A Scar Like A River, by Lisa Graff

Fallon is keeping three secrets inside of her.  One of them is the truth about how she got a deep jagged scar across her face.  The other two are so horrible she can't even think of approaching them.  But when her uncle dies, she realizes that she wants to start talking about these secrets.  To her horror, when she tries to tell someone, she finds that she doesn't know how to do so.

Told in three parts, this story about sexual abuse becomes most compelling in its final section.  There's no real surprise about what  actually happened to Fallon, which creates some drawn out and tedious reading in the first two parts -- one of which addresses her realization that she has to start talking and the other her struggle to actually do so.  It's only in the final section, when speaking out creates complications in her relationships with her family, that the novel becomes suddenly engrossing and original. That's a long battle with little pay-off.  It also does not help that the book is stuffed with fluff (her facial injury, Fallon's mother's illness, a protest at school against the school musical, a classmate who can't pay for her lunches, etc.) that doesn't relate or contribute to the story.