Six More Months of June, by Daisy Garrison

Caplan and Mina have been next door neighbors and best friends through their school years.  Mina is shy and withdrawn, an outcast at school.  Caplan is popular and dating the school's Queen Bee Hollis.  But there has always been some sort of connection between Caplan and Mina that no one can explain (but people assume that it is some sort of crush).  But now, approaching the end of high school, Caplan is forced to face some uncomfortable truths about his feelings for Mina when she starts dating his best friend Quinn.  And as things explode emotionally around them and the curtain closes on their childhoods, a reckoning comes to all.

A beautifully written story that has all of the tropes but none of the expected endings.  The biggest surprise is Hollis who, far from being some uber-popular bitch, ends up being the nicest person of all.  Yet each of the other main characters (Caplan, Mina, and Quinn) manage to surprise with their independent non-stereotypical actions.  The book is littered with favorite scenes and fulls of brilliant quotes and one suspects that Garrison has spent her lifetime collecting favorite anecdotes to stuff into this first novel.

Anecdote packing, unfortunately, is also the weakness of the book.  For while the book is an exquisitely exposition upon the cusp of adulthood, it is bereft of an actual story.  The plot boils down to "four kids graduate and realize that they love each other in ways that transcend romantic or sexual feelings" and that's basically it.  You'll want to read it very slowly and carefully to suck out all the goodness, but in the end there isn't much substance here -- no deep meaning, no emotional climax -- just a sense of young people (through the author) making fantastic observations about life and growing up.

On the Bright Side, by Anna Sortino

For Ellie, living at a boarding school for deaf students was a godsend, helping her come out and thrive.  So, when the school closes and she's forced to come home and finish her senior year at home, it's hard to adjust to being the only deaf student at the public high school. And it's never been easy with her family.  Her parents are less than understanding about her needs and subconsciously favor her (hearing) older sister.  She can't wait until she graduates so she can get away from everything and everybody.

After a pretty rough introduction on her first day of school, the counselor arranges for chronic overachiever Jackson to help show Ellie around.  Ellie resents Jackson's enthusiasm despite his earnest (albeit awkward) attempts to ingratiate himself to her.  However, being a romance, it just takes some time and few more awkward incidents for the two of them to find each other and connect.  And along the way, we explore the many difficulties of building a relationship between a hearing person and a deaf one.

But there's more to the story.  Jackson has been experiencing random loss of motor control and sensation, and bouts of vertigo and nausea.  After some misdignosis and a harrowing scene where Ellie has to rescue him, the doctors eventually determine that Jackson has Multiple Sclerosis.  Faced with such a complex and terrifying condition, Jackson has to work through his shock, grief, and anger.  Ellie tries to help him, but it's a lot for a young love to take on.  Never mind that she has her own issues with her family to deal with.

It's a busy story with lots of issues (disability, prejudice, abuse, amongst others) that works surprisingly well and manages to bring up a lot about the experience of being hearing disabled.  It helps that the author is deaf and she draws heavily on her own life to bring in fascinating details (like the mistakes that beginners at ASL tend to make or the need to provide good lighting at parties where deaf people are attending) to fill out the story.  I enjoyed those little bits while appreciating a satisfying romance that, while not straying too far from form, still delivered an above average novel about two young people struggling with some major difficulties and overcoming them.  Eschewing an overly rosy ending, the story's issues and problems are addressed and we are left with a hopeful future for the two protagonists.

Unstuck, by Barbara Dee

Lyla has plans for a major fantasy novel.  The story's so complicated that she has trouble explaining it and it's going to take several books to cover the whole tale.  In other words, it will be truly epic!  At least, the story will be when she can get around to start writing it!  But there is background to research, geography to sort out (maybe she should draft out a map?), and a whole genealogy to draft out; to say nothing about coming up with names for all of the characters and places.  With all those distractions to figure out, it's understandable that she's struggled to put even a single sentence to paper.  And while she has a very supportive creative writing teacher, she really needs to get started!

Back home, her older sister seems to be suffering from a form of writer's block of her own.  She's supposed to be writing her application essays for college but hasn't gotten started.  Mom and Dad are going crazy nagging her and homelife has become unbearably tense.  Lyla wonders if any of the advice her teacher is giving her about writing could help her sister as well?  But Lyla is also confused by her sister's unwillingness to try.

Dee is really one of the best contemporary writers at capturing middle school mindsets.  Lyla has all of the awkward tween-ness of the age -- negotiating new school, new friends, and new avocations.  Rebelling against things she judges to be "babyish" while still struggling to understand the world to come, Lyla bravely experiments.

Dee's description of writer's block and real advice on how to work through it is a clever topic for a book, suitable for all writers, young and old.

The Wonderful Wishes of B, by Katherin Nolte

Ten year-old Bea has experienced a lot of pain lately and she has five wishes connected with those losses. She wishes her grandmother had not died, that her best friend had not moved away, that her Mom could keep her business afloat, that her Dad would visit, and that her grandma's old doll would come alive and become her little sister.  And, if nothing else, she wishes she could become like Tin Man from The Wizard of Oz and lose her heart so it would stop aching.

A new boy moves to town and convinces her that his own grandmother is a witch and can perform magic.  For the price of doing some things for the witch that Bea grows to regret, the woman is willing to grant Bea's wishes.  And while grandmother can't manage to grant all of the wishes, Bea's father does reappear with promises of his own to grant Bea's remaining wishes.  But in the end, Bea discovers that there is no magic fix for the losses we feel and that a heart is made for feeling the bad and the good.

A folksy middle reader featuring small bits of magic, adorable kitties, and plenty of friendly and quirky side characters.  While a few bad things happen, this is a light and safe story that manages to reach a predictable conclusion with a few  unexpected surprises along the way!

Emmett, by L C Rosen

Emmett is popular -- a fact that he attributes immodestly to how nice he is.  He's always thinking of other people's needs.  He's even taken it upon himself to help all of his friends find partners and he's overjoyed with planning ways in which his single friends can find each other.

He has no interest in finding a guy for himself.  He doesn't mind hooking up for sex, but getting into a committed relationship will inevitably lead to heartache and Emmett has no intention of getting hurt!  The human brain doesn't physically stop growing until you're twenty-five and so that's the earliest he'll be ready to find his life partner.

It's all very neat, but Emmett's perfect world is starting to come apart.  A string of matchmaking failures make Emmett question his skills.  And when he hurts some of his friends in the process, he doubts whether he is really as nice as he likes to to think he is.  But most grievous of all is the nagging doubt in his mind that maybe (just maybe) he would like to have a romance of his own.

I'm not sure that we need yet another adaptation of Jane Austen's Emma for the YA market (even if this version is the most flaming gay boy version to date), but my primary complaint is that I found it hard to really engage with the story.  Perhaps, because the characters really didn't seem like high schoolers, but rather more like college students.  You don't really get the feeling that Emmett and his friends live at home with their parents.  Their lives seem to mostly center around parties and flirting.  That's very Jane Austen, but it's not very American high school.  There's a fair amount of emortional drama, but not really any emotional depth and the result is more satire than romance.

Hunger, by Donna Jo Napoli

Life in the Irish countryside has alwatys been a bit precarious.  Lorraine and her family lease land from an English lord and subsist on the potatoes they grow, selling their grain harvest for income.  But when the crop fails in 1846, things start to look dire.  And in the year that follows, mass starvation leads to societal collapse.  

In the midst of the suffering, Lorraine befriends the naive but kind-hearted daughter of their lord named Susanna.  Miss Susannais a complicated character: arrogant, ignorant, and rude, but she nonetheless performs important acts oif charity that ultimately keep Lorraine alive.

Based entirely on historical fact, this is a story that won't exactly qualify as a pleasure read.  So while Napoli writes excellent historical fiction, but it's hard to imagine too many young people who would pick this book to read on the beach.  That's a shame as the book doesn't just serve as a historical account, but raises significant questions about how racism and ignorance affect the topic of immigration and of charity.

The Color of Sound, by Emily Barth Isler

Feeling burdened by her mother's expectations, violin prodigy Rosie declares that she's "on strike" for the forseeable future and not going to play.  Her furious mother punishes her by taking away her internet privileges but still holds out hope that Rosie will return to practicing.  Steaming at each other over the impasse, mother and daughter are forced have to cohabit as they visit Rosie's dying grandmother.

To get away from her family Rosie explores the property and runs across a peculiar girl her age.  Through some time travel magic, the girl turns out to be Rosie's own mother.  While Rosie frets a bit about impacting the future by interacting with her past-Mom, she is able to use the experience to learn why her mother is so controlling.  At a pivotal moment, she is also able to repair their relationship by solving a crisis in her young Mom's life.

A touching story of family regrets and legacies that is laser focused on being a Mother-Daughter Bookclub read (there are even discussion questions at the end of the book!).  I found myself getting annoyed by the way that mom's anxiety is portrayed and excused.  I also bristled at the or the heavy handed discussion about social interactions between children of different ages.  It felt like a kind of story that someone let Rosie's overbearing mother edit for appropriate content.  That made things safe, but not necessarily fun.

Those objections aside, I loved the magical time travel angle and the device of daughter teaching mother in the past (which of course was more famously done in Back to the Future).  I also enjoyed the fact that both Rosie and her mother have synthesia and hear music as color, an idea that has been explored in nother middle readers.