing orphaned animals, and taking art lessons. An impulse purchase at an auction launches Kate on an investigation into the history of a local famed artist.

Random and poorly written, this is a rough read. The subplot about the mysterious painting is interesting, but most of the book is jumbled. The plots that do develop are missing key points and at the same time, the author finds space for significant unrelated digressions. A mess!

North of Beautiful, by Justina Chen Headley

Terra is a strikingly beautiful young woman at first glance. But when people see the large flaw on her face, they always cringe. Between that and her abusive father and beatten-down mother, Terra has struggled to come out of her shell. But when an accident and a terrible Christmas gathering send Terra and her mother into the globe-trotting unknown, things start to change.

An unusual premise ripe with potential and a story with a comfortable predictableness. Yes, you know that Terra is going to find herself and recognize her true potential at the end. Yes, the metaphors sometimes come on a bit too heavy. But there are wonderful surprises in this book and scenes (like the one in the orphanage) that will have your eyes welling up. Headley makes the story poignant without being exploitative (a very tricky and important balance). And the ending - while predictable - is satisfying and sufficient.

Don't look for this one in stores yet. It's a rare (for me) advance reading copy (thank you!). It won't be out in general release untyil February 2009. But put it on your wish list now because it is well worth reading!

Reaching for Sun, by Tracie Vaughn Zimmer

Josie has cerebral palsy. In verse, Josie tells us about an eventful year, when she turned 14 and was friends with the boy genius Jordan, when her grandmother had a stroke, her Mom got a job, and Josie herself found the voice she needed to confront her family and speak the truth. Kids at school may call her a "retard," but she is no baby.

Verse novels have two basic pitfalls -- being thin on character development and overdoing on pathos. This novel is guilty of both. It's a nice idea though as there are not a lot of books out there about CP. And the verse itself has several clever moments. But it's not enough to save this rather slight story.

Larger-Than-Life Lara, by Dandy Daley Mackall

When Lara comes to Paris Elementary, the kids in 4th grade can't help but make fun of her size. But no matter how much they tease her and how mean they are to her, she just smiles back and responds with a rhyme. Not that it helps any as the kids (and even the teachers) pick on her. But in the eyes of the narrator (her classmate Laney, who has problems of her own) she is a great hero.

A moderately clever book for middle readers, with an obvious debt to Stargirl. It has a few original additions to the formula (the narrator likes to explain her literary devices and her grammar/voice is authentic). But the narrative has so many loose ends that one wishes the author had tried to do less (for example, cutting out the subplot about Laney's home life, which basically goes nowhere).

Get Well Soon, by Julie Halpern

Anna Bloom recounts her twenty-one days spent in a mental hospital. As expected, the story tracks her recovery from an anxious and nervous young woman to one with slightly more confidence, as she discovers that she can make friends and even find a boyfriend in a supportive environment.

Not a bad novel, but not an overly ambitious story either. There have been plenty of good novels about teenagers in mental institutions. This one simply doesn't do much. Anna's problems are never quite articulated and, in fact, seem to have more to do with the incompetence of her caregivers than any real issues. One gets the sense that her entire treatment experience was a waste, but even that particular angle is not explored.

Madapple, by Christina Meldrum

Aslaug has lived a very isolated life in the wilds of Maine, raised and heavily controlled by her mother. When Mother dies, Aslaug is set adrift but finds the aunt and cousins that she never knew she had. But if life with Mother was a bit odd, her new family is even stranger and things quickly descend into madness. Told in flashback (and in the present through courtroom testimony), we gradually piece together what has happened.

A richly textured book with exotic characters, Madapple is densely written and a bit hard to get through. After 50 or so pages, I began to get comfortable with the style and really enjoy the book, but at midpoint the writing descends into some dry religious history and starts to lecture. Apparently Meldrum became really interested in early Christian thought and wanted to share. There is a point to this (it has some bearing on the plot) but she goes way overboard and I lost interest quickly. The ending is a bit convenient (relying upon that weaker courtroom drama device of the surprise witness). Overall an original and provocative book but it gets a mixed review from me.

The Book of One Hundred Truths, by Julie Schumacher

When Thea goes on vacation to her grandparents' house on the Jersey shore, she is not expecting to find the house full to the brim with family members. Nor is she expecting the gift her mother gives her: a journal in which she is supposed to record 100 true things. But most of all, she is not expecting how difficult it will be to control her compulsive lying and an annoying younger cousin whose persistence may translate to revelation.

A bit gimmicky and the conclusion is not as terribly shocking as it is built up to be. Thea is engaging enough and the targetted demographic (middle readers) will like her, but mostly this story is simply satisfactory. Not bad, but not terribly memorable or outstanding.

Good Enough, by Paula Yoo

Patti is a stereotypical overachieving Asian high schooler with overanxious parents who are convinced that without constant effort there is no way that she's ever going to get into HARVARDYALEPRINCETON. But despite her success, Patti feels that something is lacking and that she is simply not good enough.

While starting with a stereotype, Yoo quickly departs from stock notions, adding a level of detail and depth that make Patti a really likeable character. There is some underdeveloped themes about racism, the story itself is predictable, and it all wraps up a bit too neatly for belief, but even these shortcomings have their own satisfactions. More than your usual guilty pleasure, the story has enough substance and life observations to make it shine. Recommended.

How To Be Bad, by E. Lockhart, Sarah Mlynowski, and Lauren Myracle

Told in alternating voices (presumably by alternating authors), this novel tells the classic road trip story of three girls - rich girl Mel, Christian Jesse (whose Mom has cancer), and Vicks (for whom the road trip to see her boyfriend is officially instigated). Naturally enough, they have little in common when they start and a lot of common ground to bond over by the time they are done, as they trip through Florida and battle alligators, hurricanes, pirates, and few near-miss boyfriends.

Three powerhouse writers and enough publicity surrounding the book to make it hard to ignore, but the overall result is a big disappointment. All three of these writers have done better work on their own. As with Nick and Nora's Infinite Playlist (which I also failed to appreciate as much as the other critics), strong writers don't make good collaborators. There can be some fun in watching the authors fight each other to control the story, but there is a jarring sense as we cross over each chapter that there is no consensus about what the story should really be about? Friendship? Family? Finding inner strength? Alligators? Is the story serious or silly? It's all a bit much. A clever writing workshop project perhaps, but not material for a published novel (unless of course you already have an excellent track record that you can afford to blow). Ignore the hype and skip this book.

Keeping Corner, by Kashmira Sheth

In 1917, 12 year-old Leela's husband is killed by a snake. And while she has never lived with her husband, she is condemned by custom to spend the rest of her life as a shunned widow, starting with a full year of seclusion. Set amidst real political events shaking India at the time, this semi-biographical tribute to the author's great-aunt creates an interesting setting for ordinary adolescent yearnings in extraordinary circumstances.

While the story can get a bit sluggish and repetitive, the setting makes for interesting reading. This is no milestone piece or even a particularly original story, but for a reader unfamiliar with Indian rural culture (i.e., most of us!) this is a decent read. The political angle works less well as it never fully integrates with Leela's search, despite the author's intent.

Love Me Tender, by Audrey Couloumbis

When Elvira's Dad leaves the family to take part in an Elvis impersonation contest in Las Vegas, Mom decides to pack up the family to visit Grandmother. The Grandmother is getting on a bit in years and has a tendency to set the house on fire, but otherwise people mostly just sit around and chat.

A strikingly dull book (which I should have expected since her much more critically-acclaimed novel Bringing Up Baby was similar). Couloumbis does not really have much interest in plot. Instead, her characters mostly sit around and chat. This might make for realism and decent character development, but not for an entertaining read.

The London Eye Mystery, by Siobhan Dowd

When Salim, Kat and Ted's cousin, passes through London on his way to relocate to New York, he begs for a chance to take a ride on the Eye. His cousins take him and the adventure begins when Salim disappears! The adults are unable to figure out what happened, but Ted is on the case. This is all the more surprising as Ted has trouble communicating (he has symptoms that resemble Asperger's Syndrome). But Ted has a sharp mind for details and gradually he unravels what happened to Salim.

I'm reading this in flight to London, so it is strangely appropriate. However, I wouldn't consider the story to be anything spectacular. Dowd does a nice job of creating Ted's unique voice, but the mystery itself is not developed well and the story's pacing is too slow.

[Additional note: while at the Eye's gift shop later in the week, I noticed that they are carrying this book for sale. Cute tie-in!]

Primavera, by Mary Jane Beaufrand

Flora will never have the marital bliss of her sister Domenica or even her mother's affection, but unlike her sister or mother, she enjoys the freedom to come and go around her family's estate Pazzi Palazzo. It is the late 15th century and the setting is Florence. Two of the world's most powerful families (the Pazzi and the Medici) are locked in a bloody conflict that is tearing the city - and Flora's future -- apart. In the chaos that ensues, Flora has to find the strength to survive and help the few people that she can.

Historical novels are drab affairs and ones that are based on true events even more so, but this one actually works as both a bit of stirring action-adventure and as coming-of-age story. There are no deep sentiments here and the too-good-to-be-true ending grates at me a bit, but the novel is still excellent summer reading. So, if you need some period escapist lit, this one is for you!

Lessons from a Dead Girl, by Jo Knowles

When Leah Green dies, Laine begins the process of coming to terms with the legacy of her friendship with Leah. Because this was a "friendship" only to outside eyes. Even in public, Leah teased and humiliated Laine. But it was what Leah did to Laine in the "doll closet" that was the most sinister. In shocking detail, Knowles dissects the nature of an abusive relationship between two alleged BFFs.

This qualifies as a good read, but an extremely upsetting story. The "ick" factor is quite high. For this reason, it won't make my list of books I'm going to re-read any time soon. However, the story is an important one and Knowles's writing is sharp and intelligent. If you have the stomach for it, this is well worth cracking open.

You Know Where To Find Me, by Rachel Cohn

Laura and Miles were cousins, and as close as they could be. And while they appeared to share nothing in common (Laura was petite and popular; Miles overweight and a loner), they were very close. As they grew up and transitioned from fantasy play in the tree house to abusing prescription pain killers, they maintained their tight bond. Laura was always the one who had it together, so when it is Laura who kills herself, no one can believe it. And Miles who has the most trouble struggling to survive without her lifeline.

A bit of a departure for Cohn, this downer novel suffers from a dead plot (pun intended). The theme is grief, but you have probably never seen the phases of sorrow depicted as dull as this. Virtually nothing happens in this story and saddling the plot with an unsympathetic heroine does not really help things along. Give this a pass!

Undercover, by Beth Kephart

Elisa is not the type of girl you notice. She stays out of sight and keeps a low profile. But her way with words makes her useful to lovelorn boys who take the love poems she ghostwrites for them to win the hearts of their girlfriends. But one of her clients (Theo) is special and different, and the poems she writes for him to give to his Lila mean more to her than they could ever mean to Lila or Theo. More inspired by Cyrano de Bergerac than copied, this lyrical love story celebrates the strength to rise out of the shadows and seize the day.

Beautifully written, albeit prone to more than a few digressions, this is a strong YA debut from an author who carved out her credentials in the adult market. There are times when this novel drifts away from the YA world, but Kephart shows much more talent than your usual crossover author. Recommended.

The Canning Season, by Polly Horvath

When Ratchet's mom sends her to Maine for the summer to live with her two maiden "aunts" Tilly and Penpen, no one knows quite what to expect. Certainly not bears and blueberries and phones that you can't ring out on! But as one could expect in a story like this, there are lots of adventures to be had. There are also plenty of surprises in trademark Horvath style with strong quirky characters.

I'm a big fan of Horvath's Everything on a Waffle, which I felt was a clever book that combined life advice with decent recipes. As I noted above, this is a similarly quirky and fun novel. It's not quite as memorable, but it's still a good read.

101 Ways To Dance, by Kathy Stinson

In this slim collection of short stories, we get a variety of topics but all of them deal with teen sexuality in one way or another. Many of the ideas are quite original: sexual desire between kids with Downs Syndrome or kids who are dying of cancer. Some of the stories deal with forbidden topics (like incest). All of the stories address the conflict between physiological desire and parental/adult disapproval. So, as a unifying concept, sex works.

The stories themselves are rough. Some of them are certainly better than others, but none of them really moved me in a significant way. Beyond the yearning and the poignancy of young lust and love, the characters come across as surprisingly flat. Much credit can be given to Stinson for creating so many unique and original stories about sex (while avoiding all the usual stuff), but the stories needed more development and polish. Promising concept but a disappointment.

A Little Friendly Advice, by Siobhan Vivian

At Ruby's 16th birthday, her long-absent Dad suddenly shows up. Ruby is not so pleased to see him again and runs out of her own party screaming. Her friends come after her and offer their support and advice on how to deal with the situation, just as they have always done in the past. However, this time, Ruby begins to realize that the help of friends is not always given without strings attached or some degree of self-interest. And that may pose dangers.

There is some excellent writing going on here, in terms of voice and characterization. Vivian has a good ear for dialog and the action feels very realistic. But the story is a mess. It was a good 80 pages or more before I could truly figure out what the story was even about (I don't read blurbs before I start reading the book). And it floats rather aimlessly about. Yes, there is an ending and a fairly normal narrative, but there is also so much noise and distraction going on that you don't get a story so much as a slice of life. Good writing is not just about capturing people, it's about telling a story -- Vivian needs to do that.

Girl, Going on 17, Pants on Fire, by Sue Limb

In this third book in the series, Jess now has to juggle her boyfriend troubles, an evil substitute teacher, perpetual tardiness, and taking her granny to the doctor's office without underpants. There's a barely-English-literate Japanese boyfriend for Jess's mother and a variety show for good measure. Much hilarity ensues.

The first book in the series was funny, albeit a bit silly at times, but it is harder to accept the proposition that Jess is still so immature yet now actually 17 years old. She always seemed a bit babyish, but now she seems to act like a tween (at best!). I've noted before that British YA seems to be a bit less mature than American. This is a classic example. Sadly, Limb's little franchise is losing steam.

The Adoration of Jenna Fox, by Mary E. Pearson

In the near future, antibiotics have lost their effectiveness, traditional agriculture has been taken over by genetic modification, and medicine has advanced to Frankenstein levels. Yet teenagers are still teenagers and Jenna, having woken a two-year coma after an accident, is searching for the meaning of her life. Her searches bring her far more than she could have expected and soon Jenna must confront questions about parental love gone amok, the meaning of the soul, and what quality of life truly means.

While bearing a superficial resemblance to Haddix's novel, Double Identity, this is a very different novel, and one which is far removed from Pearson's over-lauded A Room on Lorelei Street. The writing can get a bit turgid at times, but there are some fascinating themes raised here (warning: mandatory book review assignment material!). I'd recommend this book simply to give you a chance to read one of the more fascinatingly original YA novels written this year.

Camp Rules, by Jordan Roter

When Penny's parents decide to surprise her on her 16th birthday by sending her to camp for the summer, they don't realize that you can't just start going to camp at 16. It's something that you have to start doing at 8 and grow into. Worse, because of Fern Lake Camp's rules, Penny's been promoted to the elite Bunk One (where the oldest and most-privileged campers are). This doesn't sit well with some of her bunk mates and things get off to a rocky start. Gradually, Penny wins them over and discovers the fun she's been missing.

A lightweight and brisk read. The dialogue sounds authentic (or at least obnoxious enough to my crotchety ears to be authentic!) and the characters have good distinct personalities. But the plot is essentially non-existent. If you like to sit around and listen to a lot of goffy gossip, this could be fun, but I would think that going to camp this summer for real would be a lot more fun than living vicariously through these hijinx.

The Shakeress, by Kimberley Heuston

In the late 1820s, tragedy strikes Naomi's family as her parents and younger brother are killed in a fire. Like a period melodrama, they are sent to live in the uncaring arms of Aunt Thankful, but Naomi comes to realize that their salvation lies with joining the Shakers. And while that provides comfort, it only temporarily delays Naomi's own realization that her place lies elsewhere. Through years of searching, Naomi attempts to find that place for herself.

An unusual historical novel and an even more unusual YA story, Heuston walks a fine line between historical accuracy and anachronistic feminine empowerment, but the result is a beautiful piece that is true to both history and character. Nice period details and a heroine who is both strong and believable. As one reviewer noted, the writing also beautifully depicts the spiritual dimension of Naomi's search. That's icing on the cake in the remarkable work.

The Talented Clementine, by Sara Pennypacker

In this sequel, Clementine is still getting in trouble and having trouble paying attention. Third grade is doing a Talent-palooza and everyone has something to perform except Clementine. But just as the big show cames, Clementine and her teachers discover her hidden talent (and it isn't getting in trouble).

For younger readers, this continues to be a really strong series (in the tradition of Ramona or Judy Moody). It's funny for both younger and older readers, with a gentle and kind world view. For whenever you need a break from the dreariness of YA or adult novels and just want a laugh, Clementine does it for me!

Sweethearts, by Sara Zarr

In this beautiful and poignant story, Jenna has to confront her past when her childhood sweetheart Cameron returns from the dead and shows up at her school in her senior year. Her friends and boyfriend assume that Cameron and Jenna have a romantic thing going on, but it is much more complicated than that. While never able to adequately explain their emotions, Jenna and Cameron both learn a great deal about themselves and their relationships with others through the experience.

A surprisingly spare yet emotionally intense novel. The beginning and end are notably outstanding. Zarr's previous Story of a Girl was a great (albeit mildly flawed) book, but she is building up her talents. In this case, I found the middle section a bit dull and lacking direction, but the bookends make up for it quite adequately. Anyone who isn't crying through the last chapter has a heart of stone. Highly recommended.

The Girlfriend Project, by Robin Friedman

Reed Walton is a senior and has always been a bit of an outcast, the kind of guy who Marsha Peterson laughed at in freshman year when he asked her out on a date. But Reed has grown two inches over the summer, gotten contacts, and lost his braces. Now he's ready to find his first girlfriend. And with some help from his best friends Ronnie and Lonnie he's having more success than he ever thought possible. Reed has gotten used to his loser-dork status, so the discovery that his new self turns heads is quite a surprise. Moreover, he finds that getting a date is not only no longer a problem, but that he has to pry them away. Now, if he could only get the girl of his dreams!

The strength of this story is the way it brings up so many familiar discussions about dating (the types of questions we have all discussed at one time or another), exploring the unbalanced rituals of the process and exploring what it really is all about. As an actual story, the plot drags a bit at the end but it does pull a last minute satisfying conclusion.

It's also a bit hard for me to relate to the story as I was never much of a casual dater as a teen (although ironically I did a bit much more recently as an adult). But I suspect that for those who have gone through the whole dating scene, there's plenty to recognize here.

Perfect You, by Elizabeth Scott

Kate's life is falling apart. Her father has quit his job to sell stupid vitamins at the mall. As a result, her family is falling into debt, her parents are fighting, everyone at school is making fun of her, and she has to work with her Dad while he does nothing to stop the decline. Worse still, he best friend is not really speaking to her anymore. To make life even more complicated, there's a guy she doesn't like (or maybe she does!) who may like her (but he probably doesn't!). Kate is convinced that no matter how hard she tries to make things work out, that they just won't. And it's not worth trying. This attitude in turn basically creates self-fulfilling prophecies, but she is blind to that effect.

While the characters feel very realistic in their flaws, this does not make them particularly likable protagonists. I would hope that readers will see how destructive and arrogant the depicted behaviors are. I would hope that readers would draw the conclusion that these are not lives to emulate. But I'm not convinced that they will. And having such an anti-hero at the center of the story makes this a hard read.

Peeled, by Joan Bauer

Hildy has a talent for investigative journalism (much like her deceased father). When strange events start to happen in her sleepy Upstate New York apple-growing town, she knows something is rotten to the core. The arrival of ghosts, psychics, and real-estate developers adds no comfort. But what can you do about it when you are just working on a school newspaper?

Most of Bauer's stories are the same (hard-working teen outsmarts corrupt elders and usually gets a boyfriend in the process). All that changes from novel to novel is the overallarea of interest (waiting on tables, growing squashes, selling shoes, etc.). This recent novel is particularly reminescent of Hope Was Here. Why mess with success? And, admittedly, Peeled is a satisfying story. So, file this in the Guilty Pleasures category. If you like her other stories, you'll like this one. But if you've never read anything by her before, start with Hope Was Here or Squashed instead.

The Girl I Wanted To Be, by Sarah Grace McCandless

Presley (named after Elvis) has always idolized her Aunt Betsi, even though Betsi is only a few years older and has more than a few noticeable flaws (alcoholism most noticeably). But in this period coming-of-age novel, Presley comes to realize that the adults around her have much bigger issues than she does. As she witnesses the collapse of her perfect world, she gains appreciation for her own strength.

No one can deny that this is an unusual YA novel, focusing far more on the adults than the kids, and playing around with the narrative to shift the usual dramatic arc (conclusions coming first, timelines rejigged, etc.). The book gets high marks for originality and even for writing. However, I found it to still be a hard book to engage me. The characters did not appeal and I felt like they were keeping me at arm's length. I just didn't care. I realize that that is a particularly personal reaction and others may find this to be absolutely fantastic.

Just for You to Know, by Cheryl Harness

When Carmen's family moves to their new town, she can't imagine anything worse than the embarrassment that her large family causes her. As the eldest and the only girl, her brothers are an endless source of pain and suffering. But then the arrival of a baby sister and a tragic loss raises the stakes and Carmen comes to realize that life can be a lot worse and there are bigger issues to worry about.

Set in 1963, the novel is speckled with gratuitous historical references (not to the culture or mores of the time, but just headlines) that seem designed to make the book educational (in the dull sense). The story itself is fine, but not outstanding, and this is mostly an average read. Since I'm not a big fan of historical fiction (and this one doesn't really need its historical setting for anything), I did not enjoy this one very much.

Safe, by Susan Snow

Tracy can divide her life into two halves: the first half when everything was normal and the second where nothing feels safe anymore (as a result of a sexual assault). The event leaves her afraid and vulnerable, scare that her assailant could be around any corner. Agoraphobia drives her indoors and causes her to shut herself off from her friends. But she finds comfort in music and slowly pulls herself together.

While a compelling idea (to write about the healing process), this is a difficult story to tell. Healing is a subtle process and Shaw is wise to avoid any quick fixes. But in shooting for realism, she ends up with a slow and sluggish story. I admire the effort but I never felt engaged by the story. A valiant, but ultimately failing, effort.

Remembering Raquel, by Vivian Vande Velde

After Raquel is struck by a car and dies, various people (friends, schoolmates, teachers, family, etc.) gather for her memorial and share their thoughts -- not aloud, but rather to themselves. And, in each short chapter, those inner thoughts are given voice, creating an image of the world that Raquel lived in.

The concept is a good one, but never quite pans out for me in this novel. Some of the chapters are poignant and meaningful (even revealing) but most are stereotypes (shallow popular girl, geeky nerd, etc.) and some are even trite. The resulting work seems disconnected and random (with both good and bad parts). An overall miss.

Lock and Key, by Sarah Dessen

Ruby almost made it to her 18th birthday without anyone finding out that she was living on her own since Mom left her. She would have made it if the dryer hadn't broken down and the landlords noticed that she was alone in the house and then called social services. But this set-back has striking good fortune attached to it as Ruby is reunited with her older sister (who left home ten years before) and her new family. And as Ruby adjusts to her new school, new friends, and new life, she explores the meaning of the word "family" and everything it encompasses.

As long-time readers of this BLOG know, I'm not a big fan of the parents-abandoning-children motif, but if someone could rescue this boiler-plate, it would be Sarah Dessen. It's been pointed out to me that Dessen is one of the best developers of characters (each of hers have depth and personality, no matter how small of a role they have), but I've always been more of a fan of her wistful language. There's less of that here than I would like, but the novel is certainly a good one. It won't rank up with Dreamland or Someone Like You (my favorites) but it is still an excellent addition to her pantheon. There are even a few Easter Eggs in this one (as she has done in most of her recent novels) to reward the loyal readers. And, in keeping with current trends as well, this novel's theme (family) is fairly consistently played throughout, albeit sometimes with a bit of a sledgehammer.

What kills me though is how poorly Dessen gets treated by YALSA and the professional librarian clique. I guess it is because she doesn't have a lot of multicultural characters in her stories or perhaps it is bias against the commercial success of her work, but it seems grossly unfair. Without a doubt, Dessen is one of the best YA writers currently working. Her books are not fluffy Gossip Girls trash nor even as lightweight as Meg Cabot (now, don't get me wrong, I like Cabot too, but she's a guilty pleasure) and she deserves some recognition for them. But while I see her novels get nominated on the YALSA BBYA lists, it never goes further than that.