Hunger, by Donna Jo Napoli

Life in the Irish countryside has alwatys been a bit precarious.  Lorraine and her family lease land from an English lord and subsist on the potatoes they grow, selling their grain harvest for income.  But when the crop fails in 1846, things start to look dire.  And in the year that follows, mass starvation leads to societal collapse.  

In the midst of the suffering, Lorraine befriends the naive but kind-hearted daughter of their lord named Susanna.  Miss Susannais a complicated character: arrogant, ignorant, and rude, but she nonetheless performs important acts oif charity that ultimately keep Lorraine alive.

Based entirely on historical fact, this is a story that won't exactly qualify as a pleasure read.  So while Napoli writes excellent historical fiction, but it's hard to imagine too many young people who would pick this book to read on the beach.  That's a shame as the book doesn't just serve as a historical account, but raises significant questions about how racism and ignorance affect the topic of immigration and of charity.

The Color of Sound, by Emily Barth Isler

Feeling burdened by her mother's expectations, violin prodigy Rosie declares that she's "on strike" for the forseeable future and not going to play.  Her furious mother punishes her by taking away her internet privileges but still holds out hope that Rosie will return to practicing.  Steaming at each other over the impasse, mother and daughter are forced have to cohabit as they visit Rosie's dying grandmother.

To get away from her family Rosie explores the property and runs across a peculiar girl her age.  Through some time travel magic, the girl turns out to be Rosie's own mother.  While Rosie frets a bit about impacting the future by interacting with her past-Mom, she is able to use the experience to learn why her mother is so controlling.  At a pivotal moment, she is also able to repair their relationship by solving a crisis in her young Mom's life.

A touching story of family regrets and legacies that is laser focused on being a Mother-Daughter Bookclub read (there are even discussion questions at the end of the book!).  I found myself getting annoyed by the way that mom's anxiety is portrayed and excused.  I also bristled at the or the heavy handed discussion about social interactions between children of different ages.  It felt like a kind of story that someone let Rosie's overbearing mother edit for appropriate content.  That made things safe, but not necessarily fun.

Those objections aside, I loved the magical time travel angle and the device of daughter teaching mother in the past (which of course was more famously done in Back to the Future).  I also enjoyed the fact that both Rosie and her mother have synthesia and hear music as color, an idea that has been explored in nother middle readers.

Break To You, by Neil Shusterman, Debra Young, and Michelle Knowlden

A series of bad choices in friends hands Adriana a seven month stretch in the Compass juvenile detention facility.  Allegedly based on novel approaches to rehabilitate young adults and avoid recidivism, Compass is really a morass of selfish and embittered adults who manipulate the children under their control for their own ends.  So much for the social critique element of this team-written novel.

The meat of the story though is an unusual romance.  Strictly segregated, boys and girls don't interact.  But when Adriana accidentally leaves her journal at the jail library, it is discovered by Jon, who reads and writes in it before leaving it for her.  The two develop a correspondance, clandestinely writing entries and leaving the book hidden on the shelves for the other to find later.  Soon, simply writing to each other is not enough and Adriana and Jon hatch a plan to find a way to meet face to face.  Doing so sets in motion a series of events with tragic consequences.

The story is gripping and briskly paced.  The characters are well developed and diverse, illustrating a variety of different incarceration experiences.  The adults are far less interesting, but do a good job of moving things forward.  The end, while unexpected, is satisfyingly open-ended.  I enjoyed the book, but I doubt it will do much more than entertain.  The authors bring up a number of flaws in the justice and corrections systems, but it is unlikely readers will make much of a connection between these one-dimensional baddies and the real world issues that exist.

The No-Girlfriend Rule, by Christen Randall

In the six years that Hollis and Chris have been dating, Hollis has been shut out of Chris's Friday night Secrets and Sorcery games.  That's because his group has a strict "no girlfriends allowed" rule -- a rule that Hollis is determined to chip away at.  It's not that Hollis particularly likes the misogynistic and homophobic group that Chris plays with, but she wants to be in Chris's life.  So, Hollis has been studying how to play and she's found a group of her own to play with to get better.

The new group is made up solely of young women, racially diverse, and representative of a variety of gender and sexual identities. The woman who runs the group is all about building a supportive and safe environment.   In a nutshell, it's everything Chris's group is not.  And when Hollis finds that she not only likes them better but also, for the first time in her life feels she has real friends, it causes her to question why she cares so much for Chris.  And while breaking up seems unthinkable, there's no denying that she is discovering that there's so much more to life than being some guy's girlfriend.

I was initially going to write this off as a fluffy romance set amidst table-top gamers, but it has a surprising amount of substance.  Dungeons and Dragons (and gamer culture as a whole) is notoriously misogynistic.  Randall takes some pretty easy shots at that at the start, but then she imagines what a campaign would be like if it wasn't and Hollis's group is a wonderful exploration of how one could play the game without succumbing to toxic masculinity.  I'm sure the discussion has been had in the gamersphere but I've never seen it in fiction before and it's eye-opening.

Beyond that is a really strong story of Hollis's growth from an anxious and dependent girlfriend, unable to see her own self-worth, to a young woman with contributions to make and a right to be loved.  It's hardly smooth sailing and she has a lot of very relatable struggles with doubt and insecurity, but the honesty of the portrayal makes the payoff at the end so much more moving.  She also has a very authentic struggle with her sexual identity when her heart leads her towards a girl in the group -- a search which is never fully resolved and feels very satisfactory being left as such.

Throw in a couple other topics like body images, clinical anxiety, and abusive relationships, and you get a lot of value for a story about girls and gaming.

Such Charming Liars, by Karen M. McManus

After years of life as a jewelry thief, Kat's mother has finally decided to go clean.  She just needs one more job to make a new life possible.  It ought to be pretty straightforward: under the cover of being a caterer for a rich guy's 80th birthday run off with a valuable ruby necklace that belongs to his daughter while everyone is distracted blowing out the candles.  But things go wrong from the start:  on the way to site, their car gets a flat tire and the person who stops to help them is hardly a stranger.

Years ago, Kat's Mom married a man in Vegas and his son Liam was friends with Kat for 48 hrs.  But after a series of best-left-forgotten adventures, Mom and Dad split up non-amicably.  And now by strange fate they've suddenly been reunited, but it's not random chance: Liam's father is catfishing the same rich guy's daughter.  So, we have two con artists targetting the same person for very different reasons and their children are thrown into the middle of it all.

The story's a LOT more complicated than this, of course (especially when we start stacking up dead bodies), and there are layers upon layers of crosses and double crosses.  In the midst of all that story, it's easy to lose track of the characters and forget who is what to whom.  The characters are not particularly memorable and the plausibility of the plot wanes as things get complicated, but none of that really matters.  This is a well thought-out story and it's great fun to take a ride on the adventure, but it wasn't much to my taste. I had to wonder in the end if any of this made much sense.

Leila and the Blue Fox, by Kiran Millwood Hargrave (ill by Tom de Freston)

It's been six years since Leila has been with her mother.  They've spoken on the phone and on the computer, but there's never been a provate moment.  A climate scientist working above the Arctic Circle in Norway, Mom's work has been a convenient way to keep her and Leila from talking about their time in Syria and their forced emigration to the West.  But now during a summer visit to a land where the sun doesn't set and land easily becomes ice and melts to water, Leila finally has that time to talk.

Mom is tracking an Arctic Blue Fox, who they have named Miso to learn more about the impact of climate change.  Searching for a new home, Miso is undertaking an epic migration of her own, traveling what will eventually be a 2700 mile trek from Norway to Canada.  

Beautifully illustrated, this short and quick read deftly merges two very different stories (the reconciliation of mother and daughter and Miso's instinctive fight for survival) into a seemless story about the travels we take and what we hold on to.

The Final Curse of Ophelia Cray, by Christine Calella

When your mother is a feared and hated pirate and reputed witch, it's hard to keep a low profile.  Raised by her father, Ophelia has borne not only her mother's name, but the weight of her mother's notoriety.  Hated by the townspeople, Ophelia longs to run away from her small island and sail the seas -- not as a pirate like her mother, but as a sailor in the Royal Navy.  When her bloodline prevents her from enlisting, she presents herself as her half-sister Betsy and joins on.  Her sister is a helpless homebody and unlikely to be noticed by anyone, or so Ophelia thinks.  But when Ophelia slips away, Betsy surprises everyone by racing off to sea after her.

And soon, the best laid plans go astray as a set of curses cast by Ophelia's mother at the gallows come to pass.  Pirates, sword fights, sunken ships, gold, betrayals and doublecrosses, and endless adventure unfurl over the next 300+ pages of this frenetic adventure.  The cast is huge (although so is the body count) and keeping track of who is on whose side at any point in time is an ordeal, but if you let the story just take you along you are guaranteed a good ride.  It's not every YA novel that lets the heroine duel and get whipped in the first hundred pages so don't imagine that this is much of a "feelings" book or particularly focused on character development. But if pirates are your thing, there's plenty of that to go round here.