Summer Girls, by Jennifer Dugan

Birdie is an obsessed social media influencer who ignominiously crashed her boyfriend's car on a live broadcast (it was justified -- she'd just caught him cheating on her).  As the daughter of a real estate mogul who is gentrifying their summer community -- a quaint small beach town -- she's hardly a popular figure locally.

Cass is the local who long ago swore off having anything to do with "summer girls" (the ones who come to the beach only during the season and then flip you off when they return to their real homes in August.  And as the daughter of the man running a non-profit that fights the aforementioned gentrification, she has every reason to distrust Birdie and her family.

But as a consequence of the car crash, Birdie is forced to give up her socials and Cass is hired to watch over and babysit her.  The two girls initially despise each other but soon enough become good friends and lovers.  That doesn't remove the class-based tensions between them.

With a predictable format and setting, it takes above-average characters to redeem this beach read.  The girls and their class awareness have enough depth to make them interesting to watch.  Unfortunately, the story stumbles at key points as it tries to explain changes that, while necessary for the conclusion, are sudden and implausible.  Having done such a good job of showing why Bridie and Cass should not be able to make peace, the fact that they do needs to be better justified and explained.  The final coming together and Grand Speech is pure Hollywood and felt forced, robbing the story of the emotional punch it called for.

Love Points to You, by Alice Lin

When Lynda's father gets remarried and Lynda gains a stepsister, it seems like it is Lynda who always has to make the sacrifices.  While Lynda is always having to forego things, the same rules don't seem to apply to her stepsister Josie.  Josie gets a practice room to work on her violin, a private tutor to help her get ready for recitals, and the support of the family to help get her into an elite music program after high school.  While Lynda's Buncleaver series is a minor commercial success already, Linda doesn't get private spaces or private trainers.  And when Lynda brings up wanting to attend RISD, her father demurs that it's too expensive.  So, Lynda realizes that if she's going to succeed, she's going to have to do it all on her own, and in spite of her family.

Good fortune falls into her lap.  Angela, a classmate, is working on an otome game and offers to hire Lynda to draw the characters.  She'll even pay Lynda for the work.  With the hope of gaining exposure (as well as the money), Lynda jumps on board.  She's always been a fan of otome (a choose-your-own-adventure romance video game) and is excited to play a role in creating one.  As the girls develop the game, they also develop a romantic interest in each other.  However, Lynda's ambitions (combined with the resentments she carries from her family) threaten to derail the project and the relationship.

Lynda definitely has a difficult life, but it's one in which she does herself very few favors.  I found it hard to sympathize with her.  She's prickly and quick to jump to negative conclusions, prone to lashing out, and very self-centered.  Flawed characters can be instructive and interesting, especially if they grow over the course of the novel, but Lynda's growth comes late and while I sympathized with her sense of being unfairly treated, her treatment of others was equally horrid.

(I had never heard of otome before reading this story.  No real surprise there as I'm far removed from the target audience.  I enjoyed getting exposed to the phenomenon.)

Eliza, from Scratch, by Sophia Lee

When a scheduling mishap in her senior year lands Eliza in a Culinary Arts class instead of AP Physics, she worries that her stellar GPA and her shot at being the class salutatorian is endangered.  She needs that AP class and the weight it carries to keep her at the top.  But far worse is that she knows nothing at all about cooking and the likelihood of bombing it is high in her mind.

In class, that proves to be the case.  Worst of all is Wesley, the class's best cook.  With a chip on his shoulder for the times that smart kids like Eliza have looked down on him, he mocks her lack of skills, setting off a battle of wills between them.  While Wesley is most likely to win the end-of-class cooking contest, Eliza is determined to unseat him and prove that she can be brilliant in any subject.  Sure of their talent and success, both of them refuse to cede to each other and predictably fall in love.

But more than a love story, Eliza's search to find a culinary edge sends her to her mother and a rediscovery of her grandmother's cuisine.  Cooking with her mother heals a rift in the family and builds an appreciation in heritage.

Largely formulaic and sparse on surprises, the novel delivers what it promises.  What it may lack in originality, it makes up for with character development -- in particular, the strong chemistry between Eliza and Wesley.  This is the rare case of a really fun and sexy romance, with strong build up and some pretty hot writing.  There's some attempt to bring in bigger themes of classism and cultural elitism, but largely this is a story about two young people learning that there are many ways to succeed in this world.

What Comes After, by Katie Bayerl

When Mari dies, she finds herself in Paradise Gate, a way station where one decides if your next stop will be the Afterlife or the Eternal Abyss of 3am.  She has ninety days to redeem herself, earning points by focusing on positive emotions, practicing "youga," and eating lots of kale.  But it's a hard path.  Her mother, who died a few days before her and thus has little time remaining, is in danger of flunking her exams and ending up in the Abyss.  Mari could soon follow.

As Mari struggles to sort her life out (beginning with a big question of why she died), she comes to understand that something is wrong at Paradise Gate.  People do not necessary pass on and Mari discovers evidence that the leaders are corrupt and the system is crumbling.  When she steps forward and joins a plot to expose the corruption, surprising things happen.

Billed as a farce, the story does start off as strong satire.  Life after death, it seems, is basically set up like a high school with meaningless classes, social cliques, exam pressure, and lots of sneaking about.  Once the gimmicks of this world are defined however, Bayerl gets lost.  The novel is stuck in a literary dead end.  To dig out, we get the strange drama of a conspiracy, an underground, and a revolution.  But the revolution doesn't really work either, so the ending becomes a jumpy montage of third party accounts which avoid the need to really tell Mari's story anymore.  Every thing wraps up nicely in the end, but the story withers away.  Cute concept, but never really reached its potential.

The Uncertainty Principle, by Joshua Davis and Kal Kini-Davis

Mia, her little brother, and her parents are adrift on an old boat in the Caribbean and it is all Mia's fault.  When she had a breakdown at school, throwing food against the walls of the cafeteria, they decided it was time for a change of scene.  But Mia is not the only problem here.  Her mother is a germophobe and won't let them socialize with others so they stick to sparsely populated islands.  Mia spends her days perfecting a homegrown solar cell to power her equally homegrown satellite transmitter.  One day, she hopes to use it to call her best friend back at school to explain why she flew off the rails.

The uneasy status quo in Mia's family gets disrupted when they meet two unusual families, each of whom have a child about Mia's age who force her to make decisions that will change her life.

A quirky novel with an unusual father-and-son writing team.  From the acknowledgements, it would seem that the story is mostly from Kal (the son) while his father supervised and edited.  Regardless of who wrote what, I was suitably impressed by the depth that they gave Mia -- a young woman with a believable mix of insight and immaturity to make her truly interesting.  The supporting characters never get to do much but I didn't mind that as everything is really about Mia and her growth. 

Old School, by Gordon Korman

For the past six years, Dexter has been raised by his grandmother and the other residents of The Pines, a retirement community.  Being the youngest permanent resident, he's been doted over by the old people.  School?  He is getting all the schooling he needs from the various talents residing here.  But when a truant officer shows up, Dexter is told that he'll have to go to a real school, with kids his own age.

He hasn't socialized with anyone like that in ages and his first days of middle school are rough. He is singled out and bullied for his old-people clothes and his old-fashioned way of speaking.  But slowly he reveals his own particular contributions and makes friends.  Then, an unfortunate incident leads to his suspension and suddenly he and his classmates realize just how much Dexter actually does belong in school.

A cute story that suffers from the author's peculiar perception that the residents of The Pines are a lot older than would be normally plausible.  He hasn't populated it with a twelve year-old's grandparents but with the author's own grandparents.  Sorry, but old people don't listen to Benny Goodman and talk about the Great War anymore.  They listen to Jefferson Airplane and talk about Vietnam.  They are not the Greatest Generation, they are Baby Boomers.  It's cute having the old people teaching the kids to play bingo and shuffleboard, but its a dated stereotype.